AGFA Optima 500 User manual

Type
User manual
The lens
fitted
to
vour
camera
is
a
product
of the
Agfa
camera
werk
and
has
been
computed.
and
manufactured.
in conformity
with
the
most
up-to-date
scientific
metho
ds,
This
lens
readtes
a standard
of
performance
neper preaiousry
attained
in lenses
of equal
speed
haaing
the
same
number
of elements.
Its
&ief
adaattages
lie
in
its
great
depth
of
field,
extremely
high
resoluing
power,
etcellent
definition
and
outstanding
reproduction
of
detail.
The
total
of these
cltaracteristics
makes
this
the
ideal
lens
for
miniature
photography
uith
bladc
and.
ushite
or
colour
film.
In
ad-dition,
eoery
lens
is
thorough\:
tested
before
leaz:ing
our
factory
by
the
most
up'to-date
methods
and
is
guaranteed
by
us
lor
its'quarity
and pefiormance.
AGFA-GEVAERT
AG
Camera-Werk,
Muenchen
www.orphancameras.com
EXPLANATIONS
OF ADJACENT
ILLUSTRATION
Operolion,
poges 2-5
@
Ropid tronsporl
lever
@
Mogic
releqse bulion
@
Seiiing
mork
for
outomqtic mechonism
@
Setting mork
for focusing symbols
@
Setting ring for symbols
Technicol seclion,
poges
7-15
@
Cotch for comero
bock
@
DIN/ASA
scole
for
setting
the film speed
@
Light
prism
for red
qnd
green
signol
@
Accessory shoe
@
Rewind knob
@
Diophrogm ring
@
Flosh contoct
CONTENTS
Ropid
tronsport lever
Focusing
symbols
PAGE
.2
Holding
the comero,
viewfinder
Green
signol-releosing
Three
points
for
good
phoios
^
5
o
Film
types
Looding ihe
comero
. 819
Film
counter
l0
Setting the film speed
ll
Without the outomotic
mechonism 12
Flosh
iechnique
13
Agoinst the lighi ond
close-up exposure reodings
14
Filters ond occessories
15
Rewinding the film
16
www.orphancameras.com
You ore
now ihe
proud
owner
of
q
technicolly
perfect
comerq-the
fully
outomotic
Agfo
Opiimo 500
which
does
not require
ony
com-
plicoted
monuol
operotions
ond so leoves
you
free to
concentrote
on
the
subject.
Whot o source
of
boundless
loy
thot isl
From
your
photogrophic
deoler
you
will
hove
leorned
how
simple lhe
Agfo
Optimo 500 is
to hondle.
Shutter
speeds ond
operiures
which
once
hod
io be
worked
out, meosured
or set ore now
of
your
beck ond
coll.
The
fully
outomotic
mechonism is
something
of o mirocle,
your
in-
visible
slove
to
colculote, think
ond
oct for
you-iust
o iouch
of the
"mogic
releose
button"
suffices.
You
will
probobly
wish
to
get
fomiliorized
with
this mosterpiece
of
precision.
On
poges
2 to
6
you
will find brief
operoiing
instructions;
technicol
odvice
ond
useful
phologrophic
hints
ore
given
on
poges
7 Io 16.
with
the ropid
tronsport
lever of
your
Opfimo.
Just
swing
the lever
forwqrd
to
move ihe
film
on one
frome. The
film counter
ot the
lower
reqr edge
of
the comero
shows
you
how
mony
exposures
you
still
hove
left.
lf the ropid
tronsport
lever will
not move,
the
comerq
is olreody
set
for the
nexl
exposure.
The
shutter
releose
ond film
tronsport
ore
fit-
ied with
o lock to
prevent
blqnk
or
double
exposures.
lf
you
releose
lhe ropid
tronsport
lever
before
compleiing
the
full forword
stroke
it will
re-
lurn to
i,ts siorting
posiiion. ln
lhis event
you
should
swing
the lever
forword
ogoin os
for
os it will
go.
www.orphancameras.com
How for
owqy is
your
su.biect?
With
your
Agfo Optimo
you
con
photogroph
ot
oll distonces be-
tween
3tla ft.
(1
m) ond infinity.
There
ore
only lhree
focus
settings
on the
comero.
According
to
the
distonce
from
the
subiect you
merely
set
one
of the
three
sym-
bols
on the lens
mounl
ogoinst
the
white mork:
AQ
ctose-ups
f\{
Groups
,A(\
Distqnt
views
.|5ft.
to
infiniiy
l'l"l
-
(londscope)
lntermediote
settings
ore
olso
possible,
if re-
quired.
lf
you
wish to
focus
the
comero
on
objects
only
31/a ft. owoy,
turn
ihe
lens mount
until the
3y4 ft.
F
m) setting
is in
line
with
the
white mork
obove the
word
"€ompu/'.
To ensure
correclly
exposed photogrophs
it is
importonl
lo
set lhe
correcl film speed
on
lhe
cqmerq
(see
poge
ll).
Subiecl
disionce
5fr.
ro 7ft.5in.
7 ft.
5 in. to
'15
ft.
Toke the first
pressure . . .
When
photogrophing
it is
importont
io hold
the comerq
steody.
You should
therefore
toke
your
Optimo
in boih
honds ond
broce
your
orms
ogoinsi
your
body.
Ploce
ihe index
finger
of
your
right hond on
the mogic
releose
button.
When
you
look
through
ihe viewfinder
you
will
see
o luminous
frome
which
surrounds
the subiect
ond
shows
you
ihe exoct
picture oreo.
For
close-ups
(3y4
ft. setiing),
the two
lines below
the
top
morgin of
this
frome indicoie
ihe upper edge
of
ihe
pic-
ture oreo.
To
toke
upright
photos,
oper-
ote the
releose bution with
your
thumb or index
finger,
os
illustroied.
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ililililil|rililtIlil
Note !
The ouiomqtic
mechonism
is con-
nected
when the A
ond the
white mork
ore in line.
Green
signol:
"All
cleor" for
your
photogroph
Red signol'
Stop-
do
not
photogroph
Green signol ... releqse
The ligl*ing
is under conslonl
con-
lrol
qs
soon os
you
ociuote
the
ropid
tronsport
lever. Sight
your
subiect.
Wiih
the
signol ol
green,
press
down
the mogic releose
but-
ton
to the
pressure
point.
Then keep
lh;::"'"
in this
posirion
ond
The
red signol meons
there is not
enough
light; time
exposures or
flqsh
will
then
help
you
(see po-
ses
12l13).
lf no
exposure tokes
ploce,
remove
your
finger
from ihe button.
Then
re-sighi the
subiect ond
press
down
the
button ogoin to the pressure
point;
finolly
press
righi down to
exoose.
Three
points
which
you
con
quickly
moster
suffice
io obioin
perfect
Pictures'
l. Set
the
focusing
sYmbol.
2. Line
up
your subiect
qnd
iqke
the
first
pressu
re.
3.
Green
signol
in
viewfinder
'
Press
releqse
bution
righi
down.
Afterwords
prepore
the
comero
for
the
next
phoiogroph
by
operoiing
the
ropid
tronsport
lever,
so
qs
noi
to
miss
on
oction
shot.
Thot's
lust
how
eosy
photogrophy
is
with
the
Agfo
OPtimo
500'
But
you
will
probobly
wont
to
know
more
so
toke the
cqmero
in
your honds
www.orphancameras.com
Photogrophy is more
.fun
when you
hqve
mosiered
the three
points
mentioned ond
ore
lhoroughly
fomilior
with
your
comero
ioo.
Firsi
of
oll,
something
obout
films ond
how
to
choose them:
Firsi
use Agfo lsopon F, l7 DIN
(40
ASA).
It is o fine-groin
blcck-ond-whiie
film of
good
contour shorpness
ond
con-
sislent
quoliiy.
For
sport
photogrophy
the ropid Agfo lsopon ISS film,
2l DIN
(,l00
ASA),
is
iust
risht.
With Agfocolor films
you
con explore
ihe
world
of col-
our. These films hove been
firm fovourites for more
thon
twenty-five
yeors,
becouse
of
their noturol reproduction
of boih
postel
ond brilliont
colours.
In oddition, their
high
speed
hos mode the living
snopshot
in
colour
q
procticol
reolity.
For shorp, brilliqnt colour tronspqrencies:
Agfocolor Reversql Film
CT'18.
For
wonderful olbum colour
prints:
Agfocolor
Negotive
Film
CN
17
or CN.l4.
The film con
be looded
in doy-
light,
but
olwoys
in the shode-
moking
use of
body shodow.
First open
the
comero
bock
bY
sliding
cotch
in
direction of
orrow.
Push locking
buiton
of
rewind
knob in
direciion of
orrow
ond
drow
oui rewind
knob
firmly
with left hond
os for
os
pos-
sible.
Now set
the film
type
indicotor
by
turning
the
milled
edge
Pro-
iruding
ot the
bottom
of
the
rewind
knob until
the
desired
setting
oppeors
in the
window:
Block ond
white
checks
:
Block ond
while
film
CN
=
Colour
negotive
film
CT
=
Colour
reversol
film,
DAY doylight
tyPe
CK
:
Colour
reversol
film, ortificiol
A liqht
lype
(incondescenl
lo.-rnps'6f
3400o
Kelvin)
CF
:
Colour
reversol
film,
ortificiol
F
floshlight
tYPe
(3800o
Kelvin)
il
I
I
il
www.orphancameras.com
i
Insert new film
cosselte wiih
hole lowords rewind knob.
Push
bock rewind
knob,
if nec-
essory
turning
slightly bock-
words ond forwords.
Turn loke-up spool by
its
mill-
ed disk until the brood slit
ond
film
perforotion
lug ore upper-
mosf.
Drow out ihe
film
from the
cossette
lowords the toke-up
spoor.
lnsert
ihe
end of the film in the
slit,
holding the
toke-up
spool
firmly, so thot the
lug engoges
in
the second
film
perforotion.
Now
iurn the toke-up
spool on
slighily in the
direction of the
orrow,
os
shown
in figure
F, un-
til iust
under
holf on inch of
the
full film width
proiects
from
the cosseite.
I
I
I
for
the
firsl
exPosure
posures
still
left
on
the
film'
Every
time
the
film
is
moved
on
the
rewind
knob
roiotes
in
the
opposite
direction
to
thot
shown
by
the
orrow,
"
t""1lg"
thot
the
film
is
properly
looded
ond
tronsported'
Double
exposures
imPossible
An
ingenious
double
"*oJrrr"
prevention.mechonism
ensures
thot
you
do
nottoke
iwo
photogrophs
on
one
""niiiu".in"oial,ion
the
film
connoi
be
tronsported
uniil
on
exposure
hos
been
mode.
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lmporlonl:
Remember to
set the
speed of the film
looded on the
comero lo be
sure of cor.
reclly
exposed
phologrophs.
To do this,
push
in the
smoll orresting knob
ond iurn the milled
disk
wiih
ihe oid
of
o
coin uniil the required DIN
or ASA speed
is opposite
the
setting mork.
for
qll
films
from
ll-25 DIN
(10-250
ASA)
When
you
press
ihe
mogic releose
bution, the
exposure reoding is
outomolicolly
ond invisibly
fixed for
you.
During
the exposure
it then
outomolicolly
orronges o shutter
speed ond operture
combinqtion
which
olwoys
ensures the
correct
exposure.
on
this
Po'ge).
Tirne
exPosures
Turn
the
milled
ring
on
the
lens
mount
until
"B"
is
in
line
with
the
mork,
os
shown
in
the
top
lilustrotion.
When
on
this
setting
ihe
shutter
sioys
open
os
long
os
the
releose
bution
is
;;J;";:;.
rt.'"
,'J
of
o
triPod
ond.o
coble
;"1:";;
is
odvisqble
in
such
coses'
The
loiter
ir
t.t"*"a
into
the
ihreod
below
the
releose
'fria"
tr.t
the
side'
By
turning
the
reor
milled
i"glL"'
ofurtr,"'
become
visible
in
the
smoll
window.
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No
floshlight
problems
For
flosh
work
turn
the
ouiomqtic
mechqnism
ring
uniil
the
flosh
symbol
is
opposite
the
white
mork.
A
constont
shutter
speed
of
llgo
sec.
is
used
for
flosh
work.
Pleose
see
the
column
for
,,X',
synchronizotion
on
eoch
pocket
of
flosh
bulbs
for
ihe
required
operture
which
is set
by turn-
ing
ihe
reor
milled
ring.
The plug
of the
flosh
coble
is
connected
io
the
flosh
contoct
ll2.
moin
illusirotion).
Eleclronic
floshguns
con
qlso
be
used,
in
which
cose
ihe
operiure
is
cqlculqted
from
the
guide
number
of the
floshgun.
E.
g.
guide
number
of
electronic
floshgun
96
divided
by
o distonce
of
l2 feet
=
operiure
f/8.
The
hondy
Agfolux
floshgun
in
zip
cose
Where
cleor
detoil
is
required
in.
photogrophs
ioken
"n"fttt
tf't"
fight
or
in
deep
shodows'
th.e
,outomotic
mechonism
of
ihe
co'mero
con
still
be
used
with.the
setting
."
lfl"
DIN/ASA
scole
reduced'
lt
is
odvisoble
to
sef
o
iirn
to""a
of
obout
3
DIN
or
iis
ASA
equivoleni
less
thon
in"t
titf."a
on
the
film
pockoge'
lf'
for
exomple'
the
film
in
thu.o."ro
hos
o
speed
of
17
DIN
:
40
ASA'
the
set-
ii"g
tL.ufa
be
red'uced
to
14
DIN
:
20
ASA'
WhenoVerycontrostysubiecthqstobephotogrophed
""a-;i
it
wirn"a
io
obtoin
ihe
correct
exposure
for
on
"rl.i
*r,lrln
is
smoll
in
comporison
wilh
iis,surroundings'
it-i,
oauitoUt"
to
toke
whot
is
known
os
o
close-up
meos'
"t"-r"*i
*itf-r
the
built-in
exposure
meier
of
.the
comero'
lf
this
is
not
done,
o
person
in
o
light
dress
in
froni
of
o
Jonk
wood
(io
give
on
exomple)
could
eosily
produce
on
incorrect
reoding.
ln
such
coses
opprooch
with
the
comero
to
o
short
distonce
it.tln"
subieci
ond
press
down
the
releose
bufion
to
the
;;;';;;J;J-poiit.
Hoia
tnu
button
in
this
position
ond
return
to
you,
o,'g'nol
position
to
toke
the
photogroph'
A
leoiher
cose.
designed
;;
i":k;
;
lens
ho.od,
ond
two
filters
is
ovolloble'
Filters
for
Your
OPtimo
for
block
ond
while
PhotogroPhY
Reduce
DIN
scole
setting
by
Iioht vellow
1
DIN
*'"diut Y"llo*
2
DIN
yellow-gieen
2
DIN
UV fi
lter
(ultro-violei)
no
chonge
for
sPeciol
PhotogroPhs
with colour
leversol
lllm
Aqfo
Color
Filier
Ri.5
no
chonge
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Filters
There
is o
voriety
of filters
for blqck
ond
whit6
film
ovoil-
oble
for
use
with ihe
Aofo
Opiimo 500
in
screw
mor-ilts
of
35.5 mm
diom. As
soon
os
q
filter
is
used on the
comercr
you
will
hove
to
reduce
the
setting..on.the
film speed
scole
qccoro
Ing ly.
A filter
hovinq
o
focior
of 2
will require
6 reduciion
in
the speed
settinq
of
3
DIN
or its ASA
equivdlent.
lf
you
hove
o film
of 17 DIN-
:
-
40
ASA this
meons
thot
you
<l
will hove
io reduce
the fioure
to 14
DIN
:
20 ASA.
A fo-ctor
of
.l.5
would require
q
re-
duction
of l-2 DlN.
When removing
the filter
from
ihe
comerq
do nol
forget
io
reset
the
originol
DIN/ASA
tigure
tor the
tilm in
question.
You
con
olso
photogroph
the
wonders
of the min-
ioiure
world
with
yo'Jr
Optimo.
All
you
hovb
io
do
is fix
ihe Agfo
Notorix
close-up
ottochmenl
to the
lens mouni
of
your
comero.
An
odditionol
viewfinder
ottochment
compensotes
for
when
lining
up
your
subiect.'
Shorp
definition
of the
subiecl
(meosured
from the
froni
edge
of ihe
lens)
is obtoined
ot o
distonce
of obout
Filters
/ Accessories
Close-ups
1'3"-1,7"
1'8"-2'y2"
2/1/2t_2/6,
2'6"-3,2y2"
Notorix
porollox
Symbol
setting
3y4 ft.
An
LJ''?
ix{
/YA'Y\
llill
The
film
is
now
finished
..
.
After
36
or
20
exposures,
occording
to
the
length
of
the
film,
the
ropid
tronsport
lever
will
not
move.
The
film
is
now
finished
ond
must
be
re-
wound
into
its
cossette.
First
releose
the
lock
of
the
rewind
knob
(see
illustrotion
B,
poge
8)
to
ollow
ihis
fo
spring
out'
ond
drow
it
out
only
o
froction
to
its
first
stop'
Then
press
in
the
locking
button
in.the.
bose.,of
the
comerq
snd
turn
the
rewind
knob
in
the
Jirection
shown
by
the
orrow'
Rewinding
is
.omplutu
when
the
rewind
knob
turns
freely
oftei
releosing
the
locking
button'
You.cqn
no*
op"n
the
bock
of
the
comero
by
pushing
the
cqfch
in
the
direciion
shown
by
the
qrrow
(see fiS'
{'
pqg"
8)'
Pull
out
the
rewind
knob
firmly
os
for
os
it
will
go ond
remove
ihe
cossetie'
Pui
the
cossetie
in
ifs
lighi-tighl
pocking
ond
mork
it
os
exPosed'
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AGFA Optima 500 User manual

Type
User manual

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