Polaroid MP-4 User manual

Type
User manual

This manual is also suitable for

Appendix
MP4 / MP4+ Camera System
User Guide
Introduction
Assembly
Operations
Troubleshooting
Appendix
Electronic Flash
Introduction
1
Contents
Introduction
Free technical assistance
The two MP 4+ models
Main camera parts
Sliding camera head
TTI AV/810 8x10 camera
Polaroid 8x10 film system
Reflex viewer
Focusing screens
Film holders
Shutter kit
Lenses
Film processing timer
Filter kit
Macro extension
Universal camera mount
Tungsten lighting
Halogen lighting
Electronic flash lighting
XLR Baseboard light box
Fiberoptic lighting
About this manual
Each MP 4+ System is shipped with
the operating and assembly instruc-
tions for a basic system. The optional
accessories and lighting units also in-
clude instructions for use. All are de-
signed to fit in the ring assembly inside
the drawer below the baseboard.
Introduction
2
Introduction
The Polaroid MP4+ System is an un-
usually versatile photographic unit. Its
uses in industry, business, medicine,
research, education, the graphic arts
and in a vast variety of other fields are
almost unlimited. They include photo-
micrography, photomacrography, copy-
ing, small-object photography, gross
specimen photography, X-ray
copying and many others.
The camera can be used with almost
all Polaroid instant film types. With
these, it can complete most jobs within
seconds, without a darkroom. The
camera also can be used with some
wet-process films.
The selection of lenses, and a macro
extension, render possible a wide
range of reproduction ratios, from
extreme reduction to high magnifica-
tion. For even higher magnification,
the camera can be used with a micro-
scope. With its wide selection of ac-
cessories, the MP4+ is much more
than just a camera - it is a complete
photographic system. The versatility of
the system is limited only by the imagi-
nation and ingenuity of the user.
Free technical assistance
Call toll free, Mon.-Fri., 8 AM to 8 PM
(Eastern Time). From any-where in the
U.S.A., call 1-800-225-1618.
Or, write to:
Polaroid
Customer Care Center,
201 Burlington Road
Bedford MA, 01730.
If outside the U.S.A.,
contact the nearest Polaroid Office.
The numbers throughout the text refer
to the illustrations at the end of this
chapter.
Introduction 3
The two MP 4+ models
The MP4+ System is available in two
basic models (Illustration 1). The
Standard Model (left) is shown with the
optional halogen lighting; the XLR Model
(right) includes the optional tungsten
lighting and base board light box.
MP 4+ Standard Model
Total camera height: 46 in. (116cm)
Column height: 35 in. (90cm)
Baseboard area overall: 18x23 in.
(46x59cm)
Standard column/camera: 44-04
Standard baseboard 11 O-l 20VAC: 44-14
Standard baseboard 220.240VAC: 44-16
MP 4+ Model XLR
Total camera height: 66 in. (168cm)
Column height: 55 in. (140cm)
Baseboard area overall: 23x29 in.
(59x74cm)
XLR column/camera: 44-05
XLR baseboard IIO-120VAC: 44-15
XLR baseboard 220-240VAC: 44-17
The Standard Model (2-left) has a non-
rotating column; the XLR Model (2- right)
has a rotating column.
Both models include a drawer below the
baseboard (3), which contains the ring as-
sembly for the instructions and also pro-
vides a convenient storage area for the
lenses.
Main camera parts (4)
Reflex viewer and hood
Sliding camera head
Camera body
Shutter
Lens
“Exposure” cable release
Column scale
Camera height adjustment crank
“Pre-view” cable release
Film holder
The sliding camera head 44-41
The sliding head (5) fits on top of the
camera bellows. The ground glass and
reflex viewer are mounted on the left
side; the film holders are inserted into
the right side. This feature allows you
to view and focus the camera without
removing the film holder. You simply
slide the head into position for each
operation. The “pre-view” cable re-
lease opens the shutter as you slide
the head into the viewing position, and
closes it when you slide the head into
the picture-taking position.
a
b
c
d
e
f
g
h
i
j
Introduction 4
TTI AVl810 8x10 camera
This camera (6) may be attached to
the column in place of the standard
MP 4+ camera, to allow the use of
Polaroid instant 8x10 films.
Polaroid 8x10 film system
This includes the 8x10 film holder
and film processor (7). The film
holder also can be used with other
8x10 camera systems.
The reflex viewer 44-55
This accessory (8) attaches to the
ground glass. The viewer contains a
mirror, which directs the ground glass
image forward, rather than upward, to
make viewing and focusing much more
convenient. The viewing hood on the
front ex-cludes ambient light, so that
the image on the ground glass may be
seen most clearly.
The image you see with the reflex
viewer will appear the right way up, but
reversed from left to right. (This rever-
sal will not, of course, appear in your
picture.)
The focusing screens
The three focusing screens (9) are for
use with the Polaroid film holders de-
scribed below. They also can be used
with most wet-process 4x5 sheet film
holders, and some wet-process roll film
holders. They are scribed for Polaroid
4x5 sheet film and 31/4 x 41/4 pack
film formats. The image area of 4x5
pack films extends from the right-hand
marking to about l/8 in. (3mm) beyond
the left-hand marking.
Ground glass 44-50
This is a standard ground glass
screen, for general-purpose
photography.
Aerial image ground glass 44-5 7
This ground glass has a clear-glass
circle in the center. The image can be
focused on the ground glass in the
normal way, or in the clear spot as an
“aerial image”. Instructions for use are
supplied with this ground glass.
Calibrated ground glass 44-54
It is calibrated in inches and centi-
meters, to measure reproduction
size.
Introduction
5
The film holders
The MP 4+ System can be used
with the following Polaroid instant
film holders (10):
Model 545 film holder for Polaroid
4x5 sheet films
Model 550 film holder for Polaroid
4x5 pack films
MP 4+ 44-48 film holder for
Polaroid 31/4x41/4 pack films
Model 405 film holder for Polaroid
31/4x41/4 pack films
With the Model 405 film holder, the
location of the image area is not the
same as that scribed on the ground
glass. For accuracy in composition, a
framing template and instructions for
its use are provided with the holder.
The Model 545,550 and 405 film hold-
ers also can be used with a wide vari-
ety of 4x5 cameras and instruments.
In addition, a number of roll and sheet
film holders for wet-process films can
be used with the MP4+ System.
The MP4+ shutter kit 44-60
The MP4+ System uses a self-
cocking, lensless shutter; the lenses
are attached to the shutter, which is
mounted in a lens board, for easy cam-
era attachment. The shutter speeds
range from 1 sec. to l/125 sec., and
there is a “B” setting for time expo-
sures. There is also a flash socket with
“X” synchronization. The kit (11) in-
cludes the shutter, cable release, and
microscope adapter. The microscope
adapter is attached to the shutter in
place of a lens, for photomicrography.
Instructions are provided with the kit.
Lenses for the MP4+ (12)
44-65 135m m lens; f/4.5 to f/32
44-66 105mm lens; f/4.5 to f/32
44-67 75mm lens; f/4.5 to f/32
44-68 50mm lens; f/4.5 to f/32
44-69 35mm lens; f/4.5 to f/32
44-70 17mm lens; f/4 to f/22
Film processing timer
The battery powered digital timer (13)
is designed to provide accurate timing
of film processing. It may be attached
to any convenient location on the sys-
tem.
Introduction
6
MP 4+ Filter kit 44-88
The kit (14) includes a filter holder with
two filter trays, gelatin filters and a filter
frame. The filters are intended to bal-
ance the MP 4+ tungsten and halogen
lighting for use with Polacolor films.
Filters for other purposes may be used
also, as required. Complete instruc-
tions are provided with the kit.
See Appendix for information about
other methods of attaching filters to the
MP4+ lenses.
Macro extension 44-45
The macro extension (15) is attached
to the camera between the bellows
and the camera head. It enables you
to make photographs at magnifications
up to about 27X, using the 17mm lens.
You can use two extensions to
increase the magnification range
accordingly.
See Appendix for more information.
Universal camera mount 44-85
This accessory (16) enables you to
convert the MP4+ into a 35mm copy-
ing or slide-making system. The MP4+
camera head is removed, and the
mount is attached to the column in its
place. Virtually any 35mm camera, and
many conventional cameras of other
formats, can be used on the mount.
Lighting options
Several lighting options are available
for the MP4+ System. These are or-
dered separately, allowing the system
to be customized for a wide variety of
applications.
Tungsten lighting
This lighting (17) is suitable for most
general purpose copystand photogra-
phy. Includes four 150 watt lamps and
lamp holders. The lamps are attached
to the MP4+ lamp arms.
11O-l 20VAC system: 44-26
220-240VAC system: 44-36
Halogen lighting
This lighting (18, 19) is suitable for
most general-purpose copy-stand
photography. Includes two 300 watt
lamps and lamp holders. The lamps
are attached to the MP4+ lamp arms.
Halogen lamps produce light of the
same color temperature throughout the
life of the bulb. As a result, the film ex-
posure and filtration requirements are
more consistent. (As tungsten lamps
age, they produce light of a lower
color temperature.)
120VAC system: 44-28
220VAC system: 44-38
240VAC system: 44-34
Introduction 7
Electronic flash lighting
This lighting (20) is suitable for most
general-purpose copystand photogra-
phy. The system includes a 400 watt-
second power supply, two lamps with
150 watt modeling lights, and a sync
cord. The lamps are attached to the
MP 4+ lamp arms.
Electronic flash produces light that is
similar to daylight, eliminating the need
for most filtration when using daylight-
balanced color films.
11O-120VAC system: 44-27
220-240VAC system: 44-37
XLR Baseboard light box
The Model XLR baseboard includes a
well for an optional light box (21). The
light box contains four 14 watt fluores-
cent lamps; its diffusion cover pro-
duces even illumination across the en-
tire surface. A cover fits over the light
box when it is not in use. The light box
is ideal when photographing transpar-
ent and translucent subjects. It also
can be used in combination with other
light sources, to eliminate shadows
around solid subjects.
11O-120VAC system: 44-18
220-240VAC system: 44-19
Fiberoptic lighting
The Dolan-Jenner fiberoptic lighting
system (22) is intended for photomac-
rography of small three dimensional
objects. The system includes a power
supply with adjustable light output, a
bifurcated fiberoptic bundle, a lens/
filter adapter for each bundle, lenses
and filters.
The power supply contains a 21V,
150W EKE quartz reflector lamp.
11O-120VAC system: 44-25
220-240VAC system: 44-35
Introduction
1
2
3
Introduction
4
5
6
7
8
Introduction
9
10
11
13
12
14
Introduction
15
16
19
20
17
18
21
22
Assembly
1
Contents
Location
Attach column to baseboard
Model XLR
Standard Model
Assemble the camera
Attach vertical carriage to column
Attach spring housing & counterweight spring
Attach camera body to vertical carriage
Put shutter on camera
Assemble the sliding head
Attach lens to shutter
Attach the ground glass
Attach the reflex viewer
Attach the film holder adapter
Attach the lamp arms
Attach the timer
The numbers throughout the text refer to
the illustrations at the end of this chapter.
Assembly
2
Location
The MP 4+ System should be as-
sembled in the area where it will be
used. The system should beplaced on a
sturdy table or counter, large enough to
provide a work surface next to the base-
board. (A desk with locked storage
space is ideal, to prevent unauthorized
use.) The system must be located near
an appropriate electrical outlet. Avoid
placing the system near windows or
other sources of bright light. Be sure the
lamp arms do not extend into corridors.
DO NOT LET POWER CORD HANG
OVER FRONT EDGE OF TABLE OR
COUNTER, OR TOUCH HOT SUR-
FACES.
UNIT MUST BE GROUNDED. POWER
CORD HAS THREE-PRONGED
GROUNDING PLUG, WHICH MUST BE
PLUGGED INTO APPROPRIATE
OUTLET. IF SUCH AN OUTLET IS NOT
ALREADY AVAILABLE, EXISTING
OUTLET MUST BE CHANGED.
DO NOT, UNDER ANY
CIRCUMSTANCES, REMOVE
GROUND PRONG FROM PLUG.*
IF EXTENSION CORD IS NEEDED,
USE CORD WITH GROUNDING PLUG*
AND SUITABLE CURRENT RATING.
CORDS RATED FOR LOWER
AMPERAGE THAN UNIT MAY
OVERHEAT. ARRANGE CORD SO
THAT IT WILL NOT BE TRIPPED OVER
OR PULLED.
* THIS APPLIES ONLY IN COUNTRIES
WITH GROUNDED ELECTRICAL
SUPPLIES.
Assembly 3
Attach column to baseboard
Important: Before assembling the sys-
tem, check that the camera and column
serial numbers match. (The numbers
are stamped on the shipping cartons.)
Model XLR
The optional light box should be in-
stalled before attaching the column
to the baseboard. See the instruc-
tions packaged with the light box.
Position the column post as shown, with
the milled section (1-a) pointing toward
the center of the baseboard. Fasten the
post to the baseboard using the four
nuts and bolts provided. A wrench is
supplied for tightening the nuts; use a
suitable screwdriver to hold the bolts
while you are doing this. Slide the col-
umn onto the post (2) and secure it
firmly with the lock-ing knob (b).
Standard Model
Hold the baseboard in a vertical posi-
tion, and the column in a horizontal posi-
tion (3). The scale on the column should
face toward the center of the baseboard.
Insert the four bolts through the column
base and then through the baseboard.
Add the washers, and then the nuts.
Tighten the nuts with the wrench pro-
vided (4); use a suitable screwdriver to
hold the bolts while tightening them.
Assemble the camera
Attach vertical carriage to column
Loosen the locking lever (5-c) by at
least one full rotation.
Carefully push the lower end of the
carriage onto the column, making sure
that the two white rollers (6-d) slide
down behind the rails (e).
Lower the carriage further, until the
two white rollers at the top rest against
the top of the column (7). Slowly rotate
the height adjustment crank (f) in a
clockwise direction and, as the carriage
slowly goes down, make sure the white
rollers feed in behind the rails, as
shown.
Lower the carriage by about two
more inches, and lock it on the column
by tightening the locking lever (8-c).
Assembly 4
Attach spring housing and
counterweight spring
Insert the spring housing into the top of
the column (9). The spring ends should
face the front. Remove the pin (10-g)
from the vertical carriage by unscrewing
it and pulling it out.
Unlock the vertical carriage, bring it all
the way to the top of the column (11),
and lock it again. Reinsert the pin, mak-
ing sure that it goes through the loop
(12-h) in the spring end. Tighten the pin.
(Note: The second spring is required
only when using the 8x10 camera.)
Wind the vertical carriage down the
column until it is at an easily accessible
height (13) then lock it in position.
Warning: Never loosen or remove the
spring pin unless the vertical car-
riage is at the top of the column and
locked in position.
Attach camera body to vertical
carriage
Loosen the knob (14-i) until it is in a ver-
tical position, as shown. Also loosen the
screw (j) by about three full rotations.
Orient the camera body as shown
(15), then push it all the way onto the
carriage (16). Rotate it back and forth
slightly, until you feel it click into the true
vertical position. Tighten the screw and
then the knob.
Put shutter on camera
First screw the “exposure” cable release
into its socket (17-k). Then align the
smallest of the three tabs (18-l) on the
shutter panel with the smallest of the
cutouts (m) on the camera body.
Push the shutter unit onto the camera
in that orientation, and rotate it in a
clockwise direction (19) until it comes to
a firm stop.
Caution: When there is no lens on the
shutter, the shutter blades are exposed
and unprotected. They are very delicate;
do not touch them.
Assembly
5
Assemble the sliding head
Note the orientation of the sliding head;
the pins (20-n) fit into corresponding
holes in the camera body.
Hook the camera head onto the left side
of the camera body (21) then lower the
head carefully, taking care that the pins
engage in the holes on the camera
body.
Lock the head in place by pushing the
latch (22-o) toward the camera body.
Sliding the camera head
Depress the release button (23-p) and
slide the head all the way to the right for
viewing and focusing. Depress the other
release button to slide the head to the
left for picture-taking.
Connect the long “pre-view” cable re-
lease: Do this with the camera head in
the picture-taking position (pushed all
the way to the left). Screw the release
into the “preview” socket on the shutter
(24).
Look at the shutter from above; the
shutter blades should be fully closed
(25). Now push the head all the way into
the viewing position. The shutter blades
should be fully open (26). If the above
does not happen, adjust the plunger end
(q) of the release until the shutter func-
tions as described.
Fit the cable releases into the clamps
(27). This will prevent damage to the
shutter if the cable is accidentally pulled.
Attach lens fo shutter
Carefully screw the lens into the shutter
(28).
Attach the ground glass
One end of the ground glass frame has
two small protrusions (29-r) near its
base. Hold the frame in the left hand,
with the protrusions pointing to the left.
Slide the ground glass frame into the
camera head from the left (30). Slide it
all the way in, so that the two retainer
pins on the frame engage securely in
the two spring loops on the camera
head.
Attach the reflex viewer
The pins on the sides of the viewer fit
into the slots on the ground glass frame
(31).
Attach the film holder adapter
If using a Polaroid Model 545, 550 or
405 Film Holder, insert the U-shaped
adapter. Orient the adapter as shown
(32). Slide it all the way into the head,
so the pins (s) fit under the springs (t).
Warning: When using the sliding cam-
era head with heavy accessories, such
as one or two macro extensions, always
lock the vertical carriage on the column
as soon as you have raised or lowered
the camera. If you do not, the camera
may begin to slide down the col-umn,
due to the extra weight.
1
2
3
4
5
Assembly
6
Attach the lamp arms
The two lamp arms are fastened to the
left and right sides of the baseboard,
near the rear edge of the baseboard.
Orient the lamp arms so the screw faces
up (33), and the angle indicator faces
the front of the baseboard (34).
Insert the screws into the top twoholes
in the metal plate, then tighten them
firmly (35).
Orient the horizontal cross bars as
shown (36). With the MP 4+ Standard
Model, note that distance (u) is slightly
shorter than distance (v).
Attach the cross bars: Slide the cross
bars into the top of each lamp arm (37).
Rotate the bar until the groove (w)
points down and the second groove (x)
is aligned with the fastening screw.
Tighten the fastening screw to lock the
bar in place.
Angle the lamp arms: Angle them as
indicated by the two marks, and lock
them in position with the lever. This will
place the lamps in the correct position
for most general copying work. For spe-
cial lighting requirements, the lamp arms
may be angled in any way desired.
The lamp arms are designed for use
with various types of lighting equipment;
see the instructions packaged with your
lights for details on locating the lamps
on the cross bars.
Attach the timer
The timer may be attached to any con-
venient location, such as the front of the
sliding head (38). Simply remove the
paper backing from the adhesive strip
on the back of the timer, and press it
into position.
The timer is powered by two bat-
teries; if the timer stops working, or if the
display or tones fade, the batteries
should be replaced.
To replace the batteries, slide the door
open (39), and insert the new batteries
in the orientation (+/-) indicated inside
the compartment.
Important: After replacing the
batteries, press the SET and START
buttons simultaneously, to ensure
proper functioning of the timer.
1
2
3
4
5
Assembly
1
3
4
5
7
8
2
6
Assembly
9
11
12
13
15
16
10
14
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Polaroid MP-4 User manual

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User manual
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