Apple Logic Pro 9 User manual

Category
Software manuals
Type
User manual
Logic Pro 9
User Manual
Copyright © 2009 Apple Inc. All rights reserved.
Your rights to the software are governed by the
accompanying software license agreement. The owner or
authorized user of a valid copy of Logic Studio software
may reproduce this publication for the purpose of learning
to use such software. No part of this publication may be
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as selling copies of this publication or for providing paid
for support services.
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in this manual is accurate. Apple is not responsible for
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Apple
1 Infinite Loop
Cupertino, CA 95014
408-996-1010
www.apple.com
Apple, the Apple logo, Bonjour, Final Cut, FireWire,
GarageBand, iMovie, iPod, iTunes, iTunes Store, Jam Pack,
Logic, Logic Studio, Mac, Mac.com, MacBook, Macintosh,
MainStage, QuickTime, Soundtrack, Ultrabeat, and
WaveBurner are trademarks of Apple Inc., registered in
the U.S. and other countries.
Apple Remote Desktop and Finder are trademarks of Apple
Inc.
MobileMe is a service mark of Apple Inc.
Intel, Intel Core, and Xeon are trademarks of Intel Corp. in
the U.S. and other countries.
Other company and product names mentioned herein
are trademarks of their respective companies. Mention of
third-party products is for informational purposes only
and constitutes neither an endorsement nor a
recommendation. Apple assumes no responsibility with
regard to the performance or use of these products.
Welcome to Logic Pro17Preface
About Logic Pro17
About the Logic Pro Documentation18
Additional Resources19
Introducing Logic Pro21Chapter 1
Creating Music in Logic Pro21
Understanding the Basics of Projects and Regions23
Setting Up Your System27Chapter 2
Designing Your Music Production System27
Connecting Your Audio and MIDI Devices34
Using External MIDI Devices42
Using External Audio Effects43
Configuring Your Audio Hardware43
Using Distributed Audio Processing45
Overview of the Logic Pro Interface51Chapter 3
Opening Logic Pro52
Introducing the Arrange Window52
Working in the Arrange Area54
Using the Toolbar55
Using the Transport Bar55
Using the Inspector56
Working in the Media Area58
Working in the Notes Area66
Working in the Lists Area68
Working in the Editing Area72
Understanding Common Elements of Logic Pro Windows76
Understanding How Arrange Window Areas Interact80
Using Logic Pro Interface Elements83
Using the Computer Keyboard85
3
Contents
Customizing Your Window Setup87Chapter 4
Understanding the Window Types88
Opening and Closing Windows90
Moving and Resizing Windows93
Working at Different Hierarchy Levels97
Selecting the Working Area98
Zooming the Working Area100
Understanding Relationships Between Windows105
Hiding or Showing the Transport Bar108
Customizing the Arrange Toolbar108
Hiding or Revealing the Inspector109
Adjusting the Bar Ruler Display110
Displaying Global Tracks111
Using Screensets114
Navigating Your Project119Chapter 5
Setting the Playhead Position120
Using the Transport Buttons123
Using Transport Key Commands124
Using Transport Shortcut Menus125
Using Apple Remote126
Using Cycle Mode127
Using the Chase Events Function133
Customizing the Transport Bar135
Working with Markers143Chapter 6
Opening Marker Areas and Windows144
Creating Markers146
Copying Markers149
Selecting Markers149
Deleting Markers149
Naming Markers150
Changing the Appearance of Marker Text153
Editing Markers154
Navigating with Markers156
Switching Between Marker Alternatives158
Customizing the Marker Display in the Marker List158
Importing, Removing, and Exporting Marker Information158
Working with Projects159Chapter 7
Learning About Projects159
Creating Projects160
4 Contents
Opening Projects163
Opening and Creating Projects Automatically166
Previewing Projects with Quick Look166
Importing Data and Settings from Other Projects167
Checking and Repairing Projects174
Setting Project Properties175
Managing Projects183
Saving Projects186
Closing and Quitting189
Basic Operations191Chapter 8
Using the Mouse191
Entering Numerical Values192
Entering Text193
Working with Key Commands194
Working with Tools202
Working with Help Tags209
Using the Shortcut Menu210
Using Selection Techniques211
Working with the Clipboard216
Undoing and Redoing Edit Operations217
Working with Tracks221Chapter 9
Understanding Tracks and Channel Strips222
Configuring the Track Header224
Reclaiming Workspace Used by the Track Header226
Creating Tracks and Channel Strips227
Creating Tracks Only232
Deleting Tracks in the Arrange Area234
Selecting Tracks in the Arrange Area235
Rearranging Tracks in the Arrange Area235
Naming Tracks in the Arrange Area236
Assigning Tracks in the Arrange Area239
Zooming Tracks in the Arrange Area240
Assigning Track Icons in the Track Parameter Box242
Muting Tracks in the Arrange Area243
Soloing Tracks in the Arrange Area245
Record-Enabling Tracks in the Arrange Area246
Freezing Tracks in the Arrange Area246
Hiding Tracks in the Arrange Area250
Protecting Tracks in the Arrange Area251
Using Track Button Slide Activation252
Drum Replacement or Doubling in the Arrange Area252
5Contents
Bouncing Regions and Tracks in Place255
Working with Instruments and Effects261Chapter 10
Getting to Know the Arrange Channel Strips261
Working with Plug-ins266
Working with Channel Strip Configurations272
Opening, Closing, and Resizing Plug-in Windows277
Adjusting Plug-in Parameters279
Using Common Plug-in Window Functions281
Using the Library to Choose Plug-in Settings288
Understanding the Library Folder and Menu Structure289
Learning About Effect Routings290
Working with Instruments295
Working with ReWire Applications309
Working with External Audio Effects311
Using Plug-ins from Other Manufacturers313
Adding Prerecorded Media317Chapter 11
Learning About File Formats Supported by Logic Pro317
Accessing Media Files in the Browser319
Finding Apple Loops in the Loop Browser325
Adding and Removing Audio Files335
Adding MIDI and Project Files343
Getting to Know Regions345Chapter 12
What Are Regions?345
MIDI and Audio Regions Compared348
Handling Regions in the Audio Bin and Sample Editor350
Creating Your Arrangement361Chapter 13
Getting to Know the Arrange Area362
Snapping Region Edits to Time Positions364
Using Drag Modes367
Scrubbing Your Arrangement369
Using Shortcut Menus370
Muting Regions370
Soloing Regions371
Naming Regions372
Assigning Colors to Regions375
Selecting Regions376
Adding, Recording, and Removing Regions380
Restoring Removed Regions381
Moving Regions382
6 Contents
Resizing Regions387
Cutting, Copying, and Pasting Regions393
Adding or Removing Arrangement Passages394
Creating Region Aliases398
Creating Region Clones401
Converting Regions to a New Sampler Track402
Creating Multiple Copies of Regions404
Creating Region Loops404
Dividing Regions408
Demixing MIDI Regions411
Merging Regions (General Tools and Commands)412
Merging MIDI Regions413
Merging Audio Regions413
Working with Folders415
Creating Crossfades and Fades on Audio Regions419
Setting Region Parameters424
Recording in Logic Pro429Chapter 14
Checking Hardware Connections and Settings for Recording430
Setting the Project Sample Rate430
Setting the Project Bit Depth431
Setting Up the Metronome for Recording433
Enabling Software Monitoring for Recording435
Setting the Monitoring Level for Recording437
Defining the Recording Folder437
Naming Audio Recordings438
Choosing the Recording File Type438
Setting the Recording Format440
Record-Enabling Tracks441
Getting to Know Audio Recording442
Audio Take Recording443
Audio Multitrack Recording449
Audio Punch Recording449
Audio Replace Recording452
Deleting Audio Recordings453
Getting to Know MIDI Recording453
MIDI Take Recording454
MIDI Multitrack Recording459
MIDI Merge Recording463
MIDI Replace Recording464
Retrospective Recording of MIDI Regions465
Switching Instruments to Software Instrument Live Mode466
Filtering MIDI Events When Recording466
7Contents
Turning MIDI Thru Off When Recording467
Using Advanced Recording Commands468
Coloring Takes While Recording468
Marking a Good Take While Recording470
MIDI Step Input Recording471
Editing Audio Take Recordings479Chapter 15
Getting to Know Take Folders480
Previewing Take Folder Recordings480
Toggling Take Folder Editing Mode482
Creating Comps484
Editing Comps485
Resizing Take Regions490
Cutting Take Folders and Take Regions491
Moving Take Folders and Take Regions494
Duplicating Comps or Creating New Comps496
Renaming Takes or Comps498
Deleting Takes or Comps501
Exporting Takes or Comps to New Tracks505
Moving Takes or Comps to New Tracks509
Flattening and Merging Take Folders513
Unpacking Take Folders516
Packing Regions into a Take Folder520
Opening Take Folders in the Sample Editor521
Flex Time Editing523Chapter 16
Turning on Flex View524
Choosing Flex Modes524
Getting to Know the Flex Modes527
Getting to Know Transient, Flex, and Tempo Markers529
Working with Flex Markers530
Time Stretching Using Marquee Selections536
Time Stretching Using Region Borders537
Snapping Flex Markers to Transient Markers538
Splitting Audio Regions at Transient Marker Positions539
Using the Flex Tool539
Using Varispeed to Alter Playback Speed and Pitch543
Editing Audio in the Sample Editor545Chapter 17
Opening the Sample Editor546
Getting to Know the Sample Editor547
Playing Audio Files in the Sample Editor548
Navigating Audio Files in the Sample Editor551
8 Contents
Making Selections in the Sample Editor552
Audio Editing and Processing in the Sample Editor556
Adjusting the Project Tempo in the Sample Editor567
Using Sample Editor Loop Functions567
Undoing Edit Steps in the Sample Editor568
Creating Manual Backups in the Sample Editor568
Customizing Waveform Amplitude Scale in the Sample Editor570
Customizing the Ruler in the Sample Editor570
Customizing Waveform Display in the Sample Editor572
Getting to Know the Sample Editors Digital Factory573
Using the Sample Editor’s “Time and Pitch Machine”574
Using the Sample Editor’s Groove Machine579
Using the Sample Editor’s Audio Energizer581
Using the Sample Editor’s Silencer584
Using the Sample Editor’s “Audio to Score”586
Using the Sample Editor’s Quantize Engine589
Audio to MIDI Groove Template591
Using an External Sample Editor591
Using AudioSuite Plug-ins593
Working with Tempo and Audio Regions595Chapter 18
Automatic Tempo Matching595
Setting the Project Tempo to Match an Audio Region597
Time Stretching Regions599
Using Beat Detection to Create Tempo Changes601
Importing, Removing, and Exporting Tempo Information603
Removing Silent Passages from Audio Regions605Chapter 19
Opening the Strip Silence Window605
Getting to Know the Strip Silence Window606
Removing Silent Passages from a Selected Region607
Automatic Anchor Creation608
Understanding How You Can Use Strip Silence608
Managing Audio Files611Chapter 20
Sorting, Grouping, and Renaming Files in the Audio Bin611
Moving Audio Files618
Copying or Converting Audio Files619
Deleting Audio Files621
Optimizing Audio Files621
Converting Regions into Independent Audio Files622
Exporting Tracks as Audio Files623
Exporting or Importing Region Information623
9Contents
Finding and Replacing Orphaned Audio Files623
Quantizing Audio and MIDI627Chapter 21
Understanding Region- and Event-based Quantization628
Understanding the Quantize Grid Options628
Fine-Tuning the Quantize Grid Options629
Quantizing Audio or MIDI Regions631
Quantizing Phase-Locked Audio Tracks633
Quantizing MIDI Regions Permanently635
Quantizing MIDI Events636
Working with Groove Templates638
Introduction to MIDI Editing645Chapter 22
Getting to Know the MIDI Editors645
Opening the MIDI Editors646
Hearing MIDI Events When Editing649
Editing MIDI Events in the Arrange Area649
Monitoring and Resetting MIDI Events651
Editing MIDI Events in the Piano Roll Editor653Chapter 23
Opening the Piano Roll Editor653
Getting to Know the Piano Roll Editor654
Creating and Editing Note Events in the Piano Roll Editor657
Splitting Chords in the Piano Roll Editor672
Using Hyper Draw in the Piano Roll Editor673
Customizing the Piano Roll Editor675
Using Piano Roll Editor Shortcuts675
Editing MIDI in the Hyper Editor677Chapter 24
Opening the Hyper Editor677
Getting to Know the Hyper Editor679
Creating and Editing Events in the Hyper Editor679
Working with Event Definitions689
Using the Event Definition Parameter Box694
Working with Hyper Sets697
Editing MIDI Events in the Event List703Chapter 25
Getting to Know the Event List704
Selecting and Creating Events709
Editing Events712
Deleting and Muting Events715
Soloing and Renaming Regions or Folders716
Learning About Event Types716
The Event Float Window722
10 Contents
Editing MIDI Events in the Transform Window725Chapter 26
Getting to Know the Transform Window725
Choosing and Using Transform Sets726
Learning About the Transform Presets727
Using the Transform Window Parameters738
Creating Your Own Transform Sets744
Importing Transform Sets From Other Projects745
Usage Examples745
Mixing751Chapter 27
Opening the Mixer752
Getting to Know the Mixer754
Understanding Channel Strip Types in the Mixer755
Understanding Channel Strip Controls in the Mixer756
Understanding the Basic Mixing Stages758
Working with Mixer Groups759
Muting Channel Strips763
Soloing Channel Strips764
Setting Channel Strip Levels765
Setting Pan, Balance, or Surround Position in the Mixer770
Adding and Routing Effects in the Mixer771
Controlling Signal Flow in the Mixer774
Using Surround Panning in the Mixer782
Using Binaural Panning in the Mixer783
Working with MIDI Channel Strips in the Mixer789
Customizing the Mixer793
Using the I/O Labels Window798
Adjusting Mixer Channel Strips in Record or Playback Mode799
Copying Entire Mixer Setups799
Adjusting Elements of Multiple Mixer Channel Strips800
Navigating Within the Mixer803
Assigning Colors to Channel Strips in the Mixer804
Renaming Tracks in the Mixer804
Linking Control Surfaces to the Mixer805
Working with Automation807Chapter 28
Displaying Track Automation808
Setting an Automation Mode812
Writing Track Automation Data815
Selecting Automation Nodes and Lines816
Creating Automation Nodes817
Deleting Track Automation Data818
11Contents
Copying and Moving Automation Data819
Editing Track Automation Data in the Track Header821
Snapping Automation to Grid Positions822
Offsetting Automation822
Editing Track Automation Data in the Event List824
Writing Track Automation with External Controllers824
Using Hyper Draw in the Arrange Area826
Conversion of Automation Data830
Bouncing Your Project831Chapter 29
Creating a Bounce831
Routing Channel Strips to an Output832
Defining the Bounce Range833
Defining Parameters in the Bounce Window834
Setting the Bounce Filename and Folder844
Bouncing and Dithering844
Creating Apple Loops847Chapter 30
Creating Apple Loops in Logic Pro848
Creating Apple Loops in the Apple Loops Utility851
Converting ReCycle Files into Apple Loops852
Adding Apple Loops to the Loop Browser854
Adding Acid Loops to the Loop Browser855
Using Global Tracks with Apple Loops855
Converting Apple Loops to Audio Files857
Converting the Sample Rate of Apple Loops858
Working with Notation859Chapter 31
Opening the Score Editor860
Getting to Know the Score Editor862
Understanding the Basic Scoring Stages862
Entering Notes and Symbols in the Score Editor866
Working with the Part Box872
Learning About Part Box Groups875
General Editing in the Score Editor887
Editing Notes in the Score Editor894
Creating and Inserting Rests in the Score Editor900
Editing Clefs in the Score Editor902
Editing Slurs and Crescendi in the Score Editor903
Editing Repeat Signs and Bar Lines in the Score Editor906
Working with Standard Text907
Working with Automatic Text914
Working with Lyrics915
12 Contents
Working with Chords916
Working with Chord Grids919
Working with Tablature Markings941
Working with Time and Key Signatures942
Transcribing MIDI Recordings949
Default Settings for New MIDI Regions949
Selecting Multiple Regions in the Score Editor950
Display Parameters951
Hidden MIDI Regions956
Using Note Attributes to Change Individual Notes956
Working with Staff Styles962
Using Score Sets to Create Scores and Parts983
Preparing the Score Layout for Printing989
Exporting the Score as a Graphic File994
Customizing the Score Editors Appearance995
Project and File Interchange999Chapter 32
Sharing Logic Pro Data over a Network1000
Backing Up Audio Files1004
Backing Up and Sharing Projects1005
Working with Standard MIDI Files1006
Working with GarageBand Projects1009
Working with OMF Files1010
Working with OpenTL Files1011
Working with AAF Files1013
Working with Final Cut Pro XML Files1014
Working with Soundtrack Pro STAP Files1015
Exporting Individual Regions as Audio Files1016
Exporting Individual or Multiple Tracks as Audio Files1018
Advanced Tempo Operations1023Chapter 33
Using the Tempo Display in the Transport Bar1023
Using the Tempo Track1024
Recording Tempo Changes in Logic Pro1029
Adjusting the Tempo to Fit Audio Regions1029
Using the Tempo List1030
Using the Tempo Operations Window1033
Using the Tempo Interpreter Window1035
Using the Tempo Fader1038
Beat Mapping Regions1039Chapter 34
Understanding the Concept of Beat Mapping1039
Beat Mapping MIDI Regions1040
13Contents
Beat Mapping Audio Regions1042
Automatic Beat Mapping of Regions1043
Beat Mapping to Scene Markers1045
Beat Mapping to Markers1045
Editing Transposition with the Chord and Transposition Tracks1047Chapter 35
Opening the Chord and Transposition Tracks1048
Understanding How MIDI Events and Apple Loops Are Transposed1049
Creating and Editing Transposition and Chord Events1050
Using the Chord Track to Analyze MIDI Regions1052
Working in the Environment1055Chapter 36
Opening the Environment1055
Getting to Know the Environment1056
Working with Layers1057
Working with Objects1060
Creating Your MIDI Signal Path1064
Exchanging Environments1072
Customizing the Environment Display1075
Environment Objects Reference1079Chapter 37
Opening the Object Parameter Box1080
Getting to Know Common Object Parameters1080
Standard Instrument Objects1082
Multi-Instrument Objects1084
Mapped Instrument Objects1088
Touch Track Objects1093
Fader Objects1097
Alias Objects1114
Ornament Objects1116
GM Mixer Objects1116
MMC Record Buttons Objects1119
Keyboard Objects1120
Monitor Objects1120
Macro Objects1121
Arpeggiator Objects1123
Transformer Objects1125
Delay Line Objects1131
Voice Limiter Objects1132
Channel Splitter Objects1133
Chord Memorizer Objects1133
Physical Input Objects1136
Sequencer Input Objects1137
14 Contents
MIDI Click Objects1138
Internal Objects1140
Channel Strip Objects1142
Working with Video1147Chapter 38
Opening a Movie1147
Using the Movie Window1149
Using the Video Track1150
Working with Movie Scene Markers1151
Handling QuickTime Movie Audio Tracks1153
Working with Surround1155Chapter 39
Knowing the Surround Formats Supported by Logic Pro1156
Understanding the Channels Used by Surround Formats1159
Configuring Logic Pro for Surround1160
Setting the Project Surround Format1166
Setting the Input Format of Channel Strips1167
Setting the Output Format of Channel Strips1168
Changing the Appearance of Surround Level Meters1170
Working with the Surround Panner1171
Inserting Surround Effect Plug-ins1175
Using the Down Mixer Plug-in1176
Working with Multi-Channel Effects1177
Working with the Surround Master1180
Bouncing Surround Audio Files1180
Positioning Your Speakers1182
Encoding Surround Bounce Files1185
Synchronizing Logic Pro1187Chapter 40
Understanding the Synchronization Protocols1187
The Synchronization Master and Slave Relationship1188
Using External Synchronization1188
Displaying and Using SMPTE Positions1190
MIDI Machine Control1192
Synchronization Problems and Solutions1194
Working with Plug-in Latencies1197Chapter 41
Understanding Plug-in Latency in Logic Pro1197
Working in Low Latency Mode1198
Working with Plug-in Latency Compensation1199
Working with Split Channel Audio File Formats1203Chapter 42
Importing Split Channel Files1204
Working with Split Stereo Files1204
15Contents
Exporting Split Channel Files1205
Project Settings in Logic Pro1207Chapter 43
Accessing Project Settings1207
Saving Project Settings1209
Synchronization Project Settings1209
Metronome Settings1220
Recording Settings1222
Tuning Settings1224
Audio Settings1230
MIDI Settings1232
Score Settings1236
Video Project Settings1259
Assets Project Settings1261
Preferences in Logic Pro1263Chapter 44
Accessing Preferences1263
Saving Preferences1264
General Preferences in Logic Pro1265
Audio Preferences in Logic Pro1273
MIDI Preferences in Logic Pro1288
Display Preferences in Logic Pro1293
Score Preferences in Logic Pro1298
Video Preferences in Logic Pro1300
Automation Preferences in Logic Pro1301
Control Surface Preferences in Logic Pro1303
Sharing Preferences in Logic Pro1305
1307Glossary
16 Contents
Logic Pro is a sophisticated, fully featured audio and MIDI application that provides all
the tools you need to create professional-quality music productions.
This preface covers the following:
About Logic Pro (p. 17)
About the Logic Pro Documentation (p. 18)
Additional Resources (p. 19)
About Logic Pro
Logic Pro allows you to record and edit both audio and MIDI, add high-quality effects,
and mix your music in stereo or Surround. The final mix can be exported to one or more
standard audio files, or burned to an audio CD or DVD that can be played on any computer,
home stereo, or imported into other applications and devices.
Some of the things you can do with Logic Pro include:
Record MIDI information via connected MIDI input devices, such as keyboards, and
play back this information via any connected MIDI device (such as a synthesizer keyboard
or module) or the integrated Logic Pro software instruments.
Create, arrange, and edit MIDI projects, make use of the powerful Score Editor, then
print musical notation via a printer connected to your computer.
Edit the timing of audio files—Flex time editing—by shortening or expanding the
distance between transients in the audio.
Digitally record acoustic and electric instruments or vocal performances into your
projects, and process these audio recordings with a huge array of built-in real-time
effects.
Make use of the integrated software instruments, including Sculpture, Ultrabeat, ES1,
ES2, EVP88, EVB3, EVD6, EXS24 mkII, over a dozen high-quality GarageBand instruments,
or third-party Audio Units instruments.
Load projects or channel strips from GarageBand, and enhance them with the additional
processing and editing possibilities afforded by Logic Pro.
17
Welcome to Logic Pro
Preface
Mix your MIDI and audio tracks, including effects and software instrument settings, via
a sophisticated total recall mix automation system. Logic Pro includes high-quality
effects that you can use in your projects. You can also install and use third-party
Audio Units effects and instruments.
Bounce (mix down) all audio data, including instruments, effects and mix automation
settings, to stereo or multiple Surround format files for mastering or further processing.
Work in real time: You can work on Logic Pro projects in real time, adding to, and
editing audio and MIDI parts while the project is playing, and hearing the results of
your changes immediately.
Use existing loop libraries: Logic Pro directly supports Apple Loops files, and is
compatible with a wide variety of existing audio file types, including those created in
ReCycle.
Locate and preview files easily: The Media area, part of the Logic Pro interface, provides
powerful file browsing and search features, making it easy to locate audio files and
other supported file types.
About the Logic Pro Documentation
Logic Studio comes with various documents that will help you get started as well as
provide detailed information about the included applications.
Logic Pro User Manual: The onscreen user manual is a comprehensive document that
describes the Logic Pro interface, commands, and menus and gives step-by-step
instructions for creating Logic Pro projects and for accomplishing specific tasks. It is
written for users of all levels of experience. The user manual is available in Logic Pro
Help (in Logic Pro, choose Help > Logic Pro Help).
Exploring Logic Pro: This booklet presents the basics of Logic Pro in an easy, approachable
way. Each chapter presents major features and guides you in trying things out. A PDF
version of the printed manual is available in Logic Pro Help (in Logic Pro, choose Help
> Exploring Logic Pro).
Logic Pro Control Surfaces Support: This onscreen manual describes the configuration
and use of control surfaces with Logic Pro.
Logic Pro TDM Guide: This onscreen manual describes the essential aspects of using
TDM in Logic Pro.
Logic Studio Instruments: This onscreen manual provides comprehensive instructions
for using the powerful collection of instruments included with Logic Pro and MainStage.
Logic Studio Effects: This onscreen manual provides comprehensive instructions for
using the powerful collection of effects included with Logic Pro, MainStage, and
WaveBurner.
18 Preface Welcome to Logic Pro
Logic Studio Working with Apogee Hardware: This onscreen manual describes the use
of Apogee hardware with Logic Pro.
Additional Resources
Along with the documentation that comes with Logic Studio, there are a variety of other
resources you can use to find out more.
Release Notes and New Features Documents
Each application offers detailed documentation that covers new or changed features and
functions. This documentation can be accessed in the following location:
Click the Release Notes and New Features links in the application Help menu.
Logic Pro Website
For general information and updates, as well as the latest news on Logic Pro, go to:
http://www.apple.com/logicstudio/logicpro
Apple Service and Support Websites
For software updates and answers to the most frequently asked questions for all Apple
products, go to the general Apple Support webpage. You’ll also have access to product
specifications, reference documentation, and Apple and third-party product technical
articles.
http://www.apple.com/support
For software updates, documentation, discussion forums, and answers to the most
frequently asked questions for Logic Pro, go to:
http://www.apple.com/support/logicpro
For discussion forums for all Apple products from around the world, where you can search
for an answer, post your question, or answer other users’ questions, go to:
http://discussions.apple.com
19Preface Welcome to Logic Pro
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Apple Logic Pro 9 User manual

Category
Software manuals
Type
User manual

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