Avid Media Composer Adrenaline 1.0 User guide
- Category
- Software
- Type
- User guide
make manage move | media
™
Avid
®
Avid
®
Media Composer
®
Adrenaline
™
Editing Guide
2
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on the part
of Avid Technology, Inc.
The software described in this document is furnished under a license agreement. You can obtain a copy of
that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the
product in the same directory as the software. The software may not be reverse assembled and may be
used or copied only in accordance with the terms of the license agreement. It is against the law to copy the
software on any medium except as specifically allowed in the license agreement.
Avid products or portions thereof are protected by one or more of the following United States patents:
4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378;
5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601; 5,644,364;
5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,781,188;
5,799,150; 5,812,216; 5,852,435; 5,905,841; 5,929,836; 5,929,942; 5,930,445; 5,930,797; 5,946,445;
5,987,501; 5,999,190; 6,016,152; 6,018,337; 6,023,531; 6,023,703; 6,031,529; 6,058,236; 6,061,758;
6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,134,607; 6,137,919; 6,141,691; 6,157,929; 6,160,548;
6,167,404; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,317,158; 6,317,515; 6,330,369;
6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,449,019;
6,473,094; 6,477,271; 6,489,969; 6,512,522; 6,532,043; 6,539,163; D396,853; D398,912. Additional U.S.
and foreign patents pending.
No part of this document may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording, for any purpose without the express written permission
of Avid Technology, Inc.
Copyright © 2003 Avid Technology, Inc. and its licensors. All rights reserved.
The following disclaimer is required by Apple Computer, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,
REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE
OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of
their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
The following disclaimer is required by Apple Computer, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,
REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE
OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of
their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its
documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices
and this permission notice appear in all copies of the software and related documentation, and (ii) the
names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the
software without the specific, prior written permission of Sam Leffler and Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,
IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
3
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,
INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED
OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN
CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
Portions of this software are based on work of the Independent JPEG Group.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to
derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray
Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to
perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the
software; or any other damages, including but not limited to, incidental, direct, indirect, special or
consequential Damages including lost profits, or damages resulting from loss of use or inability to use
reseller’s products or the software for any reason including copyright or patent infringement, or lost data,
even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such
damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product,
including warranties with respect to its merchantability or its fitness for any particular purpose.”
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0
products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third
parties under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control
of applicable videotape recorder decks, videodisc recorders/players and the like.”
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win
software and Sample Source Code:
©1993–1998 Altura Software, Inc.
The following disclaimer is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte
Corporation and are subject to copyright protection.
The following disclaimer is required by 3Prong.com Inc.:
Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such Software or
documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with
respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to
FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, AirPlay, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,
AVIDdrive, AVIDdrive Towers, AvidNet, AvidNetwork, AVIDstripe, Avid Unity, Avid Xpress, AVoption, AVX,
CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx, Digidesign, Digidesign Audio Engine,
Digidesign Intelligent Noise Reduction, DigiDrive, DigiTranslator, DINR, D-Verb, Equinox, ExpertRender,
FieldPak, Film Composer, FilmScribe, FluidMotion, HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX,
Image Independence, Intraframe, iS9, iS18, iS23, iS36, Lo-Fi, Magic Mask, make manage move | media,
Marquee, Matador, Maxim, MCXpress, Media Composer, MediaDock, MediaDock Shuttle, Media Fusion,
Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray, MediaShare, Meridien, MetaSync,
NaturalMatch, Nearchive, NetReview, NewsCutter, OMF, OMF Interchange, OMM,
Open Media Framework, Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi,
RetroLoop, rS9, rS18, Sci-Fi, Softimage, Sound Designer II, SPACE, SPACEShift, Symphony, the Avid|DS
4
logo, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver, VideoSPACE, and Xdeck are either registered
trademarks or trademarks of Avid Technology, Inc. in the United States and/or other countries.
iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.
Aaton is a registered trademark of Aaton S.A. Adobe, Acrobat, and Acrobat Reader are either registered
trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
Arboretum is a registered trademark of Arboretum Systems, Inc.
Arri is a registered trademark of Arri Group. DUY is a registered trademark of DUY, S. A.
FaderMaster Professional is a trademark of JL Cooper, a division of Sound Technology. Focusrite is a
registered trademark of Focusrite Audio Engineering LTD. Jaz and Zip are registered trademarks of
Iomega Corporation. Macintosh and Balloon Help are trademarks of Apple Computer, Inc., registered in
the United States and other countries. Microsoft, Windows, and Windows NT are registered trademarks of
Microsoft Corporation. Philips is a registered trademark of Philips Electronics N.V. QuickTime and the
QuickTime logo are trademarks used under license from Apple Computer, Inc. The QuickTime logo is
registered in the U.S. and other countries. Sony is a registered trademark of Sony Corporation. V-LAN and
VLXi are registered trademarks of Videomedia, Inc. Waves is a registered trademark of Waves LTD.
Yamaha is a registered trademark of Yamaha Corporation. All other trademarks contained herein are the
property of their respective owners.
Footage
Arri — Courtesy of Arri
™
/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
Windhorse — Courtesy of Paul Wagner Productions.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —
Broadcasters — Content creators of every genre — Just finished an incredible project and want to
share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid Media Composer Adrenaline Editing Guide • Part 0130-05721-01 • May 2003
Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Accessing the Tutorial and Online Library . . . . . . . . . . . . . . . . . . . . . . . 32
If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . . 33
How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Avid Educational Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Chapter 1 Editing Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Editing Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Preparing to Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Editing a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Chapter 2 Desktop Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Working with the Desktop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Creating an Emergency Repair Disk (Windows Only) . . . . . . . . . . . 42
Using Shortcut Menus (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Using Shortcut Menus (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 43
Using the Windows Taskbar (Windows Only) . . . . . . . . . . . . . . . . . 43
Using the Macintosh Dock (Macintosh Only) . . . . . . . . . . . . . . . . . . 44
Dragging Windows (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . 45
Setting Your Screen Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Changing Screen Resolution (Windows). . . . . . . . . . . . . . . . . . 46
Changing Screen Resolution (Macintosh) . . . . . . . . . . . . . . . . . 46
6
Using the Avid Media Composer Adrenaline Folder . . . . . . . . . . . . . . . 46
Managing the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . 47
Using the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . 48
Changing Project and User Names . . . . . . . . . . . . . . . . . . . . . . . . . 49
Deleting Projects and User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . 50
Retrieving Files from the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . 51
Retrieving Files from the Avid Attic Folder (Windows) . . . . . . . . . . . 52
Retrieving Files from the Avid Attic Folder (Macintosh) . . . . . . . . . . 53
Starting the Avid Application (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . 55
Starting the Avid Application (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . 56
Chapter 3 Starting a Work Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Opening and Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Changing Users . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Selecting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Selecting a Shared Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Selecting a Private Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Selecting an External Project . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Browsing for a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Opening a Project Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Opening a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Using User Profiles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Creating a User Profile. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Importing a User Profile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Changing User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Saving Your Project Information on a Drive or Floppy Disk . . . . . . . 74
Restoring from a Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Ending a Work Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Quitting the Avid Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Turning Off Your Equipment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Mounting and Unmounting Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
7
Mounting All Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Session Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Chapter 4 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . 81
Opening and Closing the Project Window . . . . . . . . . . . . . . . . . . . . . . . 82
Using the Bins Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Viewing a List of Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Displaying Folders of Bins in the Bins List . . . . . . . . . . . . . . . . . . . . 84
Creating a Folder in a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Renaming a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Opening and Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Opening Selected Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Opening Bins from Other Projects. . . . . . . . . . . . . . . . . . . . . . . 87
Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Deleting a Bin or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Emptying the Trash in the Bins List . . . . . . . . . . . . . . . . . . . . . . . . . 89
Managing Folders and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Saving Bins Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Saving Bins Manually. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Using the Settings Scroll List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Understanding Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Defining Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Reviewing Basic Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Displaying Project Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Changing the Settings Scroll List Display . . . . . . . . . . . . . . . . 101
Working with Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Selecting Another User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Modifying Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Working with Multiple Settings. . . . . . . . . . . . . . . . . . . . . . . . . 104
Duplicating Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Naming Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Selecting Among Multiple Settings . . . . . . . . . . . . . . . . . . . . . 106
Deleting Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
8
Restoring Default Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Copying Settings Between Settings Files . . . . . . . . . . . . . . . . 107
Using Site Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Using the Info Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Viewing Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Accessing the Hardware Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Displaying Usage Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Statistics File Structure and Layout . . . . . . . . . . . . . . . . . . . . . . . . 113
Importing the Statistics File into a Spreadsheet . . . . . . . . . . . . . . . 116
Displaying Disk Space Statistics. . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Customizing the Appearance of the Avid User Interface . . . . . . . . . . . 118
Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . . 119
Changing Shading Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Changing Shading Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Changing Button Separation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Changing Button Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Using Interface Appearance Templates . . . . . . . . . . . . . . . . . . . . . 125
Changing Font and Point Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Customizing Your Workspace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Creating a New Workspace Setting . . . . . . . . . . . . . . . . . . . . . . . . 128
Linking User Settings and Workspaces . . . . . . . . . . . . . . . . . . . . . 129
Switching Between Workspaces. . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Deleting a Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Assigning a Workspace Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Sharing Bins and Projects on Avid Unity MediaNetwork. . . . . . . . . . . . 133
Understanding Avid Unity MediaNetwork . . . . . . . . . . . . . . . . . . . . 133
Mapping Workspaces on the Avid Unity Network. . . . . . . . . . . . . . 134
Sharing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Shared Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Shared Bins and Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Opening a Shared Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Working with Locks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Overriding the Default Locking Mechanism . . . . . . . . . . . . . . . 138
Restrictions and Limitations for Locked Bins . . . . . . . . . . . . . . 138
9
Chapter 5 Using Basic Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Navigating in Dialog Boxes and Menus . . . . . . . . . . . . . . . . . . . . . . . . 142
Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Opening Toolsets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Customizing Toolsets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . 144
Using the Tools Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Using the Deck Controller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Using the Command Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Understanding Button Mapping . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Mapping User-Selectable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . 150
Using the Blank Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Mapping Modifier Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Mapping Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Activating Commands from the Command Palette . . . . . . . . . . . . 153
Using the Avid Calculator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Using the Console Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Displaying System Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Reviewing a Log of Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Getting Information with the Console. . . . . . . . . . . . . . . . . . . . . . . 156
Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Using the Communication (Serial) Ports Tool . . . . . . . . . . . . . . . . . . . 157
Chapter 6 Organizing with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Preparing to Work with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Adjusting Audio Pan Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Adjusting Default Pan Settings . . . . . . . . . . . . . . . . . . . . . . . . 161
Using the Center Pan Command. . . . . . . . . . . . . . . . . . . . . . . 161
Using Audio Timecode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Film Scene Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Setting the Bin Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Conserving Screen Real Estate with the SuperBin . . . . . . . . . . . . . . . 166
Enabling and Disabling the SuperBin . . . . . . . . . . . . . . . . . . . . . . 166
Opening Bins in the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Closing the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
10
Moving Bins into and out of the SuperBin . . . . . . . . . . . . . . . . . . . 168
Moving Clips and Sequences into and out of the SuperBin . . . . . . 168
Copying Clips and Sequences into and out of the SuperBin . . . . . 169
Deleting a Bin with the SuperBin Enabled . . . . . . . . . . . . . . . . . . . 169
Basic Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Using Bin Display Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Displaying Custom Bin Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Customizing Bin Views in Text View . . . . . . . . . . . . . . . . . . . . 171
Saving a Custom Bin View. . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Lassoing Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Selecting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Duplicating Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Deleting Clips, Subclips, and Sequences. . . . . . . . . . . . . . . . . . . . 176
Assigning Colors to Bin Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Adding a Color Column to a Bin. . . . . . . . . . . . . . . . . . . . . . . . 178
Assigning a Source Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Assigning a Custom Source Color . . . . . . . . . . . . . . . . . . . . . . 179
Limiting Color Choices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Sifting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Sifting Timecodes or Keycode Ranges . . . . . . . . . . . . . . . . . . 182
Sifting Within a Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Locking and Unlocking Items in a Bin. . . . . . . . . . . . . . . . . . . . . . . 185
Selecting Offline Items in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Selecting Media Relatives for an Object. . . . . . . . . . . . . . . . . . . . . 186
Selecting Sources Used by an Object . . . . . . . . . . . . . . . . . . . . . . 187
Selecting Unreferenced Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Using Brief View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Arranging Bin Columns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Moving and Rearranging Columns. . . . . . . . . . . . . . . . . . . . . . 189
Aligning Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Showing and Hiding Columns . . . . . . . . . . . . . . . . . . . . . . . . . 190
11
Deleting a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Duplicating a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Adding Customized Columns to a Bin . . . . . . . . . . . . . . . . . . . 192
Changing a Custom Column Heading . . . . . . . . . . . . . . . . . . . 192
Managing Clip Information in Text View . . . . . . . . . . . . . . . . . . . . 193
Moving Within Column Cells . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Modifying Clip Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Copying Information Between Columns . . . . . . . . . . . . . . . . . 199
Copying Information from Another Cell in a Custom Column . 199
Sorting Clips in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Sorting Clips in Ascending Order . . . . . . . . . . . . . . . . . . . . . . 200
Sorting Clips in Descending Order . . . . . . . . . . . . . . . . . . . . . 200
Performing Multilevel Sorting with Columns . . . . . . . . . . . . . . 201
Sorting Clips by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . . 201
Frame Counting for Timecodes . . . . . . . . . . . . . . . . . . . . . . . . 203
Adding Timecode Columns to a Bin or the Media Tool . . . . . . 203
Adding Timecode Values to the Timecode Columns. . . . . . . . 203
Bin Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . 209
Enlarging or Reducing Frame Sizes . . . . . . . . . . . . . . . . . . . . . . . 209
Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . . . . 210
Arranging Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Adding Text in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Playing Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Rearranging Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Gathering Format Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Preparing Digital Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Importing Color Bars and Other Test Patterns. . . . . . . . . . . . . . . . 216
Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Creating Video Leader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
12
Creating Audio Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Storyboard Worksheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Chapter 7 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Working with Media Files in an Avid Unity Environment . . . . . . . . . . . . 224
Configuring Avid Editing Systems to Work with MediaManager
and TransferManager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Support for an Avid Unity LANshare Workgroup . . . . . . . . . . . . . . 226
Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Basic Media Tool Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Deleting Media Files with the Media Tool . . . . . . . . . . . . . . . . . . . . 229
Freeing Storage Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . 232
Using the Consolidate Command . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Using the Transcode Command. . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Refreshing Media Databases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Using Videotapes for Archiving and Restoring Media Files . . . . . . . . . 241
Archiving Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Archive to Videotape Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Restoring an Archive from Videotape . . . . . . . . . . . . . . . . . . . . . . . 247
Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Relinking Clips to Media Files or Bin Items. . . . . . . . . . . . . . . . . . . . . . 250
Relinking to Selected Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Relinking Consolidated Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Relinking Moved Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Unlinking Clips from Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Chapter 8 Using Script Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Lined Script Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
Explanation of Symbols . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Lining in the Digital Realm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
13
Script Integration Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Using Script Integration in Video Projects . . . . . . . . . . . . . . . . . . . 262
Script Window Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Script Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Importing a Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Opening, Closing, and Saving the Script Window . . . . . . . . . . . . . 265
Displaying Clip and Sequence Information in a Script Window . . . 266
Exploring the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Adjusting the Script Margins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Manipulating Script Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Changing the Font of the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Selecting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Cutting, Copying, and Pasting Script . . . . . . . . . . . . . . . . . . . . . . . 270
Removing Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Searching Through Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Using Page and Scene Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . 271
Adding a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . 272
Changing a Page or Scene Number . . . . . . . . . . . . . . . . . . . . 272
Deleting a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . 273
Searching for a Page or Scene Number . . . . . . . . . . . . . . . . . 273
Conducting a Text Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Linking Clips to the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Interpolating Position for Script Integration. . . . . . . . . . . . . . . . . . . . . . 276
Manipulating Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Selecting Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Resizing Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Holding Slates On Screen in the Script Window . . . . . . . . . . . . . . 278
Hiding Slate Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Showing One Take Per Slate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Moving a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Deleting a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Manipulating Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Selecting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Adding Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Deleting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
14
Displaying Take Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Changing the Representative Frame for a Take. . . . . . . . . . . . . . . 283
Loading Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Playing Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Adjusting Take Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Indicating Off-Screen Dialog. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Using Color Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Using Script Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Placing Script Marks Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Automating Screening and Marking . . . . . . . . . . . . . . . . . . . . . . . . 288
Loading and Playing Marked Segments. . . . . . . . . . . . . . . . . . . . . 290
Moving a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Deleting a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Finding Clips and Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Finding Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Finding Clips and Bins from the Script Window . . . . . . . . . . . . . . . 292
Editing with the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Assembling a Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Splicing a Script Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Revising the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Interactive Screenings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Chapter 9 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . 297
Customizing the Composer Window . . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Viewing Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Using the 16:9 Display Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Using 16:9 for 24p and 25p Editing . . . . . . . . . . . . . . . . . . . . . . . . 304
Displaying Tracking Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Displaying the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Copying Text from the Info Window . . . . . . . . . . . . . . . . . . . . . 312
Displaying Timecode in the Timecode Window . . . . . . . . . . . . . . . 312
Displaying Multiple Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Understanding Composer Settings. . . . . . . . . . . . . . . . . . . . . . . . . 314
Using the Tool Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
15
Viewing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Fast Frame Display in 24p and 25p Projects . . . . . . . . . . . . . . . . . . . . 318
Playing Selected Clips in a Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Loading Footage into the Playback and Pop-up Monitors . . . . . . . 319
Loading Footage into the Source, Record, and Pop-up Monitors . 320
Loading Multiple Clips or Sequences. . . . . . . . . . . . . . . . . . . . . . . 320
Using the Clip Name Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Switching Between Loaded Clips . . . . . . . . . . . . . . . . . . . . . . 321
Clearing Clips from Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Resizing Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Hiding the Video in a Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Resizing a Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Customizing the Playback Monitor Size. . . . . . . . . . . . . . . . . . . . . 324
Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Using Position Bars and Position Indicators . . . . . . . . . . . . . . . . . 325
Using Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Play Reverse, Play, Pause, Stop, Rewind, and Fast
Forward Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Play Standby Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Step Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Using Single-Field Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Using the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
J-K-L Keys (Three-Button Play). . . . . . . . . . . . . . . . . . . . . . . . 330
Home, End, and Arrow Keys . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Using the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Jogging with the Mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Shuttling with the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Playing Video to the Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Connecting a Client Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Selecting the Client Monitor Setting. . . . . . . . . . . . . . . . . . . . . . . . 334
Supporting a Camera Without Video Input . . . . . . . . . . . . . . . . . . 336
Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Marking IN to OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Moving IN to OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
16
Dragging IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Marking an Entire Clip or Segment. . . . . . . . . . . . . . . . . . . . . . . . . 339
Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340
Subclips and Audio Sync for 24p and 25p Projects . . . . . . . . . . . . 341
Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Ways to Use Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Adding Locators While Editing . . . . . . . . . . . . . . . . . . . . . . . . . 344
Copying Locators from Source Clips . . . . . . . . . . . . . . . . . . . . 345
Marking an Area Using Locators . . . . . . . . . . . . . . . . . . . . . . . 346
Moving to the Previous or Next Locator . . . . . . . . . . . . . . . . . . 346
Deleting Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Understanding the Locators Window . . . . . . . . . . . . . . . . . . . . . . . 347
Displaying Timecode or Footage in the Locators Window . . . . 348
Sorting Information in the Locators Window . . . . . . . . . . . . . . 349
Displaying Frames in the Locators Window . . . . . . . . . . . . . . . 349
Changing the Color of the Locator Icon . . . . . . . . . . . . . . . . . . 350
Accessing a Locator in a Clip or Sequence . . . . . . . . . . . . . . . 350
Printing the Contents of the Locators Window . . . . . . . . . . . . . 350
Deleting Locators Using the Locators Window . . . . . . . . . . . . 352
Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Searching for a Clip or Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . 355
Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Performing a Reverse Match Frame. . . . . . . . . . . . . . . . . . . . . . . . 357
Selecting Tracks for Matching Frames . . . . . . . . . . . . . . . . . . . . . . 358
Finding a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Locating a Master Clip from a Subclip in a Sequence . . . . . . . . . . 359
Finding a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Chapter 10 Editing in Source/Record Mode . . . . . . . . . . . . . . . . . . . . . . . 361
Entering Source/Record Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Setting Up a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Changing the Sequence Name and Timecode. . . . . . . . . . . . . . . . 364
Setting Up Tracks for the New Sequence. . . . . . . . . . . . . . . . . . . . 365
17
User Preferences for Creating Tracks . . . . . . . . . . . . . . . . . . . 366
Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Making an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Creating an Instant Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Undoing or Redoing Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
Editing Additional Clips into the Sequence. . . . . . . . . . . . . . . . . . . . . . 373
Performing a Splice-in Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Performing an Overwrite Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Single-Mark Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Using Phantom Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Setting One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Adding a Second Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Lifting, Extracting, and Copying Material . . . . . . . . . . . . . . . . . . . . . . . 378
Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Copying Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Preserving Clipboard Contents . . . . . . . . . . . . . . . . . . . . . . . . 380
Recovering Material from the Clipboard . . . . . . . . . . . . . . . . . 381
Adding Comments to Sequence Clips . . . . . . . . . . . . . . . . . . . . . . . . . 382
Playing the New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Starting a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
Playback Performance Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Playing a Limited Duration of a Sequence. . . . . . . . . . . . . . . . . . . 384
Setting a Limited Play Length . . . . . . . . . . . . . . . . . . . . . . . . . 385
Playing a Sequence Using a Limited Play Length. . . . . . . . . . 385
Fine-Tuning the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Chapter 11 Using the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Understanding Timeline Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Using the Timeline Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Additional Procedures for Customizing the Timeline . . . . . . . . . . . 392
Enlarging and Reducing Tracks . . . . . . . . . . . . . . . . . . . . . . . 392
Moving a Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
18
Displaying the Timeline Top Toolbar . . . . . . . . . . . . . . . . . . . . . . . 394
Displaying Timecode Tracks in the Timeline . . . . . . . . . . . . . . . . . 394
Assigning Local Colors to Clips in the Timeline . . . . . . . . . . . . . . . 395
Displaying Local and Source Colors in the Timeline . . . . . . . . . . . 396
Displaying Source Colors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Displaying Local Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Highlighting Offline Media Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Changing the Timeline Background Color . . . . . . . . . . . . . . . . . . . 397
Changing the Timeline Track Color . . . . . . . . . . . . . . . . . . . . . . . . 397
Showing Locators in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . 398
Saving a Customized Timeline View . . . . . . . . . . . . . . . . . . . . . . . 398
Replacing a Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Restoring the Default Timeline View. . . . . . . . . . . . . . . . . . . . . . . . 399
Timeline Settings Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Exploring the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Using the Position Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Using the Timeline Scroll Bar/Position Bar . . . . . . . . . . . . . . . . . . . 401
Displaying Detail in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Zooming In and Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Focusing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Using the Full-Screen Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Displaying Source Material in the Timeline. . . . . . . . . . . . . . . . . . . 407
Viewing Full Quality and Draft Quality . . . . . . . . . . . . . . . . . . . . . . 408
Controlling Movement in the Timeline . . . . . . . . . . . . . . . . . . . . . . 408
IN to OUT Highlighting in the Timeline . . . . . . . . . . . . . . . . . . . . . . 409
Understanding Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Segment Mode Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Selecting and Deselecting Segments . . . . . . . . . . . . . . . . . . . . . . . 410
Selecting Segments with the Segment Mode Pointer . . . . . . . 411
Lassoing One or More Segments . . . . . . . . . . . . . . . . . . . . . . 412
Deselecting Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Performing Segment Mode Edits . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Understanding the Four-Frame Display . . . . . . . . . . . . . . . . . . 413
Slipping or Sliding Segments in a Four-Frame Display . . . . . . . . . 415
Maintaining Sync in Segment Mode. . . . . . . . . . . . . . . . . . . . . 416
19
Extracting/Splicing Segments . . . . . . . . . . . . . . . . . . . . . . . . . 417
Lifting/Overwriting Segments. . . . . . . . . . . . . . . . . . . . . . . . . . 418
Deleting Segments in Segment Mode . . . . . . . . . . . . . . . . . . . 419
Marking Clips and Sequences in Segment Mode . . . . . . . . . . 420
Adding Comments in Segment Mode . . . . . . . . . . . . . . . . . . . . . . 420
Using Advanced Timeline Techniques . . . . . . . . . . . . . . . . . . . . . . . . . 421
Bin Editing into the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
Bin Editing Directly into a Sequence Using the Keyboard . . . . . . . 422
Cutting, Copying, and Pasting in the Timeline . . . . . . . . . . . . . . . . 423
Editing with the Film Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
Editing in Heads or Heads Tails View . . . . . . . . . . . . . . . . . . . . . . 424
Performing a Quick Edit Using the Top and Tail Commands . . . . 425
Working with Multiple Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Understanding Effects Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427
Understanding Nesting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Using the Track Selector Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429
Monitoring Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Monitoring Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Monitoring Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Monitoring a Solo Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Patching Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Locking and Sync Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . 434
Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Sync Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Adding a Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Deleting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438
Adding an Edit (Match Framing) . . . . . . . . . . . . . . . . . . . . . . . . . . 439
Adding Edits to Filler Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . 440
Removing Match-Frame Edits . . . . . . . . . . . . . . . . . . . . . . . . . 440
Backtiming Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Additional Offline Aids . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 442
Detecting Duplicate Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 442
Adjusting Handle Length in Dupe Detection . . . . . . . . . . . . . . 444
Tracking Color Frame Shifts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
20
Finding Black Holes and Flash Frames . . . . . . . . . . . . . . . . . . . . . 448
Finding Black Holes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448
Finding Flash Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448
Printing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 449
Chapter 12 Working in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451
Understanding Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452
Quick Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
Big Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 454
Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455
Trim Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455
Entering and Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456
Entering Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456
Switching Between Quick Trim Mode and the Playback
Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 458
Setting Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 458
Exiting Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 459
Using Basic Trim Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Selecting Trim Sides. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Selecting Video Tracks in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . 461
Audio Solo in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461
Selecting Additional Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Performing a Basic Trim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 463
Reviewing the Trim Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464
Reviewing an Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
Trimming On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
Dual-Image Playback During Trims . . . . . . . . . . . . . . . . . . . . . . . . 466
Trimming During a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . 467
Creating Overlap Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468
Extending an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Slipping or Sliding Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Selecting Segments for Slip or Slide Trimming . . . . . . . . . . . . . . . 470
The Slip/Slide Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472
Performing the Slip or Slide Trim . . . . . . . . . . . . . . . . . . . . . . . . . . 473
Slipping Shots in Source/Record Mode . . . . . . . . . . . . . . . . . . . . . 474
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
Page is loading ...
-
1
-
2
-
3
-
4
-
5
-
6
-
7
-
8
-
9
-
10
-
11
-
12
-
13
-
14
-
15
-
16
-
17
-
18
-
19
-
20
-
21
-
22
-
23
-
24
-
25
-
26
-
27
-
28
-
29
-
30
-
31
-
32
-
33
-
34
-
35
-
36
-
37
-
38
-
39
-
40
-
41
-
42
-
43
-
44
-
45
-
46
-
47
-
48
-
49
-
50
-
51
-
52
-
53
-
54
-
55
-
56
-
57
-
58
-
59
-
60
-
61
-
62
-
63
-
64
-
65
-
66
-
67
-
68
-
69
-
70
-
71
-
72
-
73
-
74
-
75
-
76
-
77
-
78
-
79
-
80
-
81
-
82
-
83
-
84
-
85
-
86
-
87
-
88
-
89
-
90
-
91
-
92
-
93
-
94
-
95
-
96
-
97
-
98
-
99
-
100
-
101
-
102
-
103
-
104
-
105
-
106
-
107
-
108
-
109
-
110
-
111
-
112
-
113
-
114
-
115
-
116
-
117
-
118
-
119
-
120
-
121
-
122
-
123
-
124
-
125
-
126
-
127
-
128
-
129
-
130
-
131
-
132
-
133
-
134
-
135
-
136
-
137
-
138
-
139
-
140
-
141
-
142
-
143
-
144
-
145
-
146
-
147
-
148
-
149
-
150
-
151
-
152
-
153
-
154
-
155
-
156
-
157
-
158
-
159
-
160
-
161
-
162
-
163
-
164
-
165
-
166
-
167
-
168
-
169
-
170
-
171
-
172
-
173
-
174
-
175
-
176
-
177
-
178
-
179
-
180
-
181
-
182
-
183
-
184
-
185
-
186
-
187
-
188
-
189
-
190
-
191
-
192
-
193
-
194
-
195
-
196
-
197
-
198
-
199
-
200
-
201
-
202
-
203
-
204
-
205
-
206
-
207
-
208
-
209
-
210
-
211
-
212
-
213
-
214
-
215
-
216
-
217
-
218
-
219
-
220
-
221
-
222
-
223
-
224
-
225
-
226
-
227
-
228
-
229
-
230
-
231
-
232
-
233
-
234
-
235
-
236
-
237
-
238
-
239
-
240
-
241
-
242
-
243
-
244
-
245
-
246
-
247
-
248
-
249
-
250
-
251
-
252
-
253
-
254
-
255
-
256
-
257
-
258
-
259
-
260
-
261
-
262
-
263
-
264
-
265
-
266
-
267
-
268
-
269
-
270
-
271
-
272
-
273
-
274
-
275
-
276
-
277
-
278
-
279
-
280
-
281
-
282
-
283
-
284
-
285
-
286
-
287
-
288
-
289
-
290
-
291
-
292
-
293
-
294
-
295
-
296
-
297
-
298
-
299
-
300
-
301
-
302
-
303
-
304
-
305
-
306
-
307
-
308
-
309
-
310
-
311
-
312
-
313
-
314
-
315
-
316
-
317
-
318
-
319
-
320
-
321
-
322
-
323
-
324
-
325
-
326
-
327
-
328
-
329
-
330
-
331
-
332
-
333
-
334
-
335
-
336
-
337
-
338
-
339
-
340
-
341
-
342
-
343
-
344
-
345
-
346
-
347
-
348
-
349
-
350
-
351
-
352
-
353
-
354
-
355
-
356
-
357
-
358
-
359
-
360
-
361
-
362
-
363
-
364
-
365
-
366
-
367
-
368
-
369
-
370
-
371
-
372
-
373
-
374
-
375
-
376
-
377
-
378
-
379
-
380
-
381
-
382
-
383
-
384
-
385
-
386
-
387
-
388
-
389
-
390
-
391
-
392
-
393
-
394
-
395
-
396
-
397
-
398
-
399
-
400
-
401
-
402
-
403
-
404
-
405
-
406
-
407
-
408
-
409
-
410
-
411
-
412
-
413
-
414
-
415
-
416
-
417
-
418
-
419
-
420
-
421
-
422
-
423
-
424
-
425
-
426
-
427
-
428
-
429
-
430
-
431
-
432
-
433
-
434
-
435
-
436
-
437
-
438
-
439
-
440
-
441
-
442
-
443
-
444
-
445
-
446
-
447
-
448
-
449
-
450
-
451
-
452
-
453
-
454
-
455
-
456
-
457
-
458
-
459
-
460
-
461
-
462
-
463
-
464
-
465
-
466
-
467
-
468
-
469
-
470
-
471
-
472
-
473
-
474
-
475
-
476
-
477
-
478
-
479
-
480
-
481
-
482
-
483
-
484
-
485
-
486
-
487
-
488
-
489
-
490
-
491
-
492
-
493
-
494
-
495
-
496
-
497
-
498
-
499
-
500
-
501
-
502
-
503
-
504
-
505
-
506
-
507
-
508
-
509
-
510
-
511
-
512
-
513
-
514
-
515
-
516
-
517
-
518
-
519
-
520
-
521
-
522
-
523
-
524
-
525
-
526
-
527
-
528
-
529
-
530
-
531
-
532
-
533
-
534
-
535
-
536
-
537
-
538
-
539
-
540
-
541
-
542
-
543
-
544
-
545
-
546
-
547
-
548
-
549
-
550
-
551
-
552
-
553
-
554
-
555
-
556
-
557
-
558
-
559
-
560
-
561
-
562
-
563
-
564
-
565
-
566
-
567
-
568
-
569
-
570
-
571
-
572
-
573
-
574
-
575
-
576
-
577
-
578
-
579
-
580
-
581
-
582
-
583
-
584
-
585
-
586
-
587
-
588
-
589
-
590
-
591
-
592
-
593
-
594
-
595
-
596
-
597
-
598
-
599
-
600
-
601
-
602
-
603
-
604
-
605
-
606
-
607
-
608
-
609
-
610
-
611
-
612
-
613
-
614
-
615
-
616
-
617
-
618
-
619
-
620
-
621
-
622
-
623
-
624
-
625
-
626
-
627
-
628
-
629
-
630
-
631
-
632
-
633
-
634
-
635
-
636
-
637
-
638
-
639
-
640
-
641
-
642
-
643
-
644
-
645
-
646
Avid Media Composer Adrenaline 1.0 User guide
- Category
- Software
- Type
- User guide
Ask a question and I''ll find the answer in the document
Finding information in a document is now easier with AI
Related papers
-
Avid Media Composer Adrenaline HD 1.0 User guide
-
-
Avid Symphony Symphony 4.7 User guide
-
Avid Xpress Xpress DV 4.0 User guide
-
-
Avid Symphony Symphony Nitris 1.0 User guide
-
Avid Xpress Xpress Pro 4.5 User guide
-
-
-
Avid Symphony Symphony Nitris 1.5 User guide
Other documents
-
Portatree Auto Cut Time Slip Printer Operating instructions
-
Sony Catalyst Prepare 2018 User manual
-
Barco DC Toolset User manual
-
Foxit Secure KoalaTerm 4.x User manual
-
Electro-Voice IRIS-Net Project Generator User guide
-
Elation Compu Live - Software Downloads User manual
-
-
Fostex D10 Owner's manual
-
Coomber 3600 User manual
-
Contour ShuttleXpress User manual
