Steinberg Cubase Artist 11.0 User manual

Category
Software
Type
User manual
Operation Manual
The Steinberg Documentation Team: Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa
Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek
Translation: Ability InterBusiness Solutions (AIBS), Moon Chen, Jérémie Dal Santo, Rosa Freitag, Josep Llodra
Grimalt, Vadim Kupriianov, Filippo Manfredi, Roland Münchow, Boris Rogowski, Sergey Tamarovsky
This document provides improved access for people who are blind or have low vision. Please note that due to the
complexity and number of images in this document, it is not possible to include text descriptions of images.
The information in this document is subject to change without notice and does not represent a commitment on
the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License
Agreement and may not be copied to other media except as
specically allowed in the License Agreement. No
part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose,
without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product
described herein may print one copy of this document for their personal use.
All product and company names are ™ or ® trademarks of their respective owners. For more information, please
visit www.steinberg.net/trademarks.
© Steinberg Media Technologies GmbH, 2020.
All rights reserved.
Cubase Artist_11.0.0_en-US_2020-11-11
Table of Contents
8 New Features
11 Introduction
11 Platform-Independent Documentation
11 PDF Documents and Online Documentation
12 Conventions
13 Key Commands
14 Setting up Your System
14 Studio Setup Dialog
15 Setting up Audio
22 Setting up MIDI
25 Synchronizers
26 Audio Connections
26 Audio Connections Window
27 Renaming the Hardware Inputs and Outputs
28 Adding Input and Output Busses
29 Presets for Input and Output Busses
30 Monitoring Bus
30 Bus Congurations
32 Project Window
33 Showing/Hiding Zones
33 Project Zone
47 Left Zone
54 Lower Zone
60 Right Zone
65 Keyboard Focus in the Project Window
66 Zooming in the Project Window
69 Snap Function
72 Cross-Hair Cursor
73 Edit History Dialog
74 Color Handling
82 Project Handling
82 Creating New Projects
82 Hub
84 Project Assistant Dialog
85 Project Files
85 Template Files
88 Project Setup Dialog
91 Opening Project Files
92 Saving Project Files
93 Reverting to the Last Saved Version
93 Choosing a Project Location
94 Self-Contained Projects
96 Tracks
96 Track Inspector Settings Dialog
99 Track Controls Settings Dialog
104 Add Track Dialog
105 Audio Tracks
108 Instrument Tracks
112 Sampler Tracks
115 MIDI Tracks
119 Group Channel Tracks
122 FX Channel Tracks
125 Ruler Track
127 Folder Tracks
129 More Tracks
141 Track Handling
141 Adding Tracks via the Add Track Dialog
141 Adding Tracks Using Track Presets
142 Adding Tracks by Dragging Files from the
MediaBay
142 Exporting MIDI Tracks as Standard MIDI Files
144 Removing Selected Tracks
144 Removing Empty Tracks
144 Moving Tracks in the Track List
145 Renaming Tracks
145 Automatically Assigning Colors to New Tracks/
Channels
145 Showing Track Pictures
147 Setting the Track Height
148 Selecting Tracks
149 Deselecting Tracks
149 Duplicating Tracks
149 Disabling Tracks
149 Organizing Tracks in Folder Tracks
150 Handling Overlapping Audio
150 Track Folding Menu
151 Events Display on Folder Tracks
151 Modifying Event Display on Folder Tracks
152 Lanes, Takes and Overlapping Events
155 Dening the Track Time Base
156 Track Versions
163 Track Presets
170 Parts and Events
170 Events
174 Parts
175 Editing Techniques for Parts and Events
191 Range Editing
191 Creating a Selection Range
193 Editing Selection Ranges
196 Playback and Transport
196 Transport Panel
201 Transport Menu
206 Transport Bar
211 Transport Pop-Up Window
212 Time Display Window
213 Left and Right Locators
215 Setting the Project Cursor
216 Auto-Scroll Settings Menu
217 Time Formats
217 Pre-Roll and Post-Roll
218 Punch In and Punch Out
219 Metronome Click
227 Chase
229 On-Screen Keyboard
229 Recording MIDI With the On-Screen Keyboard
229 On-Screen Keyboard Options
3
Cubase Artist 11.0.0
231 Recording
231 Basic Recording Methods
236 Monitoring
238 Audio Recording Specics
243 MIDI Recording Specics
251 Remaining Record Time
251 Lock Record
252 Importing Audio and MIDI Files
252 Audio File Import
259 MIDI File Import
261 Quantizing MIDI and Audio
261 Quantize Functions
262 Quantizing MIDI Event Starts
263 Quantizing MIDI Event Lengths
263 Quantizing MIDI Event Ends
263 Quantizing Audio Event Starts
264 Quantizing Audio Event Lengths (AudioWarp
Quantizing)
264 Quantize Panel
271 Fades, Crossfades, and Envelopes
271 Event-Based Fades
275 Creating Clip-Based Fades
276 Crossfades
279 Auto Fades and Crossfades
281 Event Envelopes
283 Arranger Track
283 Adding Arranger Events on the Arranger Track
284 Arranger Editor
287 Setting up an Arranger Chain and Adding
Events
289 Jump Mode
290 Arranging Music to Video
292 Transpose Functions
292 Project Root Key
295 Transpose Track
297 Keep Transpose in Octave Range
298 Transpose on the Info Line
299 Excluding Individual Parts or Events from
Global Transpose
300 Markers
300 Position Markers
300 Cycle Markers
301 Markers Window
305 Marker Track
306 Importing and Exporting Markers
308 MixConsole
308 MixConsole in Lower Zone
311 MixConsole Window
364 Audio Effects
364 Insert Effects and Send Effects
366 Insert Effects
371 VST Effect Selector
372 Send Effects
376 Side-Chaining
381 Dither Effects
381 Effect Control Panel
385 Effect Presets
389 System Component Information Window
392 Direct Oine Processing
393 Direct Oine Processing Workow
393 Direct Oine Processing Window
399 Built-In Audio Processes
407 Key Commands for Direct Oine Processing
408 Time Stretch and Pitch Shift Algorithms
408 élastique
408 MPEX
409 Standard
410 Limitations
411 Audio Functions
411 Detect Silence Dialog
414 Spectrum Analyzer Window
416 Statistics Window
418 Sample Editor
420 Sample Editor Toolbar
424 Info Line
425 Overview Line
425 Sample Editor Inspector
428 Ruler
429 Waveform Display
431 Range Editing
435 Regions List
437 Snap Point
440 Hitpoints
440 Calculating Hitpoints
443 Locating to Hitpoints in the Project Window
443 Slices
445 Creating a Groove Quantize Map
446 Creating Markers
446 Creating Regions
446 Creating Events
447 Creating Warp Markers
447 Creating MIDI Notes
449 Tempo Matching Audio
449 Algorithm Presets
450 Stretching Audio Events to the Project Tempo
450 Musical Mode
452 Auto Adjust
452 Manual Adjust
454 Free Warp
456 Flattening Realtime Processing
456 Flatten Realtime Processing Dialog
457 Unstretching Audio Files
458 Pitch Editing and Time Correction with
VariAudio
458 VariAudio and Oine Processes
459 VariAudio Inspector Section
460 Smart Controls
462 Segmenting Monophonic Audio
463 Segments and Gaps
464 Auditioning
464 Navigation and Zoom
465 Segment Editing
467 Pitch Changes
474 Timing Modications
475 Showing MIDI Reference Tracks
476 Formant Shifting
477 Editing Volume
477 Functions Menu
481 Harmony Voices for Audio
483 Audio Part Editor
484 Audio Part Editor Toolbar
Table of Contents
4
Cubase Artist 11.0.0
488 Info Line
489 Ruler
489 Lanes
489 Operations
493 Extensions in Cubase
493 Activating an Extension in Cubase
494 Editor for Extensions
495 Activating the Extension for Further Audio
Events
495 Deactivating the Extension for Audio Events
496 Audio Event Editing
497 Sampler Tracks
497 Loading Audio Samples into Sampler Control
498 Loading MIDI Parts into Sampler Control
498 Creating Sampler Tracks
498 Sampler Control
513 Sample Editing and Playback Functions
517 Transferring Samples from Sampler Control to
VST Instruments
519 Pool
519 Pool Window
523 Working with the Pool
537 MediaBay and Media Rack
537 Media Rack in Right Zone
548 MediaBay Window
575 Working with Volume Databases
577 MediaBay Settings
579 Automation
579 Recording your Actions
579 Automation Curves
580 Static Value Line
580 Write/Read Automation
580 Writing Automation Data
582 Editing Automation Events
587 Automation Tracks
589 VST Instruments
589 Adding VST Instruments
589 VST Instrument Control Panel
591 VST Instrument Selector
592 Creating Instrument Tracks
592 VST Instruments in the Right Zone
593 VST Instruments Window
593 VST Instruments Window Toolbar
594 VST Instrument Controls
596 Presets for Instruments
598 Playing Back VST Instruments
600 Latency
601 Import and Export Options
602 VST Quick Controls
604 Side-Chaining for VST Instruments
606 Installing and Managing VST Plug-ins
606 Plug-ins and Collections
609 Adding New Plug-in Collections
610 Hiding Plug-ins
611 Reactivating Plug-ins from the Blocklist
612 Track Quick Controls
613 Parameter Assignment
616 Controlling Automatable Parameters
617 Connecting Track Quick Controls with Remote
Controllers
619 Remote Controlling Cubase
619 Connecting Remote Devices
619 Removing the Remote Input from All MIDI
Inputs
620 Setting up Remote Devices
622 Remote Devices and Automation
622 Assigning Commands to Remote Devices
623 Generic Remote Page
628 Remote Control Editor
633 Joysticks
633 Track Quick Controls
633 VST Quick Controls
634 MIDI Realtime Parameters and MIDI Effects
634 MIDI Track Parameters
636 MIDI Modiers
641 MIDI Effects
644 Transpose and Velocity on the Info Line
645 Using MIDI Devices
645 Program Change Messages and Bank Select
Messages
646 Patch Banks
646 MIDI Device Manager
652 MIDI Functions
652 Transpose Setup Dialog
653 Merging MIDI Events into a New Part
655 Dissolve Part Dialog
656 Repeating MIDI Events of Independent Track
Loops
656 Extending MIDI Notes
657 Fixing MIDI Note Lengths
657 Fixing MIDI Note Velocities
658 Rendering Sustain Pedal Data to Note Lengths
658 Deleting Overlaps
658 Editing Velocity
659 Deleting Double Notes
659 Deleting Controller Data
660 Deleting Continuous Controller Data
660 Restricting Polyphonic Voices
660 Thinning Out Controller Data
660 Extracting MIDI Automation
661 Reversing the Playback Order of MIDI Events
661 Inverting the Order of Selected MIDI Events
662 MIDI Editors
662 Common MIDI Editor Functions
670 Controller Display
691 Key Editor
706 Key Editor Operations
719 Score Editor
725 Score Editor Operations
732 Drum Editor
744 Drum Editor Operations
747 Drum Maps
752 List Editor
760 List Editor Operations
765 In-Place Editor
768 Note Expression
769 VST Note Expressions
770 MIDI Controllers
774 Note Expression Inspector Section
778 Note Expression Tools
778 Controller Mapping
Table of Contents
5
Cubase Artist 11.0.0
780 Recording
783 Note Expression Event Editor
788 Trimming Note Expression Data
789 Removing All Note Expression Data
789 Note Expression MIDI Setup Dialog
793 Chord Functions
793 Chord Track
794 Chord Events
798 Scale Events
800 Voicings
803 Converting Chord Events to MIDI
804 Controlling MIDI Playback Using the Chord
Track
808 Assigning Voices to Notes
808 Extracting Chord Events from MIDI
809 Recording Chord Events with a MIDI Keyboard
810 Chord Pads
810 Chord Pads Zone
813 Functions Menu
813 Chord Assistant
815 Chord Assignment
817 Swapping Chord Assignments
817 Copying Chord Assignments
818 Playing Back and Recording Chords
821 Player Setup
827 Chord Pads Setup Dialog
833 Chord Pads Presets
834 Creating Chord Events from Chord Pads
834 Creating MIDI Parts from Chord Pads
835 Transformer
835 Window Overview
836 Filter Conditions
840 Selecting a Function
840 Specifying Actions
842 Presets
843 Editing Tempo and Time Signature
843 Project Tempo Modes
843 Track Time Base
844 Tempo Track Editor
846 Tempo Track
847 Tempo Changes for Projects
849 Setting up a Fixed Project Tempo
851 Beat Calculator
852 Set Denition from Tempo Dialog
853 Time Signature Events
855 Rendering Audio and MIDI
855 Render Tracks Dialog
858 Render Selection Dialog
861 Export Audio Mixdown
861 Export Audio Mixdown Dialog
868 Mixing Down to Audio Files
868 File Formats
873 Saving File Format Presets
875 Synchronization
875 Master and Slave
876 Timecode Formats
877 Clock Sources
878 Project Synchronization Setup Dialog
884 External Synchronization
885 VST System Link
885 Setting up VST System Link
890 Activating VST System Link
892 Application Examples
896 Video
896 Video File Compatibility
897 Frame Rates
897 Video Output Devices
898 Preparations for Creating Video Projects
900 Preparations for Video Playback
903 Editing Video
903 Export Video
906 Extracting Audio from Video
907 Exchanging Files with Other Applications
907 AAF Files
912 ReWire
912 Enabling ReWire Applications
913 Launching and quitting
914 Activating ReWire channels
914 Using the transport and tempo controls
915 How the ReWire channels are handled
915 Routing MIDI via ReWire
916 Considerations and limitations
917 Key Commands
917 Key Commands Dialog
920 Assigning Key Commands
920 Searching for Key Commands
921 Removing Key Commands
921 Setting up Macros
921 Saving Key Commands Presets
922 Loading Key Command Presets
922 Resetting Key Commands
922 Default Key Commands
935 Setting up Tool Modier Keys
936 Customizing
936 Workspaces
939 Setup Options
940 Windows Dialog
941 Where are the Settings Stored?
942 Safe Mode Dialog
945 Optimizing Audio Performance
945 Performance Aspects
946 Settings That Affect Performance
946 Audio Performance Window
947 ASIO-Guard
949 Preferences
949 Preferences Dialog
951 Editing
956 Editors
956 Event Display
959 General
961 MIDI
964 MediaBay
965 Metering
965 Record
967 Transport
968 User Interface
970 VST
971 VariAudio
972 Video
Table of Contents
6
Cubase Artist 11.0.0
973 Index
Table of Contents
7
Cubase Artist 11.0.0
New Features
The following list informs you about the most important improvements in Cubase and provides
links to the corresponding descriptions.
New Features in Version 11.0.0
Highlights
Imager
This new plug-in helps you to get a better, cleaner mix. You can place audio tracks in the
stereo eld independently in up to four bands, allowing you to expand or reduce the stereo
width of your sound. The individual scope and correlation displays help you to get your
panning absolutely perfect. The plug-in is described in the separate document Plug-in
Reference. See Imager.
Squasher
This dynamic plug-in combines up and down compression for up to three bands. Use it to
help your lead sounds cut through the mix, tame aggressive bass lines, or enhance subtle,
spacey reverberation. The plug-in is described in the separate document Plug-in
Reference. See Squasher.
SpectraLayers One
This compact version of the acclaimed visual audio editing tool allows you to visualize and
accurately clean up your audio. Thanks to the state-of-the-art source separation engine,
you can separate the vocal part from any kinds of audio tracks. Its advanced ARA
technology allows a spectrogram view of audio tracks with the ideal balance of selection,
editing, and display tools for surgical editing tasks like improving dialogue and location
sounds straight from a eld recorder, with no need for any third-party application. The tool
is described in the separate document SpectraLayers One. See Spectralayers One.
VariAudio 3
Ultimate control of your audio, with more creative tools and Smart Controls to speed up
your workow. See Pitch Editing and Time Correction with VariAudio.
Sampler Track Improvements
The sampler track comes with a number of great new features. The new slicing mode chops
up your loops so they’re ready-to-play with just a click. There are now two global LFOs
available to add motion and interesting effects. You can go for a vintage feel or the highest
delity with the sample engine’s new quality modes. And the new mono legato glide is
perfect for typical 808 basslines and more. See Sampler Tracks.
Pitchbend and Controller Editing Improvements
You can select whether you want ramps or steps as the default type for new controller
events. See Controller Lane Setup Menu.
You can copy all of your CC edits to another track. See Controller Lane Context Menu.
You can set your pitchbend steps to semitones to always be perfectly in tune. See
Pitchbend Controller Lanes.
You can create ramps and curves in the CC and pitchbend lanes, just like you are used to
with automation. See Creating Smooth Transitions between Continuous Controller Events.
You can delete MIDI notes with a simple, fast double-click. See Deleting Note Events.
8
Cubase Artist 11.0.0
Scale Assistant in the Key Editor
The Scale Assistant is a superb addition to your songwriting toolkit. You can set your
song’s scale in the Key Editor and follow its lead, quantize a solo to scale or play live in
perfect tune. You can change the view to only see the notes of the set scale. You can even
let the Scale Assistant analyze your MIDI recording and suggest the right scale. Now there
are no more excuses for wrong notes. See Scale Assistant in the Key Editor.
File Format Presets
Create and restore le format presets from your favorite or most used le format settings.
See Saving File Format Presets.
Variable DPI on Windows 10
Cubase now supports more scaling settings for Windows 10, such as 125 %, 150 %, and
200 %. Even plug-ins that do not support HiDPI can now be scaled based on the scaling
factor of Windows. See General.
More New Features
SuperVision
This plug-in is a fully customizable multimeter audio analyzer for professional productions.
SuperVision lets you choose from several different modules for level, spectral, phase, and
waveform analysis. This plug-in suite allows you to create your own custom layout with up
to nine module slots with individual display settings for each module to give you a
supremely accurate visual picture of your sound. It is described in the separate document
Plug-in Reference. See SuperVision.
Unlimited Audio, MIDI, and Instrument Tracks
You can now add an unlimited number of audio tracks to your project. See Add Track Dialog
– Audio.
You can now add an unlimited number of instrument tracks to your project. See Add Track
Dialog – Instrument.
You can now add an unlimited number of MIDI tracks to your project. See Add Track Dialog
– MIDI.
Range Editing Improvements for Combine Selection Tools mode
If Combine Selection Tools is activated and you split a selection range, the newly created
events are automatically selected. See Splitting Selection Ranges.
Marker Lines
Vertical marker lines are shown on all tracks to indicate marker positions on all tracks
throughout the entire project. See Markers.
Last but Not Least
Keyboard Focus Indication for Divided Track Lists
When working with the Divide Track List feature, it is now clearly indicated which of the
track lists has the keyboard focus. See Keyboard Focus in the Project Window.
Show Version Name in Track List
The version name of a track version can be shown/hidden in the track list. See Track
Version Names.
Details View for Maximizer Channel Strip Module
The Maximizer channel strip module now offers a details view in the Channel Settings
window. See Maximizer – Details View.
New Features
9
Cubase Artist 11.0.0
Support of Multiple Side-Chain Inputs
For plug-ins that support multiple side-chain inputs, for example, Squasher, you can now
set up an individual side-chain routing for any of these inputs. This allows you to control
each plug-in side-chain input with a different side-chain source. See Side-Chain Routing.
Poly Pressure Lane Handling Improvements
Selecting and editing poly pressure events on the controller lane is much more intuitive
now. See Adding Poly Pressure Events.
Dene the Visible Pitches in the Key Editor
You can dene which pitches are visible in the event display and the piano keyboard display
of the Key Editor. See Showing Specic Pitches in the Key Editor.
New Features
10
Cubase Artist 11.0.0
Introduction
This is the Operation Manual for Steinberg’s Cubase. Here you will nd detailed information
about all the features and functions in the program.
The screenshots are taken from Cubase Pro.
Platform-Independent Documentation
The documentation applies to the operating systems Windows and macOS.
Features and settings that are specic to one of these platforms are clearly indicated. In all other
cases, the descriptions and procedures in the documentation are valid for Windows and macOS.
Some points to consider:
The screenshots are taken from Windows.
Some functions that are available on the File menu on Windows can be found in the
program name menu on macOS.
PDF Documents and Online Documentation
The documentation consists of several documents. You can read them online or download them
from steinberg.help.
You can reach steinberg.help from the program by selecting Help > Cubase Help.
Operation Manual
The main Cubase reference documentation, with detailed descriptions of operations,
parameters, functions, and techniques.
Plug-in Reference
Describes the features and parameters of the included VST plug-ins, VST instruments,
and MIDI effects.
Remote Control Devices
Lists the supported MIDI remote control devices.
MIDI Devices
Describes how to manage MIDI devices and device panels.
Groove Agent SE
Describes the features and parameters of the included VST instrument Groove Agent
SE.
HALion Sonic SE
Describes the features and parameters of the included VST instrument HALion Sonic
SE.
Retrologue
Describes the features and parameters of the included VST instrument Retrologue.
Padshop
Describes the features and parameters of the included VST instrument Padshop.
11
Cubase Artist 11.0.0
Steinberg Library Manager
Describes how you can register and manage your VST Sound libraries.
Conventions
In our documentation, we use typographical and markup elements to structure information.
Typographical Elements
The following typographical elements mark the following purposes.
Prerequisite
Requires you to complete an action or to fulll a condition before starting a procedure.
Procedure
Lists the steps that you must take to achieve a specic result.
Important
Informs you about issues that might affect the system, the connected hardware, or
that might bring a risk of data loss.
Note
Informs you about issues that you should consider.
Tip
Adds further information or useful suggestions.
Example
Provides you with an example.
Result
Shows the result of the procedure.
After Completing This Task
Informs you about actions or tasks that you can perform after completing the
procedure.
Related Links
Lists related topics that you can nd in this documentation.
Markup
Bold text indicates the name of a menu, option, function, dialog, window, etc.
EXAMPLE
To open the Functions menu, click Functions Menu in the top right corner of the MixConsole.
If bold text is separated by a greater-than symbol, this indicates a sequence of different menus
to open.
EXAMPLE
Select Project > Add Track.
Introduction
Conventions
12
Cubase Artist 11.0.0
Key Commands
Many of the default key commands, also known as keyboard shortcuts, use modier keys, some
of which are different depending on the operating system.
When key commands with modier keys are described in this manual, they are indicated with the
Windows modier key rst, followed by the macOS modier key and the key.
EXAMPLE
Ctrl/Cmd - Z means: press Ctrl on Windows or Cmd on macOS, then press Z .
Introduction
Key Commands
13
Cubase Artist 11.0.0
Setting up Your System
To use Cubase, you must set up your audio, and if required, your MIDI system.
Studio Setup Dialog
The Studio Setup dialog allows you to set up your connected audio, MIDI, and remote control
devices.
To open the Studio Setup dialog, select Studio > Studio Setup.
The following options are available:
Add Device
Allows you to manually add devices such as a Note Expression Input Device, an
additional Time Display device, or specic remote control devices.
Remove
Allows you to remove manually added devices.
Reset
Resets all remote control devices in the Devices list.
14
Cubase Artist 11.0.0
Devices list
Select a device in the Devices list to show its settings in the right section.
Setting up Audio
You must set up your audio equipment before you can use it in Cubase.
IMPORTANT
Make sure that all equipment is turned off before making any connections.
Simple Stereo Input and Output Setup
If you only use a stereo input and output from Cubase, you can connect your audio hardware, for
example, the inputs of your audio card or your audio interface, directly to the input source and
the outputs to a power
amplier and speaker.
Audio Connections
Your system setup depends on many different factors, for example, on the kind of project that
you want to create, on the external equipment that you want to use, or on the computer
hardware that is available to you. Therefore, the following sections can only serve as examples.
How to connect your equipment, that is, whether to use digital or analog connections also
depends on your setup.
Recording Levels and Inputs
When you connect your equipment, make sure that the impedance and levels of the audio
sources and inputs are matched. Using the correct type of input is important to avoid distortion
or noisy recordings. For example, different inputs can be used, such as consumer line level (-10 
dBV) or professional line level (+4 dBu).
Sometimes, you can adjust input characteristics on the audio interface or on its control panel. For
details, refer to the documentation that came with the audio hardware.
Setting up Your System
Setting up Audio
15
Cubase Artist 11.0.0
IMPORTANT
Cubase does not provide any input level adjustments for the signals that are coming into your
audio hardware, since these are handled differently for each card. Adjusting input levels is either
done in a special application that is included with the hardware or its control panel.
Word Clock Connections
If you are using a digital audio connection, you may also need a word clock connection between
the audio hardware and external devices. For details, refer to the documentation that came with
the audio hardware.
IMPORTANT
Set up word clock synchronization correctly, or you may experience clicks and crackles in your
recordings.
Selecting an Audio Driver
By selecting an audio driver, you allow Cubase to communicate with the audio hardware.
Normally, when you start Cubase, a dialog opens that prompts you to select a driver, but you can
also select your audio hardware driver as described below.
NOTE
On Windows operating systems, we recommend that you access your hardware via an ASIO
driver developed specically for the hardware. If no ASIO driver is installed, contact the
manufacturer of your audio hardware for information on available ASIO drivers. If no specic
ASIO driver is available, you can use the Generic Low Latency ASIO driver.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select Audio System.
3. Open the ASIO Driver pop-up menu and select your audio hardware driver.
4. Click OK.
Setting up Audio Hardware
You must select and set up your audio hardware in the Studio Setup dialog before you can use
it.
PREREQUISITE
You have selected a driver for your audio hardware.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Do one of the following to open the control panel for your audio hardware:
On Windows, click Control Panel.
On macOS, click Open Cong App.
This button is available only for some hardware products. If it is not available in your
setup, refer to the documentation of your audio hardware.
Setting up Your System
Setting up Audio
16
Cubase Artist 11.0.0
NOTE
The control panel is provided by the manufacturer of your audio hardware and is different
for each audio interface brand and model. However, control panels for the Generic Low
Latency ASIO Driver (Windows only) are provided by Steinberg.
4. Set up your audio hardware as recommended by the manufacturer.
Audio System Page
On the Audio System page you can select an ASIO driver for your audio hardware.
To open the Audio System page, select Studio > Studio Setup and select Audio System in
the
Devices list.
The following options are available:
ASIO Driver
Allows you to select a driver.
Release Driver when Application is in Background
Releases the driver and allows other applications to play back via your audio hardware
even though Cubase is running.
Input Latency
Shows the input latency of the audio hardware.
Output Latency
Shows the output latency of the audio hardware.
Setting up Your System
Setting up Audio
17
Cubase Artist 11.0.0
ASIO-Guard Latency
Shows the ASIO-Guard latency.
HW Sample Rate
Shows the sample rate of your audio hardware.
HW Pull Up/Down
Shows the pull up/down status of the audio hardware.
In the Advanced Options section, the following options are available:
Set to Defaults
Allows you to restore the default settings.
Processing Precision
Allows you to set the audio processing precision to 32 bit oat or 64 bit oat.
Depending on this setting, all channels are processed and mixed in 32-bit oating-
point or 64-bit oating-point format.
NOTE
A processing precision of 64 bit oat can increase CPU load and memory consumption.
To show all plug-ins that support 64-bit oat processing, open the VST Plug-in
Manager and activate Show Plug-ins That Support 64-Bit Float Processing in the
Display Options pop-up menu.
NOTE
VST 2 plug-ins and instruments are always processed with 32-bit precision.
Activate Multi Processing
Allows you to distribute the processing load evenly to all available CPUs. This way,
Cubase can make full use of the combined power of multiple processors.
Activate ASIO-Guard
Activates the ASIO-Guard. This is only available if Activate Multi Processing is
activated.
ASIO-Guard Level
Allows you to set the ASIO-Guard level. The higher the level, the higher the processing
stability and audio processing performance. However, higher levels also lead to an
increased ASIO-Guard latency and memory usage.
Audio Priority (Windows only)
This setting should be set to Normal if you work with audio and MIDI. If you do not use
MIDI at all, you can set this to Boost.
Activate Steinberg Audio Power Scheme
If this option is activated, all power safe modes that have an impact on real time
processing are deactivated. Note that this is only effective for very low latencies, and
that it increases the power consumption.
Disk Preload
Allows you to specify how many seconds of audio are preloaded into RAM prior to
starting playback. This allows for smooth playback.
Adjust for Record Latency
If this is activated, the plug-in latencies are taken into account during recording.
Setting up Your System
Setting up Audio
18
Cubase Artist 11.0.0
Record Shift
Allows you to shift the recordings by the specied value.
In the general section, the following options are available:
Reset
Resets the selected remote device.
Apply
Applies the settings.
RELATED LINKS
VST Plug-in Manager Window on page 607
ASIO Driver Setup Page
This page allows you to set up your ASIO driver.
To open the page where you can set up the ASIO driver, select Studio > Studio Setup and
select the audio driver in the Devices list.
The following options are available:
Control Panel
Opens the control panel for the audio hardware.
Input Latency
Shows the input latency of the audio driver.
Output Latency
Shows the output latency of the audio driver.
Clock Source
Allows you to select a clock source.
Externally Clocked
Activate this option if you use an external clock source.
Setting up Your System
Setting up Audio
19
Cubase Artist 11.0.0
Direct Monitoring
Activate this option to monitor via your audio hardware and to control it from Cubase.
In the Ports section, the following options are available:
Reset
Allows you to reset all port names and visibilities.
I/O
The port input/output status.
Port System Name
The system name of the port.
Show As
Allows you to rename the port. This name is used in the Input Routing and Output
Routing pop-up menus.
Visible
Allows you to activate/deactivate audio ports.
State
The state of the audio port.
In the general section, the following options are available:
Reset
Resets the selected remote device.
Apply
Applies the settings.
Using External Clock Sources
If you are using an external clock source, Cubase must be notied that it receives external clock
signals and derives its speed from that source.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Activate Externally Clocked.
RESULT
Cubase now derives its speed from the external source.
NOTE
For proper audio playback and recording, you must set the sample rate of the project to the
sample rate of the incoming clock signals.
When a sample rate mismatch occurs, the Record Format eld on the Project window status line
is highlighted in a different color. Cubase accepts a sample rate mismatch, and playback is
therefore faster or slower.
Setting up Your System
Setting up Audio
20
Cubase Artist 11.0.0
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752
  • Page 753 753
  • Page 754 754
  • Page 755 755
  • Page 756 756
  • Page 757 757
  • Page 758 758
  • Page 759 759
  • Page 760 760
  • Page 761 761
  • Page 762 762
  • Page 763 763
  • Page 764 764
  • Page 765 765
  • Page 766 766
  • Page 767 767
  • Page 768 768
  • Page 769 769
  • Page 770 770
  • Page 771 771
  • Page 772 772
  • Page 773 773
  • Page 774 774
  • Page 775 775
  • Page 776 776
  • Page 777 777
  • Page 778 778
  • Page 779 779
  • Page 780 780
  • Page 781 781
  • Page 782 782
  • Page 783 783
  • Page 784 784
  • Page 785 785
  • Page 786 786
  • Page 787 787
  • Page 788 788
  • Page 789 789
  • Page 790 790
  • Page 791 791
  • Page 792 792
  • Page 793 793
  • Page 794 794
  • Page 795 795
  • Page 796 796
  • Page 797 797
  • Page 798 798
  • Page 799 799
  • Page 800 800
  • Page 801 801
  • Page 802 802
  • Page 803 803
  • Page 804 804
  • Page 805 805
  • Page 806 806
  • Page 807 807
  • Page 808 808
  • Page 809 809
  • Page 810 810
  • Page 811 811
  • Page 812 812
  • Page 813 813
  • Page 814 814
  • Page 815 815
  • Page 816 816
  • Page 817 817
  • Page 818 818
  • Page 819 819
  • Page 820 820
  • Page 821 821
  • Page 822 822
  • Page 823 823
  • Page 824 824
  • Page 825 825
  • Page 826 826
  • Page 827 827
  • Page 828 828
  • Page 829 829
  • Page 830 830
  • Page 831 831
  • Page 832 832
  • Page 833 833
  • Page 834 834
  • Page 835 835
  • Page 836 836
  • Page 837 837
  • Page 838 838
  • Page 839 839
  • Page 840 840
  • Page 841 841
  • Page 842 842
  • Page 843 843
  • Page 844 844
  • Page 845 845
  • Page 846 846
  • Page 847 847
  • Page 848 848
  • Page 849 849
  • Page 850 850
  • Page 851 851
  • Page 852 852
  • Page 853 853
  • Page 854 854
  • Page 855 855
  • Page 856 856
  • Page 857 857
  • Page 858 858
  • Page 859 859
  • Page 860 860
  • Page 861 861
  • Page 862 862
  • Page 863 863
  • Page 864 864
  • Page 865 865
  • Page 866 866
  • Page 867 867
  • Page 868 868
  • Page 869 869
  • Page 870 870
  • Page 871 871
  • Page 872 872
  • Page 873 873
  • Page 874 874
  • Page 875 875
  • Page 876 876
  • Page 877 877
  • Page 878 878
  • Page 879 879
  • Page 880 880
  • Page 881 881
  • Page 882 882
  • Page 883 883
  • Page 884 884
  • Page 885 885
  • Page 886 886
  • Page 887 887
  • Page 888 888
  • Page 889 889
  • Page 890 890
  • Page 891 891
  • Page 892 892
  • Page 893 893
  • Page 894 894
  • Page 895 895
  • Page 896 896
  • Page 897 897
  • Page 898 898
  • Page 899 899
  • Page 900 900
  • Page 901 901
  • Page 902 902
  • Page 903 903
  • Page 904 904
  • Page 905 905
  • Page 906 906
  • Page 907 907
  • Page 908 908
  • Page 909 909
  • Page 910 910
  • Page 911 911
  • Page 912 912
  • Page 913 913
  • Page 914 914
  • Page 915 915
  • Page 916 916
  • Page 917 917
  • Page 918 918
  • Page 919 919
  • Page 920 920
  • Page 921 921
  • Page 922 922
  • Page 923 923
  • Page 924 924
  • Page 925 925
  • Page 926 926
  • Page 927 927
  • Page 928 928
  • Page 929 929
  • Page 930 930
  • Page 931 931
  • Page 932 932
  • Page 933 933
  • Page 934 934
  • Page 935 935
  • Page 936 936
  • Page 937 937
  • Page 938 938
  • Page 939 939
  • Page 940 940
  • Page 941 941
  • Page 942 942
  • Page 943 943
  • Page 944 944
  • Page 945 945
  • Page 946 946
  • Page 947 947
  • Page 948 948
  • Page 949 949
  • Page 950 950
  • Page 951 951
  • Page 952 952
  • Page 953 953
  • Page 954 954
  • Page 955 955
  • Page 956 956
  • Page 957 957
  • Page 958 958
  • Page 959 959
  • Page 960 960
  • Page 961 961
  • Page 962 962
  • Page 963 963
  • Page 964 964
  • Page 965 965
  • Page 966 966
  • Page 967 967
  • Page 968 968
  • Page 969 969
  • Page 970 970
  • Page 971 971
  • Page 972 972
  • Page 973 973
  • Page 974 974
  • Page 975 975
  • Page 976 976
  • Page 977 977
  • Page 978 978
  • Page 979 979
  • Page 980 980
  • Page 981 981
  • Page 982 982
  • Page 983 983
  • Page 984 984
  • Page 985 985
  • Page 986 986
  • Page 987 987
  • Page 988 988
  • Page 989 989
  • Page 990 990
  • Page 991 991
  • Page 992 992
  • Page 993 993

Steinberg Cubase Artist 11.0 User manual

Category
Software
Type
User manual

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI