Avid Media Composer 11.7 Quick start guide

make manage move | media

™

Avid

®

Avid

®

Products

Getting Started Guide

Copyright and Disclaimer

Product specifications are subject to change without notice and do not represent a commitment on the part

of Avid Technology, Inc. The software described in this document is furnished under a license agreement.

You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license

are also available in the product in the same directory as the software. The software may not be reverse

assembled and may be used or copied only in accordance with the terms of the license agreement. It is

against the law to copy the software on any medium except as specifically allowed in the license

agreement. Avid products or portions thereof are protected by one or more of the following United States

patents: 4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348;

5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601;

5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851;

5,799,150; 5,812,216; 5,852,435; 5,883,670; 5,905,841; 5,929,836; 5,929,942; 5,930,445; 5,946,445;

5,987,501; 5,995,115; 6,016,152; 6,018,337; 6,023,531; 6,035,367; 6,038,573; 6,058,236; 6,061,758;

6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,130,676; 6,134,607; 6,137,919; 6,141,007; 6,141,691;

6,157,929; 6,198,477; 6,201,531; 6,211,869; 6,223,211; 6,239,815; 6,249,280; 6,269,195; 6,301,105;

6,317,158; 6,317,515; 6,327,253; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435;

6,407,775; 6,417,891; 6,426,778; D396,853; D398,912. Additional U.S. and foreign patents pending. No

part of this document may be reproduced or transmitted in any form or by any means, electronic or

mechanical, including photocopying and recording, for any purpose without the express written permission

of Avid Technology, Inc.

The following disclaimer is required by Apple Computer, Inc.

APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,

REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS

MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF

IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT

APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE

OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.

The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of

their TIFF library:

Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its

documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices

and this permission notice appear in all copies of the software and related documentation, and (ii) the

names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the

software without the specific, prior written permission of Sam Leffler and Silicon Graphics.

THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,

IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF

MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,

INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES

WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED

OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN

CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

The following disclaimer is required by the Independent JPEG Group:

Portions of this software are based on work of the Independent JPEG Group.

The following disclaimer is required by Paradigm Matrix:

Portions of this software licensed from Paradigm Matrix.

The following disclaimer is required by Ray Sauers Associates, Inc.:

“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to

derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray

Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to

perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the

software; or any other damages, including but not limited to, incidental, direct, indirect, special or

consequential Damages including lost profits, or damages resulting from loss of use or inability to use

reseller’s products or the software for any reason including copyright or patent infringement, or lost data,

even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such

damages.

The following disclaimer is required by Videomedia, Inc.:

“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product,

including warranties with respect to its merchantability or its fitness for any particular purpose.”

“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0

products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties

under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control of

applicable videotape recorder decks, videodisc recorders/players and the like.”

The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win

software and Sample Source Code:

The following disclaimer is required by Ultimatte Corporation:

Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte

Corporation and are subject to copyright protection.

The following disclaimer is required by 3Prong.com Inc.:

Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.

Attn. Government User(s). Restricted Rights Legend

U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial

computer software” or “commercial computer software documentation.” In the event that such Software or

documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with

respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to

FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.

Trademarks

888 I/O, AirPlay, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,

AVIDdrive, AVIDdrive Towers, AvidNet, AvidNetwork, AVIDstripe, Avid Unity, Avid Xpress, AVoption, AVX,

CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx, Digidesign, Digidesign Audio Engine,

Digidesign Intelligent Noise Reduction, DigiDrive, DINR, D-Verb, Equinox, ExpertRender, FieldPak,

Film Composer, FilmScribe, FluidMotion, HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX,

Image Independence, Intraframe, iS9, iS18, iS23, iS36, Lo-Fi, Magic Mask, make manage move | media,

Marquee, Matador, Maxim, MCXpress, Media Composer, MediaDock, MediaDock Shuttle, Media Fusion,

Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray, MediaShare, Meridien, MetaSync,

NaturalMatch, NetReview, NewsCutter, OMF, OMF Interchange, OMM, Open Media Framework,

Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi, rS9, rS18, Sci-Fi, Softimage,

Sound Designer II, SPACE, SPACEShift, Symphony, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver,

VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology, Inc. in the

United States and/or other countries.

iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.

Acrobat, Adobe, Photoshop, and Reader are either registered trademarks or trademarks of Adobe

Systems Incorporated in the United States and/or other countries. Apple and Macintosh are trademarks of

Apple Computer, Inc., registered in the U.S. and other countries. Hi8 is a trademark of Sony Corporation

of America. Microsoft and Windows are either registered trademarks or trademarks of Microsoft

Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are

trademarks used under license from Apple Computer, Inc. The QuickTime logo is registered in the U.S.

and other countries. RealMedia is a trademark or registered trademark of RealNetworks, Inc. All other

trademarks contained herein are the property of their respective owners.

Footage

Arri — Courtesy of Arri

™

/Fauer — John Fauer, Inc.

Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.

It’s Shuttletime — Courtesy of BCP & Canadian Airlines.

Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.

Saturn “Calvin Egg” — Courtesy of Cossette Communications.

“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com.

Windhorse — Courtesy of Paul Wagner Productions.

GOT FOOTAGE?

Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —

Broadcasters — Content creators of every genre — Just finished an incredible project and want to

share it with the world?

Send us your reels and we may use your footage in our show reel or demo!*

For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.

*Note: Avid cannot guarantee the use of materials submitted.

Avid Products Getting Started Guide • Part 0130-05032-01 • January 2003

Contents

Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Related Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . . 23

How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Avid Educational Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Chapter 1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Using the Tutorial Sections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

What You Need . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Turning on Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Installing the Tutorial Files (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Installing the Tutorial Files (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 33

Starting the Avid System (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Starting the Avid System (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Electronic Licensing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

How to Proceed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Using Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Setting Up Your Browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Getting Help for Windows and Dialog Boxes . . . . . . . . . . . . . . . . . . 37

Getting Help for Screen Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Keeping Help Available (Windows Only) . . . . . . . . . . . . . . . . . . . . . 38

6

Restoring Help from the Taskbar (Windows Only). . . . . . . . . . . 38

Resizing the Application (Windows Only) . . . . . . . . . . . . . . . . . 39

Using Alt+Tab (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . 39

Finding Information Within the Help . . . . . . . . . . . . . . . . . . . . . . . . . 39

Using the Contents List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Using the Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Using the Search Feature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Using the Glossary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Printing Help Topics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Using Online Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Chapter 2 About the Avid System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

About the Avid System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

About Avid Symphony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

About Avid Film Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

About 24p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

About 25p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Editing Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

About Nonlinear Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Editing Components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Project Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Preparing to Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Editing a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Finishing a Sequence (Symphony Only) . . . . . . . . . . . . . . . . . . . . . 54

Generating Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Behind the Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

The Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Chapter 3 Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

About Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . . . . . . . 58

Copying Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Using the Bins Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

About Trash. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Using the Settings Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

7

About Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Reviewing Basic Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Customizing Your Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Tutorial: Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Starting the Application (Windows). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Starting the Application (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Opening a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Creating a User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Selecting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Chapter 4 Digitizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Selecting Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

About the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

About the Audio Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

About the Video Input Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Digitizing Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

About Digitizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Digitizing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . 79

Batch Digitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Redigitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Chapter 5 Getting Ready to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

About Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Using Position Bars and Position Indicators . . . . . . . . . . . . . . . . . . 86

Using Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Play Reverse, Play, Pause, Stop, Rewind, and Fast Forward

Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Step Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Using the Tool Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Using the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

J-K-L Keys (Three-Button Play). . . . . . . . . . . . . . . . . . . . . . . . . 91

Home, End, and Arrow Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Using the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Stepping with the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

8

Shuttling with the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Marking IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Tutorial: Getting Ready to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Viewing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Using Frame View (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Using Frame View (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Playing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Playing Clips in the Source Monitor . . . . . . . . . . . . . . . . . . . . . . . . . 99

Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Marking Edit Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Marking the planing ms Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Marking the ducks Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Marking the draw knife cu Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Using Frame Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Subclipping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Clearing IN Points and OUT Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Closing the Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Ending the Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Chapter 6 Editing a Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Viewing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Navigating in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Using the Position Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Using the Scroll Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Displaying More or Less Detail. . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Focusing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Displaying Source Material in the Timeline . . . . . . . . . . . . . . . . . . . . . . 116

Using the Track Selector Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Monitoring Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Monitoring Video. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Auto-Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

9

Tutorial: Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Making the First Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Using Digital Audio Scrub to Locate a Specific Frame of Audio . . 122

Splicing an Audio Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Playing a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Confirming the Duration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Splicing Video into the Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Splicing a Clip in a Pop-up Monitor . . . . . . . . . . . . . . . . . . . . . . . . 126

Playing IN to OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Using the Go to OUT Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Moving to the Head and Tail of a Clip . . . . . . . . . . . . . . . . . . . . . . 129

Using the Splice-in Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Splicing a Clip into the Middle of a Sequence . . . . . . . . . . . . . . . . 129

Undoing an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Using the I/O (IN Point / OUT Point) Tracking Display . . . . . . . . . 131

Chapter 7 Refining the Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using Segment Mode to Edit in the Timeline . . . . . . . . . . . . . . . . . . . . 134

Editing in Segment Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Distinguishing Between Two Types of Editing Buttons . . . . . . . . . 134

Basic Trim Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Entering Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Switching Between Big and Small Trim Mode . . . . . . . . . . . . . . . . 137

Selecting Between Trim Sides . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Performing a Basic Trim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Using the Command Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Audio Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Adjusting Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Tutorial: Refining Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Overwriting Clips into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Storyboarding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Marking Clips for Storyboarding. . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Storyboard Editing the Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Rearranging Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

10

Overwriting with the Three-Point Edit . . . . . . . . . . . . . . . . . . . . . . . 150

Changing the Order of Clips in a Sequence . . . . . . . . . . . . . . . . . . 151

Removing Footage from a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Removing Footage and Closing the Resulting Gap . . . . . . . . . . . . 152

Removing Footage and Retaining the Resulting Gap . . . . . . . . . . 153

Trimming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Adjusting Both Sides of a Transition (Dual-Roller Trimming) . . . . . 154

Using Dual Rollers to Trim the Outgoing Clip . . . . . . . . . . . . . . . . . 156

Trimming the pan lumber Clip. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Single-Roller Trimming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Adding Synced Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Working with Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Adjusting Audio Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Adjusting Audio Pan (Balance). . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Chapter 8 Adding Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Effects Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Displaying the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Effect Categories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Effect Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Transition Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Segment Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Applying Effects to a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Working in Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Rendering an Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Tutorial: Adding Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Adding Transition Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Displaying Editing Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Adding a Dissolve Effect (Fade-In). . . . . . . . . . . . . . . . . . . . . . . . . 170

Dissolving Between Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Creating a Series of Dissolves . . . . . . . . . . . . . . . . . . . . . . . . . 172

Creating Audio Dissolves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Adding a Fade-to-Black Effect Within the Sequence . . . . . . . . . . . 173

Adding a Picture-in-Picture Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Using the Second Video Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

11

Creating the Picture-in-Picture Effect. . . . . . . . . . . . . . . . . . . . . . . 175

Repositioning the Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Adjusting a Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Adding Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Adding Background Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Rendering the Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179

Screening the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Chapter 9 Creating Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Creating New Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Understanding the Title Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Working with Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Text Formatting Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Selecting Colors and Setting Transparency . . . . . . . . . . . . . . . . . . . . . 186

Adjusting the Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Editing a Title into a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Tutorial: Creating Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Adding a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Creating a New Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Repositioning Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Changing Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Adding a Shadow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Saving a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Editing the Title into the Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Adding Rolling Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Editing an Existing Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Adding a Video Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Viewing the Creation Date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Splicing the Title into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . 194

Deleting Excess Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Closing the Title Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

12

Chapter 10 Finishing Your Sequence (Symphony Only). . . . . . . . . . . . . 197

Finishing Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Using Finishing Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Selecting and Correcting Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Color Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

About the Paint and AniMatte Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

About the 3D Effects Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

About Nesting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Tutorial: Finishing Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Removing Red from a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Adding a Blurred Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Chapter 11 Generating Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Output Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Preparing for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Digital Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

About Exporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Preparing to Export a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Tutorial: Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Recording a Digital Cut to Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Chapter 12 Backing Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

About Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Media Objects and Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Media Relationships . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Basic Media Tool Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Freeing Storage Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

About the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . . 223

Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Backing Up Project Folders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Tutorial: Backing Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Consolidating the Boat Shop Sequence . . . . . . . . . . . . . . . . . . . . . . . . 225

Saving Your Work on a Drive or Floppy Disk . . . . . . . . . . . . . . . . . . . . 227

13

Restoring from a Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Quitting and Shutting Down . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

14

Figures

Figure 1 Command Palette Tabs . . . . . . . . . . . . . . . . . . . . . . . . . 141

Figure 1 Command Palette Tabs (Continued) . . . . . . . . . . . . . . . 142

15

Tables

Table 1 Mark Points for Tutorial Clips. . . . . . . . . . . . . . . . . . . . . .146

Table 2 Media Objects and Files . . . . . . . . . . . . . . . . . . . . . . . . .220

16

Using This Guide

This guide provides information about how to get started using your Avid

system. It presents the essential features of the system; most chapters also

contain hands-on tutorials so you can practice what you learn.

n

The documentation describes the features and hardware of all models.

Therefore, your system might not contain certain features and hardware

that are covered in the documentation.

Who Should Use This Guide

This guide is written for video and film editors who are learning to use an

Avid video-based editing system.

About This Guide

This guide was designed to be used for both the Avid Symphony

™

product

and the Avid Media Composer

®

or Film Composer

®

product.

The Contents that precedes this Using This Guide section lists all topics

included in the guide. They are presented with the following overall

structure:

• Chapter 1 explains how to turn on your system, install the tutorial

media, and use Help and online documentation.

• Chapter 2 presents basic editing concepts and walks you through a

typical workflow scenario.

Using This Guide

18

• The main body of the guide presents introductory material on various

aspects of your workflow, followed in most chapters by a tutorial

section. Work through the tutorial for guided hands-on experience with

your Avid system.

• A detailed Index helps you quickly locate specific topics.

This guide should get you started with your Avid system. For more

information, see the Help and the Avid Symphony Editing Guide or the

Avid Media Composer and Film Composer Editing Guide.

Symbols and Conventions

When the text applies specifically to the Symphony product, it is marked as

follows:

• (Symphony only) means the information applies to the Avid

Symphony product only.

Unless noted otherwise, the material in this document applies to the

Windows 2000 and Mac OS X operating systems. When the text applies to

a specific operating system, it is marked as follows:

• (Windows) or (Windows only) means the information applies to the

Windows 2000 operating system.

• (Macintosh) or (Macintosh only) means the information applies to the

Mac OS X operating system.

The majority of screen shots in this document were captured on a

Windows 2000 system, but the information applies to both Windows 2000

and Mac OS X systems. Where differences exist, both Windows 2000 and

Mac OS X screen shots are shown.

Symbols and Conventions

19

Avid documentation uses the following symbols and conventions:

Symbol or Convention Meaning or Action

n

A note provides important related information,

reminders, recommendations, and strong

suggestions.

c

A caution means that a specific action you take could

cause harm to your computer or cause you to lose

data.

w

A warning describes an action that could cause you

physical harm. Follow the guidelines in this

document or on the unit itself when handling

electrical equipment.

> This symbol indicates menu commands (and

subcommands) in the order you select them. For

example, File > Import means to open the File menu

and then select the Import command.

t

This symbol indicates a single-step procedure.

Multiple arrows in a list indicate that you perform

one of the actions listed.

k This symbol represents the Apple or Command key.

Press and hold the Command key and another key to

perform a keyboard shortcut.

Margin tips In the margin, you will find tips that help you

perform tasks more easily and efficiently.

Italic font Italic font is used to emphasize certain words and to

indicate variables.

Courier Bold font

Courier Bold font identifies text that you type.

Click Quickly press and release the left mouse button

(Windows) or the mouse button (Macintosh).

Double-click Click the left mouse button (Windows) or the mouse

button (Macintosh) twice rapidly.

Using This Guide

20

If You Need Help

If you are having trouble using your Avid system, you should:

1. Retry the action, carefully following the instructions given for that task

in this guide. It is especially important to check each step of your

workflow.

2. Check the release notes supplied with your Avid application for the

latest information that might have become available after the hardcopy

documentation was printed.

3. Check the documentation that came with your Avid application or

your hardware for maintenance or hardware-related issues.

4. Visit the online Knowledge Center at www.avid.com/support. Online

services are available 24 hours per day, 7 days per week. Search this

online Knowledge Center to find answers, to view error messages, to

access troubleshooting tips, to download updates, and to read/join

online message-board discussions.

5. For Technical Support, please call 800-800-AVID (800-800-2843).

For Broadcast On-Air Sites and Call Letter Stations, call

800-NEWSDNG (800-639-7364).

Right-click Quickly press and release the right mouse button

(Windows only).

Drag Press and hold the left mouse button (Windows) or

the mouse button (Macintosh) while you move the

mouse.

Ctrl+key

k+key

Press and hold the first key while you press the

second key.

Symbol or Convention Meaning or Action

Page is loading ...

Avid Media Composer 11.7 Quick start guide

Avid Media Composer 11.7 Quick start guide

Related papers

Other documents