Steinberg Cubase Artist 10.5, Cubase Pro 10.5 User manual

  • Hello! I am an AI chatbot trained to assist you with the Steinberg Cubase Artist 10.5 User manual. I’ve already reviewed the document and can help you find the information you need or explain it in simple terms. Just ask your questions, and providing more details will help me assist you more effectively!
Operation Manual
Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer,
Benjamin Schütte, Marita Sladek
This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number
of images in this document, it is not possible to include text descriptions of images.
The information in this document is subject to change without notice and does not represent a commitment on
the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License
Agreement and may not be copied to other media except as specically allowed in the License Agreement. No
part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose,
without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product
described herein may print one copy of this document for their personal use.
All product and company names are ™ or ® trademarks of their respective owners. For more information, please
visit www.steinberg.net/trademarks.
© Steinberg Media Technologies GmbH, 2019.
All rights reserved.
Cubase_10.5.0_en-US_2019-11-13
8 New Features
10 Introduction
10 Platform-Independent Documentation
10 PDF Documents and Online Documentation
11 Conventions
12 Key Commands
13 Setting up Your System
13 Studio Setup Dialog
14 Setting up Audio
21 Setting up MIDI
23 Synchronizers
25 Audio Connections
25 Audio Connections Window
30 Renaming the Hardware Inputs and Outputs
32 Adding Input and Output Busses
32 Adding Child Busses (Cubase Pro only)
33 Presets for Input and Output Busses
33 Adding Group and FX Channels (Cubase Pro
only)
34 Monitoring Bus
34 External Instruments and Effects (Cubase Pro
only)
40 Bus Congurations
42 Project Window
43 Showing/Hiding Zones
43 Project Zone
58 Left Zone
67 Lower Zone
73 Right Zone
79 Keyboard Focus in the Project Window
80 Zooming in the Project Window
84 Snap Function
86 Cross-Hair Cursor
87 Edit History Dialog
88 Color Handling
96 Project Handling
96 Creating New Projects
96 Hub
98 Project Assistant Dialog
98 Project Files
99 Template Files
101 Project Setup Dialog
104 Opening Project Files
105 Saving Project Files
106 Reverting to the Last Saved Version
106 Choosing a Project Location
107 Self-Contained Projects
110 Tracks
110 Track Inspector Settings Dialog
111 Track Control Settings Dialog
113 Audio Tracks
122 Instrument Tracks
130 Sampler Tracks
137 MIDI Tracks
145 FX Channel Tracks
152 Group Channel Tracks
159 VCA Fader Track (Cubase Pro only)
163 Marker Track
166 Ruler Track
168 Folder Tracks
171 More Tracks
183 Track Handling
183 Adding Tracks via the Add Track Dialog
184 Adding Tracks Using Track Presets
184 Adding Tracks by Dragging Files from the
MediaBay
185 Track Import (Cubase Pro only)
189 Track Export (Cubase Pro only)
190 Exporting MIDI Tracks as Standard MIDI Files
192 Splitting Multi-Channel Audio Tracks (Cubase
Pro only)
193 Merging Mono Audio Tracks to Multi-Channel
Tracks (Cubase Pro only)
195 Removing Selected Tracks
195 Removing Empty Tracks
195 Moving Tracks in the Track List
195 Renaming Tracks
196 Automatically Assigning Colors to New Tracks/
Channels
196 Showing Track Pictures
198 Setting the Track Height
199 Selecting Tracks
200 Deselecting Tracks
200 Duplicating Tracks
200 Disabling Tracks
200 Organizing Tracks in Folder Tracks
201 Handling Overlapping Audio
202 Track Folding Menu
202 Events Display on Folder Tracks
203 Modifying Event Display on Folder Tracks
203 Lanes, Takes and Overlapping Events
206 Dening the Track Time Base
207 Track Versions
214 Track Presets
221 Parts and Events
221 Events
225 Parts
Table of Contents
3
226 Editing Techniques for Parts and Events
244 Range Editing
244 Creating a Selection Range
245 Editing Selection Ranges
249 Playback and Transport
249 Transport Panel
254 Transport Menu
259 Transport Bar
265 Transport Pop-Up Window
265 Time Display Window
266 Left and Right Locators
269 Setting the Project Cursor
269 Auto-Scroll Settings Menu
270 Time Formats
271 Pre-Roll and Post-Roll
272 Punch In and Punch Out
272 Metronome Click
281 Chase
283 On-Screen Keyboard
283 Recording MIDI With the On-Screen Keyboard
284 On-Screen Keyboard Options
285 Recording
285 Basic Recording Methods
290 Monitoring
292 Audio Recording Specics
297 MIDI Recording Specics
305 Remaining Record Time
305 Lock Record
306 Importing Audio and MIDI Files
306 Audio File Import
313 MIDI File Import
316 Quantizing MIDI and Audio
316 Quantize Functions
317 Quantizing MIDI Event Starts
318 Quantizing MIDI Event Lengths
318 Quantizing MIDI Event Ends
318 Quantizing Audio Event Starts
319 Quantizing Audio Event Lengths (AudioWarp
Quantizing) (Cubase Pro only)
320 Quantizing Multiple Audio Tracks (Cubase Pro
only)
321 Quantize Panel
330 Fades, Crossfades, and Envelopes
330 Event-Based Fades
334 Creating Clip-Based Fades
335 Crossfades
338 Auto Fades and Crossfades
340 Event Envelopes
342 Arranger Track
342 Adding Arranger Events on the Arranger Track
343 Arranger Editor
346 Setting up an Arranger Chain and Adding
Events
348 Jump Mode
350 Arranging Music to Video
351 Transpose Functions
351 Project Root Key
354 Transpose Track
356 Keep Transpose in Octave Range
357 Transpose on the Info Line
358 Excluding Individual Parts or Events from
Global Transpose
359 Markers
359 Position Markers
359 Cycle Markers
360 Markers Window
364 Marker Track
366 Importing and Exporting Markers
369 MixConsole
369 MixConsole in Lower Zone
372 MixConsole Window
440 VCA Faders (Cubase Pro only)
440 VCA Fader Settings
442 Creating VCA Faders in the MixConsole
443 Assigning VCA Faders to Link Groups
443 Removing VCA Faders from Link Groups
444 Nested VCA Faders
444 VCA Fader Automation
446 Control Room (Cubase Pro only)
446 Adding Channels to the Control Room
447 Output Routing
447 Exclusive Assignment of Monitor Channels
447 Control Room Channels
449 Control Room - Main Tab
454 Control Room - Inserts Tab
456 Setting up a Cue Mix
457 Adjusting the Overall Cue Send Level
459 Metering and Loudness (Cubase Pro only)
459 Metering
465 Audio Effects
465 Insert Effects and Send Effects
467 Insert Effects
475 VST Effect Selector
476 Send Effects
481 Side-Chain Input
484 Dither Effects
484 External Effects (Cubase Pro only)
484 Effect Control Panel
487 Effect Presets
491 System Component Information Window
494 Direct Oine Processing
495 Direct Oine Processing Workow
496 Direct Oine Processing Window
507 Built-In Audio Processes
516 Direct Oine Processing Key Commands
518 Time Stretch and Pitch Shift Algorithms
518 élastique
519 MPEX
519 Standard
520 Limitations
521 Audio Functions
521 Detect Silence Dialog
524 Spectrum Analyzer Window
526 Statistics Window
529 Sample Editor
531 Sample Editor Toolbar
535 Info Line
536 Overview Line
536 Sample Editor Inspector
Table of Contents
4
539 Ruler
540 Waveform Display
542 Range Editing
546 Regions List
548 Snap Point
551 Hitpoints
551 Calculating Hitpoints
554 Locating to Hitpoints in the Project Window
555 Slices
557 Creating a Groove Quantize Map
557 Creating Markers
558 Creating Regions
558 Creating Events
558 Creating Warp Markers
559 Creating MIDI Notes
561 Tempo Matching Audio
561 Algorithm Presets
562 Stretching Audio Events to the Project Tempo
562 Musical Mode
564 Auto Adjust
565 Manual Adjust
566 Free Warp
568 Flattening Realtime Processing
569 Flatten Realtime Processing Dialog
569 Unstretching Audio Files
570 Pitch Editing and Time Correction with
VariAudio (Cubase Pro only)
570 VariAudio and Oine Processes
571 VariAudio Inspector Section
572 Smart Controls
574 Segmenting Monophonic Audio
575 Segments and Gaps
576 Auditioning
576 Navigation and Zoom
577 Segment Editing
579 Pitch Changes
586 Timing Modications
587 Showing MIDI Reference Tracks
588 Formant Shifting
589 Editing Volume
589 Functions Menu
593 Harmony Voices for Audio
595 Audio Part Editor
597 Audio Part Editor Toolbar
601 Info Line
601 Ruler
602 Lanes
602 Operations
606 Extensions in Cubase (Cubase Pro only)
606 Activating an Extension in Cubase
607 Editor for Extensions
608 Extension Editing in the Project Window
608 Permanently Applying Extension Edits
610 Sampler Tracks
610 Loading Audio Samples into Sampler Control
611 Loading MIDI Parts into Sampler Control
611 Creating Sampler Tracks
612 Sampler Control
621 Sample Editing and Playback Functions
623 Transferring Samples from Sampler Control to
VST Instruments
624 Pool
624 Pool Window
629 Working with the Pool
643 MediaBay and Media Rack
643 Media Rack in Right Zone
654 MediaBay Window
681 Working with Volume Databases
683 MediaBay Settings
685 Surround Sound (Cubase Pro only)
686 Deliverables
686 Available Surround Channel Congurations
687 Preparations for Creating Surround Mixes
690 VST MultiPanner
702 MixConvert V6
706 Surround Mix Export
706 3D Mixes for Ambisonics
719 Automation
719 Automation Curves
719 Static Value Line
719 Write/Read Automation
720 Writing Automation Data
722 Editing Automation Events
727 Automation Tracks
728 Virgin Territory vs. Initial Value (Cubase Pro
only)
728 Automation Panel (Cubase Pro only)
739 MIDI Controller Automation
742 VST Instruments
742 Adding VST Instruments
743 VST Instrument Control Panel
745 VST Instrument Selector
745 Creating Instrument Tracks
745 VST Instruments in the Right Zone
746 VST Instruments Window
746 VST Instruments Window Toolbar
747 VST Instrument Controls
749 Presets for Instruments
751 Playing Back VST Instruments
752 Latency
753 Import and Export Options
755 VST Quick Controls
756 Side-Chain Input for VST Instruments
758 External Instruments (Cubase Pro only)
759 Installing and Managing VST Plug-ins
759 Plug-ins and Collections
762 Adding New Plug-in Collections
763 Hiding Plug-ins
763 Reactivating Plug-ins from the Blacklist
765 Track Quick Controls
766 Parameter Assignment
769 Controlling Automatable Parameters
770 Connecting Track Quick Controls with Remote
Controllers
772 Remote Controlling Cubase
772 Connecting Remote Devices
772 Removing the Remote Input from All MIDI
Inputs
773 Setting up Remote Devices
775 Remote Devices and Automation
775 Assigning Commands to Remote Devices
776 Generic Remote Page
Table of Contents
5
781 Remote Control Editor
786 Joysticks
786 Track Quick Controls
786 VST Quick Controls
787 MIDI Realtime Parameters and MIDI Effects
787 MIDI Track Parameters
789 MIDI Modiers
794 MIDI Effects
797 Transpose and Velocity on the Info Line
798 Using MIDI Devices
798 Program Change Messages and Bank Select
Messages
799 Patch Banks
799 MIDI Device Manager
805 Device Panels (Cubase Pro only)
808 MIDI Functions
808 Transpose Setup Dialog
809 Merging MIDI Events into a New Part
811 Dissolve Part Dialog
812 Bouncing MIDI Parts
813 Repeating MIDI Events of Independent Track
Loops
813 Extending MIDI Notes
813 Fixing MIDI Note Lengths
814 Fixing MIDI Note Velocities
814 Rendering Sustain Pedal Data to Note Lengths
815 Deleting Overlaps
815 Editing Velocity
816 Deleting Double Notes
816 Deleting Controller Data
816 Deleting Continuous Controller Data
816 Restricting Polyphonic Voices
817 Thinning Out Controller Data
817 Extracting MIDI Automation
818 Reversing the Playback Order of MIDI Events
818 Inverting the Order of Selected MIDI Events
818 Creating a Tempo Track from Tapping (Cubase
Pro only)
819 MIDI Editors
819 Common MIDI Editor Functions
837 Key Editor
848 Key Editor Operations
856 Basic Score Editor (Cubase Artist only)
863 Score Editor Operations (Cubase Artist only)
870 Drum Editor
883 Drum Editor Operations
886 Drum Maps
890 List Editor
899 List Editor Operations
904 In-Place Editor
907 Expression Maps (Cubase Pro only)
908 Articulations
908 Expression Map Setup Window
909 Creating and Editing Expression Maps
916 Inserting Articulations
919 Note Expression
920 VST Note Expressions
920 MIDI Controllers
925 Note Expression Inspector Section
928 Note Expression Tools
929 Controller Mapping
930 Recording
933 Note Expression Event Editor
939 Trimming Note Expression Data
939 Removing All Note Expression Data
939 Note Expression MIDI Setup Dialog
944 Chord Functions
944 Chord Track
945 Chord Events
952 Scale Events
953 Voicings
956 Converting Chord Events to MIDI
957 Controlling MIDI or Audio Playback Using the
Chord Track
960 Assigning Voices to Notes
960 Extracting Chord Events from MIDI
961 Recording Chord Events with a MIDI Keyboard
962 Chord Pads
962 Chord Pads Zone
965 Functions Menu
966 Chord Assistant
968 Chord Assignment
971 Swapping Chord Assignments
972 Copying Chord Assignments
972 Playing Back and Recording Chords
975 Player Setup
982 Chord Pads Setup Dialog
987 Chord Pads Presets
988 Creating Chord Events from Chord Pads
988 Creating MIDI Parts from Chord Pads
989 Logical Editor
989 Window Overview
990 Filter Conditions
999 Selecting a Function
1000 Specifying Actions
1003 Applying the Dened Actions
1003 Presets
1005 Project Logical Editor (Cubase Pro only)
1005 Project Logical Editor Window Overview
1006 Filter Conditions
1015 Specifying Actions
1018 Selecting a Function
1019 Applying Macros
1019 Applying the Dened Actions
1019 Presets
1021 Editing Tempo and Time Signature
1021 Project Tempo Modes
1021 Track Time Base
1022 Tempo Track Editor
1025 Tempo Track
1026 Tempo Changes for Projects
1031 Setting up a Fixed Project Tempo
1033 Beat Calculator
1033 Tempo Detection (Cubase Pro only)
1035 Exporting a Tempo Track (Cubase Pro only)
1035 Importing a Tempo Track (Cubase Pro only)
1035 Process Tempo Dialog (Cubase Pro only)
1037 Process Bars Dialog (Cubase Pro only)
1037 Time Warp (Cubase Pro only)
1039 Set Denition from Tempo Dialog
1039 Time Signature Events
Table of Contents
6
1042 Project Browser (Cubase Pro only)
1042 Project Browser Toolbar
1043 Project Structure
1043 Event Display
1046 Rendering Audio and MIDI
1046 Render Tracks Dialog
1049 Render Selection Dialog
1052 Export Audio Mixdown
1053 Export Audio Mixdown Dialog
1059 Mixing Down to Audio Files
1059 Available Channels for Export (Cubase Pro only)
1060 File Formats
1068 Synchronization
1068 Master and Slave
1069 Timecode Formats
1071 Clock Sources
1072 Project Synchronization Setup Dialog
1077 MMC Master Panel
1077 External Synchronization
1078 Setting up Synchronization for a Personal
Music Studio (Cubase Pro only)
1080 VST System Link
1080 Setting up VST System Link
1084 Activating VST System Link
1087 Application Examples
1090 Video
1090 Video File Compatibility
1091 Frame Rates
1092 Video Output Devices
1092 Preparations for Creating Video Projects
1094 Preparations for Video Playback
1097 Editing Video
1098 Export Video
1101 Extracting Audio from Video
1102 Exchanging Files with Other Applications
1102 OMF Files (Cubase Pro only)
1106 AAF Files
1111 ReWire
1111 Introduction
1111 Enabling ReWire Applications
1112 Launching and quitting
1113 Activating ReWire channels
1113 Using the transport and tempo controls
1114 How the ReWire channels are handled
1114 Routing MIDI via ReWire
1115 Considerations and limitations
1116 Key Commands
1116 Key Commands Dialog
1119 Assigning Key Commands
1119 Searching for Key Commands
1120 Removing Key Commands
1120 Setting up Macros
1121 Saving Key Commands Presets
1121 Loading Key Command Presets
1121 Importing Key Command Settings
1121 Resetting Key Commands
1122 Default Key Commands
1134 Setting up Tool Modier Keys
1136 Customizing
1136 Workspaces
1139 Setup Options
1141 Proles (Cubase Pro only)
1145 Windows Dialog
1146 Where are the Settings Stored?
1146 Safe Mode Dialog
1149 Optimizing
1149 Optimizing Audio Performance
1153 Preferences
1153 Preferences Dialog
1155 Editing
1160 Editors
1160 Event Display
1163 General
1164 MIDI
1168 MediaBay
1168 Metering
1169 Record
1170 Scores (Cubase Pro only)
1172 Transport
1173 User Interface
1175 VST
1178 VariAudio (Cubase Pro only)
1178 Video
1179 Index
Table of Contents
7
New Features in Version 10.5.0
Highlights
Padshop 2
Steinberg’s highly acclaimed granular synthesizer Padshop now comes with even more
creative tools and sonic inspiration. At its heart, the new spectral oscillator opens the door
to unheard soundscapes and lets you turn your own samples into fascinating sonic
sculptures. Add motion to your sounds with the new arpeggiator section and use the
effects section to add the nishing touches. Get inspired by the 100 new presets or start
creating your own unique sounds right away. See Padshop 2.
MultiTap Delay
Providing the rhythm for your echo, the new MultiTap Delay gives musicians all the
inspirational creative options that they need. Up to eight taps per delay loop can
conveniently be created and edited. You can add effects with a simple click — to the
complete output, just the delay loops, or even to individual taps, while different character
presets deliver the sound of clean digital delays or classic vintage echo units. This plug-in is
described in the separate document Plug-in Reference. See MultiTap Delay.
Import Tracks from Projects
Cubase Pro only: Exchanging data between projects, creating new project templates, or
using the same mix settings for multiple projects has never been easier. With the new track
import functionality, you can import multiple track types from other projects, for example,
group, FX, or folder tracks, select the track attributes you want to import, and automatically
match the imported tracks to existing tracks with the same name. See Track
Import (Cubase Pro only).
Combine Selection Tools
The new Combine Selection Tools mode speeds up your editing workow by combining
the two most frequently used tools in one powerful feature. Activate the new tool mode to
use the selection tools for both objects and ranges at the same time without the need to
change tools. If time is critical, the Combine Selection Tools mode will be your new best
friend. See Combine Selection Tools Mode.
MIDI Retrospective Recording
Do you always deliver your best performances when not recording? The completely revised
MIDI Retrospective Recording feature can help you to bring your A game to every project.
Cubase tracks your MIDI input even when you are not recording and brings back your
chords and melodies as a stacked cycle or a continuous performance with just one click.
Even better, your performance is captured on multiple tracks. So no more worries —
Cubase has your back. See Recovery of MIDI Recordings.
Colorized MixConsole Channels
Maintaining a clear overview while your project is growing is essential for a fast and
ecient workow. With the new option to colorize complete channels in the MixConsole
with track colors, you can focus on your mix by intuitively nding the tracks you are looking
New Features
8
for. Even if you are sitting several meters away from the screen, you will not get lost in your
mix. See Applying Channel Colors to Channel Controls.
Spectral Comparison EQ
Cubase Pro only: Cleaning up frequencies to create room for each instrument is the key to
a good mix. The new channel comparison mode in the channel EQ helps you to identify
where action is needed. Just route a second signal from any track into the EQ and compare
the spectral curves within the EQ display. Toggle between the EQ controls of the source and
comparison channel and adjust the mix without losing focus on what you are doing. See
Comparing Channels (Cubase Pro only).
Video Export
Export videos including audio for your clients and collaborators directly from Cubase. The
new video export feature lets you render videos as MP4 with H.264 video compression and
16-bit stereo audio in 44.1 or 48 kHz. Export the whole video or just footage within the
locator range, adding the timecode to the video export for the next production process.
See Export Video.
More New Features
Score Editor Improvements
Cubase Pro only: The Score Editor has been refreshed with powerful improvements. You
can now show bars and beats positions when inserting or moving notes, while the new
Event Movement Restriction Options help you to place rests or repeat markers in the
score. The mouse wheel can now be used to quickly and easily transpose selected notes.
See Score Layout and Printing.
LUFS Normalization
Cubase Pro only: As an alternative to normalizing by maximum peak level, you can now use
the integrated loudness value as reference, according to EBU recommendation R 128. See
Normalize.
Easier Macro Creation
The Macros section now comes with new functionality. Resize the Macros section for a
better overview, move key commands up and down in the macro, and duplicate macros
with just one click. See Macros Section.
Safe Start Mode
The new Safe Start Mode allows you to initiate Cubase without any third-party plug-ins
loaded. See Safe Mode Dialog.
Enter Track Name when Adding Folder Tracks
You can enter a name for a folder track when you add it via the Add Track dialog. See Add
Track Dialog – Folder.
New Preference for Cycle Activation
The new preference Clicking Locator Range in Upper Part of the Ruler Activates Cycle
allows you to disable the function to activate/deactivate cycle mode when you click the
locator range in the upper part of the ruler. See Transport.
New Features
9
The documentation covers the following Steinberg products: Cubase Pro and Cubase Artist.
Functions that are only available in Cubase Pro and not in Cubase Artist are clearly indicated. The
screenshots are taken from Cubase Pro.
Platform-Independent Documentation
The documentation applies to the operating systems Windows and macOS.
Features and settings that are specic to one of these platforms are clearly indicated. In all other
cases, the descriptions and procedures in the documentation are valid for
Windows and macOS.
Some points to consider:
The screenshots are taken from Windows.
Some functions that are available on the File menu on Windows can be found in the
program name menu on macOS.
PDF Documents and Online Documentation
The documentation consists of several documents. You can read them online or download them
from steinberg.help. To visit steinberg.help, do one of the following:
Enter www.steinberg.help in the address bar of your web browser.
In the program, select Help > Cubase Help.
Operation Manual
The main Cubase reference documentation, with detailed descriptions of operations,
parameters, functions, and techniques.
Score Layout and Printing (Cubase Pro only)
Describes the professional music notation, score editing, and printing features
included in the Score Editor.
Remote Control Devices
Lists the supported MIDI remote control devices.
Plug-in Reference
Describes the features and parameters of the included VST plug-ins, VST
instruments, and MIDI effects.
Steinberg Library Manager
Describes how you can register and manage your VST Sound libraries.
HALion Sonic SE
Describes the features and parameters of the included VST instrument HALion Sonic
SE.
Introduction
10
Groove Agent SE
Describes the features and parameters of the included VST instrument Groove Agent
SE.
Retrologue
Describes the features and parameters of the included VST instrument Retrologue.
MIDI Devices
Describes how to manage MIDI devices and device panels.
Conventions
In our documentation, we use typographical and markup elements to structure information.
Typographical Elements
The following typographical elements mark the following purposes.
Prerequisite
Requires you to complete an action or to fulll a condition before starting a
procedure.
Procedure
Lists the steps that you must take to achieve a specic result.
Important
Informs you about issues that might affect the system, the connected hardware, or
that might bring a risk of data loss.
Note
Informs you about issues that you should consider.
Tip
Adds further information or useful suggestions.
Example
Provides you with an example.
Result
Shows the result of the procedure.
After Completing This Task
Informs you about actions or tasks that you can perform after completing the
procedure.
Related Links
Lists related topics that you can nd in this documentation.
Markup
Bold text indicates the name of a menu, option, function, dialog, window, etc.
EXAMPLE
To open the Functions menu, click Functions Menu in the top right corner of the MixConsole.
If bold text is separated by a greater-than symbol, this indicates a sequence of different menus
to open.
Introduction
Conventions
11
EXAMPLE
Select Project > Add Track.
Key Commands
Many of the default key commands, also known as keyboard shortcuts, use modier keys, some
of which are different depending on the operating system.
When key commands with modier keys are described in this manual, they are indicated with the
Windows modier key rst, followed by the macOS modier key and the key.
EXAMPLE
Ctrl/Cmd-Z means: press Ctrl on Windows or Cmd on macOS, then press Z.
Introduction
Key Commands
12
To use Cubase, you must set up your audio, and if required, your MIDI system.
Studio Setup Dialog
The Studio Setup dialog allows you to set up your connected audio, MIDI, and remote control
devices.
To open the Studio Setup dialog, select Studio > Studio Setup.
The following options are available:
Add Device
Allows you to manually add devices such as a Note Expression Input Device, an
additional Time Display device, or specic remote control devices.
Remove Selected Device
Allows you to remove manually added devices.
Send Reset Message to All Devices
Resets all remote control devices in the Devices list.
Devices list
Select a device in the Devices list to show its settings in the right section.
Setting up Your System
13
Reset
Resets the selected remote device.
Apply
Applies the settings.
Setting up Audio
You must set up your audio equipment before you can use it in Cubase.
IMPORTANT
Make sure that all equipment is turned off before making any connections.
Simple Stereo Input and Output Setup
If you only use a stereo input and output from Cubase, you can connect your audio hardware, for
example, the inputs of your audio card or your audio interface, directly to the input source and
the outputs to a power
amplier and speaker.
Audio Connections
Your system setup depends on many different factors, for example, on the kind of project that
you want to create, on the external equipment that you want to use, or on the computer
hardware that is available to you. Therefore, the following sections can only serve as examples.
How to connect your equipment, that is, whether to use digital or analog connections also
depends on your setup.
Recording Levels and Inputs
When you connect your equipment, make sure that the impedance and levels of the audio
sources and inputs are matched. Using the correct type of input is important to avoid distortion
Setting up Your System
Setting up Audio
14
or noisy recordings. For example, different inputs can be used, such as consumer line level (-10 
dBV) or professional line level (+4 dBu).
Sometimes, you can adjust input characteristics on the audio interface or on its control panel. For
details, refer to the documentation that came with the audio hardware.
IMPORTANT
Cubase does not provide any input level adjustments for the signals that are coming into your
audio hardware, since these are handled differently for each card. Adjusting input levels is either
done in a special application that is included with the hardware or its control panel.
Word Clock Connections
If you are using a digital audio connection, you may also need a word clock connection between
the audio hardware and external devices. For details, refer to the documentation that came with
the audio hardware.
IMPORTANT
Set up word clock synchronization correctly, or you may experience clicks and crackles in your
recordings.
Selecting an Audio Driver
By selecting an audio driver, you allow Cubase to communicate with the audio hardware.
Normally, when you start
Cubase, a dialog opens that prompts you to select a driver, but you can
also select your audio hardware driver as described below.
NOTE
On Windows operating systems, we recommend that you access your hardware via an ASIO
driver developed specically for the hardware. If no ASIO driver is installed, contact the
manufacturer of your audio hardware for information on available ASIO drivers. If no
specic
ASIO driver is available, you can use the Generic Low Latency ASIO driver.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select VST Audio System.
3. Open the ASIO Driver pop-up menu and select your audio hardware driver.
4. Click OK.
Setting up Audio Hardware
You must select and set up your audio hardware in the Studio Setup dialog before you can use
it.
PREREQUISITE
You have selected a driver for your audio hardware.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Do one of the following to open the control panel for your audio hardware:
Setting up Your System
Setting up Audio
15
On Windows, click Control Panel.
On macOS, click Open Cong App.
This button is available only for some hardware products. If it is not available in your
setup, refer to the documentation of your audio hardware.
NOTE
The control panel is provided by the manufacturer of your audio hardware and is different
for each audio interface brand and model. However, control panels for the Generic Low
Latency ASIO Driver (Windows only) are provided by Steinberg.
4. Set up your audio hardware as recommended by the manufacturer.
VST Audio System Page
On the VST Audio System page you can select an ASIO driver for your audio hardware.
To open the VST Audio System page, select Studio > Studio Setup and select VST Audio
System in the Devices list.
The following options are available:
ASIO Driver
Allows you to select a driver.
Release Driver when Application is in Background
Releases the driver and allows other applications to play back via your audio
hardware even though Cubase is running.
Input Latency
Shows the input latency of the audio hardware.
Output Latency
Shows the output latency of the audio hardware.
Setting up Your System
Setting up Audio
16
ASIO-Guard Latency
Shows the ASIO-Guard latency.
HW Sample Rate
Shows the sample rate of your audio hardware.
HW Pull Up/Down
Shows the pull up/down status of the audio hardware.
Set to Defaults
Allows you to restore the default settings.
Processing Precision
Allows you to set the audio processing precision to 32 bit oat or 64 bit oat.
Depending on this setting, all channels are processed and mixed in 32-bit oating-
point or 64-bit oating-point format.
NOTE
A processing precision of 64 bit oat can increase CPU load and memory
consumption.
To show all plug-ins that support 64-bit oat processing, open the VST Plug-in
Manager and activate Show Plug-ins That Support 64-Bit Float Processing in the
Display Options pop-up menu.
NOTE
VST 2 plug-ins and instruments are always processed with 32-bit precision.
Activate Multi Processing
Allows you to distribute the processing load evenly to all available CPUs. This way,
Cubase can make full use of the combined power of multiple processors.
Activate ASIO-Guard
Activates the ASIO-Guard. This is only available if Activate Multi Processing is
activated.
ASIO-Guard Level
Allows you to set the ASIO-Guard level. The higher the level, the higher the
processing stability and audio processing performance. However, higher levels also
lead to an increased ASIO-Guard latency and memory usage.
Audio Priority (Windows only)
This setting should be set to Normal if you work with audio and MIDI. If you do not
use MIDI at all, you can set this to Boost.
Activate Steinberg Audio Power Scheme
If this option is activated, all power safe modes that have an impact on real time
processing are deactivated. Note that this is only effective for very low latencies, and
that it increases the power consumption.
Disk Preload
Allows you to specify how many seconds of audio are preloaded into RAM prior to
starting playback. This allows for smooth playback.
Adjust for Record Latency
If this is activated, the plug-in latencies are taken into account during recording.
Setting up Your System
Setting up Audio
17
Record Shift
Allows you to shift the recordings by the specied value.
RELATED LINKS
VST Plug-in Manager Window on page 760
ASIO Driver Setup Page
This page allows you to set up your ASIO driver.
To open the page where you can set up the ASIO driver, select Studio > Studio Setup and
select the audio driver in the Devices list.
The following options are available:
Control Panel
Opens the control panel for the audio hardware.
Input Latency
Shows the input latency of the audio driver.
Output Latency
Shows the output latency of the audio driver.
Clock Source
Allows you to select a clock source.
Externally Clocked
Activate this option if you use an external clock source.
Direct Monitoring
Activate this option to monitor via your audio hardware and to control it from
Cubase.
Setting up Your System
Setting up Audio
18
Ports Reset
Allows you to reset all port names and visibilities.
I/O
The port input/output status.
Port System Name
The system name of the port.
Show As
Allows you to rename the port. This name is used in the Input Routing and Output
Routing pop-up menus.
Visible
Allows you to activate/deactivate audio ports.
State
The state of the audio port.
Using External Clock Sources
If you are using an external clock source, Cubase must be notied that it receives external clock
signals and derives its speed from that source.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Activate Externally Clocked.
RESULT
Cubase now derives its speed from the external source.
NOTE
For proper audio playback and recording, you must set the sample rate of the project to the
sample rate of the incoming clock signals.
When a sample rate mismatch occurs, the Record Format eld on the Project window status line
is highlighted in a different color. Cubase accepts a sample rate mismatch, and playback is
therefore faster or slower.
Using Several Audio Applications Simultaneously
You can allow other applications to play back via your audio hardware even though Cubase is
running.
PREREQUISITE
Other audio applications accessing the audio hardware are set to release the audio driver.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select VST Audio System.
3. Activate Release Driver when Application is in Background.
Setting up Your System
Setting up Audio
19
RESULT
The application that has the focus gets access to the audio hardware.
Audio Hardware Conguration
Most audio cards provide one or more small applications that allow you to customize your
hardware.
The settings are normally gathered on a control panel that can be opened from within Cubase or
separately, when Cubase is not running. For details, refer to the audio hardware documentation.
Settings include:
Selecting which inputs/outputs are active.
Setting up word clock synchronization.
Turning on/off monitoring via the hardware.
Setting levels for each input.
Setting levels for the outputs so that they match the equipment that you use for
monitoring.
Selecting digital input and output formats.
Making settings for the audio buffers.
Setting up Input and Output Ports
Once you have selected the driver for your audio hardware and have set it up, you must specify
which inputs and outputs to use.
PREREQUISITE
You have selected a driver for your audio hardware.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Make your changes.
4. Click OK.
RELATED LINKS
ASIO Driver Setup Page on page 18
Audio Bus Setup
Cubase uses a system of input and output busses to transfer audio between the program and
the audio hardware.
Input busses let you route audio from the inputs of your audio hardware into Cubase. This
means that audio is always recorded through one or several input busses.
Output busses let you route audio from Cubase to the outputs of your audio hardware.
This means that audio is always played back through one or several output busses.
Once you have set up the internal input and output busses, you can connect your audio source,
for example, a microphone, to your audio interface and start recording, playing back, and
mixing.
Setting up Your System
Setting up Audio
20
/