E-Mu Xboard 25 Review Manual

Type
Review Manual

E-Mu Xboard 25 is a versatile MIDI controller that offers a wide range of features to enhance your music production workflow. It is equipped with 25 full-sized, velocity- and aftertouch-sensitive keys, providing a comfortable and expressive playing experience. The Xboard 25 also boasts 16 assignable knobs, a master volume/data entry slider, and pitch and modulation wheels, giving you extensive control over your virtual instruments and effects.

E-Mu Xboard 25 is a versatile MIDI controller that offers a wide range of features to enhance your music production workflow. It is equipped with 25 full-sized, velocity- and aftertouch-sensitive keys, providing a comfortable and expressive playing experience. The Xboard 25 also boasts 16 assignable knobs, a master volume/data entry slider, and pitch and modulation wheels, giving you extensive control over your virtual instruments and effects.

RECORDING JANUARY 2006
58
The USB MIDI controller market
has exploded in recent months. The
Xboards from E-MU occupy an inter-
esting niche: on the surface they
seem like ordinary no-frills keyboards
(and their prices would seem to bear
this out), but hidden surprises
abound.
In the box
The Xboards come in two models,
identical except for price and number
of keys: the two-octave Xboard 25
(under review here) and four-octave
Xboard 49. The keyboard is made of
dense plastic, heavier than some
other models out there, with a reas-
suring solidity and heft. The keyboard
offers full-sized keys with velocity
and aftertouch sensitivity, and front-
panel controls include sixteen assign-
able knobs plus a master volume/data
entry slider, pitch and modulation
wheels, and a set of
12 buttons for program-
ming the keyboard’s functions.
The rear panel has a socket for an
optional DC power supply. The
Xboard can also use three AA batter-
ies but ran quite handily off USB
power on both of our test computers,
a dual 2 GHz G5 Power Mac from
Apple and an Ozma-m 3.4 GHz
Pentium 4 laptop from Alienware.
The rear panel also has a power
switch, USB connector, MIDI Out, and
1
/4" jack for a footswitch or pedal.
There’s no MIDI In jack; the Xboard
doesn’t double as a MIDI interface to
accept data from external modules
and send it to your computer.
The Xboard comes with an installa-
tion CD-ROM that features several
important products: Windows and
Mac OS X drivers, a crossplatform
application called Xboard Control for
setting up the keyboard’s functions, a
Windows-only installer for the
Proteus X LE softsynth, and a
Windows-only ‘lite’ version of Ableton
Live 4. There’s also a printed Owner’s
Manual that covers the basics of all
the Xboard’s functions, and a PDF
manual on the CD-ROM.
On the desktop
Installing the software
from the CD-ROM proved to be triv-
ially simple on our test Mac: it’s a
straight Apple OS X installer that
doesn’t require a passphrase. It
worked perfectly on the first try. Our
Windows install was a bit problemat-
ic—even when we followed direc-
tions, the installed software couldn’t
see the Xboard. We used Add/Remove
Programs to clear out the install,
tried again, and had it work perfectly
the second time. (That’s Windows for
you.)
On Windows, the quick-start litera-
ture warns that the Xboard hasn’t
been “signed” by Microsoft as a
peripheral, so you need to be sure to
install it on one USB port and not try
to use it on any other port (a common
glitch for many USB devices). E-MU
also warns that the computer will
expect the Xboard to require full USB
power even if plugged into a DC sup-
ply, so you can’t use it on a conve-
nience port like those found on some
computer keyboards.
Using the Xboard is quick and intu-
itive. The 3-digit LED display provides
basic information, like which preset
you’re set to and what MIDI message
a controller sends when you move it. If
this were the only user interface you
had, it would get tedious pretty quick-
ly, but the Xboard Control software
Affordability meets high quality in this USB controller
BY MIKE METLAY
REC mag 01-06 Final 11/23/05 8:15 AM Page 58
visualized place. All control knobs,
plus the wheels and pedal, have their
own edit sections, where they can be
named and assigned an initial value
(stored with the patch if you wish),
MIDI channel, and CC number.
You can choose up to 16 Program
Change messages to be broadcast when
a preset is called up, including Bank
Select MSB and LSB; this is handy
when working with softsynths that have
large numbers of programs and banks.
You can choose a velocity curve by sim-
ply clicking on the appropriate graphic.
You can also set parameters in
advance that aren’t active—for exam-
ple, you can have 16 Channel Mode
turned off but have its default con-
troller preset to the one you might want
to use, so one push of a button has you
set up and ready to go. Latch Mode and
its associated key range can be set here
too. When you have a set of parameters
ready, you can save it to hard disk as
one preset in a Bank, and/or transmit it
to the Xboard for immediate use.
We won’t speak in detail about the
two other programs (for Windows
only) included with the keyboard.
They are a ‘lite’ version of Ableton
Live, a program that needs no intro-
duction to our readers, and ProteusX
LE, a very solid and good-sounding
sample playback synth with a fair bit
of power, eminently suitable as a
beginner’s first virtual instrument.
They add a nice bit of value to an
already substantial package.
Minor gripes, major props
What are we missing? A MIDI In
port, so you wouldn’t need a separate
MIDI interface—but to be fair, most
beginning computer musicians won’t
have an immediate need to incorpo-
rate data from external MIDI devices,
so this is a good place to economize
and simplify. Another appropriate
corner-cut is not having faders on the
Xboard 49; good slider pots are
expensive and cheap slider pots can
be worse than useless, broadcasting
false data when they get dirty or
worn. The one thing we genuinely
miss was the ability to tweak the
aftertouch sensitivity beyond On or
Off... but having aftertouch at all on a
keyboard this affordable easily out-
weighs that gripe.
All in all, the Xboard offers a lot
more features than meets the eye—
and the software tools to use those
features easily and effectively. At this
price, you should treat yourself to a
product that’s several steps above its
bargain-basement competition in
build quality, feature set, and playing
satisfaction. Way to go, E-MU!
Prices: Xboard 25, $199.99; Xboard
49, $229.99
More from: E-MU Systems, Inc., 1500
Green Hills Rd., Scotts Valley, CA
95067. 831/438-1921 or 877/742-6084,
fax 831/438-8612, www.emu.com.
E-MU Xboard 25
RECORDING JANUARY 2006
60
(see below) makes programming the
Xboard a treat.
On occasions where you can’t or
don’t want to fire up the Xboard
Control program, you can edit all of
the Xboard’s settings from the front
panel, using keyboard keys to select
functions and the data slider to alter
them. This includes aftertouch on/off
(no selectable sensitivity or
curves, alas), velocity curve, semi-
tone transpose, MIDI Bank Select
and Program Change messages
sent when you call up a preset on
the Xboard, and much more.
Several buttons offer one-
touch access to critical functions.
The Knob Bypass button disables
the knobs and allows you to reset
them to where you want them
without sending jarring MIDI
messages. The 16 Channel button
switches the Xboard to 16
Channel Mode, where all the
knobs send the same CC number
(CC 7 for volume, CC 10 for pan,
etc.) on all 16 MIDI Channels.
This lets you quickly convert
your synth controller into a 16-
channel level mixer and back, for
example. You can send a snap-
shot of all current controller val-
ues via MIDI, or use the Latch
button to make the keyboard
“latch”, i.e. keys continue to
“play” if pressed and released,
and only stop if touched again. This is
useful for triggering loops, and can be
restricted to a small portion of the
keyboard, perhaps a very high or low
set of notes accessible only with the
Octave keys.
The keyboard itself has a solid feel,
not as snappy as lighter/flimsier
actions but very playable, and the
aftertouch sensing is wonderful for
playing synths that follow it. Our only
complaint is that the aftertouch is
overly sensitive, needing only a tiny
bit of key pressure to activate it.
Better than no aftertouch at all? Oh
yeah! [E-MU reports that an upcoming
software upgrade will provide easy
adjustment of the aftertouch thresh-
old.—MM]
Xboard Control
As you can see from the screen-
shot, Xboard Control gives you all the
features of the Xboard in one easily
The Xboard Control software (seen here on Mac OS X) offers complete
graphic control of the Xboard’s many MIDI message types.
REC mag 01-06 Final 11/23/05 11:07 AM Page 60
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E-Mu Xboard 25 Review Manual

Type
Review Manual

E-Mu Xboard 25 is a versatile MIDI controller that offers a wide range of features to enhance your music production workflow. It is equipped with 25 full-sized, velocity- and aftertouch-sensitive keys, providing a comfortable and expressive playing experience. The Xboard 25 also boasts 16 assignable knobs, a master volume/data entry slider, and pitch and modulation wheels, giving you extensive control over your virtual instruments and effects.

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