Avid Symphony 4.0 User guide

Category
Audio editing software
Type
User guide
make manage move | media
Avid
®
Avid
®
Symphony™
Basics Guide
2
Legal Notices
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Copyright © 1988–1997 Sam Leffler
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This Software may contain components licensed under the following conditions:
Copyright (c) 1989 The Regents of the University of California. All rights reserved.
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Copyright 1995, Trinity College Computing Center. Written by David Chappell.
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Copyright 1996 Daniel Dardailler.
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the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in
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suitability of this software for any purpose. It is provided “as is” without express or implied warranty.
Modifications Copyright 1999 Matt Koss, under the same license as above.
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Manufactured under license from the Georgia Tech Research Corporation, U.S.A. Patent Pending.
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© DevelopMentor
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make manage move | media, Marquee, M-Audio, M-Audio Micro, Maxim, Mbox, MCXpress, Media Browse, Media Composer,
MediaDock, MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray,
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MixLab, Moviebox, Moviestar, NaturalMatch, Nearchive, NetReview, NewsCutter, Nitris, NRV-10 interFX, Octane, OMF,
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Technology, Inc. in the United States and/or other countries.
5
Adobe and Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States
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Footage
Arri — Courtesy of Arri/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
“The Big Swell” — Courtesy of Swell Pictures, Inc.
Windhorse — Courtesy of Paul Wagner Productions.
Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,
Editor/Producer Bryan Foote.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Ice Island — Courtesy of Kurtis Productions, Ltd.
Tornados + Belle Isle footage — Courtesy of KWTV News 9.
WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.
Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content
creators of every genreJust finished an incredible project and want to share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid Symphony Basics Guide • 0130-07974-02 • September 2009
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Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Accessing the Goodies Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Chapter 1 Editing Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Editing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Starting a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Preparing to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Editing a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Outputting a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Chapter 2 Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Turning on Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Working with the Desktop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Using the Windows Taskbar (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Using the Macintosh Dock (Macintosh Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Using Shortcut Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Using the Keyboard for Navigating in Dialog Boxes and Menus . . . . . . . . . . . . 45
Using the Mouse Scroll Wheel for Navigating . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Customizing Mouse Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Suggestions for Optimum Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Turn Off File Sharing (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Optimum Performance (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Antivirus Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Starting Your Avid Editing Application (Windows). . . . . . . . . . . . . . . . . . . . . . . . . . . 51
8
Starting Your Avid Editing Application (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 51
Working with Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Select Project Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Project Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Raster Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Raster Sizes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Setting Film Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Opening an Existing Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Browsing for a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Opening a Project Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Deleting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Quitting Your Avid Editing Application . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Turning Off Your Equipment After Quitting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Changing Project and User Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Saving Your Project Information on a Drive or on Removable Media . . . . . . . . 69
Restoring from a Backup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Retrieving Files from the Avid Attic Folder (Windows) . . . . . . . . . . . . . . . . . . . . . . . 71
Retrieving Files from the Avid Attic Folder (Macintosh) . . . . . . . . . . . . . . . . . . . . . . 73
Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Opening Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Customizing Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Chapter 3 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Controlling Project Window Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Using the Bins Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Viewing a List of Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
9
Renaming a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Opening and Closing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Displaying Folders of Bins in the Bins List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Deleting a Bin or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Emptying the Trash in the Bins List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Saving Bins Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Using the Settings Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Using the Format Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Chapter 4 Preparing for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Logging and Shot Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Importing Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Preparing the Hardware for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Getting Information About Striped Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Selecting the Sync Source for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Establishing Sync for Audio-Only Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Selecting Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Understanding Video Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Selecting Video Resolutions and Media Drives . . . . . . . . . . . . . . . . . . . . . . . . . 97
Setting Drive Filtering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Configuring Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Configuring a Deck or Multiple Decks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Deleting Deck Configuration Elements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Connecting a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Setting Up the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Opening the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Selecting a Deck in the Capture Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Activating Playback from an Available Deck . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Selecting a Source Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Selecting Source Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Setting the Video and Audio Input in the Capture Tool . . . . . . . . . . . . . . . . . . 111
Detecting a Valid or Locked Sync Signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Setting the Pulldown Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
10
Film Project Pulldown and Transfer Settings. . . . . . . . . . . . . . . . . . . . . . . . . . 113
Capturing Digital Audio in Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Selecting a Resolution in the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Interpreting the Time-Remaining Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Selecting a Custom Preroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Audio Project Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Selecting the Audio Sample Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Performing Audio Sample Rate Conversion During Capture . . . . . . . . . . . . . 120
Understanding Audio Files and Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Selecting the Audio File Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Selecting the Audio Input Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Understanding the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Opening and Sizing the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Preparing for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Opening the Video Input Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Using the Factory Preset Buttons in the Video Input Tool. . . . . . . . . . . . . . . . 126
Preparing to Calibrate Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Calibrating Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Luminance Settings for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Capture Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Chapter 5 Capturing Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Capturing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Naming Clips and Adding Comments in the Capture Tool . . . . . . . . . . . . . . . 135
Capturing by Setting Both Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Capturing by Setting Only One Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Capturing On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Preparing to Autocapture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Autocapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Capturing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . . . . . 141
11
Capturing with Time-of-Day Timecode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Capturing Directly from a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Frame Chase Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Understanding Frame Chase Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Enabling Frame Chase Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Requirements and Guidelines for Frame Chase Capture . . . . . . . . . . . . . . . . 145
Batch Capturing from Logged Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Preparing to Batch Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Batch Capturing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Recapturing and Decomposing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Understanding Recapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Understanding Decompose and Expert Decompose . . . . . . . . . . . . . . . . . . . . 152
Decomposing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Using Expert Decompose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Recapturing a Sequence Without Using Decompose . . . . . . . . . . . . . . . . . . . 159
Chapter 6 Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Creating and Modifying Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Importing Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Importing Audio Files from a Music CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Adjusting Gain Before Importing Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Batch Import Dialog Box: Reference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Chapter 7 Working with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Object Icons in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Understanding Bin Highlight Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Using Brief View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
12
Basic Bin Procedures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Selecting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Duplicating Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Deleting Bin Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Working with the SuperBin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Enabling and Disabling the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Opening Bins in the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Closing the SuperBin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Moving Bins into and out of the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Moving Clips and Sequences into and out of the SuperBin . . . . . . . . . . . . . . 192
Copying Clips and Sequences into and out of the SuperBin. . . . . . . . . . . . . . 192
Deleting a Bin with the SuperBin Enabled. . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Creating a Storyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Chapter 8 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Working with Media Files in an Avid Interplay Environment. . . . . . . . . . . . . . . . . . 196
Configuring Avid Editing Systems for the Interplay Engine
and Interplay Transfer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Using Avid Editing Systems in an Avid Workgroup Environment . . . . . . . . . . 197
Disconnecting an Avid Editing Application from the Interplay Environment . . . . . . 198
Voluntarily Disconnecting from the Interplay Environment . . . . . . . . . . . . . . . 198
Limitations of Disconnected Client Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Using Disconnected Client Mode with Network Problems. . . . . . . . . . . . . . . . 200
Using Avid Editing Systems in an Avid Unity LANshare Workgroup . . . . . . . . . . . 200
Viewing Media with a 100Base-T Connection to Avid Unity ISIS. . . . . . . . . . . . . . 201
Understanding Drive Mounting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Mounting and Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
13
Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Basic Media Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Using the Media Tool in an Avid Interplay Environment. . . . . . . . . . . . . . . . . . 204
Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Deleting Media Files with the Media Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Using the Consolidate Command. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Consolidate Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Using the Transcode Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Transcode Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Refreshing Media Directories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Deleting Unreferenced Clips and Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Chapter 9 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Viewing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Customizing the Composer Window and Monitors . . . . . . . . . . . . . . . . . . . . . . . . . 225
Resizing the Composer Window and Monitors . . . . . . . . . . . . . . . . . . . . . . . . 226
Using the 16:9 Display Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Displaying Tracking Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Playing Video to the Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Selecting the Video Display Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Loading Clips or Sequences into Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Switching Between Loaded Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
Clearing Clips from Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Controlling Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Using Position Bars and Position Indicators. . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Playback Control Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Stepping Forward and Backward by Field . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Playback Control Using the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
14
Playing Footage with the J-K-L Keys (Three-Button Play) . . . . . . . . . . . . . . . 243
Using the Mouse for Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Video Quality Options for Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Setting the Video Quality for Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Marking IN and OUT Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Marking an Entire Clip or Segment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Creating Subsequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Subclips and Audio Sync for 24p and 25p Projects. . . . . . . . . . . . . . . . . . . . . 252
Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Searching for a Clip or Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Understanding Match Frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
Performing a Reverse Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Selecting Tracks for Matching Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Finding a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Locating a Master Clip from a Subclip in a Sequence. . . . . . . . . . . . . . . . . . . 260
Finding a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Chapter 10 Creating and Editing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Entering Source/Record Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Creating a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Changing the Name and Timecode for a Sequence . . . . . . . . . . . . . . . . . . . . 266
Track Display for New Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Making a First Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Creating an Instant Rough Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Undoing or Redoing Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
15
Editing Additional Clips into the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Performing an Insert or Splice-in Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Performing an Overwrite Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Enabling Single-Mark Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Mixing Frame Rates and Field Motion Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
How Your Avid Editing Application Handles Mixed Rate Clips. . . . . . . . . . . . . 277
Viewing Mixed Rate Clips in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Viewing and Adjusting Motion Adapter Parameters . . . . . . . . . . . . . . . . . . . . . 279
Modifying the Field Motion Attribute for a Clip . . . . . . . . . . . . . . . . . . . . . . . . . 281
Refreshing Motion Adapters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
How Your Avid Editing Application Modifies the Format of a Sequence . . . . . 283
Modifying the Format of a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Considerations When Working with Mixed Rate Clips . . . . . . . . . . . . . . . . . . . 288
Lifting, Extracting, and Copying Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Copying Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
The Avid Clipboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Playing Back a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Tips for Avoiding Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Customizing Sync Break Display in the Timeline . . . . . . . . . . . . . . . . . . . . . . . 297
Fixing Sync Breaks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Tips for Fixing Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Chapter 11 Using the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Customizing Timeline Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Examples of Customized Timeline Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Using the Timeline Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Timeline Fast Menu Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Enlarging and Reducing Timeline Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Moving Timeline Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
16
Displaying Clip Colors in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Assigning Local Colors to Clips in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . 310
Managing Customized Timeline Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Navigating in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Understanding the Timeline Position Indicator and Scroll Bar . . . . . . . . . . . . 313
Switching to the Timeline Position Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Setting the Scroll Option for the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Zooming and Focusing in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Controlling Movement in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Using Segment Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Guidelines for Editing in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Selecting and Deselecting Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Selecting Multiple Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Four-Frame Display in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
Suppressing Four-Frame Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Maintaining Sync in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Editing Segments in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Moving Segments with Drag and Drop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Deleting Segments in Segment Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Marking Clips and Sequences in Segment Mode . . . . . . . . . . . . . . . . . . . . . . 327
Cutting, Copying, and Pasting in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . 328
Working with Multiple Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Understanding the Track Selector Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Understanding Track Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Monitoring and Soloing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Patching Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Understanding Locking and Sync Locking . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Locking and Sync Locking Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Adding and Deleting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Backtiming Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
17
Chapter 12 Working in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Understanding Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Trim Settings Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Entering Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Setting Small Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Using Basic Trim Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Selecting Trim Sides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Selecting Video Tracks in Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Soloing Audio in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Selecting Additional Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Performing a Basic Trim. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
Reviewing Trim Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350
Trimming On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
Using Dual-Image Playback During Trims . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Trimming During a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Chapter 13 Working with Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Overview of Audio Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Accessing Audio Effect Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Using Audio Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Using Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Selecting Tracks for Audio Scrubbing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Performing Smooth Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Adjusting Digital Scrub Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
Performing Digital Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Soloing Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Audio Displays in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Displaying Audio Waveforms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Identifying Sample Rates by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Using Audio Meters in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Adjusting Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
18
Working with Surround Sound or 5.1 Audio
(Avid Nitris DX and Avid Mojo DX Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Setting Up the Analog Audio Output for Surround Sound
(Avid Nitris DX and Avid Mojo DX Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Setting Up the Audio Output with HDMI
(Avid Nitris DX and Avid Mojo DX Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
Using the Audio Mixer Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Accessing the Audio Mixer and Audio Mixer Modes . . . . . . . . . . . . . . . . . . . . 373
Audio Mixer Tool Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Resizing the Audio Mixer Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Track Selection in the Audio Mixer Tool and in the Timeline. . . . . . . . . . . . . . 377
Using the Track Solo and Track Mute Buttons . . . . . . . . . . . . . . . . . . . . . . . . 377
Interpreting Position Indicator Lights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Using Clip Gain and Pan Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Adjusting Clip Gain and Pan for Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . 380
Audio Mixer Fast Menu: Clip Gain and Pan Mode . . . . . . . . . . . . . . . . . . . . . 382
Modifying How Your Avid Editing Application Interprets Pan . . . . . . . . . . . . . 383
Using the Center Pan Command. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Using Automation Gain and Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Using Automation Gain and Pan in the Timeline. . . . . . . . . . . . . . . . . . . . . . . 385
Deleting Automation Gain or Automation Pan Keyframes
in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Automation Gain and Pan Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Understanding Automation Gain or Automation Pan Recording . . . . . . . . . . . 389
Using the Audio Mixer Tool for Automation Gain and Pan . . . . . . . . . . . . . . . 389
Audio Mixer Tool Fast Menu: Automation Gain and Pan Mode . . . . . . . . . . . 391
Using Keyboard Shortcuts with Audio Keyframes. . . . . . . . . . . . . . . . . . . . . . 392
Using Live Mix Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Entering Live Mix Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Using Live Mix Mode with an External Controller . . . . . . . . . . . . . . . . . . . . . . 394
Using Live Mix Mode Without an External Controller . . . . . . . . . . . . . . . . . . . 395
Switching Between Live Mix Mode and Other Audio Mixer Modes . . . . . . . . . 395
Audio Mixer Tool Fast Menu: Live Mix Mode . . . . . . . . . . . . . . . . . . . . . . . . . 395
Live Mix Mode Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Isolating Clip Portions for Audio Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
19
Fading and Dipping Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Fading Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Dipping Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Audio Sample Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Changing the Audio Sample Rate for Sequences and Audio Clips . . . . . . . . . . . . 402
Mixing Down Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Chapter 14 Working with Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Types of Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
Effects Creation Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Real-Time Effects and Non-Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . 410
Effects and Project Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
AVX Plug-In Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
Understanding the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
Displaying and Adjusting the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Promoting and Demoting Existing Effects in Sequences . . . . . . . . . . . . . . . . . . . . 414
Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416
Applying Effects From the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416
Using the Fade Effect Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Using the Quick Transition Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Deleting Effects in a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
Sizing Effects to Fit the Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
Adjusting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Entering Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Understanding Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Making Basic Effect Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427
Moving Through an Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Working with Effect Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Saving an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Applying an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429
Working with Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Understanding Standard Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Adding a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Selecting a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
20
Moving a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Changing a Standard Keyframe’s Parameters . . . . . . . . . . . . . . . . . . . . . . . . 432
Copying and Pasting Standard Keyframe Parameters . . . . . . . . . . . . . . . . . . 433
Deleting a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Playing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Playing an Effect in Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Playing Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Understanding Render On-the-Fly for Effect Preview . . . . . . . . . . . . . . . . . . . 436
Using Render On-the-Fly for Effect Preview . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Real-Time Playback of Video Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Understanding Real-Time Effects Processing. . . . . . . . . . . . . . . . . . . . . . . . . 437
Understanding Real-Time Playback Information in the Timeline. . . . . . . . . . . 438
Turning Playback Performance Indicators On or Off. . . . . . . . . . . . . . . . . . . . 439
Options for Controlling Real-Time Effects Playback . . . . . . . . . . . . . . . . . . . . 439
Controlling Real-Time Effects Processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 442
Playing Effects Back at Different Video Qualities . . . . . . . . . . . . . . . . . . . . . . 443
Basics of Effects Rendering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
Understanding Effects Rendering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
Rendering a Single Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 445
Rendering Effects at Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
Rendering Effects Between IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . 447
Displaying Estimated Render Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448
Clearing Rendered Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448
Rerendering Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450
ExpertRender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451
Understanding ExpertRender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451
Using the ExpertRender Command. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
Using the ExpertRender Command After a Real-Time
Playback Attempt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455
Modifying ExpertRender Results. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457
Considerations When Using ExpertRender. . . . . . . . . . . . . . . . . . . . . . . . . . . 459
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Avid Symphony 4.0 User guide

Category
Audio editing software
Type
User guide

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