Avid Symphony Symphony 4.7 User guide

make manage move | media

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Avid

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Avid

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Symphony

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Input and Output Guide

Copyright and Disclaimer

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Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its

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Portions of this software are based on work of the Independent JPEG Group.

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Portions of this software licensed from Paradigm Matrix.

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“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to

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parties under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control

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Footage

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GOT FOOTAGE?

Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —

Broadcasters — Content creators of every genre — Just finished an incredible project and want to

share it with the world?

Send us your reels and we may use your footage in our show reel or demo!*

For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.

*Note: Avid cannot guarantee the use of materials submitted.

Avid Symphony Input and Output Guide • Part 0130–05443–01• February 2003

Contents

Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Related Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . . 28

How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Avid Educational Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Chapter 1 Planning a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Working with Multiple Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Working with 24p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Working with 25p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Types of Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Planning a Video Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Planning a 24p or 25p Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

NTSC and PAL Image Sizes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

24-fps Film Source, SDTV Transfer, Multiformat Output . . . . . . . . . 38

24-fps Film or HD Video Source, SDTV Downconversion,

Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

25-fps Film or HD Video Source, SDTV Downconversion,

Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Alternative Audio Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

NTSC Audio and Video Synchronized During Transfer. . . . . . . 48

NTSC Audio and Video Digitized Separately . . . . . . . . . . . . . . 49

6

PAL Audio and Video Synchronized During Transfer

(PAL Method 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

PAL Audio and Video Digitized Separately (PAL Method 2) . . . 51

Audio Transfer Options for 24p PAL Projects. . . . . . . . . . . . . . . . . . 52

Planning a 23.976p NTSC Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Working in a 23.976p NTSC Project. . . . . . . . . . . . . . . . . . . . . . . . . 54

Creating a 23.976p Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Film Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Digitizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Digital Cut Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

23.976-fps Film Transfer or HD Video Source, SDTV Downconversion,

Multiformat Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Limitations for 23.976p Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Planning a DV Project (Windows Only). . . . . . . . . . . . . . . . . . . . . . . . . . 60

Understanding DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

DV Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Starting a DV Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Editing in DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Planning an MPEG Project (Windows Only) . . . . . . . . . . . . . . . . . . . . . . 64

MPEG Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Starting an MPEG Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Editing in MPEG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Film Project Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Film Shoot Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Viewing Dailies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Film Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Video Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Chapter 2 Film-to-Tape Transfer Methods . . . . . . . . . . . . . . . . . . . . . . . . 73

Understanding the Transfer Process . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Transferring 24-fps Film to NTSC Video . . . . . . . . . . . . . . . . . . . . . . . . . 74

Stage 1: Transferring Film to Video . . . . . . . . . . . . . . . . . . . . . . . . . 75

Frames Versus Fields . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

7

Part 1: Using a 2:3 Pulldown to Translate 24-fps Film to

30-fps Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Part 2: Slowing the Film Speed to 23.976 fps . . . . . . . . . . . . . . 77

Maintaining Synchronized Sound . . . . . . . . . . . . . . . . . . . . . . . 78

Stage 2: Digitizing at 24 fps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Transferring 24-fps Film to PAL Video . . . . . . . . . . . . . . . . . . . . . . . . . . 80

PAL Method 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

PAL Method 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

How the Avid System Stores and Displays 24p and 25p Media. . . . . . . 82

Displaying Media While Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Displaying Media During a Digital Cut . . . . . . . . . . . . . . . . . . . . . . . 84

Film-to-Tape Transfer Guidelines. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Film-to-Tape Transfer Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Transfer Quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Additional Film Transfer Aids . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Chapter 3 Logging. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Preparing Log Files for Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Compatible Log Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Using Avid Log Exchange to Convert Log Files. . . . . . . . . . . . . . . . 91

Converting Log Files with Avid Log Exchange (Windows) . . . . 92

Using Drag-and-Drop Conversion for Log Files (Windows) . . . 96

Converting Log Files with Avid Log Exchange (Macintosh) . . . 97

Using Drag-and-Drop Conversion for Log Files (Macintosh). . 101

Creating Avid Logs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Applications for Creating Avid Logs. . . . . . . . . . . . . . . . . . . . . 102

Required Information for Logging . . . . . . . . . . . . . . . . . . . . . . 102

Creating an Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Transferring Bins from MediaLog. . . . . . . . . . . . . . . . . . . . . . . . . . 103

Transferring Bins (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Transferring Bins (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 104

Associating the Bin with Your Project . . . . . . . . . . . . . . . . . . . 105

Double-Checking the Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Importing Shot Log Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

8

Logging Directly into a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Tips for Logging Preroll, Logging Timecode, and Naming Tapes. . 112

Logging with an Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . 114

Pausing the Deck While Logging . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Using a Memory Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Logging with Non-Avid-Controlled Decks . . . . . . . . . . . . . . . . . . . . 120

Logging Film Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Displaying Film Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Entering Pulldown Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Determining the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . 126

Modifying the Pulldown Phase Before Digitizing . . . . . . . . . . . 127

Entering Frames-per-Second Rates for PAL Transfers . . . . . . . . . 129

Entering Key Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Entering Additional Timecodes (Option) . . . . . . . . . . . . . . . . . . . . . 130

Entering the Ink Number (Option). . . . . . . . . . . . . . . . . . . . . . . . . . 131

Entering Additional Film Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Modifying Clip Information Before Digitizing . . . . . . . . . . . . . . . . . . . . . 132

Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Chapter 4 Preparing to Digitize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Preparing the Hardware for Digitizing . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Selecting Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Media Creation Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Setting Drive Filtering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Selecting a Video Resolution and Drives . . . . . . . . . . . . . . . . . 139

Digitize Settings Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Digitize Settings: General Tab . . . . . . . . . . . . . . . . . . . . . . . . . 141

Selecting the Preroll Method . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Digitizing Across Timecode Breaks . . . . . . . . . . . . . . . . . . . . . 147

Digitize Settings: Media Files Tab . . . . . . . . . . . . . . . . . . . . . . 147

Digitizing to Multiple Media Files . . . . . . . . . . . . . . . . . . . . . . . 149

General Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Transfer Settings for Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . 151

Configuring Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Deck Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

9

Deleting Deck Configuration Elements . . . . . . . . . . . . . . . . . . . . . 160

Setting Deck Preferences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Understanding Drop-Frame Timecode and Non-Drop-Frame

Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Entering Capture Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Setting Up the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Selecting a Deck in the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . 166

Selecting a Source Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Selecting Source Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Setting the Video and Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . 169

Setting the Pulldown Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Film Project Pulldown and Transfer Settings. . . . . . . . . . . . . . 171

Selecting a Resolution in the Digitize Tool. . . . . . . . . . . . . . . . . . . 173

Selecting Color or Monochrome in the Digitize Tool . . . . . . . . . . . 173

Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Targeting a Single Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Targeting Separate Drives for Audio and Video . . . . . . . . . . . 175

Targeting a Drive Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Interpreting the Time-Remaining Display. . . . . . . . . . . . . . . . . . . . 177

Selecting a Custom Preroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Establishing Sync for Audio-Only Input . . . . . . . . . . . . . . . . . . . . . 178

Checking for a Valid Digital Sync Signal . . . . . . . . . . . . . . . . . 179

Adjusting Audio Project Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Saving the Audio Project Settings as Site Settings . . . . . . . . . 184

Selecting the Audio File Format. . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Using the Audio Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Resizing the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Adjusting the Reference Level. . . . . . . . . . . . . . . . . . . . . . . . . 188

Selecting a Peak Hold Option . . . . . . . . . . . . . . . . . . . . . . . . . 190

Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Creating Tone Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Calibrating the Eight-Channel Audio I/O Device . . . . . . . . . . . . . . 193

Changing the Audio Hardware Calibration Setting . . . . . . . . . 195

10

Calibrating Input Channels for the Audio I/O Device . . . . . . . . 196

Calibrating Output Channels for the Audio I/O Device. . . . . . . 198

Using the Console Window to Check Audio Levels . . . . . . . . . . . . 198

Preparing for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Using the Factory Preset Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Calibrating Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Limitation When Using Consumer Decks or Decks Without

Time-Base Correctors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Saving Video Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Saving a Custom Default Setting for the Video Input Tool . . . . . . . 211

Adjusting Video Levels for Tapes Without Color Bars . . . . . . . . . . 211

Digitizing Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Chapter 5 Digitizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Before You Begin Digitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Special Digitizing Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Logging Errors to the Console Window . . . . . . . . . . . . . . . . . . . . . 217

Creating Subclips On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Adding Locators On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Adding Clip Names and Comments On-the-Fly . . . . . . . . . . . . . . . 220

Controlling Decks from the Keyboard . . . . . . . . . . . . . . . . . . . . . . . 221

Mapping the Record Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Digitizing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . . . . 222

Digitizing from a Mark IN to a Mark OUT . . . . . . . . . . . . . . . . . . . . 223

Setting Both Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Setting Only One Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Digitizing On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Autodigitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Digitizing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . . . . . 230

Digitizing with Time-of-Day Timecode . . . . . . . . . . . . . . . . . . . . . . 232

Digitizing with External Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232

Digitizing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Patching When Digitizing to the Timeline . . . . . . . . . . . . . . . . . . . . 235

Digitizing Video Without Pulldown into a 24p NTSC Project. . . . . . . . . 236

Recording DV Through a 1394 Connection (Windows Only) . . . . . . . . 237

11

Recording Through MPEG SDTI-CP (Windows Only) . . . . . . . . . . . . . 237

Batch Digitizing from Logged Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Preparing to Batch Digitize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Resizing the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Preparing Settings for Unattended Batch Digitizing . . . . . . . . 240

Digitize Settings: Batch Tab . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Batch Digitizing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Redigitizing Your Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Redigitizing Master Clips and Subclips . . . . . . . . . . . . . . . . . . . . . 246

Redigitizing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Saving Two Versions of a Sequence When Redigitizing. . . . . 247

Using Decompose When Redigitizing . . . . . . . . . . . . . . . . . . . 248

Redigitizing the Sequence Without Using Decompose . . . . . . 249

Relinking Clips by Key Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Modifying the Pulldown Phase After Digitizing . . . . . . . . . . . . . . . . . . . 254

Digitizing During the Film-to-Tape Transfer . . . . . . . . . . . . . . . . . . . . . 257

Preparing to Digitize in Telecine Slave Mode . . . . . . . . . . . . . . . . 259

Selecting the VTR Emulation Serial Port (Telecine

Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Understanding VTR Emulation Settings (Telecine

Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Selecting VTR Emulation Settings. . . . . . . . . . . . . . . . . . . . . . 262

Selecting Digitize Settings for Telecine Slave Mode . . . . . . . . 263

Digitize Tool Controls for Telecine Slave Mode . . . . . . . . . . . . . . . 264

Selecting Telecine Slave Mode . . . . . . . . . . . . . . . . . . . . . . . . 266

Selecting a Source Tape Name. . . . . . . . . . . . . . . . . . . . . . . . 267

Digitizing and Logging in Telecine Slave Mode . . . . . . . . . . . . . . . 267

Formatting and Setting the Virtual Tape Timecode (Telecine

Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

DV Scene Extraction (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . 270

Setting Up DV Scene Extraction Before Digitizing . . . . . . . . . . . . 270

Setting Up DV Scene Extraction After Digitizing . . . . . . . . . . . . . . 272

12

Chapter 6 Multicamera Planning and Digitizing . . . . . . . . . . . . . . . . . . . 273

Developing a Postproduction Model . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Tape Numbering Schemes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Tape Numbering for Video Productions . . . . . . . . . . . . . . . . . . 274

Tape Numbering for Film Productions . . . . . . . . . . . . . . . . . . . 275

Production Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Production Paths for Video Productions . . . . . . . . . . . . . . . . . 275

Production Paths for Film Productions. . . . . . . . . . . . . . . . . . . 276

Managing Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Audio for Videotape Productions . . . . . . . . . . . . . . . . . . . . . . . 278

Audio for Film Productions . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Digitizing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Digitizing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Logging Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Autodigitizing Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Storage Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Checking the Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Replacing Missing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Deleting Extra Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Checking Audio and Image Quality . . . . . . . . . . . . . . . . . . . . . . . . 287

Chapter 7 Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Working with Mixed-Resolution Projects. . . . . . . . . . . . . . . . . . . . . . . . 290

Creating and Using Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Creating a New Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Modifying an Existing Import Setting . . . . . . . . . . . . . . . . . . . . . . . 292

Import Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Importing Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . . . . 306

Importing Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Importing Single-Layer Photoshop Graphics . . . . . . . . . . . . . . . . . 307

Importing Multilayered Photoshop Graphics. . . . . . . . . . . . . . . . . . 308

Understanding Multilayered Graphics Import. . . . . . . . . . . . . . 308

Importing Multilayered Files . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

13

Importing Editcam Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Batch Import Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Starting the Reimport Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Chapter 8 Generating Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Preparing for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Establishing Sync for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Calibrating for Video Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Using the Factory Preset Buttons . . . . . . . . . . . . . . . . . . . . . . 323

Basic Video Output Calibration . . . . . . . . . . . . . . . . . . . . . . . . 324

Advanced Video Output Calibration . . . . . . . . . . . . . . . . . . . . 328

Preparing for Audio Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Setting the Calibration Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Calibrating Global Output Levels. . . . . . . . . . . . . . . . . . . . . . . 334

Adjusting Output on Eight-Channel Audio Systems . . . . . . . . 334

Preparing Record Tapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Frame-Accurate Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Manual Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Recording Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Enabling Assemble-Edit Recording . . . . . . . . . . . . . . . . . . . . . . . . 339

Using the Digital Cut Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Selecting a Deck in the Digital Cut Tool. . . . . . . . . . . . . . . . . . . . . 343

Previewing a Digital Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344

Creating a Custom Countdown Display . . . . . . . . . . . . . . . . . . . . . 345

Recording a Digital Cut to Tape (Remote Mode). . . . . . . . . . . . . . 347

Recording a Digital Cut to Tape (Local Mode). . . . . . . . . . . . . . . . 351

Selecting Output and Timecode Formats for 23.976p, 24p,

and 25p Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354

Selecting Output Formats for 24p and 25p Projects . . . . . . . . 354

Selecting Output Formats for 23.976p Projects. . . . . . . . . . . . 357

Selecting the Timecode Format for Output . . . . . . . . . . . . . . . 358

Indicating the Destination Timecode Rate. . . . . . . . . . . . . . . . 360

Selecting DSK Title Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362

Performing an Insert Edit with Pulldown . . . . . . . . . . . . . . . . . . . . 362

14

Digital Cuts and Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363

Changing the Default Pulldown Phase for Sequences. . . . . . . . . . 364

Using EDL Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365

Using the Matchback Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366

How Matchback Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366

Matchback Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

Using FilmScribe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Using VTR Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Enabling VTR Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Using VTR Play Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Using Direct Record Emulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

Chapter 9 Exporting Frames, Clips, or Sequences . . . . . . . . . . . . . . . . 375

Understanding Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376

Preparing to Export a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377

Exporting Frames, Clips, or Sequences . . . . . . . . . . . . . . . . . . . . . . . . 378

Using the Drag-and-Drop Method to Export Frames, Clips, or

Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Customizing Export Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Preset Export Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Creating a New Export Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Export Settings Dialog Box Options . . . . . . . . . . . . . . . . . . . . . . . . 385

Exporting OMFI and AAF Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386

Exporting Through OMF Interchange . . . . . . . . . . . . . . . . . . . . . . . 387

Exporting Through AAF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387

Selecting an OMFI or an AAF Transfer Method . . . . . . . . . . . . . . . 388

Exporting As an OMFI or an AAF File . . . . . . . . . . . . . . . . . . . . . . 389

OMFI and AAF Export Settings Options . . . . . . . . . . . . . . . . . . . . . 391

Exporting As an MPEG File (Windows Only) . . . . . . . . . . . . . . . . . . . . 393

Creating Files for a DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396

Creating Files for a DVD (Windows). . . . . . . . . . . . . . . . . . . . . . . . 397

Creating Files for a DVD (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . 399

Creating Files for iDVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400

Creating Files for DVD Studio Pro (Macintosh Only) . . . . . . . . 401

15

Using an AppleScript Script to Create a DVD (Macintosh Only) . . .

404

Adding and Removing Applications for Creating DVDs. . . . . . 405

Exporting Video in DV Stream Format . . . . . . . . . . . . . . . . . . . . . . . . . 406

Exporting QuickTime Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409

Exporting As a QuickTime Movie . . . . . . . . . . . . . . . . . . . . . . . . . . 410

QuickTime Movie Export Options . . . . . . . . . . . . . . . . . . . . . . 412

Selecting QuickTime Movie Format Options . . . . . . . . . . . . . . 415

Exporting As a QuickTime Reference Movie . . . . . . . . . . . . . . . . . 422

QuickTime Reference Export Options . . . . . . . . . . . . . . . . . . . 424

Using Avid Codecs for QuickTime . . . . . . . . . . . . . . . . . . . . . . . . . 427

Exporting with an Avid Meridien Codec or the Avid DV Codec 427

Exporting As an AVI File (Windows Only) . . . . . . . . . . . . . . . . . . . . . . 430

AVI Settings Options (Windows Only) . . . . . . . . . . . . . . . . . . . . . . 432

AVI Video Compression Dialog Box Options (Windows Only). . . . 435

Using the Avid Codec for AVI (Windows Only) . . . . . . . . . . . . . . . 437

Installing the Avid Codecs for QuickTime or AVI on Other Systems . . 439

Copying the Avid Codecs for QuickTime to Another Windows

System (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440

Copying the Avid Codecs for QuickTime to Another Macintosh

System (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441

Installing the Avid Codec for AVI on Another Windows System . . 442

Downloading Avid Codecs for QuickTime . . . . . . . . . . . . . . . . . . . 443

Exporting from a Third-Party QuickTime or AVI Application. . . . . . . . . 444

Exporting Tracks As Audio Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444

Exporting As a Graphic File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447

Sending Material Out for Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456

Reviewing Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456

Opening R&A Files in the Locators Window . . . . . . . . . . . . . . . . . 457

Displaying Information in the Locators Window . . . . . . . . . . . . . . . 458

Using Locator Colors with R&A Files . . . . . . . . . . . . . . . . . . . . . . . 459

16

Chapter 10 Exchanging Files with Avid Applications . . . . . . . . . . . . . . . 461

Compatibility Between Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . 462

Transferring from Avid Xpress DV . . . . . . . . . . . . . . . . . . . . . . . . . 463

Transferring Media Files from Media Composer Version 7.2 or

Avid Xpress Version 2.1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464

Transferring Projects and Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464

Before You Begin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465

Step 1: Transfer Project Files and Media Files. . . . . . . . . . . . . . . . 466

Transferring Project Information Only . . . . . . . . . . . . . . . . . . . 466

Transferring Video Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467

Transferring Audio Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468

Step 2: Open the Project and Relink or Redigitize . . . . . . . . . . . . . 468

Step 3: Import Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469

Step 4: Re-create the Title Media. . . . . . . . . . . . . . . . . . . . . . . . . . 470

Redefining a Font Replacement. . . . . . . . . . . . . . . . . . . . . . . . 472

Turning Off Downstream Keys (DSK) . . . . . . . . . . . . . . . . . . . 473

Step 5: Render Non-Real-Time Effects . . . . . . . . . . . . . . . . . . . . . 474

Transferring Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475

Exporting the Sequence Without Audio Media . . . . . . . . . . . . . . . . 476

Exporting the Sequence with Embedded Audio Media. . . . . . . . . . 477

Transferring Sound Designer II Audio Files from Macintosh

Systems. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478

Options for File Transfers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478

Transferring a Project Using Shared Storage. . . . . . . . . . . . . . . . . 479

Transferring Project Files and Media Files Using Nonshared

Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479

Devices and Methods for Transferring Files . . . . . . . . . . . . . . . . . . 482

Transferring Files Between Macintosh Systems . . . . . . . . . . . 482

Transferring Files Between Windows Systems . . . . . . . . . . . . 484

Transferring Files Between Macintosh and Windows Systems 486

Nonshared Storage Issues for Cross-Platform Collaboration. . . . . 487

Using AvidLinks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 488

Transferring Projects and Bins Using AFE Files. . . . . . . . . . . . . . . 490

17

Appendix A File Format Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . 493

Graphics (Image) Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493

Preparing Graphics Files for Import . . . . . . . . . . . . . . . . . . . . . . . . 496

Graphics File Import Specifications . . . . . . . . . . . . . . . . . . . . . . . . 496

Screen Resolution for Imported Graphics and Sequences . . . . . . . . . 500

Animation Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503

Audio File Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507

OMFI Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508

Field Ordering in Graphic Imports and Exports . . . . . . . . . . . . . . . . . . 510

Appendix B Resolutions and Storage Requirements . . . . . . . . . . . . . . . . 515

Compression and Avid Editing Systems. . . . . . . . . . . . . . . . . . . . . . . . 515

Screen Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 516

Compression and Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517

Mixing Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517

Avid Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517

DV Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 518

MPEG Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519

Advantages to Mixing Resolutions . . . . . . . . . . . . . . . . . . . . . 519

Resolution Groups and Image Quality . . . . . . . . . . . . . . . . . . . . . . 520

Video Streams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520

Compression Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520

Resolution Specifications: Interlaced. . . . . . . . . . . . . . . . . . . . 521

Resolution Specifications: Progressive . . . . . . . . . . . . . . . . . . 522

Multicamera Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523

DV Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 525

MPEG 50 Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 526

Storage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 527

Estimating Drive Space Requirements . . . . . . . . . . . . . . . . . . . . . 527

Estimated Storage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . 528

Estimated Storage Requirements: Interlaced . . . . . . . . . . . . . 529

Estimated Storage Requirements: Progressive. . . . . . . . . . . . 532

Estimated Storage Requirements: DV. . . . . . . . . . . . . . . . . . . 536

Estimated Storage Requirements: MPEG 50 . . . . . . . . . . . . . 536

Maximizing Drive Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 537

18

Managing Storage to Improve Playback Performance . . . . . . . . . . . . . 538

Appendix C Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 539

Understanding Avid Log Specifications. . . . . . . . . . . . . . . . . . . . . . . . . 539

Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 540

Global Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 540

Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 542

Data Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 545

Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 548

Appendix D Preserving Information in the Vertical Blanking Interval . . . 551

Line Ranges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 551

Preserving Vertical Blanking Information . . . . . . . . . . . . . . . . . . . . . . . 552

Using a Partial Wipe Operation to Insert or Delete Vertical Blanking

Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 554

Potential Problems with Preserving Vertical Blanking Information . . . . 555

Preserving Vertical Blanking Information Can Affect Compressed

Video Quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 556

Effects Can Modify the Vertical Blanking Information. . . . . . . . . . . 557

Cross-Format Conflicts with Respect to Black Levels . . . . . . . . . . 557

Appendix E MPEG SDTI-CP Technical Information. . . . . . . . . . . . . . . . . . 559

SDTI-CP and SMPTE Type D-10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559

MPEG SDTI-CP Restrictions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 560

Supported VTRs for MPEG SDTI-CP . . . . . . . . . . . . . . . . . . . . . . . . . . 561

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563

19

Figures

Figure 1 Workflow: Video Project with Video Source. . . . . . . . . . . .34

Figure 2 Workflow: Video Project with HD Source, SDTV

Downconversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Figure 3 Offline Workflow: 24-fps Film Source, SDTV Transfer . . .39

Figure 4 Online Workflow: 24-fps Film Source, SDTV Transfer,

Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Figure 5 Offline Workflow: 24-fps Film or HDTV Source,

SDTV Downconversion . . . . . . . . . . . . . . . . . . . . . . . . .42

Figure 6 Online Workflow: 24-fps Film or HDTV Source, SDTV

Downconversion, Multiformat Output . . . . . . . . . . . . . . .43

Figure 7 Offline Workflow: 25-fps Film or HDTV Source,

SDTV Downconversion . . . . . . . . . . . . . . . . . . . . . . . . .45

Figure 8 Online Workflow: 25-fps Film or HDTV Source, SDTV

Downconversion, Multiformat Output . . . . . . . . . . . . . . .46

Figure 9 NTSC Audio and Video Synchronized During

Transfer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Figure 10 NTSC Audio and Video Digitized Separately. . . . . . . . . . .49

Figure 11 PAL Audio and Video Synced During Transfer

(PAL Method 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Figure 12 PAL Audio and Video Digitized Separately

(PAL Method 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Figure 13 Offline Workflow: 23.976-fps Film Transfer or HDTV

Source, SDTV Downconversion . . . . . . . . . . . . . . . . . . .56

Figure 14 Online Workflow: 23.976-fps Film Transfer or HDTV

Source, SDTV Downconversion, Multiformat Output . . .57

Figure 15 NTSC Audio and Video Digitized Separately

(23.976p Project) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

Figure 16 Workflow: DV Project with Mixed Sources. . . . . . . . . . . . .63

Figure 17 Workflow: MPEG Project with Mixed Sources . . . . . . . . . .67

Figure 18 Film Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70

Figure 19 Video Dailies Method. . . . . . . . . . . . . . . . . . . . . . . . . . . . .71

Figure 20 Workflow: Telecine Slave Mode . . . . . . . . . . . . . . . . . . .258

20

Tables

Table 1 Film Shoot Specifications . . . . . . . . . . . . . . . . . . . . . . . . . 68

Table 2 Ratio of Film to Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Table 3 Ratio of Film to Video with FPS . . . . . . . . . . . . . . . . . . . . 77

Table 4 Compatible Log Formats . . . . . . . . . . . . . . . . . . . . . . . . . 90

Table 5 Drive Filtering Options . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Table 6 Digitize Settings: General Tab . . . . . . . . . . . . . . . . . . . . 142

Table 7 Digitize Settings: Media Files Tab . . . . . . . . . . . . . . . . . 148

Table 8 Deck Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Table 9 Deck Preferences Options . . . . . . . . . . . . . . . . . . . . . . . 161

Table 10 Film Project Pulldown and Transfer Settings . . . . . . . . . 172

Table 11 Audio Project Settings Options. . . . . . . . . . . . . . . . . . . . 181

Table 12 Audio Tool Components . . . . . . . . . . . . . . . . . . . . . . . . . 187

Table 13 Video Input Tool Components . . . . . . . . . . . . . . . . . . . . 200

Table 14 Luminance Settings for Video Input . . . . . . . . . . . . . . . . 207

Table 15 Function Keys Available When Digitizing . . . . . . . . . . . . 217

Table 16 Locators Mapped to Function Keys . . . . . . . . . . . . . . . . 220

Table 17 J-K-L Functions for Deck Control . . . . . . . . . . . . . . . . . . 221

Table 18 Digitize Settings: Batch Tab . . . . . . . . . . . . . . . . . . . . . . 241

Table 19 VTR Emulation Settings:

Telecine Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Table 20 Telecine Slave Mode Controls . . . . . . . . . . . . . . . . . . . . 266

Table 21 Import Settings: Image Tab . . . . . . . . . . . . . . . . . . . . . . 294

Table 22 Import Settings: OMFI Tab . . . . . . . . . . . . . . . . . . . . . . . 299

Table 23 Import Settings: Shot Log Tab . . . . . . . . . . . . . . . . . . . . 301

Table 24 Support for Photoshop Layer Options . . . . . . . . . . . . . . 311

Table 25 Support for Photoshop Special Layer Types . . . . . . . . . 312

Table 26 Video Format Output Parameters. . . . . . . . . . . . . . . . . . 325

Table 27 Luminance Settings for Video Output. . . . . . . . . . . . . . . 327

Table 28 24p and 25p Project Output Options . . . . . . . . . . . . . . . 355

Table 29 Audio Play Rates for 24p and 25p Projects . . . . . . . . . . 357

Table 30 Audio Play Rates for 23.976p Projects. . . . . . . . . . . . . . 358

Table 31 VTR Emulation Settings:

Record and Play Emulation. . . . . . . . . . . . . . . . . . . . . 370

Table 32 Export Settings Dialog Box Options . . . . . . . . . . . . . . . . 385

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Avid Symphony Symphony 4.7 User guide

Avid Symphony Symphony 4.7 User guide

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