Steinberg Cubase Artist 10.0 User manual

Category
Software
Type
User manual

This manual is also suitable for

Operation Manual
Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer,
Benjamin Schütte, Marita Sladek
This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number
of images in this document, it is not possible to include text descriptions of images.
The information in this document is subject to change without notice and does not represent a commitment on
the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License
Agreement and may not be copied to other media except as specically allowed in the License Agreement. No
part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose,
without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product
described herein may print one copy of this document for their personal use.
All product and company names are ™ or ® trademarks of their respective owners. For more information, please
visit www.steinberg.net/trademarks.
© Steinberg Media Technologies GmbH, 2018.
All rights reserved.
Cubase_10.0.0_en-US_2018-11-14
8 Introduction
8 Platform-Independent Documentation
8 PDF Documents and Online Documentation
9 Conventions
10 Key Commands
11 Setting up Your System
11 Setting up Audio
18 Setting up MIDI
20 Synchronizers
21 Audio Connections
21 Audio Connections Window
26 Renaming the Hardware Inputs and Outputs
28 Adding Input and Output Busses
28 Adding Child Busses (Cubase Pro only)
29 Presets for Input and Output Busses
29 Adding Group and FX Channels (Cubase Pro
only)
30 Monitoring Bus
30 External Instruments and Effects (Cubase Pro
only)
36 Bus Congurations
38 Project Window
39 Showing/Hiding Zones
39 Project Zone
54 Left Zone
63 Lower Zone
69 Right Zone
75 Keyboard Focus in the Project Window
76 Zooming in the Project Window
80 Snap Function
82 Cross-Hair Cursor
83 Edit History Dialog
84 Color Handling
89 Project Handling
89 Creating New Projects
89 Hub
91 Project Assistant Dialog
91 Project Files
92 Template Files
93 Project Setup Dialog
96 Opening Project Files
97 Saving Project Files
98 Reverting to the Last Saved Version
98 Choosing a Project Location
99 Self-Contained Projects
101 Tracks
101 Track Inspector Settings Dialog
102 Track Control Settings Dialog
104 Audio Tracks
112 Instrument Tracks
120 Sampler Tracks
126 MIDI Tracks
134 FX Channel Tracks
141 Group Channel Tracks
147 VCA Fader Track (Cubase Pro only)
151 Marker Track
153 Ruler Track
155 Folder Tracks
157 Other Tracks
170 Track Handling
170 Adding Tracks via the Add Track Dialog
170 Adding Other Tracks
171 Adding Tracks Using Track Presets
171 Adding Tracks by Dragging Files from the
MediaBay
172 Track Import (Cubase Pro only)
175 Track Export (Cubase Pro only)
176 Exporting MIDI Tracks as Standard MIDI Files
178 Merging Mono Audio Tracks to Multi-Channel
Tracks
179 Removing Selected Tracks
180 Removing Empty Tracks
180 Moving Tracks in the Track List
180 Renaming Tracks
180 Automatically Assigning Colors to New Tracks
180 Showing Track Pictures
182 Setting the Track Height
183 Selecting Tracks
184 Deselecting Tracks
184 Duplicating Tracks
184 Disabling Tracks
185 Organizing Tracks in Folder Tracks
185 Handling Overlapping Audio
186 Track Folding Menu
187 Events Display on Folder Tracks
187 Modifying Event Display on Folder Tracks
187 Lanes, Takes and Overlapping Events
190 Dening the Track Time Base
191 Track Versions
198 Track Presets
205 Parts and Events
205 Events
209 Parts
210 Editing Techniques for Parts and Events
225 Range Editing
225 Creating a Selection Range
226 Editing Selection Ranges
Table of Contents
3
230 Playback and Transport
230 Transport Panel
234 Transport Menu
239 Transport Bar
244 Transport Pop-Up Window
245 Time Display Window
246 Left and Right Locators
247 Setting the Project Cursor Position
248 Auto-Scroll Settings Menu
249 Time Formats
250 Pre-Roll and Post-Roll
251 Punch In and Punch Out
251 Metronome Click
260 Chase
262 On-Screen Keyboard
262 Recording MIDI With the On-Screen Keyboard
262 On-Screen Keyboard Options
264 Recording
264 Basic Recording Methods
268 Monitoring
271 Audio Recording Specics
275 MIDI Recording Specics
281 Remaining Record Time
281 Lock Record
283 Importing Audio and MIDI Files
283 Audio File Import
290 MIDI File Import
292 Quantizing MIDI and Audio
292 Quantize Functions
293 Quantizing MIDI Event Starts
294 Quantizing MIDI Event Lengths
294 Quantizing MIDI Event Ends
294 Quantizing Audio Event Starts
295 Quantizing Audio Event Lengths (AudioWarp
Quantizing) (Cubase Pro only)
295 Quantizing Multiple Audio Tracks (Cubase Pro
only)
297 Quantize Panel
306 Fades, Crossfades, and Envelopes
306 Event-Based Fades
310 Creating Clip-Based Fades
311 Crossfades
313 Auto Fades and Crossfades
316 Event Envelopes
318 Arranger Track
318 Adding Arranger Events on the Arranger Track
319 Arranger Editor
322 Setting up an Arranger Chain and Adding
Events
324 Jump Mode
326 Arranging Music to Video
327 Transpose Functions
327 Project Root Key
330 Transpose Track
332 Keep Transpose in Octave Range
333 Transpose on the Info Line
334 Excluding Individual Parts or Events from
Global Transpose
335 Markers
335 Position Markers
335 Cycle Markers
336 Markers Window
340 Marker Track
342 Importing and Exporting Markers
344 MixConsole
344 MixConsole in Lower Zone
347 MixConsole Window
412 VCA Faders (Cubase Pro only)
412 VCA Fader Settings
414 Creating VCA Faders in the MixConsole
415 Assigning VCA Faders to Link Groups
415 Removing VCA Faders from Link Groups
416 Nested VCA Faders
416 VCA Fader Automation
418 Control Room (Cubase Pro only)
418 Adding Channels to the Control Room
419 Output Routing
419 Exclusive Assignment of Monitor Channels
419 Control Room Channels
421 Control Room - Main Tab
426 Control Room - Inserts Tab
428 Setting up a Cue Mix
429 Adjusting the Overall Cue Send Level
431 Metering and Loudness (Cubase Pro only)
431 Metering
432 Loudness Measurement
437 Audio Effects
437 Insert Effects and Send Effects
439 Insert Effects
447 VST Effect Selector
448 Send Effects
453 Side-Chain Input
456 Dither Effects
456 External Effects (Cubase Pro only)
456 Effect Control Panel
459 Effect Presets
463 System Component Information Window
466 Direct Oine Processing
467 Direct Oine Processing Workow
467 Direct Oine Processing Window
478 Built-In Audio Processes
486 Direct Oine Processing Key Commands
488 Time Stretch and Pitch Shift Algorithms
488 élastique
489 MPEX
489 Standard
490 Limitations
491 Audio Functions
491 Detect Silence Dialog
494 Spectrum Analyzer Window
496 Statistics Window
499 Sample Editor
501 Sample Editor Toolbar
505 Info Line
506 Overview Line
506 Sample Editor Inspector
509 Ruler
510 Waveform Display
512 Range Editing
516 Regions List
Table of Contents
4
518 Snap Point
521 Hitpoints
521 Calculating Hitpoints
524 Locating to Hitpoints in the Project Window
524 Slices
527 Creating a Groove Quantize Map
527 Creating Markers
527 Creating Regions
528 Creating Events
528 Creating Warp Markers
528 Creating MIDI Notes
530 Tempo Matching Audio
530 Algorithm Presets
531 Stretching Audio Events to the Project Tempo
531 Musical Mode
533 Auto Adjust
534 Manual Adjust
535 Free Warp
537 Audio Alignment
540 Flattening Realtime Processing
540 Unstretching Audio Files
542 VariAudio (Cubase Pro only)
542 VariAudio and Oine Processes
543 VariAudio Inspector Section
544 Smart Controls
546 Segmenting Monophonic Audio
547 Segments and Gaps
548 Auditioning
548 Navigation and Zoom
549 Segment Editing
551 Pitch Changes
558 Timing Modications
559 Showing MIDI Reference Tracks
560 Formant Shifting
561 Editing Volume
561 Functions Menu
565 Harmony Voices for Audio
567 Audio Part Editor
569 Audio Part Editor Toolbar
573 Info Line
573 Ruler
574 Lanes
574 Operations
578 Sampler Tracks
578 Loading Audio Samples into Sampler Control
579 Loading MIDI Parts into Sampler Control
579 Creating Sampler Tracks
580 Sampler Control
589 Sample Editing and Playback Functions
591 Transferring Samples from Sampler Control to
VST Instruments
592 Pool
592 Pool Window
597 Working with the Pool
611 MediaBay and Media Rack
611 Media Rack in Right Zone
622 MediaBay Window
649 Working with Volume Databases
651 MediaBay Settings
653 Surround Sound (Cubase Pro only)
654 Deliverables
654 Available Surround Channel Congurations
655 Preparations for Creating Surround Mixes
658 VST MultiPanner
670 MixConvert V6
674 Surround Mix Export
674 3D Mixes for Ambisonics
686 Automation
686 Automation Curves
686 Static Value Line
686 Write/Read Automation
687 Writing Automation Data
689 Editing Automation Events
694 Automation Tracks
695 Virgin Territory vs. Initial Value (Cubase Pro
only)
696 Automation Panel (Cubase Pro only)
705 MIDI Controller Automation
708 VST Instruments
708 Adding VST Instruments
709 VST Instrument Control Panel
711 VST Instrument Selector
711 Creating Instrument Tracks
711 VST Instruments in the Right Zone
712 VST Instruments Window
712 VST Instruments Window Toolbar
713 VST Instrument Controls
715 Presets for Instruments
717 Playing Back VST Instruments
719 Latency
719 Import and Export Options
721 VST Quick Controls
722 Side-Chain Input for VST Instruments
724 External Instruments (Cubase Pro only)
725 Installing and Managing VST Plug-ins
725 Plug-ins and Collections
728 Adding New Plug-in Collections
729 Hiding Plug-ins
729 Reactivating Plug-ins from the Blacklist
731 Track Quick Controls
732 Parameter Assignment
735 Quick Controls and Automatable Parameters
736 Connecting Track Quick Controls with Remote
Controllers
738 Remote Controlling Cubase
738 Connecting Remote Devices
738 Removing the Remote Input from All MIDI
Inputs
739 Setting up Remote Devices
741 Remote Devices and Automation
741 Assigning Commands to Remote Devices
742 Generic Remote Page
747 Remote Control Editor
752 Joysticks
752 Apple Remote (macOS only)
753 Track Quick Controls
754 VST Quick Controls
755 MIDI Realtime Parameters and MIDI Effects
755 MIDI Track Parameters
757 MIDI Modiers
Table of Contents
5
762 MIDI Effects
765 Transpose and Velocity on the Info Line
766 Using MIDI Devices
766 Program Change Messages and Bank Select
Messages
767 Patch Banks
767 MIDI Device Manager
773 Device Panels (Cubase Pro only)
776 MIDI Functions
776 Transpose Setup Dialog
777 Merging MIDI Events into a New Part
779 Dissolve Part Dialog
780 Bouncing MIDI Parts
781 Repeating MIDI Events of Independent Track
Loops
781 Extending MIDI Notes
781 Fixing MIDI Note Lengths
782 Fixing MIDI Note Velocities
782 Rendering Sustain Pedal Data to Note Lengths
783 Deleting Overlaps
783 Editing Velocity
784 Deleting Double Notes
784 Deleting Controller Data
784 Deleting Continuous Controller Data
784 Restricting Polyphonic Voices
785 Thinning Out Controller Data
785 Extracting MIDI Automation
786 Reversing the Playback Order of MIDI Events
786 Inverting the Order of Selected MIDI Events
786 Creating a Tempo Track from Tapping (Cubase
Pro only)
787 MIDI Editors
787 Common MIDI Editor Functions
803 Key Editor
814 Key Editor Operations
822 Basic Score Editor (Cubase Artist only)
829 Score Editor Operations (Cubase Artist only)
836 Drum Editor
849 Drum Editor Operations
852 Drum Maps
856 List Editor
865 List Editor Operations
870 In-Place Editor
873 Expression Maps (Cubase Pro only)
874 Articulations
874 Expression Map Setup Window
875 Creating and Editing Expression Maps
882 Inserting Articulations
885 Note Expression
886 VST Note Expressions
886 MIDI Controllers
891 Note Expression Inspector Section
894 Note Expression Tools
895 Controller Mapping
896 Recording
899 Note Expression Event Editor
905 Trimming Note Expression Data
905 Removing All Note Expression Data
905 Note Expression MIDI Setup Dialog
909 Chord Functions
909 Chord Track
910 Chord Events
917 Scale Events
918 Voicings
920 Converting Chord Events to MIDI
921 Controlling MIDI or Audio Playback Using the
Chord Track
924 Assigning Voices to Notes
925 Extracting Chord Events from MIDI
926 Recording Chord Events with a MIDI Keyboard
927 Chord Pads
927 Chord Pads Zone
930 Functions Menu
931 Chord Assistant
933 Chord Assignment
936 Swapping Chord Assignments
937 Copying Chord Assignments
937 Playing Back and Recording Chords
940 Player Setup
947 Chord Pads Setup Dialog
952 Chord Pads Presets
953 Creating Chord Events from Chord Pads
953 Creating MIDI Parts from Chord Pads
954 Logical Editor
954 Window Overview
955 Filter Conditions
964 Selecting a Function
965 Specifying Actions
968 Applying the Dened Actions
968 Presets
970 Project Logical Editor (Cubase Pro only)
970 Project Logical Editor Window Overview
971 Filter Conditions
980 Specifying Actions
983 Selecting a Function
984 Applying Macros
984 Applying the Dened Actions
984 Presets
986 Editing Tempo and Time Signature
986 Project Tempo Modes
986 Track Time Base
987 Tempo Track Editor
990 Tempo Track
991 Tempo Changes for Projects
996 Setting up a Fixed Project Tempo
998 Beat Calculator
998 Tempo Detection (Cubase Pro only)
999 Exporting a Tempo Track (Cubase Pro only)
1000 Importing a Tempo Track (Cubase Pro only)
1000 Process Tempo Dialog (Cubase Pro only)
1001 Process Bars Dialog (Cubase Pro only)
1002 Time Warp (Cubase Pro only)
1003 Set Denition from Tempo Dialog
1004 Time Signature Events
1006 Project Browser (Cubase Pro only)
1006 Project Browser Toolbar
1007 Project Structure
1007 Event Display
1010 Rendering Audio and MIDI
1010 Render Tracks Dialog
1013 Render Selection Dialog
Table of Contents
6
1016 Export Audio Mixdown
1016 Export Audio Mixdown Dialog
1021 Mixing Down to Audio Files
1022 Available Channels for Export (Cubase Pro only)
1024 File Formats
1032 Synchronization
1032 Master and Slave
1033 Timecode Formats
1035 Clock Sources
1036 Project Synchronization Setup Dialog
1041 External Synchronization
1042 Setting up Synchronization for a Personal
Music Studio (Cubase Pro only)
1044 VST System Link
1044 Setting up VST System Link
1048 Activating VST System Link
1051 Application Examples
1054 Video
1054 Video File Compatibility
1055 Frame Rates
1055 Video Output Devices
1056 Preparations for Creating Video Projects
1058 Preparations for Video Playback
1060 Editing Video
1062 Exchanging Files with Other Applications
1062 OMF Files (Cubase Pro only)
1065 AAF Files
1070 ReWire
1070 Introduction
1070 Enabling ReWire Applications
1071 Launching and quitting
1072 Activating ReWire channels
1072 Using the transport and tempo controls
1073 How the ReWire channels are handled
1073 Routing MIDI via ReWire
1074 Considerations and limitations
1075 Key Commands
1075 Adding Key Commands
1076 Searching for Key Commands
1076 Removing Key Commands
1076 Setting up Macros
1077 Saving Key Commands Presets
1077 Loading Key Command Presets
1078 Importing Key Command Settings
1078 Resetting Key Commands
1079 Default Key Commands
1091 Setting up Tool Modier Keys
1092 Customizing
1092 Workspaces
1095 Setup Options
1097 Proles (Cubase Pro only)
1101 Where are the Settings Stored?
1103 Optimizing
1103 Optimizing Audio Performance
1107 Preferences
1107 Preferences Dialog
1109 Editing
1114 Editors
1114 Event Display
1117 General
1118 MIDI
1122 MediaBay
1122 Metering
1123 Record
1125 Scores (Cubase Pro only)
1127 Transport
1128 User Interface
1129 VST
1131 VariAudio (Cubase Pro only)
1132 Video
1133 Index
Table of Contents
7
The documentation covers the following Steinberg products: Cubase Pro and Cubase Artist.
Functions that are only available in Cubase Pro and not in Cubase Artist are clearly indicated. The
screenshots are taken from Cubase Pro.
Platform-Independent Documentation
The documentation applies to the operating systems Windows and macOS.
Features and settings that are specic to one of these platforms are clearly indicated. In all other
cases, the descriptions and procedures in the documentation are valid for
Windows and macOS.
Some points to consider:
The screenshots are taken from Windows.
Some functions that are available on the File menu on Windows can be found in the
program name menu on macOS.
PDF Documents and Online Documentation
The documentation consists of several documents. You can read them online or download them
from steinberg.help. To visit steinberg.help, do one of the following:
Enter www.steinberg.help in the address bar of your web browser.
In the program, select Help > Cubase Help.
Operation Manual
The main Cubase reference documentation, with detailed descriptions of operations,
parameters, functions, and techniques.
Score Layout and Printing (Cubase Pro only)
Describes the professional music notation, score editing, and printing features
included in the Score Editor.
Remote Control Devices
Lists the supported MIDI remote control devices.
Plug-in Reference
Describes the features and parameters of the included VST plug-ins, VST
instruments, and MIDI effects.
Steinberg Library Manager
Describes how you can register and manage your VST Sound libraries.
HALion Sonic SE
Describes the features and parameters of the included VST instrument HALion Sonic
SE.
Introduction
8
Groove Agent SE
Describes the features and parameters of the included VST instrument Groove Agent
SE.
Retrologue
Describes the features and parameters of the included VST instrument Retrologue.
MIDI Devices
Describes how to manage MIDI devices and device panels.
Conventions
In our documentation, we use typographical and markup elements to structure information.
Typographical Elements
The following typographical elements mark the following purposes.
Prerequisite
Requires you to complete an action or to fulll a condition before starting a
procedure.
Procedure
Lists the steps that you must take to achieve a specic result.
Important
Informs you about issues that might affect the system, the connected hardware, or
that might bring a risk of data loss.
Note
Informs you about issues that you should consider.
Example
Provides you with an example.
Result
Shows the result of the procedure.
After Completing This Task
Informs you about actions or tasks that you can perform after completing the
procedure.
Related Links
Lists related topics that you can nd in this documentation.
Markup
Bold text indicates the name of a menu, option, function, dialog, window, etc.
EXAMPLE
To open the Functions menu, click Functions Menu in the top right corner of the MixConsole.
If bold text is separated by a greater-than symbol, this indicates a sequence of different menus
to open.
EXAMPLE
Select Project > Add Track.
Introduction
Conventions
9
Key Commands
Many of the default key commands, also known as keyboard shortcuts, use modier keys, some
of which are different depending on the operating system.
When key commands with modier keys are described in this manual, they are indicated with the
Windows modier key rst, followed by the macOS modier key and the key.
EXAMPLE
Ctrl/Cmd-Z means: press Ctrl on Windows or Cmd on macOS, then press Z.
Introduction
Key Commands
10
To use Cubase, you must set up your audio, and if required, your MIDI system.
Setting up Audio
IMPORTANT
Make sure that all equipment is turned off before making any connections.
Simple Stereo Input and Output Setup
If you only use a stereo input and output from Cubase, you can connect your audio hardware, for
example, the inputs of your audio card or your audio interface, directly to the input source and
the outputs to a power
amplier and speaker.
Audio Connections
Your system setup depends on many different factors, for example, on the kind of project that
you want to create, on the external equipment that you want to use, or on the computer
hardware that is available to you. Therefore, the following sections can only serve as examples.
How to connect your equipment, that is, whether to use digital or analog connections also
depends on your setup.
Setting up Your System
11
Recording Levels and Inputs
When you connect your equipment, make sure that the impedance and levels of the audio
sources and inputs are matched. Using the correct type of input is important to avoid distortion
or noisy recordings. For example, different inputs can be used, such as consumer line level (-10 
dBV) or professional line level (+4 dBu).
Sometimes, you can adjust input characteristics on the audio interface or on its control panel. For
details, refer to the documentation that came with the audio hardware.
IMPORTANT
Cubase does not provide any input level adjustments for the signals that are coming into your
audio hardware, since these are handled differently for each card. Adjusting input levels is either
done in a special application that is included with the hardware or its control panel.
Word Clock Connections
If you are using a digital audio connection, you may also need a word clock connection between
the audio hardware and external devices. For details, refer to the documentation that came with
the audio hardware.
IMPORTANT
Set up word clock synchronization correctly, or you may experience clicks and crackles in your
recordings.
Selecting an Audio Driver
By selecting an audio driver, you allow Cubase to communicate with the audio hardware.
Normally, when you start Cubase, a dialog opens that prompts you to select a driver, but you can
also select your audio hardware driver as described below.
NOTE
On Windows operating systems, we recommend that you access your hardware via an ASIO
driver developed specically for the hardware. If no ASIO driver is installed, contact the
manufacturer of your audio hardware for information on available ASIO drivers. If no specic
ASIO driver is available, you can use the Generic Low Latency ASIO driver.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select VST Audio System.
3. Open the ASIO Driver pop-up menu and select your audio hardware driver.
4. Click OK.
Setting up Audio Hardware
PREREQUISITE
You have selected a driver for your audio hardware.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
Setting up Your System
Setting up Audio
12
3. Do one of the following to open the control panel for your audio hardware:
On Windows, click Control Panel.
On macOS, click Open Cong App.
This button is available only for some hardware products. If it is not available in your
setup, refer to the documentation of your audio hardware.
NOTE
The control panel is provided by the manufacturer of your audio hardware and is different
for each audio interface brand and model. However, control panels for the Generic Low
Latency ASIO Driver
(Windows only) are provided by Steinberg.
4. Set up your audio hardware as recommended by the manufacturer.
VST Audio System Page
On the VST Audio System page you can select an ASIO driver for your audio hardware.
To open the VST Audio System page, select Studio > Studio Setup and select VST Audio
System in the Devices list.
The following options are available:
ASIO Driver
Allows you to select a driver.
Release Driver when Application is in Background
Releases the driver and allows other applications to play back via your audio
hardware even though Cubase is running.
Input Latency
Shows the input latency of the audio hardware.
Output Latency
Shows the output latency of the audio hardware.
Setting up Your System
Setting up Audio
13
ASIO-Guard Latency
Shows the ASIO-Guard latency.
HW Sample Rate
Shows the sample rate of your audio hardware.
HW Pull Up/Down
Shows the pull up/down status of the audio hardware.
Set to Defaults
Allows you to restore the default settings.
Processing Precision
Allows you to set the audio processing precision to 32 bit oat or 64 bit oat.
Depending on this setting, all channels are processed and mixed in 32-bit oating-
point or 64-bit oating-point format.
NOTE
A processing precision of 64 bit oat can increase CPU load and memory
consumption.
To show all plug-ins that support 64-bit oat processing, open the VST Plug-in
Manager and activate Show Plug-ins That Support 64-Bit Float Processing in the
Display Options pop-up menu.
NOTE
VST 2 plug-ins and instruments are always processed with 32-bit precision.
Activate Multi Processing
Allows you to distribute the processing load evenly to all available CPUs. This way,
Cubase can make full use of the combined power of multiple processors.
Activate ASIO-Guard
Activates the ASIO-Guard. This is only available if Activate Multi Processing is
activated.
ASIO-Guard Level
Allows you to set the ASIO-Guard level. The higher the level, the higher the
processing stability and audio processing performance. However, higher levels also
lead to an increased ASIO-Guard latency and memory usage.
Audio Priority (Windows only)
This setting should be set to Normal if you work with audio and MIDI. If you do not
use MIDI at all, you can set this to Boost.
Activate Steinberg Audio Power Scheme
If this option is activated, all power safe modes that have an impact on real time
processing are deactivated. Note that this is only effective for very low latencies, and
that it increases the power consumption.
Disk Preload
Allows you to specify how many seconds of audio are preloaded into RAM prior to
starting playback. This allows for smooth playback.
Adjust for Record Latency
If this is activated, the plug-in latencies are taken into account during recording.
Setting up Your System
Setting up Audio
14
Record Shift
Allows you to shift the recordings by the specied value.
RELATED LINKS
VST Plug-in Manager Window on page 726
ASIO Driver Setup Page
This page allows you to set up your ASIO driver.
To open the page where you can set up the ASIO driver, select Studio > Studio Setup and
select the audio driver in the Devices list.
The following options are available:
Control Panel
Opens the control panel for the audio hardware.
Input Latency
Shows the input latency of the audio driver.
Output Latency
Shows the output latency of the audio driver.
Clock Source
Allows you to select a clock source.
Externally Clocked
Activate this option if you use an external clock source.
Direct Monitoring
Activate this option to monitor via your audio hardware and to control it from
Cubase.
Setting up Your System
Setting up Audio
15
Ports Reset
Allows you to reset all port names and visibilities.
I/O
The port input/output status.
Port System Name
The system name of the port.
Show As
Allows you to rename the port. This name is used in the Input Routing and Output
Routing pop-up menus.
Visible
Allows you to activate/deactivate audio ports.
State
The state of the audio port.
Using External Clock Sources
If you are using an external clock source, Cubase must be notied that it receives external clock
signals and derives its speed from that source.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Activate Externally Clocked.
RESULT
Cubase now derives its speed from the external source.
NOTE
For proper audio playback and recording, you must set the sample rate of the project to the
sample rate of the incoming clock signals.
When a sample rate mismatch occurs, the Record Format eld on the Project window status line
is highlighted in a different color. Cubase accepts a sample rate mismatch, and playback is
therefore faster or slower.
Using Several Audio Applications Simultaneously
You can allow other applications to play back via your audio hardware even though Cubase is
running.
PREREQUISITE
Other audio applications accessing the audio hardware are set to release the audio driver.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select VST Audio System.
3. Activate Release Driver when Application is in Background.
Setting up Your System
Setting up Audio
16
RESULT
The application that has the focus gets access to the audio hardware.
Audio Hardware Conguration
Most audio cards provide one or more small applications that allow you to customize your
hardware.
The settings are normally gathered on a control panel that can be opened from within Cubase or
separately, when Cubase is not running. For details, refer to the audio hardware documentation.
Settings include:
Selecting which inputs/outputs are active.
Setting up word clock synchronization.
Turning on/off monitoring via the hardware.
Setting levels for each input.
Setting levels for the outputs so that they match the equipment that you use for
monitoring.
Selecting digital input and output formats.
Making settings for the audio buffers.
Setting up Input and Output Ports
Once you have selected the driver for your audio hardware and have set it up, you must specify
which inputs and outputs to use.
PREREQUISITE
You have selected a driver for your audio hardware.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select your audio hardware driver.
3. Make your settings.
4. Click OK.
RELATED LINKS
ASIO Driver Setup Page on page 15
Audio Bus Setup
Cubase uses a system of input and output busses to transfer audio between the program and
the audio hardware.
Input busses let you route audio from the inputs of your audio hardware into Cubase. This
means that audio is always recorded through one or several input busses.
Output busses let you route audio from Cubase to the outputs of your audio hardware.
This means that audio is always played back through one or several output busses.
Once you have set up the internal input and output busses, you can connect your audio source,
for example, a microphone, to your audio interface and start recording, playing back, and
mixing.
Setting up Your System
Setting up Audio
17
RELATED LINKS
Audio Connections on page 21
Monitoring
In Cubase, monitoring means listening to the input signal while recording.
The following ways of monitoring are available:
Externally by listening to the signal before it reaches Cubase.
Via Cubase.
By using ASIO Direct Monitoring.
This is a combination of the other methods.
RELATED LINKS
External Monitoring on page 269
Monitoring via Cubase on page 269
ASIO Direct Monitoring on page 269
Setting up MIDI
IMPORTANT
Turn off all equipment before making any connections.
PROCEDURE
1. Connect your MIDI equipment (keyboard, MIDI interface, etc.) to your computer.
2. Install the drivers for your MIDI equipment.
RESULT
You can use your MIDI equipment in Cubase.
MIDI Connections
To play back and record MIDI data from your MIDI device, for example, a MIDI keyboard, you
need to connect the MIDI ports.
Connect the MIDI output port of your MIDI device to the MIDI input port of your audio hardware.
This way, the MIDI device sends MIDI data to be played back or recorded inside your computer.
Connect the MIDI input port of your MIDI device to the MIDI output port of your audio hardware.
This way, you can send MIDI data from Cubase to the MIDI device. For example, you can record
your own playing, edit the MIDI data in Cubase, and then play it back on the keyboard and record
the audio that is coming out of the keyboard for a better edited performance.
Showing or Hiding MIDI Ports
You can specify if a MIDI port is listed on the MIDI pop-up menus in the program.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select MIDI Port Setup.
3. To hide a MIDI port, deactivate its Visible column.
Setting up Your System
Setting up MIDI
18
4. Click OK.
Setting up All MIDI Inputs
When you record MIDI, you can specify which MIDI input each recording MIDI track should use.
However, you can also record any MIDI data from any MIDI input. You can specify which inputs
are included when you select
All MIDI Inputs for a MIDI track.
PROCEDURE
1. Select Studio > Studio Setup.
2. In the Devices list, select MIDI Port Setup.
3. Activate In ‘All MIDI Inputs’ for a port.
NOTE
If you have a MIDI remote control unit connected, make sure to deactivate the In ‘All MIDI
Inputs’ option for that MIDI input. This avoids accidental recording of data from the
remote control when
All MIDI Inputs is selected as input for a MIDI track.
4. Click OK.
RESULT
When you select All MIDI Inputs on the Input Routing menu of a MIDI track in the Inspector,
the MIDI track uses all MIDI inputs that you specied in the MIDI Port Setup.
MIDI Port Setup Page
The MIDI Port Setup page in the Studio Setup dialog displays the connected MIDI devices and
allows you to set up their ports.
To open the MIDI Port Setup page, select Studio > Studio Setup and activate MIDI Port
Setup in the Devices list.
The following columns are displayed:
Setting up Your System
Setting up MIDI
19
Device
The connected MIDI devices.
I/O
The port input/output status.
Port System Name
The system name of the port.
Show As
Allows you to rename the port. This name is used in the Input Routing and Output
Routing pop-up menus.
Visible
Allows you to activate/deactivate MIDI ports.
State
The state of the MIDI port.
In 'All MIDI Inputs'
Allows you to record MIDI data from all MIDI inputs.
NOTE
Deactivate this option if you use remote control devices.
The following options are available:
Use System Timestamp for 'Windows MIDI' Inputs
Activate this option if you have persistent timing problems such as shifted notes. If
this is activated, the system timestamp is used as a time reference.
Use Device 'DirectMusic'
If you do not use a device with a DirectMusic device driver, you can leave this option
deactivated. This enhances the system performance.
Use System Timestamp for 'DirectMusic' Inputs
Activate this option if you have persistent timing problems such as shifted notes. If
this is activated, the system timestamp is used as a time reference.
Plug and Play Support for USB MIDI Devices
Cubase supports plug and play of USB MIDI devices. These devices can be plugged in and
switched on while the application is running.
Synchronizers
When using Cubase with external tape transports, you most likely must add a synchronizer to
your system.
IMPORTANT
Make sure that all equipment is turned off before making any connections.
For information on how to connect and set up your synchronizer, refer to the documentation of
your synchronizer.
RELATED LINKS
Synchronization on page 1032
Setting up Your System
Synchronizers
20
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752
  • Page 753 753
  • Page 754 754
  • Page 755 755
  • Page 756 756
  • Page 757 757
  • Page 758 758
  • Page 759 759
  • Page 760 760
  • Page 761 761
  • Page 762 762
  • Page 763 763
  • Page 764 764
  • Page 765 765
  • Page 766 766
  • Page 767 767
  • Page 768 768
  • Page 769 769
  • Page 770 770
  • Page 771 771
  • Page 772 772
  • Page 773 773
  • Page 774 774
  • Page 775 775
  • Page 776 776
  • Page 777 777
  • Page 778 778
  • Page 779 779
  • Page 780 780
  • Page 781 781
  • Page 782 782
  • Page 783 783
  • Page 784 784
  • Page 785 785
  • Page 786 786
  • Page 787 787
  • Page 788 788
  • Page 789 789
  • Page 790 790
  • Page 791 791
  • Page 792 792
  • Page 793 793
  • Page 794 794
  • Page 795 795
  • Page 796 796
  • Page 797 797
  • Page 798 798
  • Page 799 799
  • Page 800 800
  • Page 801 801
  • Page 802 802
  • Page 803 803
  • Page 804 804
  • Page 805 805
  • Page 806 806
  • Page 807 807
  • Page 808 808
  • Page 809 809
  • Page 810 810
  • Page 811 811
  • Page 812 812
  • Page 813 813
  • Page 814 814
  • Page 815 815
  • Page 816 816
  • Page 817 817
  • Page 818 818
  • Page 819 819
  • Page 820 820
  • Page 821 821
  • Page 822 822
  • Page 823 823
  • Page 824 824
  • Page 825 825
  • Page 826 826
  • Page 827 827
  • Page 828 828
  • Page 829 829
  • Page 830 830
  • Page 831 831
  • Page 832 832
  • Page 833 833
  • Page 834 834
  • Page 835 835
  • Page 836 836
  • Page 837 837
  • Page 838 838
  • Page 839 839
  • Page 840 840
  • Page 841 841
  • Page 842 842
  • Page 843 843
  • Page 844 844
  • Page 845 845
  • Page 846 846
  • Page 847 847
  • Page 848 848
  • Page 849 849
  • Page 850 850
  • Page 851 851
  • Page 852 852
  • Page 853 853
  • Page 854 854
  • Page 855 855
  • Page 856 856
  • Page 857 857
  • Page 858 858
  • Page 859 859
  • Page 860 860
  • Page 861 861
  • Page 862 862
  • Page 863 863
  • Page 864 864
  • Page 865 865
  • Page 866 866
  • Page 867 867
  • Page 868 868
  • Page 869 869
  • Page 870 870
  • Page 871 871
  • Page 872 872
  • Page 873 873
  • Page 874 874
  • Page 875 875
  • Page 876 876
  • Page 877 877
  • Page 878 878
  • Page 879 879
  • Page 880 880
  • Page 881 881
  • Page 882 882
  • Page 883 883
  • Page 884 884
  • Page 885 885
  • Page 886 886
  • Page 887 887
  • Page 888 888
  • Page 889 889
  • Page 890 890
  • Page 891 891
  • Page 892 892
  • Page 893 893
  • Page 894 894
  • Page 895 895
  • Page 896 896
  • Page 897 897
  • Page 898 898
  • Page 899 899
  • Page 900 900
  • Page 901 901
  • Page 902 902
  • Page 903 903
  • Page 904 904
  • Page 905 905
  • Page 906 906
  • Page 907 907
  • Page 908 908
  • Page 909 909
  • Page 910 910
  • Page 911 911
  • Page 912 912
  • Page 913 913
  • Page 914 914
  • Page 915 915
  • Page 916 916
  • Page 917 917
  • Page 918 918
  • Page 919 919
  • Page 920 920
  • Page 921 921
  • Page 922 922
  • Page 923 923
  • Page 924 924
  • Page 925 925
  • Page 926 926
  • Page 927 927
  • Page 928 928
  • Page 929 929
  • Page 930 930
  • Page 931 931
  • Page 932 932
  • Page 933 933
  • Page 934 934
  • Page 935 935
  • Page 936 936
  • Page 937 937
  • Page 938 938
  • Page 939 939
  • Page 940 940
  • Page 941 941
  • Page 942 942
  • Page 943 943
  • Page 944 944
  • Page 945 945
  • Page 946 946
  • Page 947 947
  • Page 948 948
  • Page 949 949
  • Page 950 950
  • Page 951 951
  • Page 952 952
  • Page 953 953
  • Page 954 954
  • Page 955 955
  • Page 956 956
  • Page 957 957
  • Page 958 958
  • Page 959 959
  • Page 960 960
  • Page 961 961
  • Page 962 962
  • Page 963 963
  • Page 964 964
  • Page 965 965
  • Page 966 966
  • Page 967 967
  • Page 968 968
  • Page 969 969
  • Page 970 970
  • Page 971 971
  • Page 972 972
  • Page 973 973
  • Page 974 974
  • Page 975 975
  • Page 976 976
  • Page 977 977
  • Page 978 978
  • Page 979 979
  • Page 980 980
  • Page 981 981
  • Page 982 982
  • Page 983 983
  • Page 984 984
  • Page 985 985
  • Page 986 986
  • Page 987 987
  • Page 988 988
  • Page 989 989
  • Page 990 990
  • Page 991 991
  • Page 992 992
  • Page 993 993
  • Page 994 994
  • Page 995 995
  • Page 996 996
  • Page 997 997
  • Page 998 998
  • Page 999 999
  • Page 1000 1000
  • Page 1001 1001
  • Page 1002 1002
  • Page 1003 1003
  • Page 1004 1004
  • Page 1005 1005
  • Page 1006 1006
  • Page 1007 1007
  • Page 1008 1008
  • Page 1009 1009
  • Page 1010 1010
  • Page 1011 1011
  • Page 1012 1012
  • Page 1013 1013
  • Page 1014 1014
  • Page 1015 1015
  • Page 1016 1016
  • Page 1017 1017
  • Page 1018 1018
  • Page 1019 1019
  • Page 1020 1020
  • Page 1021 1021
  • Page 1022 1022
  • Page 1023 1023
  • Page 1024 1024
  • Page 1025 1025
  • Page 1026 1026
  • Page 1027 1027
  • Page 1028 1028
  • Page 1029 1029
  • Page 1030 1030
  • Page 1031 1031
  • Page 1032 1032
  • Page 1033 1033
  • Page 1034 1034
  • Page 1035 1035
  • Page 1036 1036
  • Page 1037 1037
  • Page 1038 1038
  • Page 1039 1039
  • Page 1040 1040
  • Page 1041 1041
  • Page 1042 1042
  • Page 1043 1043
  • Page 1044 1044
  • Page 1045 1045
  • Page 1046 1046
  • Page 1047 1047
  • Page 1048 1048
  • Page 1049 1049
  • Page 1050 1050
  • Page 1051 1051
  • Page 1052 1052
  • Page 1053 1053
  • Page 1054 1054
  • Page 1055 1055
  • Page 1056 1056
  • Page 1057 1057
  • Page 1058 1058
  • Page 1059 1059
  • Page 1060 1060
  • Page 1061 1061
  • Page 1062 1062
  • Page 1063 1063
  • Page 1064 1064
  • Page 1065 1065
  • Page 1066 1066
  • Page 1067 1067
  • Page 1068 1068
  • Page 1069 1069
  • Page 1070 1070
  • Page 1071 1071
  • Page 1072 1072
  • Page 1073 1073
  • Page 1074 1074
  • Page 1075 1075
  • Page 1076 1076
  • Page 1077 1077
  • Page 1078 1078
  • Page 1079 1079
  • Page 1080 1080
  • Page 1081 1081
  • Page 1082 1082
  • Page 1083 1083
  • Page 1084 1084
  • Page 1085 1085
  • Page 1086 1086
  • Page 1087 1087
  • Page 1088 1088
  • Page 1089 1089
  • Page 1090 1090
  • Page 1091 1091
  • Page 1092 1092
  • Page 1093 1093
  • Page 1094 1094
  • Page 1095 1095
  • Page 1096 1096
  • Page 1097 1097
  • Page 1098 1098
  • Page 1099 1099
  • Page 1100 1100
  • Page 1101 1101
  • Page 1102 1102
  • Page 1103 1103
  • Page 1104 1104
  • Page 1105 1105
  • Page 1106 1106
  • Page 1107 1107
  • Page 1108 1108
  • Page 1109 1109
  • Page 1110 1110
  • Page 1111 1111
  • Page 1112 1112
  • Page 1113 1113
  • Page 1114 1114
  • Page 1115 1115
  • Page 1116 1116
  • Page 1117 1117
  • Page 1118 1118
  • Page 1119 1119
  • Page 1120 1120
  • Page 1121 1121
  • Page 1122 1122
  • Page 1123 1123
  • Page 1124 1124
  • Page 1125 1125
  • Page 1126 1126
  • Page 1127 1127
  • Page 1128 1128
  • Page 1129 1129
  • Page 1130 1130
  • Page 1131 1131
  • Page 1132 1132
  • Page 1133 1133
  • Page 1134 1134
  • Page 1135 1135
  • Page 1136 1136
  • Page 1137 1137
  • Page 1138 1138
  • Page 1139 1139
  • Page 1140 1140
  • Page 1141 1141
  • Page 1142 1142
  • Page 1143 1143
  • Page 1144 1144
  • Page 1145 1145
  • Page 1146 1146
  • Page 1147 1147
  • Page 1148 1148
  • Page 1149 1149
  • Page 1150 1150
  • Page 1151 1151
  • Page 1152 1152
  • Page 1153 1153
  • Page 1154 1154
  • Page 1155 1155
  • Page 1156 1156

Steinberg Cubase Artist 10.0 User manual

Category
Software
Type
User manual
This manual is also suitable for

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI