Propellerhead Reason Essentials 8.3 User manual

OPERATION MANUAL

The information in this document is subject to change without notice and does not represent a commitment on the

part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be

copied to any other media except as specifically allowed in the License Agreement. No part of this publication may be

copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by

Propel

lerhead Software AB.

Reason Essentials and Rack Extension are trademarks of Propellerhead Software. All other commercial symbols

Table of Contents

4

Introduction 19

Welcome! 20

About this chapter 20

About this manual 20

About the Reason Essentials operating

system versions 20

Conventions in the manual 20

The Authorization system 22

Registering Reason Essentials 22

Running Reason Essentials with Internet Verification 23

Authorizing your Computer/Ignition Key (for off-line use)

23

About deauthorizing the computer/Ignition Key 24

Running Reason Essentials on an authorized computer -

or with an authorized Ignition Key hardware 24

Running Reason Essentials in Demo Mode 25

Reassigning the Function Keys in Mac

OS X 26

About automatic program updates 27

Common Operations and

Concepts 29

About this chapter 30

Areas, windows and basic navigation 30

Song window overview 30

The Browser 31

The Main Mixer 32

The Rack 33

The Sequencer 34

The Transport Panel 35

The ReGroove Mixer 35

Navigating between the areas 36

Showing/hiding the Navigators 36

Using several Reason Essentials Song windows 36

The Tool Window 37

The On-screen Piano Keys window 38

General window techniques 39

Resizing 39

Scrolling 40

Zooming in the Sequencer 41

Scrolling and zooming using a wheel mouse 42

Editing parameters 43

Knobs 43

Faders and sliders 44

Buttons 44

Fold/Unfold buttons 45

Multi Mode selectors 45

Numerical controls 46

Alpha-numeric controls 46

Numerical segment displays 47

Tool Tips 48

Context menus 49

Parameter context menus 49

Device context menus 50

Main Mixer channel strip context menu 51

Rack “background” context menu 51

Main Mixer “background” context menu 52

Sequencer context menus 52

Undo and Redo 53

On-screen Piano Keys 55

About this chapter 56

Using the On-screen Piano Keys 56

Opening the Piano Keys window 56

Mouse mode 57

Computer Keys mode 58

Audio Basics 61

About this chapter 62

How Reason Essentials communicates

with your audio hardware 62

Manual audio routing 63

Audio quality 63

5

Audio settings 64

About audio levels 67

System signal paths 69

Audio Track signal paths 69

Instrument Track signal paths 70

General information about audio and

computers 71

About latency 71

About processors 72

About RAM 72

Sequencer Functions 73

About this chapter 74

Introduction 74

Sequencer area overview 74

Arrange Mode and Edit Mode 74

Toolbar overview 75

Track List overview 76

Tracks overview 76

Lanes overview 76

Clips overview 77

Inspector overview 77

Ruler overview 77

Edit/Arrangement Pane overview 77

Track scrollbar overview 78

Song Navigator overview 78

Transport Panel overview 78

Track details 79

Track definition 79

The relationship between the track, the rack and the

Main Mixer 80

Master Keyboard Input 84

The relationship between tracks, lanes, clips and events

85

Track types 85

Track List elements 87

Creating tracks 88

Selecting tracks 91

Moving tracks 92

Deleting tracks 92

Duplicating/copying tracks and devices 93

Coloring tracks 94

Naming tracks 94

Folding tracks 94

Muting tracks 95

Soloing tracks 95

Lane details 96

Audio lane 96

Note lane 97

Parameter automation lane 98

Pattern lane 99

Creating/adding lanes 100

Deleting lanes 102

Moving note lanes 103

Copying (duplicating) note lanes 103

Muting lanes 104

Clip basics 104

Clip types 104

Toolbar details 105

Toolbar tools 105

Alternate tools 107

Snap 108

Sequencer Toolbar keyboard shortcuts 109

Ruler details 109

Transport Panel details 110

Transport keyboard commands 113

About the Inspector 114

About subticks in the Position and Length displays 114

About the “Match Values” function 114

Recording in the Sequencer

115

About this chapter 116

General recording functions 116

Record enabling 116

Click and Pre-count 120

Loop mode 122

General recording procedure 123

Undoing a recording 124

Recording tips 124

6

Audio recording details 124

Setting up the audio track 124

Recording audio 129

Recording audio in Loop mode 131

Overdubbing audio using the “Dub” function 132

Duplicating audio tracks using the “Alt” function 132

Recording over or into an existing audio clip 133

Recording audio from Mix Channel outputs 134

Recording a mixdown of several audio tracks 136

Note recording details 140

Setting up the instrument track 140

Recording notes 140

Recording notes in Loop mode 140

Recording over or into an existing note clip 141

Recording notes using the “Dub” and “Alt” functions 142

Parameter automation recording details

144

Performance controllers vs. track parameter automation

144

Recording performance controller automation 145

Recording parameter automation into Note Clips 146

Recording performance controller automation over or

into an existing clip 146

About performance controller automation on multiple

lanes 147

Recording parameter automation 147

Recording parameter automation in Loop mode 148

Recording parameter automation over or into an existing

clip 149

Adjusting automated parameters during playback - “Live

mode” 150

Recording parameter automation on multiple tracks 150

Pattern automation recording details 151

Recording pattern automation 151

Tempo automation recording 152

Recording tempo automation 152

Arranging in the Sequencer

155

About this chapter 156

Clip handling 156

Creating Clips 156

Selecting clips 156

Setting audio clip Level and Fades 158

Deleting clips 159

Resizing (masking) clips 160

About masked recordings and events 161

Tempo scaling clips 163

Moving clips 165

About overlapping clips 167

Duplicating clips 167

Cutting, Copying and Pasting clips 167

Naming clips 168

Coloring clips 168

Splitting clips 169

Joining clips 170

Muting clips 172

Merging clips on note lanes 172

Matching clips using the “Match Values” function 173

Inserting bars 175

Removing bars 175

About removing bars that contain audio recordings 176

Audio Editing in the

Sequencer 177

About this chapter 178

Clip Modes and Editing 178

Inline editing vs. the Comp Editor (Edit Mode) 178

Clip Modes 178

Opening audio clips for editing 179

Editing audio inline 180

Preparing audio clips for inline editing 180

Audio clip elements inline 181

Inline audio editing tools 181

Selecting Slices and Slice Markers 182

Adding Slice Markers 183

Deleting Slice Markers 184

Repositioning Slice Markers 184

Moving/stretching Slices 184

Nudging Slices 186

Quantizing audio 186

Split at Slices 187

Bounce Clip to REX Loop 187

Revert Slices 188

7

Editing audio in the Comp Editor 189

Audio clip elements in the Comp Editor 189

The relationship between Clips, Comp Rows and

Recordings 193

Comp Editor window handling 195

Comp Editor audio editing tools 195

Selecting a Comp Row for playback in a Single Take clip

196

Selecting Comp Rows 197

Deleting Comp Rows 198

Moving Comp Rows 198

Duplicating Comp Rows 198

Cutting, copying and pasting Comp Rows 199

Adjusting the Comp Row Level 199

Adjusting the Recording Offset 200

Delete Unused Recordings 200

Bounce Clip(s) to New Sample(s) 201

Normalizing Clips 202

Reversing Clips 203

Comping audio 204

Adding Cuts 204

Adding Segments 205

Adding Crossfades to Cuts 205

Deleting Cuts 206

Moving Cuts 206

Changing Comp Row assignments 207

Bounce Clip(s) to New Recording(s) 208

Creating a comped audio clip 209

Turning Comp clips into Single Take clips 213

Changing the tempo of the audio 213

Selecting Stretch Type 213

Tempo scaling Clips 213

Audio and tempo matching 215

Matching an imported audio clip to the song tempo 215

Editing audio using the Inspector 216

Editing recordings and cuts in the Inspector 216

Matching audio values using the "Match Values"

function 216

Note and Automation Editing

219

About this chapter 220

The Edit Mode 220

Selecting what to edit 221

Opening note and automation clips for editing 221

Edit Mode elements 223

Edit Mode window handling 225

Note Edit Modes 225

Creating empty clips 228

Tool Window editing tools 229

Note editing 230

Selecting notes 230

Drawing notes 231

Deleting notes 233

Resizing notes 233

Moving notes 236

Duplicating notes 239

Using Cut, Copy and Paste 240

Quantize 241

Pitch (Transposing) 244

Extract Notes to Lanes 245

Scale Tempo 248

Editing note velocity 249

Automation editing 251

Overview 251

Editing parameter automation 251

Drawing parameter automation events 254

Deleting automation events 255

Editing performance controller automation 255

About Automation Cleanup 257

Editing pattern automation 258

Drawing pattern automation 259

Moving, resizing and duplicating pattern automation clips

260

Deleting pattern automation clips 260

The “Convert Pattern Automation to Notes” function 261

Editing tempo automation 261

About tempo changes and tempo automation of audio

tracks 262

Automating time signature 262

Moving, resizing and duplicating time signature

automation clips 264

Deleting time signature automation clips 264

Note and automation editing in the

Inspector 265

Editing notes and events in the Inspector 265

Matching notes or events using the “Match Values”

function 265

8

Working with the Rack 269

About this chapter 270

Rack device procedures 270

Navigating in the rack 270

Resizing and detaching the rack 271

About Device Groups 272

Creating devices 274

Selecting devices 276

Deleting devices 278

Re-ordering devices 278

Re-routing devices 280

Creating new rack columns 280

About the “Sort Selected Device Groups” function 280

Replacing devices 281

Duplicating devices 282

Cut, Copy and Paste devices 282

Naming devices 283

Folding and unfolding devices 284

Working with Rack Extensions

285

About this chapter 286

What are Rack Extensions? 286

Future compatibility 286

Trying and buying Rack Extensions 286

Trial versions of Rack Extensions 286

Buying Rack Extensions 286

Installing and managing Rack

Extensions 287

Using Rack Extensions in Reason

Essentials 288

About missing Rack Extensions 290

Sounds, Patches and the

Browser 291

About this chapter 292

About patches 292

Reason devices that use patches 292

Loading patches 293

Setting browse focus 296

Saving patches 297

Copying and pasting patches between devices 297

Initializing patches and resetting device parameters 298

About ReFills 299

Using the Browser 300

Opening the browser 301

Browser elements 302

Navigating in the Browser 307

Using Locations and Favorites 309

Favorites Lists 309

Selecting and auditioning samples and REX loops 312

Selecting multiple files 312

Cross-browsing patch files 313

Create Instrument/Create Effect 314

About patch formats and sampler devices 314

Using the “Search” function 315

Loading files 315

About browse lists 316

Handling Missing Sounds 317

Reason Essentials file formats 319

Routing Audio and CV 321

About this chapter 322

Signal types 322

Audio signals 322

CV/Gate signals 322

About P-LAN signals 323

About MIDI routing 323

About cables 323

Cable appearance 323

Checking and following cable connections 324

Cable color 325

Automatic routing 325

Auto-routing of audio input signals 325

Auto-routing of Instrument devices 326

9

Auto-routing of Effect devices 326

Auto-routing of CV/Gate signals 327

Auto-routing devices after they have been created 327

Manual routing 328

Connecting cables 329

Connecting cables using pop-up menus 329

Disconnecting cables 330

Disconnecting devices 330

Using CV and Gate 330

Routing CV and Gate signals 330

About CV Trim knobs 330

The Main Mixer 331

About this chapter 332

Overview 332

The Audio Track, its device and mixer channel strip 333

The Mix Channel device and channel strip 334

The Master Section device mixer strip 335

Navigating in the Main Mixer 336

Viewing the Main Mixer area 336

Scrolling and navigating in the Main Mixer 336

Switching between channels, rack devices and tracks

337

Managing mixer channels 338

Creating and deleting channels 338

Selecting channels 338

Moving channels 338

Copying and duplicating channels 339

Copy channel settings 339

Resetting channel settings 340

Naming mixer channels 340

Coloring mixer channels 341

The channel strip 342

Input section 342

EQ section 342

Insert FX section 343

FX Sends section 343

Fader section 344

Channel Header section 345

The Master Section strip 346

Master Compressor section 347

Master Inserts section 348

FX Return section 349

Master Fader section 350

Master Section Header 350

Automating mixer parameters 351

Working with effects 351

Insert FX 351

Send FX 355

Remote controlling the Main Mixer 358

Remote controlling a single mixer channel 358

Remote controlling multiple mixer channels 358

Advanced routing tips and tricks 361

Chaining Send effects from Redrum or Mixer devices

361

Splitting signals using the Insert FX Out 363

Using the Mix Channel and Audio Track devices’ Direct

Outs 364

Creating an input channel for recording with effects 365

Creating a sub-mixer 367

Song File Handling 371

About this chapter 372

Opening Songs 372

Opening a Reason Essentials Song 372

Opening a Reason Essentials Demo Song 373

Opening the last Song at program launch 373

Closing Songs 373

Closing a Song 373

Creating Songs 374

Creating a new Song 374

Setting up a Default Song 374

Creating a new Song from a template 374

Saving Songs 375

Saving a Song 375

Saving and optimizing a Song 375

10

Including Song Information 376

About Self-Contained Songs 377

Making a Song appear as a Template Song 378

A note about saving Songs as audio files 378

Audio data and Scratch Disk settings 379

About audio data in Song files 379

Changing Scratch Disk folder location 379

About “Orphan Audio Streams” 380

Importing and exporting Standard MIDI

Files 380

Importing Standard MIDI Files 380

Exporting Standard MIDI Files 381

Importing and Exporting

Audio 383

About this chapter 384

Importing audio 384

Audio formats, sample rates and tempo matching 384

About tempo matching imported audio 384

Importing audio to the sequencer 385

Exporting audio 388

Exporting Songs or parts of Songs 388

Bouncing Mixer Channels 389

Bouncing Audio Clips 392

Drop to Propellerhead 393

Sampling 397

About this chapter 398

Overview 398

One-click sampling 398

The Edit Sample window 398

About sample format, rate and resolution 399

General sampling functions 399

Setting up for sampling 399

Sampling 401

The Sample buttons 401

Sampling procedure 401

The Song Samples location 404

Editing samples 406

The Edit Sample window 406

Setting Sample Start and End 408

Cropping samples 410

Normalizing samples 410

Reversing samples 410

Fading in/out samples 411

Looping samples 412

Saving edited samples 414

Renaming samples 414

Sample management 415

About Assigned and Unassigned samples 415

Saving samples in a song 416

Deleting samples from a song 416

Loading samples into a device 417

Duplicating samples 418

Exporting samples 419

About self-contained samples 421

The ReGroove Mixer 423

Introduction 424

ReGroove basics 424

The ReGroove Mixer 425

Global parameters 425

Channel parameters 426

Copy, Paste and Initialize ReGroove channels 430

Groove Settings 431

Working with grooves 434

Applying grooves to your music 434

Commit to Groove - making the grooves “permanent”

437

Creating your own ReGroove patches 438

Groovy tips & tricks 439

ReGroove patches in the Reason

Essentials Sound Bank 440

11

Remote - Playing and

Controlling Devices 441

About the various MIDI inputs 442

About Remote 442

Setting up 443

Adding a control surface or keyboard 443

Other functions 445

Example Setups 446

Remote basics 446

About Standard vs Remote Override mapping 447

About mapping variations 447

Locking a surface to a device 448

Locking a surface 448

Unlocking a surface 450

Remote Override 451

Activating Remote Override Edit mode 451

Remote Override mapping 452

Additional Remote Overrides... 455

Assigning Additional Overrides 456

Keyboard Control 457

Enabling Keyboard Control 457

Editing Keyboard Control 457

Saving Remote Setups 458

ReWire 459

About this chapter 460

Why use Reason Essentials with

ReWire? 460

Introducing ReWire! 460

In ReWire version 1 460

In ReWire 2 460

How does it work? 460

Terminology 461

About system requirements 461

About synchronization 461

Launching and quitting applications 461

Using the Transport and Tempo controls

462

Routing audio 462

Preparations in Reason Essentials 462

Routing in the ReWire host application 463

Routing MIDI via ReWire 2 463

Converting ReWire channels to audio

tracks 464

Details about various ReWire hosts 464

Synchronization and

Advanced MIDI 465

About this chapter 466

Synchronization to MIDI Clock 466

ReWire users – read this! 466

What is synchronization and MIDI Clock? 466

Slaving Reason Essentials to an external MIDI

application or instrument 466

Slaving Reason Essentials to another program on the

same computer 467

Synchronization considerations 468

Advanced MIDI - The External Control

Bus inputs 470

About the External Control Bus inputs 470

Routing MIDI to devices 471

Receiving Controller data via MIDI 471

About recording Pattern Changes 471

12

Optimizing Performance 473

Introduction 474

Checking Processing Power 474

Optimization and Latency reduction 474

About Latency Compensation 475

Optimizing your computer system 476

Optimizing Songs 478

RAM requirements 480

Hardware Interface 481

Introduction 482

About using ReWire 483

Sampling Input section 483

Advanced MIDI Device 484

More Audio 484

The Big Meter 485

The Combinator 487

Introduction 488

Creating Combinator devices 489

Combinator elements 490

About internal and external connections

491

About External Routing 491

Adding devices to a Combi 493

About the Insertion line 493

Creating new devices in a Combi 493

Adding devices using drag and drop 494

Adding devices using copy/paste 495

Adding a Combi to a Combi 495

Combining two Combis 495

Combining devices in a Combi with devices in the rack

495

Combi handling 495

Moving the entire Combi 495

Moving devices within a Combi 496

Moving devices out of a Combi 496

Deleting devices in a Combi 496

Uncombining devices 496

Sequencer tracks and playing Combis

496

The Controller panel 497

Select backdrop... 498

Using the Programmer 499

Key Mapping instrument devices 500

Setting Velocity Ranges for instrument devices 501

Using Modulation Routing 502

CV Connections 505

Mixer 14:2 507

Introduction 508

The Channel Strip 508

Channel Strip Controls 509

The Mixer signal flow 510

About the EQ modes 510

The Auxiliary Return Section 511

The Master Fader 511

Connections 511

Chaining several Mixer 14:2 devices 513

13

The Line Mixer 6:2 515

Introduction 516

Channel parameters 516

The Auxiliary Return section 516

Master level 516

Connections 517

ID8 Instrument Device 519

Introduction 520

The Sounds 520

The ID8 and Standard MIDI Files 520

Using the ID8 521

Selecting Sounds 521

Controlling Sounds 522

About saving edited Sounds 522

Subtractor Synthesizer 523

Introduction 524

Loading and Saving Patches 524

The Oscillator Section 525

Oscillator 1 Waveform 525

Setting Oscillator 1 Frequency - Octave/Semitone/Cent

527

Oscillator Keyboard Tracking 527

Using Oscillator 2 527

Oscillator 2 Waveform 528

Noise Generator 528

Phase Offset Modulation 529

Frequency Modulation (FM) 531

Ring Modulation 532

The Filter Section 533

Filter 1 Type 533

Filter 1 Frequency 536

Resonance 536

Filter Keyboard Track (Kbd) 536

Filter 2 537

Envelopes - General 538

Amplitude Envelope 539

Filter Envelope 539

Mod Envelope 540

LFO Section 541

LFO 1 Parameters 541

LFO 2 Parameters 542

Play Parameters 543

Velocity Control 543

Pitch Bend and Modulation Wheels 544

Legato 545

Retrig 545

Portamento (Time) 545

Setting Number of Voices - Polyphony 546

About the Low Bandwidth button 546

External Modulation 546

Connections 547

Audio Output 547

Sequencer Control 547

Modulation Inputs 548

Modulation Outputs 548

Gate Inputs 548

NN-XT Sampler 549

Introduction 550

Sampling in NN-XT 550

Panel overview 551

The main panel 551

The Remote Editor panel 551

Loading complete Patches and REX files

552

Loading NN-XT Patches 552

Loading NN19 Patches 552

14

Loading SoundFonts 553

Loading complete REX files as Patches 553

Using the main panel 554

The Pitch and Modulation wheels 554

The External Control wheel 554

High Quality Interpolation 555

Global Controls 556

Overview of the Remote Editor panel 557

The Key Map display 557

Sample parameters 558

Group parameters 558

Synth Parameters 559

About Samples and Zones 559

Selections and Edit Focus 560

Selecting Zones 561

Moving Edit Focus 563

Adjusting parameters 563

Adjusting Synth parameters 563

Adjusting Group parameters 563

Sample parameters 564

Managing Zones and Samples 565

Creating a Key Map 565

About file formats and REX slices 566

Adding more samples to the Key Map 566

Replacing a sample 566

Quick browsing through samples 567

Removing samples 567

Auditioning samples 567

Adding empty Zones 567

Duplicating Zones 568

Removing Zones 568

Rearranging Zones in the List 568

Working with Grouping 568

About Groups 568

Creating a Group 569

Moving a Group to another position in the List 569

Moving a Zone from one Group to another 569

Selecting a Group and/or Zones in a Group 570

The Group Parameters 570

Working with Key Ranges 570

About Key Ranges 570

Setting up Key Ranges 570

About the Lock Root Keys function 574

About the Solo Sample function 575

Sorting Zones by Note 576

Setting Root Notes and Tuning 577

About the Root Key 577

Setting the Root Note manually 577

Tuning samples manually 577

Setting the Root Note and Tuning using pitch detection

578

About changing the pitch of samples 578

Using Automap 578

Layered, crossfaded and velocity

switched sounds 579

Creating layered sounds 579

About velocity ranges 579

Setting velocity range for a Zone 581

About Crossfading Between Zones 581

Setting crossfading for a Zone 583

Using Alternate 583

About the Alternate function 583

Sample parameters 584

Root Note and Tune 584

Sample Start and End 584

Loop Start and End 584

Play Mode 585

Lo Key and Hi Key 585

Lo Vel and Hi Vel 585

Fade In and Fade Out 585

Alt 585

Out 585

Group parameters 586

Key Poly 586

Legato and Retrig 587

LFO 1 Rate 587

Portamento 587

Synth parameters 588

The Modulation controls 588

The Velocity controls 590

The Pitch section 591

The Filter section 592

The Modulation Envelope 593

The Amplitude Envelope 595

The LFOs 596

15

Connections 598

Sequencer Control 598

Modulation Input 599

Gate Input 599

Audio Output 599

Dr. Octo Rex Loop Player 601

Introduction 602

ReCycled Loops 602

About REX file formats 603

Loading and saving Dr. Octo Rex patches

603

About the Dr. Octo Rex patch format 603

Playing Loops 604

Switching playback between Loop Slots 604

Adding Loops 605

Loading Loops “On the Fly” 606

Removing Loops 606

Cut/Copy and Paste Loops between Loop Slots 606

Playing individual Loop Slices 606

Creating sequencer notes 607

Slice handling 610

Selecting Slices 610

Editing individual Slices 610

Editing in the Waveform Display 611

The Slice Edit Mode 612

Dr. Octo Rex panel parameters 613

Pitch and Mod wheels 613

Trig Next Loop 613

Note To Slot 613

Loop Slot buttons 614

Enable Loop Playback and Run 615

Volume 615

Global Transpose 615

Dr. Octo Rex synth parameters 616

Select Loop & Load Slot 616

Loop Transpose 616

Loop Level 617

Oscillator section 617

Mod. Wheel 617

Velocity section 618

The Filter Section 618

Envelope section 620

LFO section 621

Pitch Bend Range 622

Setting number of voices - polyphony 622

Audio Quality settings 623

Connections 623

Modulation Inputs 623

Modulation Outputs 624

Gate Inputs 624

Gate Output 624

Slice Outputs 624

Main Outputs 624

Redrum Drum Computer 625

Introduction 626

Sampling in Redrum 626

About file formats 627

Using patches 628

Loading a patch 628

Checking the sounds in a patch 628

Creating a new patch 629

Creating an empty patch 629

Programming patterns 630

Pattern basics 630

Pattern tutorial 631

Setting pattern length 632

Setting pattern resolution 633

Step dynamics 633

Pattern Shuffle 634

Flam 634

The Pattern Enable switch 635

The Enable Pattern Section switch 635

Pattern functions 636

Chaining patterns 636

Converting Pattern data to notes in the main sequencer

637

16

Redrum parameters 638

Drum sound settings 638

Global settings 641

Using Redrum as a sound module 642

Connections 643

The MClass Effects 645

The MClass effects 646

The MClass Equalizer 647

The MClass Stereo Imager 648

The MClass Compressor 649

The MClass Maximizer 652

Line 6 Amps 653

Introduction 654

About the Amp Tones patch format 654

Basic usage 654

Front panel 655

Using the Line 6 Amps 656

Selecting Patches (Amp Tones) 656

Selecting Amp and Cabinet model 657

About the Amp/Cabinet models 658

Amp Parameters 658

Additional parameters 658

Additional Line 6 Amp Models 659

Connections 660

RV7000 Mk II

Advanced Reverb 661

Overview 662

About the Patch format 662

The main panel 663

The Remote Programmer 663

Reverb algorithms and parameters 664

Common effect device parameters 664

About the main panel parameters 664

Selecting an algorithm 664

Small Space 665

Room 665

Hall 666

Arena 666

Plate 666

Spring 666

Echo 667

Multi Tap 667

Reverse 668

Convolution 669

The EQ section 672

The Gate section 673

CV Inputs 674

Scream 4 Sound Destruction

Unit 675

Scream 4 Sound Destruction Unit 676

Parameters 676

CV inputs and outputs 680

Screamy tips and tricks 681

Half-Rack Effects 683

Common effect device features 684

DDL-1 Digital Delay Line 686

CF-101 Chorus/Flanger 687

Spider Audio Merger & Splitter 689

Spider CV Merger & Splitter 691

17

Matrix Pattern Sequencer 695

Introduction 696

About the three Output types 696

Programming patterns 697

Pattern basics 697

Tutorial 700

Using Curve Patterns 702

Setting Pattern Length 703

Using Tied Notes 703

Setting Pattern Resolution 704

Pattern Shuffle 704

Pattern Mute 704

Pattern Functions 705

Chaining Patterns 705

Converting Pattern data to notes in the main sequencer

706

Example usage 707

Using the Matrix for modulation 707

Programming “Acid Style” lead lines 708

Triggering samples 708

Menu and Dialog Reference

709

Reason Essentials menu (Mac OS X) 710

File menu 711

Edit menu 715

Preferences – General 731

Preferences – Audio 734

Preferences – Control Surfaces 738

Preferences - Sync 742

Preferences – Advanced 743

Preferences - Language (Windows only) 745

Create menu 746

Options menu 747

Window menu (Windows version) 751

Window menu (Mac OS X version) 753

Help menu 755

Key Commands 757

About the Key Commands chapter 758

General keyboard shortcuts 758

General modifier keys 759

Transport keyboard shortcuts 759

Sequencer keyboard shortcuts 760

Sequencer modifier keys 761

Arrow keys 762

Save dialog keyboard shortcuts 762

On-screen Piano Keys keyboard shortcuts 762

NN-XT keyboard shortcuts 763

NN-XT modifier keys 763

Dr. Octo Rex keyboard shortcuts 763

Dr. Octo Rex modifier keys 763

Redrum keyboard shortcuts 763

Redrum modifier keys 763

Matrix keyboard shortcuts 764

Matrix modifier keys 764

Index 765

18

Chapter 1

Introduction

INTRODUCTION

20

Welcome!

This is the Operation Manual for Propellerhead’s Reason Essentials Version 8.3 music production software. The in-

formation in this manual is also available as html files in the on-line Reason Essentials Help system.

If you haven’t already, don’t forget to check out the Video Tutorials web site, which can be accessed from the Help

menu in Reason Essentials.

Also, be sure to regularly check out the Propellerhead web site at www.propellerheads.se for the latest news!

About this chapter

The Introduction chapter describes some of the general conventions used throughout the Reason Essentials Opera-

tion Manual. It also contains instructions on how to utilize the Reason Essentials authorization system.

About this manual

In this Operation Manual, all aspects of the Reason Essentials program are described in detail. The first chapters deal

with general methods and techniques, e.g. how to connect audio sources, mix and record. Then follow descriptions of

all rack devices in Reason Essentials.

About the Reason Essentials operating system

versions

Propellerhead Reason Essentials comes in two platform versions: one for Windows 7 or later and one for Mac OS X

10.7 or later. The screenshots in this manual were taken from both platform versions of Reason Essentials, and some

screenshots remain from older versions of Reason Essentials. Since the program layout is more or less identical in

these versions, there shouldn’t be any problem following the instructions.

Conventions in the manual

This manual describes both the Windows and Mac OS X versions of Reason Essentials; wherever the versions differ

this is clearly stated in the text.

Text conventions

The text conventions are pretty straightforward. The examples below describe when certain text styles are used:

D This style instructs the user to perform the task(s) described in the sentence.

! This text style means IMPORTANT INFORMATION. Read carefully to avoid problems!

q This text style is used for tips and additional info.

Key command conventions

In the manual, computer keyboard commands are indicated with brackets. For example:

D Hold down [Shift] and press [C].

However, some modifier keys are different on Windows and Mac computers. Whenever this is the case, the manual

separates the commands with “(Win)” and “(Mac)” indications as in the following example:

D Hold down [Ctrl](Win) or [Cmd](Mac) and press [S] to save your song.

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Propellerhead Reason Essentials 8.3 User manual

Propellerhead Reason Essentials 8.3 User manual

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