Avid Media Composer 11.0 User guide

Avid

®

Media Composer

®

and

Film Composer

®

Input and Output Guide

Copyright and Disclaimer

Product specifications are subject to change without notice and do not represent a commitment on

the part of Avid Technology, Inc. The software described in this document is furnished under a

license agreement. You can obtain a copy of that license by visiting Avid's Web site at

www.avid.com. The terms of that license are also available in the product in the same directory as

the software. The software may not be reverse assembled and may be used or copied only in

accordance with the terms of the license agreement. It is against the law to copy the software on any

medium except as specifically allowed in the license agreement. Avid products or portions thereof

are protected by one or more of the following United States patents: 4,746,994; 4,970,663;

5,045,940; 5,063,448; 5,077,604; 5,245,432; 5,267,351; 5,309,528; 5,325,200; 5,355,450;

5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275;

5,577,190; 5,583,496; 5,584,006; 5,627,765; 5,634,020; 5,640,601; 5,644,364; 5,654,737;

5,701,404; 5,715,018; 5,719,570; 5,724,605; 5,726,717; 5,729,673; 5,731,819; 5,745,637;

5,752,029; 5,754,180; 5,754,851; 5,781,188; 5,799,150; 5,812,216; 5,828,678; 5,842,014;

5,852,435; 5,883,670; 5,889,532; 5,892,507; 5,905,841; 5,912,675; 5,929,836; 5,929,942;

5,930,445; 5,930,797; 5,946,445; 5,966,134; 5,977,982; 5,986,584; 5,987,501; 5,995,079;

5,995,115; 5,999,190; 5,999,406; 6,009,507; 6,011,562; 6,014,150; 6,016,152; 6,016,380;

6,018,337; 6,023,531; 6,023,703; 6,031,529; 6,035,367; 6,038,573; 6,052,508; 6,058,236;

6,061,758; 6,072,796; 6,084,569; 6,091,422; 6,091,778; 6,105,083; 6,118,444; 6,128,001;

6,128,681; 6,130,676; 6,134,379; 6,134,607; 6,137,919; 6,141,007; 6,141,691; 6,154,221;

6,157,929; 6,160,548; 6,161,115; 6,167,404; 6,174,206; 6,192,388; 6,198,477; 6,208,357;

6,211,869; 6,212,197; 6,215,485; 6,223,211; 6,226,005; 6,226,038; 6,229,576; 6,239,815;

6,249,280; 6,269,195; 6,271,829; 6,301,105; 6,310,621; 6,314,403; 6,317,142; 6,317,153;

6,317,515; D352,278; D372,478; D373,778; D392,267; D392,268; D392,269; D395,291;

D396,853; D398,912. Additional U.S. and foreign patents pending. No part of this document may

be reproduced or transmitted in any form or by any means, electronic or mechanical, including

photocopying and recording, for any purpose without the express written permission of Avid

Technology, Inc.

The following disclaimer is required by Apple Computer, Inc.

APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR

IMPLIED, REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS

MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF

IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT

APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY

BE OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.

The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the

use of their TIFF library:

Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its

documentation for any purpose is hereby granted without fee, provided that (i) the above copyright

notices and this permission notice appear in all copies of the software and related documentation,

and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any advertising or

publicity relating to the software without the specific, prior written permission of Sam Leffler and

Silicon Graphics.

THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,

IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF

MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,

INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES

WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT

ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT

OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

The following disclaimer is required by the Independent JPEG Group:

Portions of this software are based on work of the Independent JPEG Group.

The following disclaimer is required by Paradigm Matrix:

Portions of this software licensed from Paradigm Matrix.

The following disclaimer is required by Ray Sauers Associates, Inc.:

“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any

action to derive a source code equivalent of “Install-It,” including by reverse assembly or reverse

compilation, Ray Sauers Associates, Inc. shall in no event be liable for any damages resulting from

reseller’s failure to perform reseller’s obligation; or any damages arising from use or operation of

reseller’s products or the software; or any other damages, including but not limited to, incidental,

direct, indirect, special or consequential Damages including lost profits, or damages resulting from

loss of use or inability to use reseller’s products or the software for any reason including copyright or

patent infringement, or lost data, even if Ray Sauers Associates has been advised, knew or should

have known of the possibility of such damages.

The following disclaimer is required by Videomedia, Inc.:

“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this

product, including warranties with respect to its merchantability or its fitness for any particular

purpose.”

“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0

products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by

third parties under license from Videomedia, Inc. Use of this software will allow “frame accurate”

editing control of applicable videotape recorder decks, videodisc recorders/players and the like.”

The following notice is required by Altura Software, Inc. for the use of its Mac2Win

software and Sample Source Code:

The following notice is required by Ultimatte Corporation:

Certain real-time compositing capabilities are provided under a license of such technology from

Ultimatte Corporation and are subject to copyright protection.

Attn. Government User(s). Restricted Rights Legend

U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial

computer software” or “commercial computer software documentation.” In the event that such

Software or documentation is acquired by or on behalf of a unit or agency of the U.S. Government,

all rights with respect to this Software and documentation are subject to the terms of the License

Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.

Trademarks

AirPlay, AudioVision, Avid, Avid Xpress, CamCutter, Digidesign, FieldPak, Film Composer, HIIP,

Image Independence, Marquee, Media Composer, Media Recorder, NewsCutter, OMF,

OMF Interchange, Open Media Framework, Pro Tools, and Softimage are registered trademarks and

888 I/O, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AutoSync, AVIDdrive, AVIDdrive Towers,

AvidNet, Avid Production Network, AvidProNet, AvidProNet.com, AVIDstripe, Avid Unity,

AVX, DAE, D-Fi, D-fx, Digidesign Audio Engine, DINR, D-Verb, ExpertRender, FilmScribe,

HyperSPACE, HyperSPACE HDCAM, Intraframe, iS9, iS18, iS23, iS36, Lo-Fi, Magic Mask,

make manage move | media, Matador, Maxim, MCXpress, MEDIArray, MediaDock,

MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog, Media Reader, MediaShare, Meridien,

MetaSync, NaturalMatch, NetReview, OMM, Open Media Management, ProEncode, QuietDrive,

R&A, Recti-Fi, Review & Approval, rS9, rS18, Sci-Fi, Sound Designer II, SPACE, SPACEShift,

Symphony, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver, and VideoSPACE are trademarks of Avid

Technology, Inc.

iNEWS and Media Browse are trademarks of iNews, LLC.

Aaton is a registered trademark of Aaton S.A. Abekas is a registered trademark of Accom, Inc.

Acrobat, Adobe, After Effects, Photoshop, and Reader are either registered trademarks or

trademarks of Adobe Systems, Incorporated in the United States and/or other countries. Alias and

Wavefront are trademarks of Alias|Wavefront, a division of Silicon Graphics Limited. Amiga is a

registered trademark of Amiga, Inc. Arri is a registered trademark of Arri Group. Chyron is a

registered trademark of Chyron Corporation. cleaner and Discreet are either registered trademarks

or trademarks of Autodesk, Inc./Discreet Logic, Inc., in the USA and/or other countries. Cineon,

Keykode, and Photo CD are trademarks of Eastman Kodak Company. . DVDit! is a trademark of

Sonic Solutions. Editcam is a trademark of Ikegami Tsushinki, Co., Ltd. FireWire, Macintosh,

QuickDraw, and SuperDrive are trademarks of Apple Computer, Inc., registered in the U.S. and

other countries. GIF is a Service Mark property of CompuServe Incorporated. IBM and OS/2 are

registered trademarks of International Business Machines Corporation. Microsoft, Windows,

Windows Media, and Windows NT are either registered trademarks of trademarks of Microsoft

Corporation in the United States and/or other countries. Paintbrush is a trademark Zsoft Corporation.

Philips is a registered trademark of Philips Electronics N.V. Pixar is a registered trademark of Pixar

Animation Studios. Profile is either a registered trademark or trademark of Grass Valley Group in the

United States and/or other countries. QuickTime and the QuickTime logo are trademarks used

under license from Apple Computer, Inc. RealVideo is a registered trademark of RealNetworks, Inc.

Silicon Graphics is a registered trademark of Silicon Graphics, Inc. Sony is a registered trademark

and DVCAM, Hi8, and i.LINK are trademarks of Sony Corporation. Sound Forge is a registered

trademark of Sonic Foundry, Inc. Sun is a trademark of Sun Microsystems, Inc. in the United States

or other countries. Sun Raster is a trademark of Sun Microsystems, Inc. TARGA is a trademark of

Pinnacle Systems, Inc., registered in the United States and other countries. Video Toaster is a

trademark of NewTek. V-LAN and VLXi are registered trademarks of Videomedia, Inc.

X Window System is a trademark of X Consortium, Inc. All other trademarks contained herein are the

property of their respective owners.

Footage

Arri — Courtesy of Arri

™

/Fauer — John Fauer, Inc.

Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.

It’s Shuttletime — Courtesy of BCP & Canadian Airlines.

Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.

Saturn “Calvin Egg” — Courtesy of Cossette Communications.

“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com.

Windhorse — Courtesy of Paul Wagner Productions.

Avid Media Composer and Film Composer Input and Output Guide •

Part 0130-05020-01 Rev. A • April 2002

Contents

Using This Guide

Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Related Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . 28

How to Order Documentation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Chapter 1 Planning a Project

Working with Multiple Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Working with 24p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Working with 25p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Types of Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Planning a Video Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Planning a 24p or 25p Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

NTSC and PAL Image Sizes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

24-fps Film Source, SDTV Transfer, Multiformat Output . . . . . . 37

24-fps Film or HD Video Source, SDTV Downconversion,

Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

25-fps Film or HD Video Source, SDTV Downconversion,

Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Alternative Audio Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

NTSC Audio and Video Synchronized During Transfer . . . 47

NTSC Audio and Video Digitized Separately . . . . . . . . . . . . 49

6

PAL Audio and Video Synchronized During Transfer

(PAL Method 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

PAL Audio and Video Digitized Separately

(PAL Method 2). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Audio Transfer Options for 24p PAL Projects. . . . . . . . . . . . . . . . 52

Planning a DV Project (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . 53

Understanding DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

DV Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Starting a DV Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Editing in DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Film Project Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Film Shoot Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Viewing Dailies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Film Dailies Method. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Video Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Chapter 2 Film-to-Tape Transfer Methods

Understanding the Transfer Process . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Transferring 24-fps Film to NTSC Video. . . . . . . . . . . . . . . . . . . . . . . . 64

Stage 1: Transferring Film to Video . . . . . . . . . . . . . . . . . . . . . . . . 65

Frames Versus Fields . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Part 1: Using a 2:3 Pulldown to Translate 24-fps Film

to 30-fps Video. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Part 2: Slowing the Film Speed to 23.976 fps . . . . . . . . . . . . . 67

Maintaining Synchronized Sound . . . . . . . . . . . . . . . . . . . . . . 68

Stage 2: Digitizing at 24 fps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Transferring 24-fps Film to PAL Video . . . . . . . . . . . . . . . . . . . . . . . . . 70

PAL Method 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

PAL Method 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

How the Avid System Stores and Displays 24p and 25p Media . . . . 73

Displaying Media While Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Displaying Media During a Digital Cut. . . . . . . . . . . . . . . . . . . . . 75

Film-to-Tape Transfer Guidelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

7

Film-to-Tape Transfer Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Transfer Quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Additional Film Transfer Aids . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Chapter 3 Logging

Preparing Log Files for Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Using Avid Log Exchange to Convert Log Files . . . . . . . . . . . . . . 80

Converting Log Files with Avid Log Exchange (Windows). 81

Using Drag-and-Drop Conversion for Log Files

(Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Converting Logs with Avid Log Exchange (Macintosh). . . . 86

Using Drag-and-Drop Conversion for Log Files

(Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Creating Avid Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Transferring Bins from MediaLog . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Transferring Bins (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Transferring Bins (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . 93

Associating the Bin with Your Project . . . . . . . . . . . . . . . . . . . 93

Double-Checking the Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Importing Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Logging Directly into a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Tips for Logging Preroll, Logging Timecode, and

Naming Tapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Logging with an Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . 103

Pausing the Deck While Logging. . . . . . . . . . . . . . . . . . . . . . . . . . 107

Using a Memory Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Logging with Non-Avid-Controlled Decks . . . . . . . . . . . . . . . . . 109

Logging Film Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Displaying Film Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Entering Pulldown Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Determining the Pulldown Phase. . . . . . . . . . . . . . . . . . . . . . 115

Modifying the Pulldown Phase Before Digitizing . . . . . . . . 116

8

Entering Frames-per-Second Rates for PAL Transfers . . . . . . . 118

Entering Key Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Entering Additional Timecodes (Option) . . . . . . . . . . . . . . . . . . 120

Entering the Ink Number (Option) . . . . . . . . . . . . . . . . . . . . . . . . 121

Entering Additional Film Data . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Modifying Clip Information Before Digitizing. . . . . . . . . . . . . . . . . . 121

Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Chapter 4 Preparing to Digitize

Preparing the Hardware for Digitizing . . . . . . . . . . . . . . . . . . . . . . . . 126

Selecting Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Media Creation Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Setting Drive Filtering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Choosing a Video Resolution and Drives. . . . . . . . . . . . . . . 130

Digitize Settings Dialog Box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Digitize Settings: General Tab . . . . . . . . . . . . . . . . . . . . . . . . 132

Selecting the Preroll Method. . . . . . . . . . . . . . . . . . . . . . . . . . 134

Digitizing Across Timecode Breaks. . . . . . . . . . . . . . . . . . . . 136

Digitize Settings: Media Files Tab . . . . . . . . . . . . . . . . . . . . . 137

Digitizing to Multiple Media Files. . . . . . . . . . . . . . . . . . . . . 139

General Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Transfer Settings for Film Projects . . . . . . . . . . . . . . . . . . . . . . . . 141

Configuring Decks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Deck Settings Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Deleting Deck Configuration Elements . . . . . . . . . . . . . . . . . . . . 151

Setting Deck Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Understanding Drop-Frame Timecode and Non-Drop-Frame

Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Entering Capture Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Setting Up the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Selecting a Deck in the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . 158

Selecting a Source Tape. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Selecting Source Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

9

Setting the Video and Audio Input . . . . . . . . . . . . . . . . . . . . . . . . 161

Setting the Pulldown Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Film Project Pulldown and Transfer Settings . . . . . . . . . . . . 163

Choosing a Resolution in the Digitize Tool . . . . . . . . . . . . . . . . . 165

Choosing Color or Monochrome in the Digitize Tool. . . . . . . . . 165

Choosing a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Targeting a Single Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Targeting Separate Drives for Audio and Video . . . . . . . . . 167

Targeting a Drive Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Interpreting the Time-Remaining Display . . . . . . . . . . . . . . . . . . 169

Selecting a Custom Preroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Establishing Sync for Audio-Only Input. . . . . . . . . . . . . . . . . . . . 171

Checking for a Valid Digital Sync Signal. . . . . . . . . . . . . . . . 172

Adjusting Audio Project Settings. . . . . . . . . . . . . . . . . . . . . . . . . . 173

Saving the Audio Project Settings as Site Settings . . . . . . . . 177

Choosing the Audio File Format . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Using the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Resizing the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Adjusting the Reference Level. . . . . . . . . . . . . . . . . . . . . . . . . 182

Choosing a Peak Hold Option. . . . . . . . . . . . . . . . . . . . . . . . . 184

Adjusting Audio Input Levels for

Eight-Channel Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Adjusting Audio Input on Two-Channel Audio Systems. . 186

Creating Tone Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Calibrating the Eight-Channel Audio I/O Device . . . . . . . . . . . 190

Changing the Audio Hardware Calibration Setting . . . . . . 192

Calibrating Input Channels for the Audio I/O Device . . . . 193

Calibrating Output Channels for the Audio I/O Device . . 195

Using the Console Window to Check Audio Levels. . . . . . . . . . 196

Preparing for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Using the Factory Preset Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . 198

10

Calibrating Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Saving Video Input Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Saving a Custom Default Setting for the Video Input Tool. . . . 208

Adjusting Video Levels for Tapes Without Color Bars . . . . . . . 208

Digitizing Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Chapter 5 Digitizing

Before You Begin Digitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Special Digitizing Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Logging Errors to the Console Window. . . . . . . . . . . . . . . . . . . . 214

Creating Subclips On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Adding Locators On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Adding Clip Names and Comments On-the-Fly . . . . . . . . . . . . 217

Controlling Decks from the Keyboard . . . . . . . . . . . . . . . . . . . . . 218

Mapping the Record Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Digitizing and Logging at the Same Time. . . . . . . . . . . . . . . . . . . . . . 219

Digitizing from a Mark IN to a Mark OUT . . . . . . . . . . . . . . . . . 221

Setting Both Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Setting Only One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Digitizing On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223

Autodigitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Digitizing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . 228

Digitizing with Time-of-Day Timecode . . . . . . . . . . . . . . . . . . . . 230

Digitizing with External Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Digitizing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232

Patching When Digitizing to the Timeline. . . . . . . . . . . . . . . . . . 233

Digitizing Video Without Pulldown into a 24p NTSC Project. . . . . 235

Batch Digitizing from Logged Clips . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Preparing to Batch Digitize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Resizing the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Preparing Settings for Unattended Batch Digitizing. . . . . . 237

Digitize Settings: Batch Tab . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Batch Digitizing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

11

Redigitizing Your Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Redigitizing Master Clips and Subclips . . . . . . . . . . . . . . . . . . . . 244

Redigitizing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Saving Two Versions of a Sequence When Redigitizing. . . 245

Using Decompose When Redigitizing . . . . . . . . . . . . . . . . . . 245

Redigitizing the Sequence Without Using Decompose . . . . 247

Relinking Clips by Key Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Modifying the Pulldown Phase After Digitizing . . . . . . . . . . . . . . . . 253

Digitizing During the Film-to-Tape Transfer . . . . . . . . . . . . . . . . . . . 256

Preparing to Digitize in Telecine Slave Mode . . . . . . . . . . . . . . . 257

Selecting the VTR Emulation Serial Port . . . . . . . . . . . . . . . . 257

Selecting VTR Emulation Settings . . . . . . . . . . . . . . . . . . . . . 259

Automatically Deleting Short Clips . . . . . . . . . . . . . . . . . . . . 262

Setting the Default Tape Timecode Format. . . . . . . . . . . . . . 263

Digitize Tool Controls for Telecine Slave Mode . . . . . . . . . . . . . 263

Selecting Telecine Slave Mode. . . . . . . . . . . . . . . . . . . . . . . . . 265

Choosing a Source Tape Name . . . . . . . . . . . . . . . . . . . . . . . . 266

Digitizing and Logging in Telecine Slave Mode . . . . . . . . . . . . . 266

Formatting and Setting the Virtual Tape Timecode

(Telecine Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Chapter 6 Multicamera Planning and Digitizing

Developing a Postproduction Model . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Tape Numbering Schemes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Tape Numbering for Video Productions . . . . . . . . . . . . . . . . 270

Tape Numbering for Film Productions . . . . . . . . . . . . . . . . . 271

Production Paths. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Production Paths for Video Productions . . . . . . . . . . . . . . . . 272

Production Paths for Film Productions . . . . . . . . . . . . . . . . . 273

Managing Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Audio for Videotape Productions. . . . . . . . . . . . . . . . . . . . . . 274

Audio for Film Productions. . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Digitizing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

12

Digitizing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Logging Tips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Autodigitizing Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Storage Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Checking the Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Replacing Missing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Deleting Extra Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Checking Audio and Image Quality. . . . . . . . . . . . . . . . . . . . . . . 284

Chapter 7 Importing Files

Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Working with Mixed-Resolution Projects . . . . . . . . . . . . . . . . . . . . . . 286

Creating and Using Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Creating a New Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Modifying an Existing Import Setting . . . . . . . . . . . . . . . . . . . . . 289

Import Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . 302

Importing Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

Importing Single-Layer Photoshop Graphics . . . . . . . . . . . . . . . 303

Importing Multilayered Photoshop Graphics . . . . . . . . . . . . . . . 303

Understanding Multilayered Graphics Import . . . . . . . . . . 304

Importing Multilayered Files . . . . . . . . . . . . . . . . . . . . . . . . . 308

Importing Editcam Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Batch Import Dialog Box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Starting the Reimport Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Chapter 8 Generating Output

Preparing for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Establishing Sync for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Calibrating for Video Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Using the Factory Preset Buttons . . . . . . . . . . . . . . . . . . . . . . 322

13

Basic Video Output Calibration . . . . . . . . . . . . . . . . . . . . . . . 322

Advanced Video Output Calibration. . . . . . . . . . . . . . . . . . . 327

Preparing for Audio Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Setting the Calibration Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Calibrating Global Output Levels. . . . . . . . . . . . . . . . . . . . . . 333

Adjusting Output on Eight-Channel Audio Systems . . . . . 333

Adjusting Output on Two-Channel Audio Systems . . . . . . 336

Preparing Record Tapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Frame-Accurate Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Manual Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Recording Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Enabling Assemble-Edit Recording. . . . . . . . . . . . . . . . . . . . . . . . 340

Using the Digital Cut Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342

Selecting a Deck in the Digital Cut Tool . . . . . . . . . . . . . . . . . . . . 344

Previewing a Digital Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345

Creating a Custom Countdown Display. . . . . . . . . . . . . . . . . . . . 346

Recording a Digital Cut to Tape (Remote Mode) . . . . . . . . . . . . 348

Recording a Digital Cut to Tape (Local Mode) . . . . . . . . . . . . . . 352

Choosing Output and Timecode Formats for 24p

and 25p Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356

Choosing Output Formats for 24p and 25p Projects . . . . . . 356

Choosing the Timecode Format for Output . . . . . . . . . . . . . 360

Indicating the Destination Timecode Rate . . . . . . . . . . . . . . 362

Choosing DSK Title Formats. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

Performing an Insert Edit with Pulldown . . . . . . . . . . . . . . . . . . 364

Digital Cuts and Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366

Changing the Default Pulldown Phase for Sequences . . . . . . . . 367

Using EDL Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Using the Matchback Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

How Matchback Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Matchback Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

Using FilmScribe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Using VTR Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

14

Enabling VTR Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

Using VTR Play Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

Using Direct Record Emulation. . . . . . . . . . . . . . . . . . . . . . . . . . . 376

Chapter 9 Exporting and Exchanging Material

Understanding Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380

Preparing to Export a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381

Exporting Frames, Clips, or Sequences . . . . . . . . . . . . . . . . . . . . . . . . 383

Using the Drag-and-Drop Method to Export Frames, Clips, or

Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387

Using AvidLinks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Customizing Export Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390

Creating a New Export Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . 391

Export Settings Dialog Box Options . . . . . . . . . . . . . . . . . . . . . . . 392

Exporting OMFI and AAF Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393

Exporting Through OMF Interchange . . . . . . . . . . . . . . . . . . . . . 393

Exporting Through AAF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

Choosing an OMFI or an AAF Transfer Method . . . . . . . . . . . . 394

Exporting as an OMFI or an AAF File . . . . . . . . . . . . . . . . . . . . . 395

OMFI and AAF Export Settings Options . . . . . . . . . . . . . . . . . . . 397

Exporting as an MPEG File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400

Using cleaner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403

Creating Files for a DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404

Exporting Video in DV Stream Format . . . . . . . . . . . . . . . . . . . . . . . . 407

Exporting as a QuickTime Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411

Exporting QuickTime Reference Movies . . . . . . . . . . . . . . . . . . . 412

QuickTime Reference Export Options. . . . . . . . . . . . . . . . . . 414

Exporting as a QuickTime Movie . . . . . . . . . . . . . . . . . . . . . . . . . 416

QuickTime Movie Export Options. . . . . . . . . . . . . . . . . . . . . 419

Selecting QuickTime Movie Format Options. . . . . . . . . . . . 422

Using Avid Codecs for QuickTime. . . . . . . . . . . . . . . . . . . . . . . . 429

Exporting with an Avid Meridien Codec . . . . . . . . . . . . . . . 429

15

Exporting with the Avid ABVB NuVista Codec

for QuickTime . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432

Exporting as an AVI File (Windows Only) . . . . . . . . . . . . . . . . . . . . . 434

AVI Settings Options (Windows Only). . . . . . . . . . . . . . . . . . . . . 437

AVI Video Compression Dialog Box Options (

Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440

Using the Avid Codec for AVI (Windows Only). . . . . . . . . . . . . 441

Installing the Avid Codecs for QuickTime or AVI on

Other Systems. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443

Copying the Avid Codecs for QuickTime to Another Windows

System (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444

Copying the Avid Codecs for QuickTime to Another

Macintosh System (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . 445

Installing the Avid Codec for AVI on Another

Windows System. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446

Downloading Avid Codecs for QuickTime . . . . . . . . . . . . . . . . . 447

Exporting from a Third-Party QuickTime or AVI Application . . . . 448

Exporting Tracks as Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448

Exporting as a Graphic File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451

Transferring a Project Between Avid Systems . . . . . . . . . . . . . . . . . . 460

Methods for Transferring Files Between Avid Systems . . . . . . . 460

Compatibility Requirements for Transfer. . . . . . . . . . . . . . . . . . . 461

Transferring a Project and Associated Media Files . . . . . . . . . . . 462

Transferring Projects, User Profiles, and Site Settings . . . . . . . . 463

Transferring Media to and from a Video Server. . . . . . . . . . . . . . . . . 465

Setting Up a Video Server . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465

Configuring the Video Server . . . . . . . . . . . . . . . . . . . . . . . . . 466

Configuring the Video Server as a Deck . . . . . . . . . . . . . . . . 466

Transferring from the Avid System to the Video Server . . . . . . 467

Transferring from the Video Server to the Avid System . . . . . . 469

Sending Material Out for Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470

Reviewing Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470

Opening R&A Files in the Locators Window. . . . . . . . . . . . . . . . 471

16

Displaying Information in the Locators Window. . . . . . . . . . . . 472

Using Locator Colors with R&A Files . . . . . . . . . . . . . . . . . . . . . 473

Appendix A File Format Specifications

Graphics (Image) Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475

Preparing Graphics Files for Import. . . . . . . . . . . . . . . . . . . . . . . 478

Graphics File Import Specifications . . . . . . . . . . . . . . . . . . . . . . . 478

Screen Resolution for Imported Graphics and Sequences . . . . . . . . 482

Animation Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 485

Audio File Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 490

OMFI Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 490

Field Ordering in Graphic Imports and Exports . . . . . . . . . . . . . . . . 492

Appendix B Resolutions and Storage Requirements

Compression and Avid Editing Systems. . . . . . . . . . . . . . . . . . . . . . . 498

Screen Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 499

Compression and Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 499

Mixing Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500

Resolution Groups and Image Quality. . . . . . . . . . . . . . . . . . . . . 502

Video Streams. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503

Compression Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503

MultiCamera Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 506

DV Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507

Storage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508

Estimating Drive Space Requirements . . . . . . . . . . . . . . . . . . . . . 509

Estimated Storage Requirements: DV . . . . . . . . . . . . . . . . . . 517

Maximizing Drive Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 518

Managing Storage to Improve Playback Performance . . . . . . . . . . . 518

Appendix C Avid Log Specifications

Understanding Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . 520

Describing an Avid Log File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521

Global Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521

17

Column Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523

Data Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 526

Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 529

Appendix D Preserving Information in the Vertical Blanking Interval

Line Ranges. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 531

Preserving Vertical Blanking Information . . . . . . . . . . . . . . . . . . . . . . 532

Using a Partial Wipe Operation to Insert or Delete Vertical Blanking

Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 534

Potential Problems with Preserving Vertical Blanking Information 535

Index

18

Figures

Figure 1-1 Workflow: Video Project with Video Source. . . . . . . . .34

Figure 1-2 Workflow: Video Project with HD Source, SDTV

Downconversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Figure 1-3 Offline Workflow: 24-fps Film Source, SDTV Transfer39

Figure 1-4 Online Workflow: 24-fps Film Source, SDTV Transfer,

Multiformat Output. . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Figure 1-5 Offline Workflow: 24-fps Film or HDTV Source,

SDTV Downconversion. . . . . . . . . . . . . . . . . . . . . . . . .42

Figure 1-6 Online Workflow: 24-fps Film or HDTV Source, SDTV

Downconversion, Multiformat Output. . . . . . . . . . . .43

Figure 1-7 Offline Workflow: 25-fps Film or HDTV Source,

SDTV Downconversion. . . . . . . . . . . . . . . . . . . . . . . . .45

Figure 1-8 Online Workflow: 25-fps Film or HDTV Source, SDTV

Downconversion, Multiformat Output. . . . . . . . . . . .46

Figure 1-9 NTSC Audio and Video Synchronized During

Transfer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Figure 1-10 NTSC Audio and Video Digitized Separately. . . . . . . .49

Figure 1-11 PAL Audio and Video Synced During Transfer

(PAL Method 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Figure 1-12 PAL Audio and Video Digitized Separately

(PAL Method 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Figure 1-13 Workflow: DV Project with Mixed Sources. . . . . . . . . .56

Figure 1-14 Film Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60

Figure 1-15 Video Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

19

Tables

Table 1-1 Film Shoot Specifications. . . . . . . . . . . . . . . . . . . . . . . . . 58

Table 2-1 Ratio of Film to Video . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Table 2-2 Ratio of Film to Video with FPS . . . . . . . . . . . . . . . . . . . 67

Table 4-1 Drive Filtering Options . . . . . . . . . . . . . . . . . . . . . . . . . 129

Table 4-2 Digitize Settings: General Tab . . . . . . . . . . . . . . . . . . . 132

Table 4-3 Digitize Settings: Media Files Tab . . . . . . . . . . . . . . . . 138

Table 4-4 Deck Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Table 4-5 Deck Preferences Options . . . . . . . . . . . . . . . . . . . . . . . 152

Table 4-6 Film Project Pulldown and Transfer Settings. . . . . . . 164

Table 4-7 Audio Project Settings Options . . . . . . . . . . . . . . . . . . 174

Table 4-8 Audio Tool Components. . . . . . . . . . . . . . . . . . . . . . . . 181

Table 4-9 Video Input Tool Components. . . . . . . . . . . . . . . . . . . 198

Table 4-10 Luminance Settings for Video Input . . . . . . . . . . . . . . 205

Table 5-1 Function Keys Available When Digitizing . . . . . . . . . 213

Table 5-2 Locators Mapped to Function Keys . . . . . . . . . . . . . . . 216

Table 5-3 Digitize Settings: Batch Tab . . . . . . . . . . . . . . . . . . . . . 238

Table 5-4 VTR Emulation Settings: Telecine Emulation . . . . . . 260

Table 5-5 Telecine Slave Mode Controls . . . . . . . . . . . . . . . . . . . 265

Table 7-1 Import Settings Options — Image Tab . . . . . . . . . . . . 290

Table 7-2 Import Setting Options — OMFI Tab . . . . . . . . . . . . . 295

Table 7-3 Import Setting Options — Shot Log Tab. . . . . . . . . . . 296

Table 7-4 Support for Photoshop Layer Options . . . . . . . . . . . . 307

Table 7-5 Support for Photoshop Special Layer Types . . . . . . . 307

Table 8-1 Video Format Output Parameters . . . . . . . . . . . . . . . . 324

Table 8-2 Luminance Settings for Video Output . . . . . . . . . . . . 326

20

Table 8-3 24p and 25p Project Output Options . . . . . . . . . . . . . .357

Table 8-4 Audio Play Rates for 24p and 25p Projects . . . . . . . . .359

Table 8-5 VTR Emulation Settings: Record and

Play Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .373

Table 9-1 Available Avid Applications for AvidLinks Export. .389

Table 9-2 Export Settings Dialog Box Options . . . . . . . . . . . . . . .392

Table 9-3 Export Settings Dialog Box

OMFI and AAF Settings Options. . . . . . . . . . . . . . . .397

Table 9-4 Export Settings Dialog Box (DV Stream Options) . . .409

Table 9-5 Choosing a QuickTime Export Option . . . . . . . . . . . . .411

Table 9-6 Export Settings Dialog Box

QuickTime Reference Options . . . . . . . . . . . . . . . . . .414

Table 9-7 Export Settings Dialog Box

QuickTime Movie Options . . . . . . . . . . . . . . . . . . . . .419

Table 9-8 QuickTime Movie Format Options . . . . . . . . . . . . . . . .423

Table 9-9 Export Settings Dialog Box

AVI Settings Options (Windows Only) . . . . . . . . . .437

Table 9-10 AVI Video Compression

Dialog Box Options (Windows Only) . . . . . . . . . . . .440

Table 9-11 Export Settings Dialog BoxAudio Settings Options . .450

Table 9-12 Export Settings Dialog Box

Graphic Format Settings Options . . . . . . . . . . . . . . .453

Table 9-13 Export Settings Dialog Box

Graphic Export Settings Options . . . . . . . . . . . . . . . .458

Table 9-14 Devices for Transferring Files . . . . . . . . . . . . . . . . . . . .461

Table 9-15 Default Folder and File Locations (Windows) . . . . . .464

Table 9-16 Default Folder and File Locations (Macintosh). . . . . .464

Table A-1 Graphics File Import Specifications . . . . . . . . . . . . . . .479

Table A-2 Graphic Import Frame Sizes: Interlaced. . . . . . . . . . . .483

Page is loading ...

Avid Media Composer 11.0 User guide

Avid Media Composer 11.0 User guide

Related papers

Other documents