Propellerhead Reason 8.3 User manual

Category
Software
Type
User manual
OPERATION MANUAL
The information in this document is subject to change without notice and does not represent a commitment on the
part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be
copied to any other media except as specifically allowed in the License Agreement. No part of this publication may be
copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by
Propel
lerhead Software AB.
©2015 Propellerhead Software and its licensors. All specifications subject to change without notice. Reason,
Reason Essentials and Rack Extension are trademarks of Propellerhead Software. All other commercial symbols
are protected trademarks and trade names of their respective holders. All rights reserved.
Table of Contents
TABLE OF CONTENTS
4
Introduction 23
Welcome! 24
About this chapter 24
About this manual 24
About the Reason operating system
versions 24
Conventions in the manual 24
The Authorization system 26
Registering Reason 26
Running Reason with Internet Verification 27
Authorizing your Computer/Ignition Key (for off-line use)
27
About deauthorizing the computer/Ignition Key 28
Running Reason on an authorized computer - or with an
authorized Ignition Key hardware 28
Running Reason in Demo Mode 29
Reassigning the Function Keys in Mac
OS X 30
About automatic program updates 31
Common Operations and
Concepts 33
About this chapter 34
Areas, windows and basic navigation 34
Song window overview 34
The Browser 35
The Main Mixer 36
The Rack 37
The Sequencer 38
The Transport Panel 39
The ReGroove Mixer 39
Navigating between the areas 40
Showing/hiding the Navigators 40
Using several Reason Song windows 40
The Tool Window 41
The On-screen Piano Keys window 42
General window techniques 43
Resizing 43
Scrolling 44
Zooming in the Sequencer 45
Scrolling and zooming using a wheel mouse 46
Editing parameters 47
Knobs 47
Faders and sliders 48
Buttons 48
Fold/Unfold buttons 49
Multi Mode selectors 49
Numerical controls 50
Alpha-numeric controls 50
Numerical segment displays 51
Tool Tips 52
Context menus 53
Parameter context menus 53
Device context menus 54
Main Mixer channel strip context menu 55
Rack “background” context menu 56
Main Mixer “background” context menu 56
Sequencer context menus 56
Undo and Redo 57
On-screen Piano Keys 59
About this chapter 60
Using the On-screen Piano Keys 60
Opening the Piano Keys window 60
Mouse mode 61
Computer Keys mode 62
Audio Basics 65
About this chapter 66
How Reason communicates with your
audio hardware 66
Manual audio routing 67
Audio quality 67
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5
Audio settings 68
About audio levels 70
System signal paths 73
Audio Track signal paths 73
Instrument Track signal paths 74
General information about audio and
computers 75
About latency 75
About processors 76
About RAM 76
Sequencer Functions 77
About this chapter 78
Introduction 78
Sequencer area overview 78
Song View and Edit Mode 79
Toolbar overview 80
Track List overview 80
Tracks overview 81
Lanes overview 81
Clips overview 82
Inspector overview 82
Ruler overview 82
Edit/Arrangement Pane overview 82
Track scrollbar overview 83
Song Navigator overview 83
Transport Panel overview 83
Track details 84
Track definition 84
The relationship between the track, the rack and the
Main Mixer 85
Master Keyboard Input 90
The relationship between tracks, lanes, clips and events
91
Track types 91
Track List elements 93
Creating tracks 93
Selecting tracks 97
Moving tracks 98
Deleting tracks 98
Duplicating/copying tracks and devices 99
Coloring tracks 100
Naming tracks 100
Folding tracks 100
Muting tracks 101
Soloing tracks 101
Lane details 102
Audio lane 102
Note lane 103
Parameter automation lane 104
Pattern lane 105
Creating/adding lanes 106
Deleting lanes 108
Moving note lanes 109
Copying (duplicating) note lanes 109
Muting lanes 110
Clip basics 110
Clip types 110
Toolbar details 111
Toolbar tools 111
Alternate tools 113
Snap 114
Sequencer Toolbar keyboard shortcuts 115
Ruler details 115
Transport Panel details 116
Transport keyboard commands 119
About the Inspector 121
About subticks in the Position and Length displays 121
About the “Match Values” function 121
Recording in the Sequencer
123
About this chapter 124
General recording functions 124
Record enabling 124
Click and Pre-count 128
Loop mode 130
General recording procedure 131
Undoing a recording 132
Recording tips 132
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6
Audio recording details 132
Setting up the audio track 132
Recording audio 137
Recording audio in Loop mode 139
Overdubbing audio using the “Dub” function 140
Duplicating audio tracks using the “Alt” function 140
Recording over or into an existing audio clip 141
Recording audio from Mix Channel outputs 142
Recording a mixdown of several audio tracks 144
Note recording details 148
Setting up the instrument track 148
Recording notes 148
Recording notes in Loop mode 148
Recording over or into an existing note clip 149
Recording notes using the “Dub” and “Alt” functions 150
Parameter automation recording details
152
Performance controllers vs. track parameter automation
152
Recording performance controller automation 153
Recording parameter automation into Note Clips 154
Recording performance controller automation over or
into an existing clip 154
About performance controller automation on multiple
lanes 155
Recording parameter automation 155
Recording parameter automation in Loop mode 156
Recording parameter automation over or into an existing
clip 157
Adjusting automated parameters during playback - “Live
mode” 158
Recording parameter automation on multiple tracks 158
Pattern automation recording details 159
Recording pattern automation 159
Tempo automation recording 160
Recording tempo automation 160
Arranging in the Sequencer
163
About this chapter 164
Clip handling 164
Creating Clips 164
Selecting clips 164
Setting audio clip Level and Fades 167
Deleting clips 168
Resizing (masking) clips 169
About masked recordings and events 170
Tempo scaling clips 172
Moving clips 174
About overlapping clips 176
Duplicating clips 176
Cutting, Copying and Pasting clips 176
Naming clips 177
Coloring clips 177
Splitting clips 178
Joining clips 179
Muting clips 181
Merging clips on note lanes 181
Matching clips using the “Match Values” function 182
Inserting bars 184
Removing bars 184
About removing bars that contain audio recordings 185
Audio Editing in the
Sequencer 187
About this chapter 188
Clip Modes and Editing 188
Inline editing vs. the Comp Editor (Edit Mode) 188
Clip Modes 188
Opening audio clips for editing 189
Editing audio inline 190
Preparing audio clips for inline editing 190
Audio clip elements inline 191
Inline audio editing tools 191
Selecting Slices and Slice Markers 192
Adding Slice Markers 193
Deleting Slice Markers 193
Repositioning Slice Markers 194
Moving/stretching Slices 194
Nudging Slices 196
Quantizing audio 196
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7
Split at Slices 197
Bounce Clip to REX Loop 197
Revert Slices 198
Editing audio in the Comp Editor 199
Audio clip elements in the Comp Editor 199
The relationship between Clips, Comp Rows and
Recordings 203
Comp Editor window handling 205
Comp Editor audio editing tools 205
Selecting a Comp Row for playback in a Single Take clip
206
Selecting Comp Rows 207
Deleting Comp Rows 208
Moving Comp Rows 208
Duplicating Comp Rows 208
Cutting, copying and pasting Comp Rows 209
Adjusting the Comp Row Level 209
Adjusting the Recording Offset 210
Delete Unused Recordings 210
Bounce Clip(s) to New Sample(s) 211
Normalizing Clips 212
Reversing Clips 213
Comping audio 214
Adding Cuts 214
Adding Segments 215
Adding Crossfades to Cuts 215
Deleting Cuts 216
Moving Cuts 216
Changing Comp Row assignments 217
Bounce Clip(s) to New Recording(s) 218
Creating a comped audio clip 219
Turning Comp clips into Single Take clips 223
Changing the tempo and transposition of
the audio 223
Selecting Stretch and Transpose Type 223
Tempo scaling Clips 223
Transposing Audio Clips 225
Audio and tempo matching 227
Matching an imported audio clip to the song tempo 227
Editing audio using the Inspector 228
Editing recordings and cuts in the Inspector 228
Matching audio values using the "Match Values"
function 228
Note and Automation Editing
231
About this chapter 232
The Edit Mode 232
Selecting what to edit 233
Opening note and automation clips for editing 233
Edit Mode elements 235
Edit Mode window handling 237
Note Edit Modes 237
Creating empty clips 240
Tool Window editing tools 241
Note editing 242
Selecting notes 242
Drawing notes 243
Deleting notes 245
Resizing notes 245
Moving notes 248
Duplicating notes 251
Using Cut, Copy and Paste 252
Quantize 253
Pitch (Transpose) 256
Extract Notes to Lanes 257
Scale Tempo 260
Editing note velocity 261
Automation editing 263
Overview 263
Editing parameter automation 263
Drawing parameter automation events 266
Deleting automation events 267
Editing performance controller automation 267
About Automation Cleanup 269
Editing pattern automation 270
Drawing pattern automation 271
Moving, resizing and duplicating pattern automation clips
272
Deleting pattern automation clips 272
The “Convert Pattern Automation to Notes” function 273
Editing tempo automation 273
About tempo changes and tempo automation of audio
tracks 274
Automating time signature 275
Moving, resizing and duplicating time signature
automation clips 276
Deleting time signature automation clips 276
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8
Note and automation editing in the
Inspector 277
Editing notes and events in the Inspector 277
Matching notes or events using the “Match Values”
function 277
Working with Blocks in the
Sequencer 281
About this chapter 282
Introduction 282
The idea behind Blocks 282
Arrangement Views 283
Song View (with Blocks disabled) 283
Song View (with Blocks enabled) 283
Block View 284
Editing Blocks in the Block View 284
Selecting a Block for editing 284
Renaming Blocks 285
Defining the Block length 285
Changing Block color 285
Recording in the Block View 285
Editing clips in the Block View 285
Arranging clips in the Block View 286
Arranging Blocks in the Song View 286
Creating Block Automation Clips 286
Resizing Block Automation Clips 288
Reassigning Blocks in Block Automation Clips 288
Muting lanes in Block Automation Clips 289
Converting Block Automation Clips to Song Clips 291
Combining Block Automation Clips with Song Clips 293
Working with the Rack 297
About this chapter 298
Rack device procedures 298
Navigating in the rack 298
Resizing and detaching the rack 299
About Device Groups 300
Creating devices 302
Selecting devices 304
Deleting devices 306
Re-ordering devices 306
Re-routing devices 308
Creating new rack columns 308
About the “Sort Selected Device Groups” function 308
Replacing devices 309
Duplicating devices 310
Cut, Copy and Paste devices 310
Naming devices 311
Folding and unfolding devices 312
Working with Rack Extensions
313
About this chapter 314
What are Rack Extensions? 314
Future compatibility 314
Trying and buying Rack Extensions 314
Trial versions of Rack Extensions 314
Buying Rack Extensions 314
Installing and managing Rack
Extensions 315
Using Rack Extensions in Reason 316
About missing Rack Extensions 318
Sounds, Patches and the
Browser 319
About this chapter 320
About patches 320
Reason devices that use patches 320
Loading patches 321
Setting browse focus 324
Saving patches 325
Copying and pasting patches between devices 326
Initializing patches and resetting device parameters 326
TABLE OF CONTENTS
9
About ReFills 327
Using the Browser 328
Opening the browser 329
Browser elements 330
Navigating in the Browser 334
Using Locations and Favorites 336
Favorites Lists 336
Selecting and auditioning samples and REX loops 339
Selecting multiple files 339
Cross-browsing patch files 340
Create Instrument/Create Effect 341
About patch formats and sampler devices 341
Using the “Search” function 342
Loading files 342
About browse lists 343
Handling Missing Sounds 344
Reason file formats 346
Routing Audio and CV 349
About this chapter 350
Signal types 350
Audio signals 350
CV/Gate signals 350
P-LAN signals 351
About MIDI routing 351
About cables 351
Cable appearance 351
Checking and following cable connections 352
Cable color 353
Automatic routing 353
Auto-routing of audio input signals 353
Auto-routing of Instrument devices 354
Auto-routing of Effect devices 354
Auto-routing of CV/Gate signals 355
Auto-routing devices after they have been created 355
About re-routing devices in songs created in Reason
Version 5 or earlier 356
Manual routing 357
Connecting cables 358
Connecting cables using pop-up menus 358
Disconnecting cables 359
Disconnecting devices 359
Using CV and Gate 360
Routing CV and Gate signals 360
About CV Trim knobs 360
The Main Mixer 361
About this chapter 362
Overview 362
The Audio Track, its device and mixer channel strip 363
The Mix Channel device and channel strip 364
The Master Section device and mixer strip 365
Navigating in the Main Mixer 366
Viewing the Main Mixer area 366
Scrolling and navigating in the Main Mixer 366
Showing and hiding channel strip sections 367
Switching between channels, rack devices and tracks
368
Managing mixer channels 369
Creating and deleting channels 369
Selecting channels 369
Moving channels 370
Copying and duplicating channels 370
Copy channel settings 371
Resetting channel settings 371
Naming mixer channels 371
Coloring mixer channels 372
The channel strip 373
Input section 373
Dynamics section 374
EQ section 377
The Spectrum EQ Window 378
Insert FX section 381
FX Sends section 382
Fader section 383
Channel Header section 384
The Master Section strip 385
Master Compressor section 386
FX Send section 387
Master Inserts section 388
FX Return section 389
Master Fader section 390
Master Section Header 391
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10
Automating mixer parameters 391
Working with effects 391
Insert FX 391
Send FX 396
Output Busses 399
Creating an Output Bus 399
Deleting an Output Bus 401
Recording a sub-mix onto an audio track 402
Parallel Channels 403
Creating Parallel Channels 403
Deleting Parallel Channels 406
Naming Parallel Channels 406
Solo, Mute and Send FX logic 407
Solo and Mute logic 407
Send FX level and mute logic 409
Remote controlling the Main Mixer 411
Remote controlling a single mixer channel 411
Remote controlling multiple mixer channels 411
Advanced routing tips and tricks 414
Chaining Send effects from Redrum or Mixer devices
414
Using compression sidechaining 416
Using the Mix Channel and Audio Track devices’ Direct
Outs 417
Creating an input channel for recording with effects 418
Song File Handling 421
About this chapter 422
Opening Songs 422
Opening a Reason or Record Song 422
Opening a Reason Demo Song 423
Opening the last Song at program launch 423
Closing Songs 424
Closing a Song 424
Creating Songs 424
Creating a new Song 424
Setting up a Default Song 424
Creating a new Song from a template 425
Saving Songs 425
Saving a Song 425
Saving and optimizing a Song 426
Including Song Information 426
About Self-Contained Songs 427
Making a Song appear as a Template Song 428
A note about saving Songs as audio files 428
Audio data and Scratch Disk settings 429
About audio data in Song files 429
Changing Scratch Disk folder location 429
About “Orphan Audio Streams” 430
Importing and exporting Standard MIDI
Files 430
Importing Standard MIDI Files 430
Exporting Standard MIDI Files 431
Importing and Exporting
Audio 433
About this chapter 434
Importing audio 434
Audio formats, sample rates and tempo matching 434
About tempo matching imported audio 434
Importing audio to the sequencer 435
Exporting audio 438
Exporting Songs or parts of Songs 438
Bouncing Mixer Channels 440
Bouncing Audio Clips 442
Drop to Propellerhead 444
Sampling 447
About this chapter 448
Overview 448
One-click sampling 448
The Edit Sample window 448
About sample format, rate and resolution 449
General sampling functions 449
Setting up for sampling 449
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11
Sampling 451
The Sample buttons 451
Sampling procedure 451
The Song Samples location 454
Editing samples 456
The Edit Sample window 456
Setting Sample Start and End 458
Cropping samples 460
Normalizing samples 460
Reversing samples 460
Fading in/out samples 461
Looping samples 462
Saving edited samples 464
Renaming samples 464
Sample management 465
About Assigned and Unassigned samples 465
Saving samples in a song 466
Deleting samples from a song 466
Loading samples into a device 467
Duplicating samples 468
Exporting samples 469
About self-contained samples 471
The ReGroove Mixer 473
Introduction 474
ReGroove basics 474
The ReGroove Mixer 475
Global parameters 475
Channel parameters 476
Copy, Paste and Initialize ReGroove channels 480
Groove Settings 481
Working with grooves 484
Applying grooves to your music 484
Commit to Groove - making the grooves “permanent”
487
Creating your own ReGroove patches 488
Groovy tips & tricks 489
ReGroove patches in the Factory Sound
Bank 490
Remote - Playing and
Controlling Devices 491
About the various MIDI inputs 492
About Remote 492
Setting up 493
Adding a control surface or keyboard 493
Other functions 495
Example Setups 495
Remote basics 496
About Standard vs Remote Override mapping 497
About mapping variations 497
Locking a surface to a device 498
Locking a surface 498
Unlocking a surface 500
Remote Override 501
Activating Remote Override Edit mode 501
Remote Override mapping 502
Additional Remote Overrides... 505
Assigning Additional Overrides 506
Keyboard Control 507
Enabling Keyboard Control 507
Editing Keyboard Control 507
Saving Remote Setups 508
ReWire 509
About this chapter 510
Why use Reason with ReWire? 510
Introducing ReWire! 510
In ReWire version 1 510
In ReWire 2 510
TABLE OF CONTENTS
12
How does it work? 510
Terminology 511
About system requirements 511
About synchronization 511
Launching and quitting applications 511
Using the Transport and Tempo controls
512
Routing audio 512
Preparations in Reason 512
Routing in the ReWire host application 513
Routing MIDI via ReWire 2 513
Converting ReWire channels to audio
tracks 514
Details about various ReWire hosts 514
Synchronization and
Advanced MIDI 515
About this chapter 516
Synchronization to MIDI Clock 516
ReWire users – read this! 516
What is synchronization and MIDI Clock? 516
Using Reason as MIDI Clock master 516
Slaving Reason to an external MIDI application or
instrument 518
Slaving Reason to another program on the same
computer 518
External synchronization considerations 519
Advanced MIDI - The External Control
Bus inputs 521
About the External Control Bus inputs 521
Routing MIDI to devices 522
Receiving Controller data via MIDI 522
About recording Pattern Changes 522
Optimizing Performance 523
Introduction 524
Checking Processing Power 524
Optimization and latency reduction 524
About Latency Compensation 525
Optimizing your computer system 526
Optimizing Songs 528
RAM requirements 530
Hardware Interface 531
Introduction 532
About using ReWire 533
Sampling Input section 533
Advanced MIDI Device 534
More Audio 534
The Big Meter 535
The Combinator 537
Introduction 538
Creating Combinator devices 539
Combinator elements 540
About internal and external connections
541
About External Routing 541
Adding devices to a Combi 543
About the Insertion line 543
Creating new devices in a Combi 543
TABLE OF CONTENTS
13
Adding devices using drag and drop 544
Adding devices using copy/paste 545
Adding a Combi to a Combi 545
Combining two Combis 545
Combining devices in a Combi with devices in the rack
545
Combi handling 545
Moving the entire Combi 545
Moving devices within a Combi 546
Moving devices out of a Combi 546
Deleting devices in a Combi 546
Uncombining devices 546
Sequencer tracks and playing Combis
546
The Controller panel 547
Select backdrop... 548
Using the Programmer 549
Key Mapping instrument devices 550
Setting Velocity Ranges for instrument devices 551
Using Modulation Routing 552
CV Connections 555
Mixer 14:2 557
Introduction 558
The Channel Strip 558
Channel Strip Controls 559
The Mixer signal flow 560
About the EQ modes 560
The Auxiliary Return Section 561
The Master Fader 561
Connections 561
Chaining several Mixer 14:2 devices 563
The Line Mixer 6:2 565
Introduction 566
Channel parameters 566
The Auxiliary Return section 566
Master level 566
Connections 567
ID8 Instrument Device 569
Introduction 570
The Sounds 570
The ID8 and Standard MIDI Files 570
Using the ID8 571
Selecting Sounds 571
Controlling Sounds 571
About saving edited Sounds 572
Subtractor Synthesizer 573
Introduction 574
Loading and Saving Patches 574
The Oscillator Section 575
Oscillator 1 Waveform 575
Setting Oscillator 1 Frequency - Octave/Semitone/Cent
577
Oscillator Keyboard Tracking 577
Using Oscillator 2 577
Oscillator 2 Waveform 578
Noise Generator 578
Phase Offset Modulation 579
Frequency Modulation (FM) 581
Ring Modulation 582
The Filter Section 583
Filter 1 Type 583
Filter 1 Frequency 586
Resonance 586
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14
Filter Keyboard Track (Kbd) 586
Filter 2 587
Envelopes - General 588
Amplitude Envelope 589
Filter Envelope 589
Mod Envelope 590
LFO Section 591
LFO 1 Parameters 591
LFO 2 Parameters 592
Play Parameters 593
Velocity Control 593
Pitch Bend and Modulation Wheels 594
Legato 595
Retrig 595
Portamento (Time) 595
Setting Number of Voices - Polyphony 596
About the Low Bandwidth button 596
External Modulation 596
Connections 597
Audio Output 597
Sequencer Control 597
Modulation Inputs 598
Modulation Outputs 598
Gate Inputs 598
Thor Polysonic Synthesizer
599
Introduction 600
Loading and Saving Patches 600
Thor elements 601
The Controller panel 602
Using the Programmer 604
Basic connections - a tutorial 605
The Oscillator section 608
Mix section 615
Filter slots 615
Shaper 619
Amp section 619
LFO 1 620
Envelope sections 621
Global section 622
Modulation bus routing section 624
Step Sequencer 633
Basic operation 633
Connections 637
Malström Synthesizer 639
Introduction 640
Features 640
Theory of operation 641
Loading and Saving Patches 641
The Oscillator section 642
Setting oscillator frequency 643
Controlling playback of the graintable 643
The amplitude envelopes 644
The Modulator section 645
Modulator parameters 645
Destinations 646
The Filter section 647
The Filters 648
The Filter Envelope 650
The Shaper 651
Routing 653
Routing examples 654
The output controls 657
The play controls 657
Polyphony - setting the number of voices 658
Porta (portamento) 658
Legato 658
The Pitch Bend and Modulation wheels 659
The Velocity controls 659
The Modulation wheel controls 660
Connections 661
Audio Output 661
Audio Input 661
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15
Sequencer Control 661
Gate Input 662
Modulation Input 662
Modulation Output 662
Routing external audio to the filters 663
NN-19 Sampler 665
Introduction 666
General sampling principles 666
Background 666
Multisampling vs. single samples 666
About audio file formats 667
Loading a Sample Patch 667
Loading REX Files as Patches 668
Sampling in NN-19 668
About Key Zones and samples 669
Loading a Sample into an empty NN-19 669
Loading SoundFont samples 670
Loading REX slices as samples 670
Creating Key Zones 670
Selecting Key Zones 671
Setting the Key Zone Range 671
Deleting a Key Zone 672
About Key zones, assigned and unassigned samples
672
Adding sample(s) to a Key Map 672
Setting the Root Key 673
Removing sample(s) from a Key Map 673
Removing all unassigned samples 673
Rearranging samples in a Key Map 673
Setting Sample Level 673
Tuning samples 673
Looping Samples 674
About the Solo Sample function 674
Automap Samples 675
Mapping samples without Root Key or Tuning
information 675
How Mapping Information is saved 675
NN-19 synth parameters 676
The Oscillator Section 676
The Filter Section 677
Envelope Section 678
LFO Section 679
Play Parameters 681
Velocity Control 681
Pitch Bend and Modulation Wheels 681
Legato 682
Retrig 682
Portamento (Time) 682
Setting Number of Voices - Polyphony 683
Voice Spread 683
Low Bandwidth 683
Controller Section 683
Connections 684
Audio Outputs 684
Mono Sequencer Control 684
Modulation Inputs 684
Modulation Outputs 684
Gate Inputs 685
NN-XT Sampler 687
Introduction 688
Sampling in NN-XT 688
Panel overview 689
The main panel 689
The Remote Editor panel 689
Loading complete Patches and REX files
690
Loading NN-XT Patches 690
Loading NN-19 Patches 690
Loading SoundFonts 691
Loading complete REX files as Patches 691
Using the main panel 692
The Pitch and Modulation wheels 692
The External Control wheel 692
High Quality Interpolation 693
Global Controls 693
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16
Overview of the Remote Editor panel 695
The Key Map display 695
Sample parameters 696
Group parameters 696
Synth Parameters 697
About Samples and Zones 697
Selections and Edit Focus 698
Selecting Zones 699
Moving Edit Focus 701
Adjusting parameters 701
Adjusting Synth parameters 701
Adjusting Group parameters 701
Sample parameters 702
Managing Zones and Samples 703
Creating a Key Map 703
About file formats and REX slices 704
Adding more samples to the Key Map 704
Replacing a sample 704
Quick browsing through samples 705
Removing samples 705
Auditioning samples 705
Adding empty Zones 705
Duplicating Zones 706
Removing Zones 706
Rearranging Zones in the List 706
Working with Grouping 706
About Groups 706
Creating a Group 706
Moving a Group to another position in the List 707
Moving a Zone from one Group to another 707
Selecting a Group and/or Zones in a Group 708
The Group Parameters 708
Working with Key Ranges 708
About Key Ranges 708
Setting up Key Ranges 708
About the Lock Root Keys function 712
About the Solo Sample function 713
Sorting Zones by Note 714
Setting Root Notes and Tuning 715
About the Root Key 715
Setting the Root Note manually 715
Tuning samples manually 715
Setting the Root Note and Tuning using pitch detection
716
About changing the pitch of samples 716
Using Automap 716
Layered, crossfaded and velocity
switched sounds 717
Creating layered sounds 717
About velocity ranges 717
Setting velocity range for a Zone 719
About Crossfading Between Zones 719
Setting crossfading for a Zone 721
Using Alternate 721
About the Alternate function 721
Sample parameters 722
Root Note and Tune 722
Sample Start and End 722
Loop Start and End 722
Play Mode 723
Lo Key and Hi Key 723
Lo Vel and Hi Vel 723
Fade In and Fade Out 723
Alt 723
Out 723
Group parameters 724
Key Poly 724
Legato and Retrig 725
LFO 1 Rate 725
Portamento 725
Synth parameters 726
The Modulation controls 726
The Velocity controls 728
The Pitch section 729
The Filter section 730
The Modulation Envelope 731
The Amplitude Envelope 733
The LFOs 734
Connections 737
Sequencer Control 737
Modulation Input 737
Gate Input 737
Audio Output 737
TABLE OF CONTENTS
17
Dr. Octo Rex Loop Player 739
Introduction 740
ReCycled Loops 740
About REX file formats 741
Loading and saving Dr. Octo Rex patches
741
About the Dr. Octo Rex patch format 741
About opening songs that previously used Dr. Rex
devices 741
Playing Loops 742
Switching playback between Loop Slots 742
Adding Loops 743
Loading Loops “On the Fly” 744
Removing Loops 744
Cut/Copy and Paste Loops between Loop Slots 744
Playing individual Loop Slices 744
Creating sequencer notes 745
Slice handling 748
Selecting Slices 748
Editing individual Slices 748
Editing in the Waveform Display 749
The Slice Edit Mode 750
Dr. Octo Rex panel parameters 751
Pitch and Mod wheels 751
Trig Next Loop 751
Note To Slot 751
Loop Slot buttons 752
Enable Loop Playback and Run 753
Volume 753
Global Transpose 753
Dr. Octo Rex synth parameters 754
Select Loop & Load Slot 754
Loop Transpose 754
Loop Level 755
Oscillator section 755
Mod. Wheel 756
Velocity section 756
The Filter Section 757
Envelope section 758
LFO section 759
Pitch Bend Range 760
Setting number of voices - polyphony 761
Audio Quality settings 761
Connections 761
Modulation Inputs 762
Modulation Outputs 762
Gate Inputs 762
Gate Output 762
Slice Outputs 762
Main Outputs 762
Redrum Drum Computer 763
Introduction 764
Sampling in Redrum 764
About file formats 765
Using patches 766
Loading a patch 766
Checking the sounds in a patch 766
Creating a new patch 767
Creating an empty patch 767
Programming patterns 768
Pattern basics 768
Pattern tutorial 769
Setting pattern length 770
Setting pattern resolution 771
Step dynamics 771
Pattern Shuffle 772
Flam 772
The Pattern Enable switch 773
The Enable Pattern Section switch 773
Pattern functions 774
Chaining patterns 774
Converting Pattern data to notes in the main sequencer
775
Redrum parameters 776
Drum sound settings 776
Global settings 779
TABLE OF CONTENTS
18
Using Redrum as a sound module 780
Connections 781
Kong Drum Designer 783
Introduction 784
Overview 784
The Pad Section 784
The Drum Control Panel 785
The Drum and FX Section 785
About using custom backdrops 785
About file formats 785
Using patches 786
Loading a Kit Patch 786
Checking the sounds in a Kit Patch 787
Creating a new Kit Patch 787
Creating an empty Kit Patch 788
Saving Kit Patches 788
Pad Settings 789
Assigning Drums to Pads 789
Renaming Pads 790
Copying & Pasting Drums between Pads 790
Assigning Hit Type to Pads 790
Muting and Soloing Pads 791
Working with Pad Groups 792
The Drum and FX section 793
Signal flow 794
The Drum Control Panel 796
Sampling in Kong 798
The Drum Module slot 798
The FX slots 799
The Drum modules 800
NN-Nano Sampler 800
Nurse Rex Loop Player 804
Physical Bass Drum, Snare Drum and Tom Tom 809
Synth Bass Drum, Snare Drum and Tom Tom 811
Synth Hi-hat 812
The Support Generator modules 813
Noise Generator 813
Tone Generator 814
The FX modules 815
Using CV modulation of Bus FX and Master FX
parameters 815
Drum Room Reverb 816
Transient Shaper 816
Compressor 817
Filter 818
Parametric EQ 818
Ring Modulator 819
Rattler 820
Tape Echo 820
Overdrive/Resonator 821
Connections 822
Sequencer Control 822
Modulation Input 822
Aux Send Out 822
Gate In and Out 823
Audio Out 3-16 823
Main Audio Out 823
Using Kong as an effect device 823
Using external effects with Kong 824
External MIDI Instrument 825
Introduction 826
Using the External MIDI Instrument 826
Setting up for controlling an external MIDI instrument
826
Controlling the sound of your external MIDI instrument
827
Using MIDI Program Change 827
Recording MIDI Controller automation 828
Connections 833
Sequencer Control 833
Assignable CC 833
Tips & Tricks 833
Audio recording of MIDI controlled external instruments
833
TABLE OF CONTENTS
19
The MClass Effects 837
The MClass effects 838
The MClass Equalizer 839
The MClass Stereo Imager 840
The MClass Compressor 841
The MClass Maximizer 844
Line 6 Amps 845
Introduction 846
About the Amp Tones patch format 846
Basic usage 846
Front panel 847
Using the Line 6 Amps 848
Selecting Patches (Amp Tones) 848
Selecting Amp and Cabinet model 849
About the Amp/Cabinet models 850
Amp Parameters 850
Additional parameters 850
Additional Line 6 Amp Models 851
Connections 852
Scream 4 Sound Destruction
Unit 853
Scream 4 Sound Destruction Unit 854
Parameters 854
CV inputs and outputs 858
Screamy tips and tricks 859
Pulveriser 861
Introduction 862
About the Patch format 862
Parameters 862
Common effect device parameters 862
Signal Routing selector 863
The Squash section 864
The Dirt section 864
The Filter section 865
The Tremor section 866
The Follower section 867
Blend 868
Volume 868
Modulation inputs and outputs 869
CV Modulation inputs 869
Audio Modulation inputs 869
CV Modulation outputs 870
Demolition tips and tricks 870
Beef up your sounds 870
Make your pads tremble 870
Alligator Triple Filtered Gate
871
Introduction 872
About the Patch format 872
Overview and signal flow 872
Parameters 874
Common effect device parameters 874
Pattern section 874
Gate and Amp Envelope 875
Filters and Modulation 876
Effects 878
Mix controls 880
Audio connections 881
Main Inputs and Outputs 881
Separate Outputs 881
CV connections 882
Gate inputs 882
CV Modulation inputs 882
Gate Outputs 882
LFO CV Out 882
The built-in patterns 883
TABLE OF CONTENTS
20
Methods and Tips 884
Playing the Alligator live 884
Playing the gates from Matrix patterns 884
Controlling other sounds and effects 884
RV7000 Mk II Advanced
Reverb 887
Overview 888
About the Patch format 888
Connections 888
The main panel 889
The Remote Programmer 889
Reverb algorithms and parameters 890
Common effect device parameters 890
About the main panel parameters 890
Selecting an algorithm 890
Small Space 891
Room 891
Hall 892
Arena 892
Plate 892
Spring 892
Echo 893
Multi Tap 893
Reverse 894
Convolution 895
The EQ section 898
The Gate section 899
CV Inputs 900
The Echo 901
Introduction 902
About the Patch format 902
Parameters 902
Common effect device parameters 902
The Mode section 903
The Delay section 904
The Feedback section 905
The Color section 906
The Modulation section 907
The Output section 908
CV/Gate inputs 909
The Breakout Jacks 909
Tips and Tricks 910
Using the Roll function 910
Creating “pitched” delay 910
Distorted external feedback 910
BV512 Vocoder 911
Introduction 912
How does a vocoder work? 912
Setting up for basic vocoding 913
Vocoding vocals in real-time 913
Vocoding an existing audio track 915
Using the BV512 as an equalizer 917
BV512 parameters 918
Connections 919
Automation 920
Tips and tricks 921
Choosing a carrier sound 921
Choosing a modulator sound 922
Using the modulator as carrier 923
Controlling the Hold function 924
Using the individual band level connections 924
“Playing” the vocoder from a MIDI keyboard 926
Using the BV512 as a reverb 926
Neptune Pitch Adjuster and
Voice Synth 929
Introduction 930
Typical use cases 930
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Propellerhead Reason 8.3 User manual

Category
Software
Type
User manual

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