Avid Xpress DV 4.0 User guide

Category
Software manuals
Type
User guide

This manual is also suitable for

make manage move | media
Avid
®
User´s Guide
for
Avid Xpress
®
Pro
Avid Xpress DV
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on the part
of Avid Technology, Inc.
The software described in this document is furnished under a license agreement. You can obtain a copy of
that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the
product in the same directory as the software. The software may not be reverse assembled and may be
used or copied only in accordance with the terms of the license agreement. It is against the law to copy the
software on any medium except as specifically allowed in the license agreement.
Avid products or portions thereof are protected by one or more of the following United States Patents:
4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378;
5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601; 5,644,364;
5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,799,150;
5,812,216; 5,852,435; 5,905,841; 5,929,836; 5,930,445; 5,946,445; 5,987,501; 6,016,152; 6,018,337;
6,023,531; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,134,607; 6,137,919;
6,141,691; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,317,158; 6,317,515; 6,330,369;
6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271;
6,489,969; 6,512,522; 6,532,043; 6,546,190; 6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824;
D392,269; D396,853; D398,912. Other patents are pending.
No part of this document may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording, for any purpose without the express written permission
of Avid Technology, Inc.
Copyright © 2003 Avid Technology, Inc. and its licensors. All rights reserved. Printed in USA.
The following disclaimer is required by Apple Computer, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,
REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE
OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of
their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its
documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices
and this permission notice appear in all copies of the software and related documentation, and (ii) the
names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the
software without the specific, prior written permission of Sam Leffler and Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,
IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,
INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED
OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN
CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
Portions of this software are based on work of the Independent JPEG Group.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to
derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray
Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to
perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the
software; or any other damages, including but not limited to, incidental, direct, indirect, special or
consequential Damages including lost profits, or damages resulting from loss of use or inability to use
reseller’s products or the software for any reason including copyright or patent infringement, or lost data,
even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such
damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product,
including warranties with respect to its merchantability or its fitness for any particular purpose.
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0
products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third
parties under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control
of applicable videotape recorder decks, videodisc recorders/players and the like.
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win
software and Sample Source Code:
©1993–1998 Altura Software, Inc.
The following disclaimer is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte
Corporation and are subject to copyright protection.
The following disclaimer is required by 3Prong.com Inc.:
Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such Software or
documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with
respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to
FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, Adrenaline, AirPlay, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AudioVision, AutoSync,
Avid, Avid DNA, AVIDdrive, AVIDdrive Towers, Avid Mojo, AvidNet, AvidNetwork, AVIDstripe, Avid Unity,
Avid Xpress, AVoption, AVX, CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx, Digidesign,
Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, DigiDrive, Digital Nonlinear Accelerator,
DigiTranslator, DINR, D-Verb, Equinox, ExpertRender, FieldPak, Film Composer, FilmScribe, FluidMotion,
HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX, Image Independence, Intraframe, iS9, iS18, iS23,
iS36, Lo-Fi, Magic Mask, make manage move | media, Marquee, Matador, Maxim, MCXpress,
Media Composer, MediaDock, MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog,
Media Reader, Media Recorder, MEDIArray, MediaShare, Meridien, MetaSync, NaturalMatch, Nearchive,
NetReview, NewsCutter, Nitris, OMF, OMF Interchange, OMM, Open Media Framework,
Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi, RetroLoop, rS9, rS18, Sci-Fi,
Softimage, Sound Designer II, SPACE, SPACEShift, Symphony, the Avid|DS logo, Trilligent, UnityRAID,
Vari-Fi, Video Slave Driver, VideoSPACE, and Xdeck are either registered trademarks or trademarks of
Avid Technology, Inc. in the United States and/or other countries.
iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.
Acrobat, Adobe, After Effects, Photoshop, and Reader are either registered trademarks or trademarks of
Adobe Systems Incorporated in the United States and/or other countries. Arri is a registered trademark of
Arri Group. Betacam, i.LINK and Sony are registered trademarks and DVCAM and Hi8 are trademarks of
Sony Corporation. FireWire, Macintosh, and Mac OS are trademarks of Apple Computer, Inc., registered
in the U.S. and other countries. Jaz and Zip are either registered trademarks or trademarks of Iomega
Corporation in the United States and/or other countries. Microsoft, Windows, Windows Media, and
Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the United States
and/or other countries. OpenGL is a registered trademark of Silicon Graphics Inc. QuickTime and the
QuickTime logo are trademarks used under license by Apple Computer, Inc. RealMedia is a trademark of
Progressive Networks, Inc. Silicon Graphics is a registered trademark of Silicon Graphics, Inc. Sound
Forge is a registered trademark of Sonic Foundry, Inc. All other trademarks contained herein are the
property of their respective owners.
Arri — Courtesy of Arri/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
Windhorse — Courtesy of Paul Wagner Productions.
Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,
Editor/Producer Bryan Foote.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Tornados + Belle Isle footage — Courtesy of KWTV News 9.
WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.
Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —
Broadcasters — Content creators of every genre — Just finished an incredible project and want to
share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
User´s Guide for Avid Xpress Pro, Avid Xpress DV • Part 0130-05674-01 • September 2003
Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Accessing the Tutorial and Online Library . . . . . . . . . . . . . . . . . . . . . . . 35
If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . . 36
How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Avid Educational Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Chapter 1 Desktop Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Working with the Desktop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Creating an Automatic System Recovery Disk (Windows Only) . . . 38
Using Shortcut Menus (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Using Shortcut Menus (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 39
Using the Windows Taskbar (Windows Only) . . . . . . . . . . . . . . . . . 39
Dragging Windows (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . 40
Setting the Avid Color Scheme (Windows) . . . . . . . . . . . . . . . . . . . 40
Setting the Apple Color Scheme (Macintosh) . . . . . . . . . . . . . . . . . 41
Setting Your Screen Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Changing Screen Resolution (Windows). . . . . . . . . . . . . . . . . . 42
Changing Screen Resolution (Macintosh) . . . . . . . . . . . . . . . . . 42
Using the Avid Xpress Pro or Avid Xpress DV Folder . . . . . . . . . . . . . . 43
Managing the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . 44
Using the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . 44
Changing Project and User Names . . . . . . . . . . . . . . . . . . . . . . . . . 45
Deleting Projects and User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . 45
6
Starting the Avid Application (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . 46
Starting the Avid Application (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . 47
Chapter 2 Planning and Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . 49
Types of Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Working in a 23.976p NTSC Project. . . . . . . . . . . . . . . . . . . . . . . . . 51
Capturing with Advanced Pulldown . . . . . . . . . . . . . . . . . . . . . . . . . 52
Project Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Working with Mixed-Resolution Projects. . . . . . . . . . . . . . . . . . . . . . . . . 55
NTSC and PAL Image Sizes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Sample Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Video and Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Opening and Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Changing Users . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Selecting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Selecting a Shared Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Selecting a Private Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Selecting an External Project . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Browsing for a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Opening a Project Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Opening a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Using User Profiles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Creating a User Profile. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Importing a User Profile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Changing User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Saving Your Project Information on a Drive or
Floppy Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Restoring from a Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Ending an Edit Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Quitting the Avid Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Turning Off Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
7
Mounting and Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Unmounting Drives (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Unmounting Drives (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Mounting All Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Chapter 3 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . 77
Opening and Closing the Project Window . . . . . . . . . . . . . . . . . . . . . . . 78
Using the Bins Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Viewing a List of Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Displaying Bin Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Changing Bin Display View Size . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Creating a Folder in a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Renaming a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Opening and Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Opening Selected Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Opening Bins from Other Projects. . . . . . . . . . . . . . . . . . . . . . . 89
Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Deleting a Bin or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Emptying the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Managing Folders and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Saving Bins Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Saving Bins Manually. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Retrieving Files from the Avid Attic Folder. . . . . . . . . . . . . . . . . . . . 95
Retrieving Files from the Avid Attic Folder (Windows) . . . . . . . 95
Retrieving Files from the Avid Attic Folder (Macintosh). . . . . . . 97
Using the Settings Scroll List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Understanding the Settings Scroll List . . . . . . . . . . . . . . . . . . . . . . 100
Understanding Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Defining Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Reviewing Basic Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Bin Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
General Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Transfer Settings for Film Projects . . . . . . . . . . . . . . . . . . . . . 105
8
Interface Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Displaying Project Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Changing the Settings Scroll List Display . . . . . . . . . . . . . . . . . . . . 107
Working with Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Selecting Another User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Modifying Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Working with Multiple Settings . . . . . . . . . . . . . . . . . . . . . . . . . 110
Duplicating Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Naming Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Selecting Among Multiple Settings. . . . . . . . . . . . . . . . . . . . . . 112
Deleting Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Copying Settings Between Settings Files . . . . . . . . . . . . . . . . 113
Moving Settings Between Systems . . . . . . . . . . . . . . . . . . . . . 114
Using Site Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Using the Info Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Displaying Project Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Viewing Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Understanding the Memory Window. . . . . . . . . . . . . . . . . . . . . . . . 118
Accessing the Hardware Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Customizing the Appearance of the
Avid User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Appearance Tab Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . . 121
Changing Shading Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Changing Shading Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Changing Button Separation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Changing Button Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Using Interface Appearance Templates . . . . . . . . . . . . . . . . . . . . . 128
Changing Font and Point Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Opening Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Basic Toolset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Color Correction Toolset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Source/Record Editing Toolset . . . . . . . . . . . . . . . . . . . . . . . . 134
Effects Editing Toolset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
9
Audio Editing Toolset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Capture Toolset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Customizing Toolsets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . 138
Customizing Your Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Creating a New Workspace Setting . . . . . . . . . . . . . . . . . . . . . . . . 140
Assigning a Workspace Button . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Linking User Settings and Workspaces . . . . . . . . . . . . . . . . . . . . . 143
Switching Between Workspaces . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Deleting a Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Support for Avid Unity LANshare . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Setting Up the LANshare Client . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Chapter 4 Using Basic Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Navigating in Dialog Boxes and Menus . . . . . . . . . . . . . . . . . . . . . . . . 149
Using the Tools Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Using the Command Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Understanding Button Mapping . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Mapping User-Selectable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . 152
Using the Blank Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Mapping a Modifier Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Mapping Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Activating Commands from the Command Palette . . . . . . . . . . . . 155
Using the Avid Calculator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Using the Console Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Displaying System Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Reviewing a Log of Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Getting Information with the Console Window . . . . . . . . . . . . . . . . 158
Using the Console Window to Access Network Drives . . . . . . . . . 159
Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Checking the Hardware Configuration . . . . . . . . . . . . . . . . . . . . . . 160
Chapter 5 Logging. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Logging Tips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Logging Preroll. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
10
Understanding Drop-Frame and Non-Drop-Frame Timecode . . . . 164
Logging Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Naming Tapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Double-Checking the Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Using a Memory Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Importing Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Converting Log Files with Avid Log Exchange . . . . . . . . . . . . . . . . . . . 171
Converting a Log File to an ALE File (Windows) . . . . . . . . . . . . . . 172
Using Drag-and-Drop Conversion (Windows) . . . . . . . . . . . . . . . . 175
Converting a Log File to an ALE File (Macintosh) . . . . . . . . . . . . . 176
Using Drag-and-Drop Conversion (Macintosh). . . . . . . . . . . . . . . . 178
Creating Avid Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Applications for Creating Avid Logs . . . . . . . . . . . . . . . . . . . . . 179
Required Information for Logging. . . . . . . . . . . . . . . . . . . . . . . 180
Creating an Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Logging Directly to a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Logging with an Avid-Controlled Camera or Deck . . . . . . . . . . . . . 181
Pausing the Deck While Logging . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Logging with a Non-Avid-Controlled Camera or Deck . . . . . . . . . . 186
Entering Pulldown Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Determining the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . 189
Modifying the Pulldown Phase Before Capturing. . . . . . . . . . . 190
Modifying Clip Information Before Capturing . . . . . . . . . . . . . . . . . . . . 192
The Modify Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Using the Modify Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Chapter 6 Preparing to Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Viewing DV Media Before Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Selecting Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Setting Media Creation Resolutions and Selecting Drives . . . . . . . 198
Selecting a Video Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Selecting Drives in the Media Creation Dialog Box . . . . . . . . . 199
General Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Capture Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
11
Setting Up the Audio Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Configuring the Sound Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Configuring Decks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Deleting Deck Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Deck Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Setting Deck Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Setting Up the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Changing the Power Scheme (Windows) . . . . . . . . . . . . . . . . . . . 211
Improving System Performance (Macintosh). . . . . . . . . . . . . . . . . 211
Opening the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Selecting a Deck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Selecting Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Viewing Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Selecting a Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Selecting Source Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Selecting a Resolution in the Capture Tool . . . . . . . . . . . . . . . . . . 216
Selecting a Format in the Capture Tool . . . . . . . . . . . . . . . . . . . . . 217
Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Targeting a Single Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Targeting Separate Drives for Video and Audio . . . . . . . . . . . 219
Interpreting the Time-Remaining Display. . . . . . . . . . . . . . . . . . . . 219
Capturing to Multiple Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . 220
Selecting the Preroll Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Capturing Across Timecode Breaks . . . . . . . . . . . . . . . . . . . . . . . 223
Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Adjusting Audio Project Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Selecting the Audio File Format. . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Using the Audio Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Creating Tone Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Audio Meters in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Using the Meter Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Using the Console Window to Check Audio Levels . . . . . . . . . . . . 233
Using the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . . . . . . 234
12
Resizing the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . 236
Monitoring Audio with the Passthrough Mix Tool . . . . . . . . . . . 236
Changing an Audio Level in the Passthrough Mix tool. . . . . . . 237
Adjusting Pan Values in the Passthrough Mix tool. . . . . . . . . . 238
Compression Resolutions and Storage Requirements . . . . . . . . . . . . . 238
Frame Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Digital Video Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Storage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Chapter 7 Capturing Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Before You Begin Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Adding Clip Names and Comments On-the-Fly . . . . . . . . . . . . . . . . . . 242
Monitoring Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Capturing Without Logging First . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Capturing from One Point to Another . . . . . . . . . . . . . . . . . . . . . . . 244
Capturing from an IN Point to an OUT Point . . . . . . . . . . . . . . 245
Setting Both Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Setting Only One Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Capturing On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Autocapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Capturing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . . . . 251
Capturing with Time-of-Day Timecode . . . . . . . . . . . . . . . . . . . . . . 252
Capturing from a Non-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . . . . 253
DV Scene Extraction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Setting Up DV Scene Extraction Before Capturing. . . . . . . . . . . . . 257
Setting Up DV Scene Extraction After Capturing . . . . . . . . . . . . . . 259
DV Capture Offset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
Capturing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Patching When Capturing to the Timeline . . . . . . . . . . . . . . . . . . . 264
Batch Capturing from Logged Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Preparing to Batch Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Resizing the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Preparing Settings for Unattended Batch Capturing . . . . . . . . 266
Batch Capturing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Recapturing Your Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
13
Recapturing Master Clips and Subclips . . . . . . . . . . . . . . . . . . . . . 268
Recapturing Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Saving Two Versions of a Sequence
When Recapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Using Decompose When Recapturing . . . . . . . . . . . . . . . . . . 270
Recapturing the Sequence Without Using Decompose . . . . . 272
Recapturing the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Other Capturing Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Controlling Decks from the Keyboard . . . . . . . . . . . . . . . . . . . . . . 275
Naming a New Tape from the Keyboard . . . . . . . . . . . . . . . . . . . . 276
Ejecting Tapes with a Button or Key . . . . . . . . . . . . . . . . . . . . . . . 277
Modifying the Pulldown Phase After Capturing . . . . . . . . . . . . . . . 277
Chapter 8 Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Preparing to Import Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Working with Mixed-Resolution Projects . . . . . . . . . . . . . . . . . . . . . . . 280
Creating and Using Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Creating a New Import Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Modifying an Existing Import Setting . . . . . . . . . . . . . . . . . . . . . . . 281
Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Importing Audio Files from a Music CD . . . . . . . . . . . . . . . . . . . . . . . . 286
Using the Drag-and-Drop Method to Import Files. . . . . . . . . . . . . . . . . 287
Importing Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Importing Single-Layer Photoshop Graphics . . . . . . . . . . . . . . . . . 288
Importing Multilayered Photoshop Graphics . . . . . . . . . . . . . . . . . 288
Understanding Multilayered Graphics Import . . . . . . . . . . . . . 289
Importing Multilayered Files. . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Reimporting Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
The Batch Import Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Selected Clips Section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Import Target Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Import Options Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Starting the Reimport Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
14
Chapter 9 Organizing with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Before You Begin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Using Bin Display Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Displaying Custom Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Customizing Bin Views in Text View . . . . . . . . . . . . . . . . . . . . 303
Saving a Custom Bin View. . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Conserving Screen Real Estate with the SuperBin. . . . . . . . . . . . . . . . 305
Enabling the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Opening Bins in the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Closing the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Moving Bins into and out of the SuperBin . . . . . . . . . . . . . . . . . . . 306
Moving Clips and Sequences into and out of the SuperBin . . . . . . 307
Copying Clips and Sequences into and out of the SuperBin . . . . . 308
Deleting a Bin with the SuperBin Enabled . . . . . . . . . . . . . . . . . . . 308
Basic Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Lassoing Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Selecting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Duplicating Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Deleting Clips, Sequences, or Media . . . . . . . . . . . . . . . . . . . . . . . 311
Assigning Colors to Bin Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Adding a Color Column to a Bin. . . . . . . . . . . . . . . . . . . . . . . . 313
Assigning a Source Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Assigning a Custom Source Color . . . . . . . . . . . . . . . . . . . . . . 313
Limiting Color Choices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Sorting by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Sifting by Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Sifting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Selecting Offline Items in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Selecting Media Relatives for an Object. . . . . . . . . . . . . . . . . . . . . 317
Using Brief View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
15
Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Bin Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
Arranging Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Moving and Rearranging Columns . . . . . . . . . . . . . . . . . . . . . 323
Aligning Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Showing and Hiding Columns . . . . . . . . . . . . . . . . . . . . . . . . . 324
Deleting a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Duplicating a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Adding Customized Columns to a Bin . . . . . . . . . . . . . . . . . . . 326
Changing a Custom Column Heading . . . . . . . . . . . . . . . . . . . 327
Managing Clip Information in Text View . . . . . . . . . . . . . . . . . . . . 327
Moving Within Column Cells . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Modifying Clip Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Modifying Data Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Using the Modify Command to Modify Data . . . . . . . . . . . . . . 329
Copying Information Between Columns . . . . . . . . . . . . . . . . . 331
Sorting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Sorting Clips in Descending Order . . . . . . . . . . . . . . . . . . . . . 332
Performing Multilevel Sorting with Columns . . . . . . . . . . . . . . 333
Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . 335
Enlarging or Reducing Frame Size . . . . . . . . . . . . . . . . . . . . . . . . 335
Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . . . . 336
Arranging Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Entering Script View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Adding Text in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Rearranging Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Gathering Format Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Preparing Digital Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Importing Color Bars and Other Test Patterns. . . . . . . . . . . . . . . . 340
Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
16
Creating Video Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Creating Audio Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Chapter 10 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Basic Media Tool Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Deleting Media Files with the Media Tool . . . . . . . . . . . . . . . . . . . . 348
Consolidating and Transcoding Media . . . . . . . . . . . . . . . . . . . . . . . . . 350
Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . 350
Using the Consolidate Command. . . . . . . . . . . . . . . . . . . . . . . . . . 353
Using the Transcode Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Refreshing Media Databases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Relinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Relinking by Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Relinking to Selected Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Relinking Consolidated Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Relinking Moved Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Unlinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Chapter 11 Using Script Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Lined Script Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Explanation of Symbols . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
Lining in the Digital Realm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
Script Integration Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Using Script Integration in Video Projects . . . . . . . . . . . . . . . . . . . 374
Script Window Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Script Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Importing a Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Opening, Closing, and Saving the Script Window . . . . . . . . . . . . . 377
Displaying Clip and Sequence Information in a
Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
17
Exploring the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Adjusting the Script Margins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Manipulating Script Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Changing the Font of the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Selecting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Cutting, Copying, and Pasting Script . . . . . . . . . . . . . . . . . . . . . . . 381
Removing Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Searching Through Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Using Scene and Page Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . 383
Adding a Scene or Page Number . . . . . . . . . . . . . . . . . . . . . . 383
Changing a Scene or Page Number . . . . . . . . . . . . . . . . . . . . 384
Deleting a Scene or Page Number . . . . . . . . . . . . . . . . . . . . . 384
Searching for a Scene or Page Number . . . . . . . . . . . . . . . . . 385
Conducting a Text Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Linking Clips to the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Interpolating Position for Script Integration. . . . . . . . . . . . . . . . . . . . . . 387
Manipulating Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Selecting Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Resizing Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Holding Slates On Screen in the Script Window . . . . . . . . . . . . . . 389
Hiding Slate Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389
Showing One Take Per Slate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Moving a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
Deleting a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
Manipulating Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Selecting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Adding Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Deleting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Displaying Take Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Changing the Representative Frame for a Take . . . . . . . . . . . . . . 394
Loading Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394
Playing Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Adjusting Take Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Indicating Off-Screen Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Using Color Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
18
Using Script Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Placing Script Marks Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Automating Screening and Marking . . . . . . . . . . . . . . . . . . . . . . . . 399
Loading and Playing Marked Segments . . . . . . . . . . . . . . . . . . . . . 401
Moving a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Deleting a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Finding Clips and Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Finding Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Finding Clips and Bins from the Script Window . . . . . . . . . . . . . . . 403
Editing with the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Assembling a Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Splicing a Script Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Revising the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Interactive Screenings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Chapter 12 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . 407
Customizing the Monitor Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407
Changing the Source Pop-up Monitor Size . . . . . . . . . . . . . . . . . . 408
Using Dual Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408
Resizing Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Hiding the Video in the Composer Monitor . . . . . . . . . . . . . . . 411
Resizing the Composer Monitor. . . . . . . . . . . . . . . . . . . . . . . . 412
Using the 16:9 Display Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412
Using 16:9 for 24p or 25p Editing . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Displaying Tracking Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Displaying the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
Displaying the Timecode Window. . . . . . . . . . . . . . . . . . . . . . . . . . 418
Setting the Font and Point Size for Monitor Displays . . . . . . . . . . . 419
Playing Video to the Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420
Connecting a Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420
Selecting the Client Monitor Setting . . . . . . . . . . . . . . . . . . . . . . . . 421
Adjusting the Play Delay Offset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422
Viewing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
19
Loading Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
Using the Clip Name Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Switching Between Loaded Sequences . . . . . . . . . . . . . . . . . 425
Clearing Sequences from Monitors . . . . . . . . . . . . . . . . . . . . . 426
Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Using Position Bars and Position Indicators . . . . . . . . . . . . . . . . . 427
Using Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Understanding the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429
Shuttling with J-K-L Keys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Navigating with Home, End, and Arrow Keys . . . . . . . . . . . . . 431
Play Length “In Use” Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Marking IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Clearing a Mark and Setting a New One . . . . . . . . . . . . . . . . . 434
Dragging IN and OUT Points. . . . . . . . . . . . . . . . . . . . . . . . . . 435
Marking an Entire Clip or Segment . . . . . . . . . . . . . . . . . . . . . . . . 435
Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Using the Tool Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Using the Timeline Top Toolbar. . . . . . . . . . . . . . . . . . . . . . . . . . . 438
Creating Subclips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439
Subclips and Audio Sync for 24p or 25p Projects . . . . . . . . . . . . . 440
Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Ways to Use Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Adding Locators While Editing. . . . . . . . . . . . . . . . . . . . . . . . . 442
Moving to the Previous or Next Locator . . . . . . . . . . . . . . . . . 444
Using Locators to Mark an Area . . . . . . . . . . . . . . . . . . . . . . . 444
Deleting a Locator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
Using the Locators Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 445
Viewing and Navigating in the Locators Window. . . . . . . . . . . 446
Sorting Information in the Locators Window . . . . . . . . . . . . . . 446
Displaying Frames in the Locators Window . . . . . . . . . . . . . . 447
Changing the Color of the Locator Icon. . . . . . . . . . . . . . . . . . 447
Accessing a Locator in a Sequence or Clip. . . . . . . . . . . . . . . 447
Printing the Locators Window . . . . . . . . . . . . . . . . . . . . . . . . . 448
Using the Locators Window to Delete Locators. . . . . . . . . . . . 448
20
Displaying Information in the Locators Window . . . . . . . . . . . . 449
Finding Frames and Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 449
Using Frame Offset Timecode to Cue a Frame . . . . . . . . . . . . . . . 450
Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . 450
Searching a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451
Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452
Matchframing Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
Chapter 13 First Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455
Setting Up a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455
Creating a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456
Changing Sequence Information . . . . . . . . . . . . . . . . . . . . . . . . . . 457
Changing the Start Timecode for Sequences. . . . . . . . . . . . . . . . . 457
Setting Up Tracks for the New Sequence. . . . . . . . . . . . . . . . . . . . 458
Making the First Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 459
Beginning to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Creating an Instant Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461
Undoing or Redoing Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Monitoring Audio While Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 463
Editing Additional Clips into the Sequence . . . . . . . . . . . . . . . . . . . . . . 463
Performing a Splice-in Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 463
Performing an Overwrite Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464
Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
Lifting, Extracting, and Copying Material. . . . . . . . . . . . . . . . . . . . . . . . 466
Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466
Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467
Copying Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467
Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468
Placing a Sequence into the Clipboard . . . . . . . . . . . . . . . . . . 468
Recovering Material from the Clipboard. . . . . . . . . . . . . . . . . . 468
Playing the New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Playing a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Starting a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Proceeding with Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 471
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752

Avid Xpress DV 4.0 User guide

Category
Software manuals
Type
User guide
This manual is also suitable for

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI