Avid Media Composer 10.0 User guide

Category
Software
Type
User guide
Avid
®
Media Composer
®
and
Film Composer
®
Editing Guide
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on
the part of Avid Technology, Inc. The software described in this document is furnished under a
license agreement. You can obtain a copy of that license by visiting Avid's Web site at
www.avid.com. The terms of that license are also available in the product in the same directory as
the software. The software may not be reverse assembled and may be used or copied only in
accordance with the terms of the license agreement. It is against the law to copy the software on any
medium except as specifically allowed in the license agreement. Avid products or portions thereof
are protected by one or more of the following United States patents: 4,746,994; 4,970,663;
5,045,940; 5,063,448; 5,077,604; 5,245,432; 5,267,351; 5,309,528; 5,325,200; 5,355,450;
5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275;
5,577,190; 5,583,496; 5,584,006; 5,627,765; 5,634,020; 5,640,601; 5,644,364; 5,654,737;
5,701,404; 5,715,018; 5,719,570; 5,724,605; 5,726,717; 5,729,673; 5,731,819; 5,745,637;
5,752,029; 5,754,180; 5,754,851; 5,781,188; 5,799,150; 5,812,216; 5,828,678; 5,842,014;
5,852,435; 5,883,670; 5,889,532; 5,892,507; 5,905,841; 5,912,675; 5,929,836; 5,929,942;
5,930,445; 5,930,797; 5,946,445; 5,966,134; 5,977,982; 5,986,584; 5,987,501; 5,995,079;
5,995,115; 5,999,190; 5,999,406; 6,009,507; 6,011,562; 6,014,150; 6,016,152; 6,016,380;
6,018,337; 6,023,531; 6,023,703; 6,031,529; 6,035,367; 6,038,573; 6,052,508; 6,058,236;
6,061,758; 6,072,796; 6,084,569; 6,091,422; 6,091,778; 6,105,083; 6,118,444; 6,128,001;
6,128,681; 6,130,676; 6,134,379; 6,134,607; 6,137,919; 6,141,007; 6,141,691; 6,154,221;
6,157,929; 6,160,548; 6,161,115; 6,167,404; 6,174,206; 6,192,388; 6,198,477; 6,208,357;
6,211,869; 6,212,197; 6,215,485; 6,223,211; 6,226,005; 6,226,038; 6,229,576; 6,239,815;
6,249,280; 6,269,195; 6,271,829; 6,301,105; 6,310,621; 6,314,403; 6,317,142; 6,317,153;
6,317,515; D352,278; D372,478; D373,778; D392,267; D392,268; D392,269; D395,291;
D396,853; D398,912. Additional U.S. and foreign patents pending. No part of this document may
be reproduced or transmitted in any form or by any means, electronic or mechanical, including
photocopying and recording, for any purpose without the express written permission of Avid
Technology, Inc.
Copyright © 1999 – 2000, 2002 Avid Technology, Inc. and its licensors. All rights reserved.
The following disclaimer is required by Apple Computer, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR
IMPLIED, REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY
BE OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the
use of their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its
documentation for any purpose is hereby granted without fee, provided that (i) the above copyright
notices and this permission notice appear in all copies of the software and related documentation,
and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any advertising or
publicity relating to the software without the specific, prior written permission of Sam Leffler and
Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,
IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,
INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT
ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT
OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
Portions of this software are based on work of the Independent JPEG Group.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any
action to derive a source code equivalent of “Install-It,” including by reverse assembly or reverse
compilation, Ray Sauers Associates, Inc. shall in no event be liable for any damages resulting from
reseller’s failure to perform reseller’s obligation; or any damages arising from use or operation of
reseller’s products or the software; or any other damages, including but not limited to, incidental,
direct, indirect, special or consequential Damages including lost profits, or damages resulting from
loss of use or inability to use reseller’s products or the software for any reason including copyright or
patent infringement, or lost data, even if Ray Sauers Associates has been advised, knew or should
have known of the possibility of such damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this
product, including warranties with respect to its merchantability or its fitness for any particular
purpose.”
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0
products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by
third parties under license from Videomedia, Inc. Use of this software will allow “frame accurate”
editing control of applicable videotape recorder decks, videodisc recorders/players and the like.”
The following notice is required by Altura Software, Inc. for the use of its Mac2Win soft-
ware and Sample Source Code:
©1993–1998 Altura Software, Inc.
The following notice is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from
Ultimatte Corporation and are subject to copyright protection.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such
Software or documentation is acquired by or on behalf of a unit or agency of the U.S. Government,
all rights with respect to this Software and documentation are subject to the terms of the License
Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
AirPlay, AudioVision, Avid, Avid Xpress, CamCutter, Digidesign, FieldPak, Film Composer, HIIP,
Image Independence, Marquee, Media Composer, Media Recorder, NewsCutter, OMF,
OMF Interchange, Open Media Framework, Pro Tools, and Softimage are registered trademarks and
888 I/O, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AutoSync, AVIDdrive, AVIDdrive Towers,
AvidNet, Avid Production Network, AvidProNet, AvidProNet.com, AVIDstripe, Avid Unity,
AVX, DAE, D-Fi, D-fx, Digidesign Audio Engine, DINR, D-Verb, ExpertRender, FilmScribe,
HyperSPACE, HyperSPACE HDCAM, Intraframe, iS9, iS18, iS23, iS36, Lo-Fi, Magic Mask,
make manage move | media, Matador, Maxim, MCXpress, MEDIArray, MediaDock,
MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog, Media Reader, MediaShare, Meridien,
MetaSync, NaturalMatch, NetReview, OMM, Open Media Management, ProEncode, QuietDrive,
R&A, Recti-Fi, Review & Approval, rS9, rS18, Sci-Fi, Sound Designer II, SPACE, SPACEShift,
Symphony, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver, and VideoSPACE are trademarks of Avid
Technology, Inc.
iNEWS and Media Browse are trademarks of iNews, LLC.
Aaton is a registered trademark of Aaton S.A. Adobe and Acrobat are registered trademarks of
Adobe Systems Incorporated. Arboretum is a registered trademark of Arboretum Systems, Inc.
Arri is a registered trademark of Arri Group. DUY is a registered trademark of DUY, S. A.
FaderMaster Professional is a trademark of JL Cooper, a division of Sound Technology. Focusrite is
a registered trademark of Focusrite Audio Engineering LTD. Jaz and Zip are registered trademarks
of Iomega Corporation. Macintosh and Balloon Help are trademarks of Apple Computer, Inc.,
registered in the United States and other countries. Microsoft, Windows, and Windows NT are
registered trademarks of Microsoft Corporation. Philips is a registered trademark of Philips
Electronics N.V. QuickTime and the QuickTime logo are trademarks used under license from Apple
Computer, Inc. The QuickTime logo is registered in the U.S. and other countries. Sony is a registered
trademark of Sony Corporation. V-LAN and VLXi are registered trademarks of Videomedia, Inc.
Waves is a registered trademark of Waves LTD. Yamaha is a registered trademark of
Yamaha Corporation. All other trademarks contained herein are the property of their respective
owners. All other trademarks contained herein are the property of their respective owners.
Footage
Arri — Courtesy of Arri
/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com.
Windhorse — Courtesy of Paul Wagner Productions.
Avid Media Composer and Film Composer Editing Guide • Part 0130-05012-01 Rev. A
• April 2002
Contents
Using This Guide
Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Related Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . 41
How to Order Documentation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Chapter 1 Editing Overview
Editing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Preparing to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Editing a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Chapter 2 Desktop Basics (Windows)
Working with the Desktop (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . 50
Creating an Emergency Repair Disk (Windows). . . . . . . . . . . . . . 50
Using Shortcut Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Working with Windows (Windows) . . . . . . . . . . . . . . . . . . . . . . . . 51
Using the Windows Taskbar (Windows) . . . . . . . . . . . . . . . . . . . . 52
Dragging Windows Without Showing
the Contents (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Setting Your Screen Resolution (Windows) . . . . . . . . . . . . . . . . . . 53
Setting the Avid Color Scheme (Windows) . . . . . . . . . . . . . . . . . . 54
6
Understanding the Avid Media Composer and Film Composer
Folders (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Managing the Avid Projects and Avid Users Folders (Windows) . . 55
Exploring the Avid Projects and Avid Users
Folders (Windows). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Changing Project and User Names (Windows) . . . . . . . . . . . . . . 57
Deleting Projects and User Profiles (Windows) . . . . . . . . . . . . . . 58
Retrieving Bin Files from the Attic Folder (Windows) . . . . . . . . . . . . 59
Starting the Avid Application (Windows) . . . . . . . . . . . . . . . . . . . . . . 61
Chapter 3 Desktop Basics (Macintosh)
Understanding the Avid Media Composer and
Avid Film Composer Folders (Macintosh) . . . . . . . . . . . . . . . . . . . . 64
Managing the Avid Projects and Avid Users
Folders (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Exploring the Avid Projects and Avid Users
Folders (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Changing Project and User Names (Macintosh). . . . . . . . . . . . . . 66
Deleting Projects and User Profiles (Macintosh). . . . . . . . . . . . . . 67
Retrieving Bin Files from the Attic Folder (Macintosh) . . . . . . . . . . . 67
Starting the Avid Application (Macintosh). . . . . . . . . . . . . . . . . . . . . . 70
Chapter 4 Starting a Work Session
Opening and Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Identifying a User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Creating a New User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Selecting an Existing User. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Selecting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Setting Film Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Selecting an Existing Project . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Nesting Projects in Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
7
Opening a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Saving Your Project Information (Windows). . . . . . . . . . . . . . . . . 83
Saving Your Project Information (Macintosh) . . . . . . . . . . . . . . . . 84
Restoring from a Backup (Windows) . . . . . . . . . . . . . . . . . . . . . . . 85
Restoring from a Backup (Macintosh). . . . . . . . . . . . . . . . . . . . . . . 86
Ending a Work Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Quitting the Avid Application . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Turning Off Your Equipment (Windows) . . . . . . . . . . . . . . . . . . . 89
Turning Off Your Equipment (Macintosh). . . . . . . . . . . . . . . . . . . 89
Mounting and Ejecting Media Drives (Windows). . . . . . . . . . . . . 90
Ejecting Drives (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Mounting All Drives (Windows) . . . . . . . . . . . . . . . . . . . . . . . 91
Mounting and Ejecting Media Drives (Macintosh) . . . . . . . . . . . . 92
Ejecting Drives (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Mounting All Drives (Macintosh). . . . . . . . . . . . . . . . . . . . . . . 93
Using Shortcut Menus (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Using Shortcut Menus (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Using Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Session Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Chapter 5 Working with the Project Window
Exploring the Project Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Opening and Closing the Project Window . . . . . . . . . . . . . . . . . . . . . . 99
Using the Bins Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Displaying Folders of Bins in the Bins List. . . . . . . . . . . . . . . . . . 101
Creating a Folder in a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Renaming a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Opening and Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Opening Selected Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
8
Opening Bins from Other Projects . . . . . . . . . . . . . . . . . . . . . 104
Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Deleting a Bin or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Emptying the Trash in the Bins List . . . . . . . . . . . . . . . . . . . . . . . 106
Managing Folders and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Saving Bins Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Saving Bins Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Using the Settings Scroll List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Understanding Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Defining Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Reviewing Basic Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Film Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Bin Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
General Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Interface Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Keyboard Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Displaying Project Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Changing the Settings Scroll List Display. . . . . . . . . . . . . . . 126
Working with Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Selecting Another User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Modifying Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Working with Multiple Settings. . . . . . . . . . . . . . . . . . . . . . . 128
Duplicating Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Naming Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Selecting Among Multiple Settings . . . . . . . . . . . . . . . . . . . . 130
Deleting Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Restoring Default Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Copying Settings Between Settings Files . . . . . . . . . . . . . . . 132
Using Site Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Using the Info Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Viewing Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Accessing the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
9
Displaying Usage Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Statistics File Structure and Layout . . . . . . . . . . . . . . . . . . . . . . . . 139
Importing the Statistics File into a Spreadsheet. . . . . . . . . . . . . . 142
Displaying Disk Space Statistics. . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Customizing the Avid User Interface. . . . . . . . . . . . . . . . . . . . . . . . . . 144
Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . 145
Changing Shading Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Changing Shading Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Changing Button Separation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Changing Button Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Using Interface Appearance Templates . . . . . . . . . . . . . . . . . . . . 154
Changing Font and Point Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Customizing Your Workspace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Creating a New Workspace Setting. . . . . . . . . . . . . . . . . . . . . . . . 157
Linking User Settings and Workspaces. . . . . . . . . . . . . . . . . . . . . 160
Switching Between Workspaces. . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Deleting a Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Assigning a Workspace Button . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Sharing Bins and Projects on Avid Unity MediaNet . . . . . . . . . . . . . 163
Understanding Avid Unity MediaNet . . . . . . . . . . . . . . . . . . . . . 163
Mapping Workspaces on the Avid Unity Network . . . . . . . . . . 164
Sharing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Shared Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Shared Bins and Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Opening a Shared Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Working with Locks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Overriding the Default Locking Mechanism . . . . . . . . . . . . 169
Restrictions and Limitations for Locked Bins . . . . . . . . . . . . 170
10
Chapter 6 Using Basic Tools
Exploring Dialog Boxes and Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Opening Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Customizing Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . 174
Using the Tools Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Using the Deck Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Using the Command Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Understanding Button Mapping. . . . . . . . . . . . . . . . . . . . . . . . . . 179
Mapping User-Selectable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . 181
Using the Blank Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Mapping Modifier Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Mapping Menu Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Activating Commands from the Command Palette. . . . . . . . . . 185
Using the Avid Calculator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Using the Console. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Displaying System Information. . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Reviewing a Log of Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Getting Information with the Console . . . . . . . . . . . . . . . . . . . . . 188
Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Using Avid System Test Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Using the Serial (COM) Ports Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Configuring a Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Chapter 7 Organizing with Bins
Preparing to Work with Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Adjusting Audio Pan Defaults. . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Adjusting Default Pan Settings . . . . . . . . . . . . . . . . . . . . . . . 197
Using the Center Pan Command . . . . . . . . . . . . . . . . . . . . . . 198
Using Audio Timecode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Film Scene Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
11
Understanding Bin Display Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Brief View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Text View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Bin Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Customizing Bin Views in Text View. . . . . . . . . . . . . . . . . . . 207
Saving a Custom Bin View. . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Basic Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Selecting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Duplicating Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . 211
Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Copying Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Deleting Clips, Subclips, Sequences, and Media Files . . . . . . . . 213
Assigning Colors to Bin Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Adding a Color Column to a Bin . . . . . . . . . . . . . . . . . . . . . . 215
Assigning a Source Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Assigning a Custom Source Color . . . . . . . . . . . . . . . . . . . . . 216
Limiting Color Choices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Sifting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Sifting Timecodes or Keycode Ranges . . . . . . . . . . . . . . . . . . 220
Sifting Within a Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Locking and Unlocking Items in a Bin . . . . . . . . . . . . . . . . . . . . . 224
Selecting Offline Items in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Selecting Media Relatives for an Object . . . . . . . . . . . . . . . . . . . . 226
Selecting Sources Used by an Object . . . . . . . . . . . . . . . . . . . . . . . 227
Selecting Unreferenced Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Using Text View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Arranging Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Moving and Rearranging Columns . . . . . . . . . . . . . . . . . . . . 229
Aligning Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Showing and Hiding Columns . . . . . . . . . . . . . . . . . . . . . . . . 229
12
Deleting a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Duplicating a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Adding Customized Columns to a Bin . . . . . . . . . . . . . . . . . 233
Changing a Custom Column Heading . . . . . . . . . . . . . . . . . 233
Managing Clip Information in Text View . . . . . . . . . . . . . . . . . . 234
Moving Within Column Cells. . . . . . . . . . . . . . . . . . . . . . . . . 234
Modifying Clip Information . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Copying Information Between Columns . . . . . . . . . . . . . . . 241
Copying Information from Another Cell in a
Custom Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Sorting Clips in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Sorting Clips in Ascending Order . . . . . . . . . . . . . . . . . . . . . 242
Sorting Clips in Descending Order . . . . . . . . . . . . . . . . . . . . 242
Multilevel Sorting with Columns. . . . . . . . . . . . . . . . . . . . . . 243
Sorting Clips by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . 244
Frame Counting for Timecodes . . . . . . . . . . . . . . . . . . . . . . . 245
Adding Timecode Columns to a Bin or the
Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Adding Timecode Values to the Timecode Columns . . . . . 246
Bin Column Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . 251
Enlarging or Reducing Frame Sizes . . . . . . . . . . . . . . . . . . . . . . . 252
Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . . 253
Arranging Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Adding Text in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Playing Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Rearranging Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . 255
Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
13
Gathering Format Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Preparing Digital Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Importing Color Bars and Other Test Patterns . . . . . . . . . . . . . . 258
Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Creating Video Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Creating Audio Leader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Storyboard Worksheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Chapter 8 Managing Media Files
Working with Media Files in an Avid Unity Environment. . . . . . . . 266
Configuring Avid Editing Systems to Work with
MediaManager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Support for Avid Unity LANshare . . . . . . . . . . . . . . . . . . . . . . . . 267
Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Basic Media Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Deleting Media Files with the Media Tool . . . . . . . . . . . . . . . . . . 272
Freeing Storage Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Consolidating Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . 275
Using the Consolidate Command . . . . . . . . . . . . . . . . . . . . . . . . . 279
Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Refreshing Media Databases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Using Videotapes for Archiving and Restoring Media Files . . . . . . 283
Archiving Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Archive to Videotape Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Restoring an Archive from Videotape. . . . . . . . . . . . . . . . . . . . . . 290
Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Relinking Clips to Media Files or Bin Items . . . . . . . . . . . . . . . . . . . . 294
Relinking to Selected Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Relinking Consolidated Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Relinking Moved Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Unlinking Clips from Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
14
Chapter 9 Using Script Integration
Line Script Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Explanation of Symbols . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Lining in the Digital Realm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Script Integration Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Using Script Integration in Video Projects. . . . . . . . . . . . . . . . . . 306
Script Window Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Script Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Importing a Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Opening, Closing, and Saving the Script Window. . . . . . . . . . . 310
Displaying Clip and Sequence Information in a
Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Exploring the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Adjusting the Script Margins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Manipulating Script Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Changing the Font of the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Selecting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Cutting, Copying, and Pasting Script. . . . . . . . . . . . . . . . . . . . . . 315
Removing Script Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Searching Through Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Using Page and Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Adding a Page or Scene Number. . . . . . . . . . . . . . . . . . . . . . 317
Changing a Page or Scene Number . . . . . . . . . . . . . . . . . . . . 318
Deleting a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . 318
Searching for a Page or Scene Number . . . . . . . . . . . . . . . . . 319
Conducting a Text Search. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Linking Clips to the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
Interpolating Position for Script Integration. . . . . . . . . . . . . . . . . . . . 322
Manipulating Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Selecting Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Resizing Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Holding Slates On Screen in the Script Window . . . . . . . . . . . . 324
Hiding Slate Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
15
Showing One Take Per Slate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Moving a Slate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Deleting a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Manipulating Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Selecting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Adding Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Deleting Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Displaying Take Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Changing the Representative Frame for a Take. . . . . . . . . . . . . . 330
Loading Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Playing Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Adjusting Take Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Indicating Off-Screen Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Using Color Indicators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Using Script Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Placing Script Marks Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Automating Screening and Marking. . . . . . . . . . . . . . . . . . . . . . . 335
Loading and Playing Marked Segments. . . . . . . . . . . . . . . . . . . . 337
Moving a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Deleting a Script Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Finding Clips and Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Finding Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Finding Clips and Bins from the Script Window. . . . . . . . . . . . . 339
Editing with the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340
Assembling a Rough Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Splicing a Script Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Revising the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Interactive Screenings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Chapter 10 Viewing and Marking Footage
Customizing the Composer Window. . . . . . . . . . . . . . . . . . . . . . . . . . 346
Using the 16:9 Display Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
Using 16:9 for 24p and 25p Editing . . . . . . . . . . . . . . . . . . . . . . . . 350
16
Displaying Tracking Information . . . . . . . . . . . . . . . . . . . . . . . . . 351
Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Displaying the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Copying Text from the Info Window . . . . . . . . . . . . . . . . . . 359
Displaying Timecode in the Timecode Window. . . . . . . . . . . . . 359
Displaying Multiple Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Understanding Composer Settings. . . . . . . . . . . . . . . . . . . . . . . . 362
Color Framing Options (Edit Tab). . . . . . . . . . . . . . . . . . . . . 364
Miscellaneous Composer Options (Edit Tab). . . . . . . . . . . . 365
Fast Forward and Rewind Options (FF/REW Tab) . . . . . . 366
Using the Tool Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Viewing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Fast Frame Display in 24p and 25p Projects . . . . . . . . . . . . . . . . . . . . 370
Playing Selected Clips in a Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
Loading Footage into the Playback and Pop-up Monitors . . . . 372
Loading Footage into the Source, Record, and
Pop-up Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
Loading Multiple Clips or Sequences. . . . . . . . . . . . . . . . . . . . . . 373
Using the Clip Name Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Switching Between Loaded Clips . . . . . . . . . . . . . . . . . . . . . 374
Clearing Clips from Monitors. . . . . . . . . . . . . . . . . . . . . . . . . 375
Resizing Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Hiding the Video in a Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Resizing a Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Customizing the Playback Monitor Size . . . . . . . . . . . . . . . . . . . 378
Controlling Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Using Position Bars and Position Indicators . . . . . . . . . . . . . . . . 379
Using Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Play Reverse, Play, Pause, Stop, Rewind, and
Fast Forward Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Play Standby Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Step Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
17
Using Single-Field Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Using the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
J-K-L Keys (Three-Button Play). . . . . . . . . . . . . . . . . . . . . . . . 384
Home, End, and Arrow Keys . . . . . . . . . . . . . . . . . . . . . . . . . 386
Using the Mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Jogging with the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Shuttling with the Mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Marking IN to OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Moving IN to OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Marking an Entire Clip or Segment. . . . . . . . . . . . . . . . . . . . . . . . 390
Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
Subclips and Audio Sync for 24p and 25p Projects. . . . . . . . . . . 392
Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Ways to Use Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394
Adding Locators While Editing . . . . . . . . . . . . . . . . . . . . . . . 395
Copying Locators from Source Clips . . . . . . . . . . . . . . . . . . . 397
Marking an Area Using Locators . . . . . . . . . . . . . . . . . . . . . . 397
Moving to the Previous or Next Locator . . . . . . . . . . . . . . . . 398
Deleting Locators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Understanding the Locators Window. . . . . . . . . . . . . . . . . . . . . . 399
Displaying Timecode or Footage in the
Locators Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Sorting Information in the Locators Window. . . . . . . . . . . . 401
Displaying Frames in the Locators Window. . . . . . . . . . . . . 401
Changing the Color of the Locator Icon. . . . . . . . . . . . . . . . . 401
Accessing a Locator in a Clip or Sequence . . . . . . . . . . . . . . 402
Printing the Contents of the Locators Window . . . . . . . . . . 402
Deleting Locators Using the Locators Window . . . . . . . . . . 404
Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Searching for a Clip or Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . 407
18
Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Performing a Reverse Match Frame . . . . . . . . . . . . . . . . . . . . . . . 410
Selecting Tracks for Matching Frames . . . . . . . . . . . . . . . . . . . . . 411
Finding a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412
Locating a Master Clip from a Subclip in a Sequence . . . . . . . . 413
Finding a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Chapter 11 Editing in Source/Record Mode
Entering Source/Record Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416
Setting Up a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
Changing the Sequence Name and Timecode. . . . . . . . . . . . . . . 419
Setting Up Tracks for the New Sequence. . . . . . . . . . . . . . . . . . . 421
User Preferences for Creating Tracks . . . . . . . . . . . . . . . . . . 422
Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
Making an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Creating an Instant Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Undoing or Redoing Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Editing Additional Clips into the Sequence . . . . . . . . . . . . . . . . . . . . 430
Performing a Splice-in Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Performing an Overwrite Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Single-Mark Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Using Phantom Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Setting One Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Adding a Second Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Lifting, Extracting, and Copying Material . . . . . . . . . . . . . . . . . . . . . 435
Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Copying Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Preserving Clipboard Contents . . . . . . . . . . . . . . . . . . . . . . . 438
Recovering Material from the Clipboard . . . . . . . . . . . . . . . 439
Adding Comments to Sequence Clips. . . . . . . . . . . . . . . . . . . . . . . . . 440
19
Playing the New Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Starting a Playback Loop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Playback Performance Tips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 442
Playing a Limited Duration of a Sequence . . . . . . . . . . . . . . . . . . 443
Setting a Limited Play Length . . . . . . . . . . . . . . . . . . . . . . . . . 443
Playing a Sequence Using a Limited Play Length . . . . . . . . 444
Fine-Tuning the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 445
Chapter 12 Using the Timeline
Understanding Timeline Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448
Using the Timeline Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450
Additional Procedures for Customizing the Timeline . . . . . . . . 452
Enlarging and Reducing Tracks . . . . . . . . . . . . . . . . . . . . . . . 452
Moving a Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
Displaying the Timeline Top Toolbar . . . . . . . . . . . . . . . . . . . . . . 454
Displaying Timecode Tracks in the Timeline. . . . . . . . . . . . . . . . 454
Assigning Local Colors to Clips in the Timeline . . . . . . . . . . . . . 455
Displaying Local and Source Colors in the Timeline . . . . . . . . . 456
Displaying Source Colors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456
Displaying Local Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457
Highlighting Offline Media Clips . . . . . . . . . . . . . . . . . . . . . . . . . 457
Changing the Timeline Background Color. . . . . . . . . . . . . . . . . . 458
Changing the Timeline Track Color . . . . . . . . . . . . . . . . . . . . . . . 458
Showing Locators in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . 458
Saving a Customized Timeline View. . . . . . . . . . . . . . . . . . . . . . . 459
Replacing a Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Restoring the Default Timeline View . . . . . . . . . . . . . . . . . . . . . . 461
Setting the Scroll Option for the Timeline . . . . . . . . . . . . . . . . . . 461
Timeline Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Exploring the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
Using the Position Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466
Using the Timeline Scroll Bar/Position Bar . . . . . . . . . . . . . . . . . 466
Displaying Detail in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . 468
20
Zooming In and Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Focusing the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Using the Full-Screen Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Displaying Source Material in the Timeline . . . . . . . . . . . . . . . . 472
Controlling Movement in the Timeline . . . . . . . . . . . . . . . . . . . . 473
IN to OUT Highlighting in the Timeline . . . . . . . . . . . . . . . . . . . 474
Understanding Segment Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474
Segment Mode Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
Selecting and Deselecting Segments. . . . . . . . . . . . . . . . . . . . . . . 476
Selecting Segments with the Segment Mode Pointer . . . . . 476
Lassoing One or More Segments . . . . . . . . . . . . . . . . . . . . . . 477
Deselecting Segments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478
Performing Segment Mode Edits . . . . . . . . . . . . . . . . . . . . . . . . . 478
Understanding the Four-Frame Display. . . . . . . . . . . . . . . . 478
Maintaining Sync in Segment Mode . . . . . . . . . . . . . . . . . . . 481
Extracting/Splicing Segments . . . . . . . . . . . . . . . . . . . . . . . . 482
Lifting/Overwriting Segments. . . . . . . . . . . . . . . . . . . . . . . . 483
Deleting Segments in Segment Mode . . . . . . . . . . . . . . . . . . 484
Marking Clips and Sequences in Segment Mode . . . . . . . . 485
Adding Comments in Segment Mode . . . . . . . . . . . . . . . . . . . . . 486
Using Advanced Timeline Techniques . . . . . . . . . . . . . . . . . . . . . . . . 486
Bin Editing into the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487
Bin Editing Directly into a Sequence Using the Keyboard . . . . 488
Cutting, Copying, and Pasting in the Timeline. . . . . . . . . . . . . . 488
Editing with the Film Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 489
Editing in Heads or Heads Tails View . . . . . . . . . . . . . . . . . . . . . 490
Performing a Quick Edit Using the Top and
Tail Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491
Working with Multiple Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 492
Understanding Effects Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
Understanding Nesting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 494
Using the Track Selector Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . 494
Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752
  • Page 753 753
  • Page 754 754
  • Page 755 755
  • Page 756 756
  • Page 757 757
  • Page 758 758
  • Page 759 759
  • Page 760 760
  • Page 761 761
  • Page 762 762
  • Page 763 763
  • Page 764 764
  • Page 765 765
  • Page 766 766
  • Page 767 767
  • Page 768 768
  • Page 769 769
  • Page 770 770
  • Page 771 771
  • Page 772 772
  • Page 773 773
  • Page 774 774
  • Page 775 775
  • Page 776 776
  • Page 777 777
  • Page 778 778
  • Page 779 779
  • Page 780 780
  • Page 781 781
  • Page 782 782
  • Page 783 783
  • Page 784 784
  • Page 785 785
  • Page 786 786
  • Page 787 787
  • Page 788 788
  • Page 789 789
  • Page 790 790
  • Page 791 791
  • Page 792 792
  • Page 793 793
  • Page 794 794
  • Page 795 795
  • Page 796 796
  • Page 797 797
  • Page 798 798
  • Page 799 799
  • Page 800 800
  • Page 801 801
  • Page 802 802
  • Page 803 803
  • Page 804 804
  • Page 805 805
  • Page 806 806
  • Page 807 807
  • Page 808 808
  • Page 809 809
  • Page 810 810
  • Page 811 811
  • Page 812 812
  • Page 813 813
  • Page 814 814
  • Page 815 815
  • Page 816 816
  • Page 817 817
  • Page 818 818
  • Page 819 819
  • Page 820 820
  • Page 821 821
  • Page 822 822
  • Page 823 823
  • Page 824 824
  • Page 825 825
  • Page 826 826
  • Page 827 827
  • Page 828 828
  • Page 829 829
  • Page 830 830
  • Page 831 831
  • Page 832 832
  • Page 833 833
  • Page 834 834
  • Page 835 835
  • Page 836 836
  • Page 837 837
  • Page 838 838
  • Page 839 839
  • Page 840 840
  • Page 841 841
  • Page 842 842
  • Page 843 843
  • Page 844 844
  • Page 845 845
  • Page 846 846
  • Page 847 847
  • Page 848 848
  • Page 849 849
  • Page 850 850
  • Page 851 851
  • Page 852 852
  • Page 853 853
  • Page 854 854
  • Page 855 855
  • Page 856 856
  • Page 857 857
  • Page 858 858
  • Page 859 859
  • Page 860 860
  • Page 861 861
  • Page 862 862
  • Page 863 863
  • Page 864 864
  • Page 865 865
  • Page 866 866
  • Page 867 867
  • Page 868 868
  • Page 869 869
  • Page 870 870
  • Page 871 871
  • Page 872 872

Avid Media Composer 10.0 User guide

Category
Software
Type
User guide

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI