Avid Symphony Symphony Nitris 1.0 User guide

make manage move | media

™

Avid

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Avid

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Symphony

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Nitris

®

Basics Guide

2

Copyright and Disclaimer

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3

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Footage

Arri — Courtesy of Arri/Fauer — John Fauer, Inc.

Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.

It’s Shuttletime — Courtesy of BCP & Canadian Airlines.

Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.

Saturn “Calvin Egg” — Courtesy of Cossette Communications.

“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.

“The Big Swell” — Courtesy of Swell Pictures, Inc.

Windhorse — Courtesy of Paul Wagner Productions.

GOT FOOTAGE?

Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content

creators of every genre — Just finished an incredible project and want to share it with the world?

Send us your reels and we may use your footage in our show reel or demo!*

For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.

Avid Symphony Nitris Basics Guide • 0130-07614-01 • March 2007

5

Contents

Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Related Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Avid Educational Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Chapter 1 Editing Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Editing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Starting a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Preparing to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Editing a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Outputting a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Chapter 2 Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Turning on Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Working with the Desktop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Using the Windows Taskbar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Using Shortcut Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Navigating in Dialog Boxes and Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Understanding Mouse Scroll Wheel Functions . . . . . . . . . . . . . . . . . . . . . . . . . 44

Customizing Mouse Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Starting Your Avid Editing Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Working with Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Understanding the Select Project Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Opening an Existing Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Browsing for a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Opening a Project Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

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Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Deleting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Ending a Work Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Quitting Your Avid Editing Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Turning Off Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Managing the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . . . . . . . . . . 56

Understanding the Avid Projects and Avid Users Folders. . . . . . . . . . . . . . . . . 56

Changing Project and User Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Saving Your Project Information on a Drive or on Removable Media . . . . . . . . 59

Restoring from a Backup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Working with the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Understanding the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Retrieving Files from the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Opening Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Customizing Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Chapter 3 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Understanding the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Controlling Project Window Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Using the Bins Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Viewing a List of Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Renaming a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Opening and Closing Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Displaying Folders of Bins in the Bins List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Deleting a Bin or Folder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Emptying the Trash in the Bins List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Saving Bins Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Using the Settings Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Using the Format Tab in the Project Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

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Chapter 4 Capturing Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Understanding Logging and Shot Logs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Importing Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Preparing the Hardware for Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Getting Information About Striped Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Selecting the Sync Source for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Establishing Sync for Audio-Only Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Selecting Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Understanding Video Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Selecting Video Resolutions and Media Drives . . . . . . . . . . . . . . . . . . . . . . . . . 87

Setting Drive Filtering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Configuring Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Configuring a Deck or Multiple Decks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Deleting Deck Configuration Elements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Setting Up the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Opening the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Selecting a Deck in the Capture Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Selecting a Source Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Selecting Source Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Setting the Video and Audio Input in the Capture Tool . . . . . . . . . . . . . . . . . . 101

Detecting a Valid or Locked Sync Signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Setting the Pulldown Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Film Project Pulldown and Transfer Settings. . . . . . . . . . . . . . . . . . . . . . . 102

Capturing Digital Audio in Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Selecting a Resolution in the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Targeting a Single Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Targeting Separate Drives for Audio and Video . . . . . . . . . . . . . . . . . . . . 105

Targeting a Drive Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Interpreting the Time-Remaining Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Selecting a Custom Preroll. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

8

Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Understanding Audio Project Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Selecting the Audio Sample Rate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Understanding Audio Files and Formats . . . . . . . . . . . . . . . . . . . . . . . . . 109

Selecting the Audio File Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Performing Audio Sample Rate Conversion During Capture . . . . . . . . . . 110

Selecting the Audio Input Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Understanding the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Opening and Sizing the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Preparing for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Opening the Video Input Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Using the Factory Preset Buttons in the Video Input Tool. . . . . . . . . . . . . . . . 115

Preparing to Calibrate Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Calibrating Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Capture Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Capturing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Naming Clips and Adding Comments in the Capture Tool . . . . . . . . . . . . . . . 122

Capturing from a Mark IN to a Mark OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Capturing by Setting Both Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Capturing by Setting Only One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Capturing On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Preparing to Autocapture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Autocapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Capturing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Capturing with Time-of-Day Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Frame Chase Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Understanding Frame Chase Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Enabling Frame Chase Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Requirements and Guidelines for Frame Chase Capture . . . . . . . . . . . . . . . . 132

Batch Capturing from Logged Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Preparing to Batch Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Batch Capturing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

9

Recapturing Your Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Recapturing Master Clips and Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Recapturing Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Saving Two Versions of a Sequence When Recapturing . . . . . . . . . . . . . 138

Using Decompose When Recapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Recapturing the Sequence Without Using Decompose . . . . . . . . . . . . . . 140

Chapter 5 Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Creating and Using Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Creating a New Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Modifying an Existing Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Importing Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Importing Audio Files from a Music CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Using the Batch Import Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Starting the Reimport Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Chapter 6 Working with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Understanding Object Icons in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Understanding Bin Highlight Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Using Brief View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Enlarging or Reducing Frame Sizes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Realigning Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Adding Text in Script View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Playing Clips in Script View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Rearranging Clips in Script View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

10

Basic Bin Procedures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Selecting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Duplicating Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Deleting Bin Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Conserving Screen Real Estate with the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . 171

Enabling and Disabling the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Opening Bins in the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Closing the SuperBin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Moving Bins into and out of the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Moving Clips and Sequences into and out of the SuperBin . . . . . . . . . . . . . . 173

Copying Clips and Sequences into and out of the SuperBin. . . . . . . . . . . . . . 174

Deleting a Bin with the SuperBin Enabled. . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Creating a Storyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Chapter 7 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Working with Media Files in an Avid Interplay Environment. . . . . . . . . . . . . . . . . . 178

Configuring Avid Editing Systems to Work with the

Interplay Engine and Interplay Transfer. . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Using Avid Editing Systems in an Avid Workgroup Environment . . . . . . . . . . 179

Using Avid Editing Systems in an Avid Unity LANshare Workgroup. . . . . . . . 179

Viewing Media with a 100Base-T Connection to Avid Unity ISIS . . . . . . . . . . 180

Mounting and Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Mounting All Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Basic Media Tool Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Using the Media Tool in an Avid Interplay Environment . . . . . . . . . . . . . . . . . 183

Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Deleting Media Files with the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

11

Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Using the Consolidate Command. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Consolidate Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Using the Transcode Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Transcode Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Refreshing Media Directories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Deleting Unreferenced Clips and Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Chapter 8 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Viewing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Customizing the Composer Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Resizing the Composer Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Resizing the Source and Record Monitors . . . . . . . . . . . . . . . . . . . . . . . . 205

Resizing the Record Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Hiding the Video in a Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Using the 16:9 Display Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Displaying Tracking Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Playing Video to the Client Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Selecting the Video Display Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Loading Clips or Sequences into Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Resizing Pop-up Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Switching Between Loaded Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Clearing Clips from Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Controlling Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Using Position Bars and Position Indicators. . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Using Buttons to Control Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Stepping Forward and Backward by Field . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

12

Using the Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Playing Footage with the J-K-L Keys (Three-Button Play) . . . . . . . . . . . . 220

Navigating with Home, End, and Arrow Keys. . . . . . . . . . . . . . . . . . . . . . 222

Using the Mouse for Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223

Optimizing Your Playback Performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Marking IN and OUT Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Marking an Entire Clip or Segment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

Creating Subsequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Subclips and Audio Sync for 24p and 25p Projects. . . . . . . . . . . . . . . . . . . . . 229

Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Searching for a Clip or Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232

Understanding Match Frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Performing a Reverse Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Selecting Tracks for Matching Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Finding a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Locating a Master Clip from a Subclip in a Sequence. . . . . . . . . . . . . . . . . . . 236

Finding a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Chapter 9 Creating and Editing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Entering Source/Record Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Creating a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Changing the Name and Timecode for a Sequence . . . . . . . . . . . . . . . . . . . . 242

Understanding Track Display for a New Sequence. . . . . . . . . . . . . . . . . . . . . 243

Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Making a First Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Creating an Instant Rough Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Undoing or Redoing Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

13

Editing Additional Clips into the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Performing an Insert or Splice-in Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Performing an Overwrite Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Single-Mark Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Lifting, Extracting, and Copying Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Copying Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

Preserving Clipboard Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Recovering Material from the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Playing Back a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Managing Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Editing to Avoid Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Displaying Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Fixing Sync Breaks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Chapter 10 Using the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Customizing Timeline Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Using the Timeline Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Enlarging and Reducing Timeline Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Moving Timeline Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Highlighting Offline Media Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Highlighting Clips in a Mixed-Format Timeline . . . . . . . . . . . . . . . . . . . . . . . . . 269

Saving a Customized Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Replacing a Timeline View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Restoring the Default Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Navigating in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Using the Position Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Using the Timeline Scroll Bar/Position Bar. . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Setting the Scroll Option for the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Displaying Detail in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Zooming In and Out in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

14

Focusing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Controlling Movement in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Using Segment Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Selecting and Deselecting Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Guidelines for Selecting and Lassoing Segments. . . . . . . . . . . . . . . . . . . . . . 278

Performing Segment Mode Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Understanding the Four-Frame Display . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Suppressing Four-Frame Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Maintaining Sync in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Extracting/Splicing Segments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Lifting/Overwriting Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Deleting Segments in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Marking Clips and Sequences in Segment Mode. . . . . . . . . . . . . . . . . . . 284

Cutting, Copying, and Pasting in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . 285

Working with Multiple Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285

Understanding the Track Selector Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285

Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Monitoring and Soloing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Understanding Track Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Patching Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Locking and Sync Locking Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Sync Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Adding a Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Deleting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294

Understanding Backtiming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294

Backtiming Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295

Chapter 11 Working in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Understanding Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

Quick Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299

Big Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Trim Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

15

Entering and Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Entering Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Switching Between Quick Trim Mode and the Record Monitor . . . . . . . . . . . . 303

Setting Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303

Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304

Using Basic Trim Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304

Selecting Trim Sides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Selecting Video Tracks in Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306

Audio Solo in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306

Selecting Additional Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Performing a Basic Trim. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Reviewing Trim Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Reviewing an Edit with the Play Loop Button . . . . . . . . . . . . . . . . . . . . . . 309

Reviewing an Edit with the Edit Review Button. . . . . . . . . . . . . . . . . . . . . 310

Trimming On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Dual-Image Playback During Trims . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311

Trimming During a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Chapter 12 Working with Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Overview of Audio Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Accessing Audio Effect Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Audio Editing Aids. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315

Using Audio Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315

Understanding Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Selecting Tracks for Audio Scrubbing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317

Performing Smooth Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Understanding Digital Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Adjusting Digital Scrub Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Performing Digital Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Soloing Audio Tracks in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Displaying Waveform Plots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Using Audio Meters in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

Adjusting Volume Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

16

Identifying the Sample Rate by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326

Muting the Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326

Using the Audio Mixer Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

Accessing the Audio Mixer and Audio Mixer Modes . . . . . . . . . . . . . . . . . . . . 327

Understanding Audio Mixer Tool Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

Resizing the Audio Mixer Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Selecting Tracks in the Audio Mixer Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Using the Track Solo and Track Mute Buttons . . . . . . . . . . . . . . . . . . . . . . . . 331

Interpreting Position Indicator Lights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Using Clip Gain and Pan Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Adjusting Clip Gain and Pan for Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . 333

Using the Audio Mixer Fast Menu in Clip Gain and Pan Mode . . . . . . . . . . . . 336

Modifying Pan Values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Modifying How the System Interprets Pan . . . . . . . . . . . . . . . . . . . . . . . . 338

Using the Center Pan Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Using Automation Gain and Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Using Automation Gain and Pan in the Timeline. . . . . . . . . . . . . . . . . . . . . . . 340

Deleting Automation Gain or Automation Pan Keyframes

in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342

Understanding Automation Gain and Pan Mode. . . . . . . . . . . . . . . . . . . . . . . 342

Recording Automation Gain or Automation Pan Information. . . . . . . . . . . . . . 343

Using the Audio Mixer Tool Sliders for

Automation Gain and Pan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344

Using the Audio Mixer Fast Menu in

Automation Gain and Pan Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345

Using Keyboard Shortcuts with Audio Keyframes . . . . . . . . . . . . . . . . . . 347

Using Live Mix Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347

Using an External Controller in Live Mix Mode . . . . . . . . . . . . . . . . . . . . . . . . 348

Using Live Mix Mode Without an External Controller . . . . . . . . . . . . . . . . . . . 349

Switching Between Live Mix Mode and Other Audio Mixer Modes . . . . . . . . . 349

Using the Audio Mixer Mode Fast Menu in Live Mix Mode . . . . . . . . . . . . . . . 350

17

Fine-Tuning Audio Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352

Fading and Dipping Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Fading Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Dipping Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356

Converting the Audio Sample Rate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356

Changing the Audio Sample Rate for Sequences and Audio Clips . . . . . . . . . 357

Mixing Down Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358

Chapter 13 Working with Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

Types of Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362

Effects Creation Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365

Real-Time Effects and Non-Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . 366

Effects and Project Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

AVX Plug-In Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

Understanding the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

Displaying and Adjusting the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Applying Effects From the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Using the Fade Effect Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

Using the Quick Transition Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

Deleting Effects in a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377

Sizing Effects to Fit the Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378

Adjusting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379

Entering Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379

Understanding Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380

Making Basic Effect Adjustments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381

Moving Through an Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Working with Effect Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Saving an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Applying an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383

Working with Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Understanding Standard Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Adding a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Selecting a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

18

Moving a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386

Changing a Standard Keyframe’s Parameters . . . . . . . . . . . . . . . . . . . . . . . . 386

Copying and Pasting Standard Keyframe Parameters . . . . . . . . . . . . . . . . . . 387

Deleting a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387

Playing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Playing an Effect in Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Playing Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389

Understanding Render On-the-Fly for Effect Preview . . . . . . . . . . . . . . . . . . . 390

Using Render On-the-Fly for Effect Preview . . . . . . . . . . . . . . . . . . . . . . . . . . 390

Real-Time Playback of Video Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391

Understanding Real-Time Effects Processing. . . . . . . . . . . . . . . . . . . . . . . . . 391

Understanding Real-Time Playback Information in the Timeline. . . . . . . . . . . 392

Turning Playback Performance Indicators On or Off. . . . . . . . . . . . . . . . . . . . 393

Controlling Real-Time Effects Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

Choosing Bit Depth for Effects Processing. . . . . . . . . . . . . . . . . . . . . . . . 395

Selecting the OpenGL Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395

Limiting the Number of Real-Time Streams . . . . . . . . . . . . . . . . . . . . . . . 396

Basics of Effects Rendering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397

Understanding Effects Rendering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397

Rendering a Single Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398

Rendering Effects at Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399

Rendering Effects Between IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . 400

Rerendering Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401

ExpertRender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402

Understanding ExpertRender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402

Using the ExpertRender Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404

Using the ExpertRender Command After a Real-Time

Playback Attempt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406

Modifying ExpertRender Results . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408

Considerations When Using ExpertRender . . . . . . . . . . . . . . . . . . . . . . . 410

19

Chapter 14 Working with Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411

Opening the Title Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412

Using Marquee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413

Workflow for Creating Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414

Understanding the Title Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415

Using the Selection and Text Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416

Setting Up the Drawing Environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417

Previewing Titles with Anti-Aliasing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417

Displaying Safe Title and Safe Action Guidelines in the Title Tool. . . . . . . . . . 418

Selecting a Background for Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418

Creating Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

Sizing and Positioning Text Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421

Editing a Text String . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422

Formatting Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422

Setting Default Text Attributes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

Selecting a Font . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

Changing Point Size. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424

Making Text Bold or Italic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424

Justifying Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

Understanding Kerning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

Kerning Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426

Adjusting Leading. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427

Creating Graphic Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Modifying and Manipulating Title Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

Adding Shadows to Title Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430

Saving Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431

Saving a Title and Exiting the Title Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432

Saving Multiple Titles in a Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433

Using a Keyboard Shortcut to Save a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . 433

Using the Fast Save Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434

Revising a Title in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

Editing with Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436

Title Effect Clips in the Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436

20

Editing a Title into a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438

Setting Marks in a Rolling Title or a Crawling Title . . . . . . . . . . . . . . . . . . . . . 438

Splicing or Overwriting a Title into a Sequence. . . . . . . . . . . . . . . . . . . . . . . . 439

Dragging a Marked Title into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441

Dragging an Unmarked Title into a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . 442

Trimming the Duration of Rolling and Crawling Titles . . . . . . . . . . . . . . . . . . . 443

Removing a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444

Replacing a Title. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444

Fading a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444

Chapter 15 Color Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 445

How Symphony Nitris Color Correction Works. . . . . . . . . . . . . . . . . . . . . . . . . . . . 445

Reasons for Making Color Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448

Color Correction Mode Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448

Entering and Leaving Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . 449

Understanding Color Correction Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . 449

Switching Between Current and Reference Monitors

Using the Escape Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450

Monitor Buttons in Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 451

The Client Monitor in Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . 451

Color Correction Tool Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452

Making Basic Automatic Color Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452

Correcting Color Automatically Using the Color Correction Effect . . . . . . . . . 452

Correcting Color Automatically in the Hue Offsets Tab. . . . . . . . . . . . . . . . . . 454

Making a Basic Color Match Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455

Making a Manual Primary Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457

Making a Basic Secondary Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 458

Safe Color Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460

Managing Safe Color Warnings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460

Safe Color Warnings in the Composer Window . . . . . . . . . . . . . . . . . . . . . . . 461

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Avid Symphony Symphony Nitris 1.0 User guide

Avid Symphony Symphony Nitris 1.0 User guide

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