Roland TM-6 PRO Datasheet

Brand: Roland

Model: TM-6 PRO

Type: Datasheet

Data List

Contents

KIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

KIT Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

CLICK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

SONG SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

MENU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

INST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

EDIT ([F3] (EDIT) button) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

PAD-FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

PAD EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

PAD TRANSIENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

PAD COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

PAD MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

KIT-FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

MASTER COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

MASTER EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

KIT COMMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

KIT VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

MUTE GROUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

KIT TEMPO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

KIT NAME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

KIT MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

GLOBAL SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

SYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Output Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Control Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Auto O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

System Info. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

USER SAMPLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

LIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

EDIT ([F3] button) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

TRIGGER SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Basic Procedure for Trigger Settings . . . . . . . . . . . . . . . . . . . . . . . . 21

BANK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

PAR AM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

HI-HAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

LOCK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Multi-Eect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

TAPE ECHO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

TIME CTRL DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

REVERSE DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

PAN DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

3TAP DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

CHORUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

SDD-320 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

FLANGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

SBF-325 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

PHASER A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

PHASER B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

LONG REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

SUPER FILTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

FILTER+DRIVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

AUTO WAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

SATURATOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

OVERDRIVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

DISTORTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

T-SCREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

LOFI COMPRESS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

BIT CRUSHER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

SPEAKER SIM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

GUITAR AMP SIM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

LOW BOOST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

ENHANCER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

RING MODULATOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

PITCH SHIFTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

AUTO PAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Kit List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Instrument List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

User Sample List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

KIT

KIT Screen

Parameter Value Explanation

[F1] (SET LIST) button –

Allows you to use set lists.

Reference

For details, refer to “Recalling Kits Successively (SET LIST)” in “Reference Manual” (PDF).

[F2] (TOOLS) button –

Allows you to copy settings or create set lists.

Reference

For details, refer to “Convenient Functions” in “Reference Manual” (PDF).

[F3] (KIT VOL) button –

Allows you to adjust the volume of the entire kit or the volume of the hi-hat.

Reference

For details, refer to “KIT VOLUME” (p. 13).

CLICK

1. Press the [CLICK] button.

The CLICK screen appears.

Parameter Value Explanation

[F3] (CLICK) button OFF, CLICK ON Turns click on/o.

TEMPO tab

Tempo 20–260 Tempo

SETUP tab

Beat 1–9 Number of beats per measure

Pattern

–

Interval of the click

Sound

METRONOME, CLICK, VOICE, BEEP 1,

BEEP 2, TEK CLICK, STICKS, CLAVES,

WOOD BLOCK, COWBELL, AGOGO,

TRIANGLE, TAMBOURINE, MARACAS,

CABASA

Sound for the click

Volume -INF–+6.0dB Volume of click

Click Pan L30–CENTER–R30 Stereo position of the click

LED Reference OFF, ON Species whether the [CLICK] button blinks in time with the click (ON) or does not blink (OFF).

Tap Sw OFF, ON

You can specify the tempo by striking the pad specied by Tap Pad or by pressing a button

(Tap Tempo).

Tap Pad PAD1<HEAD>–PAD6<RIM> Select the pad or button that can be struck or pressed to set the tap tempo.

Output PHONES ONLY, MASTER+PHONES

Species whether the click is output from only the PHONES jack (PHONES ONLY) or from the

MASTER OUT jacks and the PHONES jack (MASTER+PHONES).

MEMO

You can also make this setting in the OTHER OUTPUT ASSIGN MASTER screen (p. 16).

SONG

SONG SETUP

1. Press the [SONG] button.

2. Press the [ENTER] button.

The SONG SETUP screen appears.

Parameter Value Explanation

Play Type

Species how the song plays back.

ONE SHOT Play back only once and then stop.

LOOP Play repeatedly.

Song Volume -INF–+6.0 [dB] Song volume

Click Trk Volume*1 -INF–+6.0 [dB]

Click track volume

Reference

You can prepare an audio le (WAV le) for the click separately from the song, and play it back as

the click (i.e., as the click track).

For details, refer to “Playing an Audio File as a Click (Click Track)” in “Reference Manual” (PDF).

[F1] (PAD/FS CTRL) button – Allows you to assign functions such as song play/stop to a foot switch or drum trigger (p. 18).

[F3] (CLK TRK ON) button*1 – Turns click track playback on/o.

*1 Only if there is a click track for the song

Here’s how to make overall settings for the TM-6 PRO, and for individual instruments and eects.

1. Press the [MENU] button.

The MENU screen appears.

2. Use cursor buttons to select the menu item for the settings that you want to make, and then press the [ENTER]

button.

Menu Explanation Page

INST Make instrument settings. p. 6

PAD-FX Make pad eect settings. p. 8

KIT-FX Make kit eect settings. p. 10

KIT COMMON Make kit settings. p. 13

MIDI Make MIDI settings for the kit or for the entire TM-6 PRO. p. 14

SYS Make settings for the entire TM-6 PRO. p. 16

3. Edit the settings of the menu that you selected.

4. Press the [EXIT] button several times to return to the KIT screen.

Reference

For more about menu operations, refer to “Reference Manual” (PDF).

INST

Parameters that can be edited for each instrument

Parameter Value Explanation

Instrument A, instrument B

001–268 (preset)

U001–U1000 (user sample)

Instrument number

Reference

For more about instruments, refer to “Instrument List” (p. 33).

[F2] (B ON/OFF) button B OFF, B ON

If this is “ON,” instrument B is sounded in addition to the usual instrument A. This lets you layer the

two instruments, or switch between them depending on the force of your strike. To specify how the

instrument sounds, make settings in the [F3] (EDIT) button’s SETUP tab.

[F3] (EDIT) button –

This lets you make detailed settings for the instrument.

Instrument parameters can be set independently for instruments A and B.

EDIT ([F3] (EDIT) button)

Parameter Value Explanation

EDIT tab

Volume -INF–+6.0dB

Instrument volume

MEMO

You can also use a sound modify knob to adjust this setting.

Pitch -2400–+2400

Instrument pitch (units of one cent)

MEMO

You can also use a sound modify knob to adjust this setting.

Decay*1 1–100

Length of decay

MEMO

You can also use a sound modify knob to adjust this setting.

Parameter Value Explanation

Sweep*1 -100–100

After the sound begins, the pitch gradually rises (falls).

Positive (+) values make the pitch start high and then fall; negative (-) values make the pitch start

low and then rise.

Larger values produce greater change.

* In some cases, changing the Pitch setting by a large amount might limit the Pitch Sweep eect.

Pan L30–CENTER–R30 Stereo position of instrument

SETUP tab

LayerType

These parameters specify how the instrument B will be sounded.

MIX

Playing

Dynamics

Volume

The instrument A and instrument B always sound together as a

layer.

FADE1

Playing

Dynamics

Volume

The instrument B is added as a layer only if the strike is stronger

than “FadePoint.”

FADE2

Playing

Dynamics

Volume

If the strike is stronger than “FadePoint,” the instrument B is

added as a layer according to the strength of that strike.

SWITCH

Playing

Dynamics

Volume

Strikes weaker than “FadePoint” sound the instrument A, and

strikes stronger than “FadePoint” switch to sound the instrument

FadePoint 1–127

Species the force of the strike at which the instrument B begins to be sounded.

If this is “1,” the instrument B is sounded by a strike of any force.

If this is “127”, the instrument B is sounded only by the strongest strike.

* This is not available if LayerType is “MIX.”

Fixed Vel 1–127, OFF

Makes the instrument sound at a xed velocity.

With a setting of “1–127,” the instrument sounds at the specied velocity regardless of the strength

of your strike.

If this is “OFF,” the instrument sounds at the velocity determined by the force of the strike.

MinVolume 0–15

Minimum volume of each instrument

This lets you increase the volume of the softest hits while preserving the volume of the strongest

hits. This can make it easier to hear ghost notes on the snare or legato notes on the ride cymbal.

PedalBend -24–0–+24 Species the amount of pitch change controlled by moving the hi-hat pedal.

*1 If a user sample is assigned to an instrument, and the user sample’s Play Type (p. 20) is set to “LOOP ALT,” then Sweep and Decay are ignored.

MEMO

If you press the [F1] (H&R) button to turn it “ON,” you can simultaneously make settings for the head area and rim area.

PAD-FX

PAD EQ

This is a three-band equalizer that is provided for the head and for the rim of each drum trigger.

Parameter Value Explanation

[F3] button OFF, EQ ON Turns pad equalizer on/o.

LOW Freq 20Hz–1kHz Center frequency of the low range

LOW Gain -15–+15dB Amount of boost/cut for the low range

MID Q 0.5–8.0

Width of the frequency range

A higher Mid Q narrows the aected area.

MID Freq 20Hz–16kHz Center frequency of the mid range

MID Gain -15–+15dB Amount of boost/cut for the mid range

HIGH Freq 1kHz–16kHz Center frequency of the high range

HIGH Gain -15–+15dB Amount of boost/cut for the high range

MEMO

If you press the [F1] (H&R) button to turn it “ON,” you can simultaneously make settings for the head area and rim area.

PAD TRANSIENT

This allows you to emphasize or de-emphasize the attack portion or release portion of each drum trigger.

Parameter Value Explanation

[F3] button OFF, TRANSIENT ON Turns the transient eect on/o.

Sens U LOW, LOW, MID, HIGH

Adjusts the sensitivity of the transient eect.

If the sensitivity is raised, the transient eect applies more easily even for repeated strikes.

For sounds with a long release, such as cymbals, this might cause unintended response.

In this case, you can decrease the unintended response by lowering the sensitivity.

Attack -50–+50

Allows you to emphasize or de-emphasize the attack portion.

MEMO

You can also use the sound modify knob to adjust this.

Release -50–+50

Allows you to emphasize or de-emphasize the release portion.

MEMO

You can also use the sound modify knob to adjust this.

Gain -12.0–+6.0dB Volume after transient adjustment

* Pad transient settings are made for individual drum triggers. They cannot be made for individual strike locations (such as the head or rim).

* For some settings of the “Pad Eect to Direct” and “Master Direct Sw” parameters in OUTPUT SETUP (p. 17), the pad transient eect is not applied to the sound that is output

from the DIRECT OUT jacks (MASTER OUT jacks).

Meters shown in the PAD TRANSIENT screen

In the PAD TRANSIENT screen, the “output meter” are displayed.

Output meter

The “output meter”

shows the output level

following the pad

transient.

Adjust the pad transient’s “Gain” so that the output meter does not exceed 0 dB (i.e., so that it does not clip).

PAD COMP

This is a compressor that is provided for each drum trigger.

Parameter Value Explanation

[F3] button OFF, COMP ON Turns pad compressor on/o.

Threshold -48–0dB Volume level at which compression begins

Gain -24–+24dB Output level of the compressor

Type

KICK 1, 2, SNARE1, 2, TOM 1, 2,

CYMBAL1, 2, SOFT COMP, HARD

COMP, LIMITER

Character of the compressor

* When you change this parameter, the pad compressor’s parameters RATIO, ATTACK, RELEASE,

and KNEE change to optimal settings for your selection. You can then make further adjustments

to these parameters as necessary.

RATIO 1:1–100:1 Compression ratio

ATTACK 0.1–100mSec Time from when the volume goes up the threshold level until the compressor eect applies

RELEASE 10–1000mSec

Time from when the volume falls below the threshold level until the compressor eect no longer

applies

KNEE HARD, SOFT1–3 Attack of the sound at the moment compression is applied

* For some settings of the “Pad Eect to Direct” and “Master Direct Sw” parameters in OUTPUT SETUP (p. 17), the pad compressor eect is not applied to the sound that is

output from the DIRECT OUT jacks (MASTER OUT jacks).

* Pad compressor settings are made for each drum trigger. It is not possible to make separate settings for dierent strike locations (such as the head and the rim).

Meters shown in the PAD COMP screen

In the PAD COMP screen, the “input meter,” the “gain reduction meter,” and the “output meter” are displayed.

Output meter

The “output meter” shows the output level

following the pad compressor.

Input meter

The “input meter”

shows the level (dB)

being input to the pad

compressor.

Gain reduction meter

The “gain reduction meter”

shows the change in level

(dB) produced by the pad

compressor.

Adjust the pad compressor’s “Gain” so that the output meter does not exceed 0 dB (i.e., so that it does not clip).

PAD MFX

This is a multi-eect that is provided by each kit for each drum trigger.

Parameter Value Explanation

[F3] button FX1–6 OFF, ON Turns on/o the multi-eect 1–6.

MFX CTRL 0–127

Multi-eect control

The parameters that you can control will dier depending on

the multi-eect that’s selected.

The PAD MFX screen shows the parameters that can be

controlled.

MEMO

You can also use the sound modify knobs to adjust this.

The change curve of the parameters and the number of

parameters that change simultaneously will vary depending on the multi-eect.

Type, Parameter

Type of multi-eect

Reference

For more about multi-eects, refer to “Multi-Eect Parameters” (p. 25).

* For some settings of the “Pad Eect to Direct” and “Master Direct Sw” parameters in OUTPUT SETUP (p. 17), the multi-eect is not applied to the sound that is output from

the DIRECT OUT jacks (MASTER OUT jacks).

* Multi-eect settings are made for each drum trigger. It is not possible to make separate settings for dierent strike locations (such as the head and the rim).

KIT-FX

REVERB

This is a reverb that is provided for each kit.

To use it, specify the amount of reverb that is applied for each drum trigger.

Parameter Value Explanation

[F3] button OFF, REV ON Turns reverb on/o.

[F2] button – Adjusts the amount of reverb for each drum trigger.

Type ROOM 1, 2, HALL 1, 2, PLATE Type of reverb

Pre Delay 0–100mSec Adjusts the delay time from the direct sound until the reverb sound is heard

Time 0.1–10.0Sec Time length of reverberation

Density 0–127 Density of reverb sound

Diusion 0–127

Change in the density of the reverb sound over time

The higher the value, the denser the sound becomes as time elapses (The eect is more obvious for

longer reverb times).

LF Damp 0–100 Adjusts the low-frequency region of the reverb sound.

HF Damp 0–100 Adjusts the high-frequency region of the reverb sound.

Spread 0–127 Spread of the reverb sound

Tone 0–127 Tonal character of reverb sound

Level -INF–+6.0dB Volume of reverb

Parameters indicated by “(#)”

SEND ([F2] button)

Parameter Value Explanation

[F3] button OFF, REV ON Turns reverb on/o.

PAD1<HEAD>–PAD6<RIM> -INF–+6.0dB

Amount of reverb applied for each drum trigger

MEMO

If you press the [F1] (H&R) button to turn it “ON,” you can simultaneously make settings for the head

area and rim area.

MASTER COMP

This is a two-band equalizer that is provided for each kit.

The sound processed by the master compressor is output from the MASTER OUT jacks and the PHONES jack.

* If the Master Direct Sw is set to “DIRECT” in OUTPUT SETUP (p. 17), the master compressor eect is not applied to the sound that is output from the MASTER OUT jacks.

Parameter Value Explanation

[F3] button OFF, COMP ON Turns master comp on/o.

[F2] button – Allows you to make detailed settings for the master compressor.

TEMPLATE

SINGLE SOFT COMP, SINGLE HARD

COMP, SINGLE LIMITER, 2 BAND SOFT

COMP, 2 BAND HARD COMP, 2 BAND

LIMITER

Character of the compressor

* When you change this parameter, all parameters of the master compressor change to optimal

settings for your selection. You can then make further adjustments to these parameters as

necessary. Depending on the settings of these parameters, the resulting eect might not match

the TEMPLATE setting.

Split Freq SINGLE, 10–16000Hz

Bandwidth of the compressor

If this is “SINGLE,” the master compressor operates as a single-band compressor that is used only on

the high band.

DETAIL ([F2] button)

Parameter Value Explanation

Thrshd*1 -48–0dB Volume level at which compression begins

Gain*1 -24–+24dB Output level of the compressor

Atk*1 0.1–100mSec Time from when the volume goes up the threshold level until the compressor eect applies

Rls*1 10–1000mSec

Time from when the volume falls below the threshold level until the compressor eect no longer

applies

Ratio*1 1:1–100:1 Compression ratio

Knee*1 HARD, SOFT1–3 Attack of the sound at the moment compression is applied

[F1] (LO) button*2 –

Switch the parameter display between the high-frequency and low-frequency bands when the

eect is operating as a two-band compressor.

[F2] (HI) button*2 –

[F3] (MONITOR) button*2 –

Allows you to individually audition the frequency band (low or high) currently selected in the tab

when the eect is operating as a two-band compressor.

* These settings are reset if you perform any of the following operations.

5 Respecify the Type parameter as single band compressor

5 Set the Split Freq parameter to “SINGLE”

5 Exit the MASTER COMP screen

*1 If Split Freq is set to something other than “SINGLE,” the low band and high band can be set independently.

*2 Only if Split Freq is set to something other than “SINGLE”

Meters shown in the MASTER COMP screen

In the MASTER COMP screen, the “input meter,” the “output meter,” and the “gain reduction meter” are displayed.

Output meter

The “output meter” shows the output level

following the master comp.

Input meter

The “input meter” shows

the level (dB) being

input to the master

comp.

Gain reduction meter

The “gain reduction

meter” shows the change

in level (dB) produced by

the master comp.

When Split Freq is “SINGLE” (single compressor) When Split Freq is “10–16000Hz” (2-band compressor)

Input meter

The “input meter” shows the level

(dB) being input to the master comp.

This is shown individually for the low

and high bands.

Output meter

The “output meter” shows

the output level following

the master comp.

Gain reduction meter

The “gain reduction meter” shows

the change in level (dB) produced

by the master comp.

This is shown individually for the

low and high bands.

MASTER EQ

This is a four-band equalizer that is provided for each kit.

You can adjust the equalizer’s eect (shelving and peaking) for the low frequency (LOW) and high frequency (HIGH).

The sound processed by the master EQ is output from the MASTER OUT jacks and the PHONES jack.

Parameter Value Explanation

[F3] button OFF, EQ ON Turns master EQ on/o.

TYPE (LOW and HIGH only)

SHELV (Shelving),

PEAK (MID1 and MID2: xed to

“PEAK”)

Type of equalizer

0.5–8.0 (only when Type is set to

“PEAK”)

Width of the frequency range

A higher Q narrows the aected area.

FREQ

20Hz– 1kHz (LOW)

20Hz–16kHz (MID1, 2)

1kHz–16kHz (HIGH)

Center frequency

GAIN -12–+12dB Amount of boost/cut

* If the Master Direct Sw is set to “DIRECT” in OUTPUT SETUP (p. 17), the master EQ eect is not applied to the sound that is output from the MASTER OUT jacks.

KIT COMMON

KIT VOLUME

Here you can adjust the volume of the entire kit or the volume of the hi-hat.

Parameter Value Explanation

KIT VOL tab

Kit Volume -INF–+6.0dB Kit volume

HIHAT tab

PedalHH Vol -INF–+6.0dB Volume of pedal hi-hat

HH Open/Close Balance -5–+5

Open/close volume balance

If you decrease this value, playing the hi-hat while open will produce a softer volume than playing it

while closed. If you increase this value, playing the hi-hat while open will produce a louder volume

than playing it while closed.

MEMO

You can also set KIT VOLUME by pressing the [F4] (KIT VOL) button in the KIT screen.

MUTE GROUP

Parameter Value Explanation

MUTE SEND

– (OFF), 1–8

Specify the mute group number.

When you strike the drum trigger of the number specied in MUTE SEND, the sound of the drum

trigger assigned to the same number in MUTE RECEIVE is muted.

* Even if you specify the same number in MUTE SEND and MUTE RECEIVE for the same location

(e.g., head or rim) of the same drum trigger, muting does not occur.

MUTE RECEIVE

[F3] (RESET) button – Clears all mute groups.

KIT TEMPO

Parameter Value Explanation

Kit Tempo Switch

OFF

Use a common tempo (p. 4) for the entire TM-6 PRO.

The tempo does not change when you switch kits.

Use the tempo that is specied by each kit.

The click tempo and the tempo of tempo-synchronized eects can be individually specied for

each kit.

Kit Tempo 20–260 Tempo specied for kit

KIT NAME

Parameter Explanation

–

Edits the name of the kit.

Reference

Refer to “Renaming a Kit” in the “Reference Manual” (PDF).

MIDI

KIT MIDI

Parameter Value Explanation

NOTE tab

Note No.

0 (C -)–127(G 9) MIDI note number transmitted and received by each drum trigger

OFF Note messages are not transmitted or received

GATE tab

Gate Time 0.1– 8.0 s Duration of the note transmitted by each drum trigger

CH tab

MIDI Channel

CH1–CH16

MIDI channel on which each drum trigger transmits or receives note messages or control change

messages

This is specied individually for each kit.

GLOBAL Transmitted and received on the transmit/receive channel (p. 15) specied in GLOBAL SETUP

MIDI note numbers transmitted and received by the hi-hat

Item Explanation

HH CLOSE <BOW>

HH CLOSE <EDGE>

MIDI note number transmitted and received by closed hi-hat (bow, edge)

HH PEDAL MIDI note number transmitted and received by pedal hi-hat

When setting multiple drum triggers to the same note number

When playing the internal sound generator of the TM-6 PRO, if an incoming note number is assigned to more than one drum trigger, that note plays

the instrument of the drum trigger with the lowest trigger input number. If the same note number is assigned to both the head and the rim, the head

instrument is sounded.

MEMO

An asterisk (*) appears at the right of the note number for trigger inputs that are not sounded.

Example:

Note number “38 (D 2)” is set for the head and rim of trigger input 2 SNARE and the head of trigger input 3 TOM 1. In this case, when note number 38

(D2) is received, the instrument assigned to the head of trigger input 2 SNARE is played.

About the gate time

Percussion sound modules normally produce sound only in response to “Note on” messages, and ignore “Note o” messages. However general-

purpose sound modules or samplers do receive the note-o messages that are transmitted and respond by turning o the sound.

Since gate time is normally not necessary for a percussion sound module, this is set to the minimum value when the unit is shipped from the

factory. If a note-o message is received while the sound module has this setting, it is received as an extremely brief note that has almost no

time to be heard, and is nearly inaudible (Alternatively, it is possible that this could be heard as an unwanted noise.). To avoid this, specify the

note duration of the MIDI performance data that is produced when you strike each drum trigger.

* If the same note number is sounded again in an overlapping manner, a note-o is transmitted before transmitting note-on, even if it is

within the gate time.

GLOBAL SETUP

Parameter Value Explanation

BASIC tab

MIDI Tx/Rx Sw OFF, ON Turns the transmitting and receiving MIDI messages on/o.

MIDI Channel 1–16Ch Transmit and receive channel.

Program Change Tx OFF, ON Turns program change transmission on/o

Program Change Rx OFF, ON Turns program change reception on/o

Soft Thru USB MIDI In OFF, ON

Species whether performance data received from the TM-6 PRO’s USB COMPUTER port is

transmitted to the MIDI OUT connector (ON) or are not transmitted (OFF).

Local Control OFF, ON

Turns on/o the connection between the performance data from the drum triggers and the

TM-6 PRO’s sound generator section

Normally you’ll leave this “ON.” If this is “OFF,” the performance data from the drum triggers is not

connected to the TM-6 PRO’s sound generator section.

Device ID 17–32

Device ID setting

The setting described here is necessary only when you wish to transmit separate data to two or

more TM-6 PRO units at the same time. Do not change this setting in any other case.

Transmit Edit Data OFF, ON

Species whether changes in the TM-6 PRO’s settings are transmitted as system exclusive messages

(ON) or not transmitted (OFF).

Receive Exclusive OFF, ON Species whether system exclusive messages are received (ON) or not received (OFF).

CTRL tab

HH Pedal CC OFF, 1, 2, 4, 11, 16, 17, 18, 19 Control change used for transmitting/receiving the depth to which the hi-hat pedal pressed

HH Note# Border 0–127

This number species the pedal position at which to switch from open hi-hat to closed hi-hat.

* There’s no need to change this setting if you’re performed and recording only with the TM-6 PRO

and the drum triggers.

Cymbal Choke Shot OFF, ON

Switches support for the performance technique of striking a pad while choking it.

If this is “ON,” striking a pad while choking it immediately mutes the sound after it begins. If this is

“OFF,” the sound is not muted immediately even if you strike a pad while choking it.

Sync Mode

Species the synchronization signal according to which the TM-6 PRO operates.

INTERNAL

Choose this setting if you’re using the TM-6 PRO by itself without synchronizing it to another

device, or if you want another device to operate in synchronization with the TM-6 PRO.

EXTERNAL

The TM-6 PRO operates as a slave device. Choose this setting if you want the TM-6 PRO to operate

according to synchronization messages that it receives from another device.

Sync Out OFF, ON

Species whether MIDI synchronization messages are transmitted to another device (ON) or not

transmitted (OFF).

PRGCHG tab

MIDI Program Change 1–127

You can freely specify the correspondence between kits and the program change numbers that are

transmitted and received.

Using the Local Control setting

If you’re using a DAW with the performance data from the drum triggers and TM-6 PRO’s sound generator

section, you should turn the Local Control “OFF.” Here’s why.

We need to connect these sections in the following order: the performance data from the drum triggers

a DAW

the TM-6 PRO’s sound generator section.

Since the performance data from the drum triggers and TM-6 PRO’s sound generator section are connected

internally, such a connection order would normally be impossible. However, if the Local Control is “OFF,” the

performance data from the drum triggers and TM-6 PRO’s sound generator section will be independent,

allowing you to use a DAW as shown here in the illustration.

Specifying the HH Note# Border

The note number transmitted when you strike the hi-hat will change depending on the amount of pressure on the hi-hat pedal.

At the factory default value (90), the closed hi-hat note number will be transmitted only if the hi-hat drum trigger is played with the pedal completely depressed. If you want this

note number to be transmitted when the pedal is slightly raised, set this to a value such as “90.”

* In some cases, changing the hi-hat note number border setting might cause a song to play back dierently than when it was recorded.

DAW

Sound generator

section

Local Control: OFF

Drum trigger

TM-6 PRO

SYS

Here you can make settings that are common to the entire TM-6 PRO, such as the TM-6 PRO’s output assignments and foot switch settings.

1. Press the [MENU] button.

The MENU screen appears.

2. Use the cursor buttons to select “SYS,” and then press the [ENTER] button.

The SYSTEM screen appears.

3. Use cursor buttons to select the item for the settings that you want to make, and then press the [ENTER] button.

Menu Explanation Page

Output Assign Species the output destinations for the sound. p. 16

SD Card

Allows you to save (back up) settings from the TM-6 PRO to an SD card, or load settings into the

TM-6 PRO.

Reference

For details, refer to “Backing-Up Data” in “Reference Manual” (PDF).

–

USB Setup

Allows you to make USB driver and USB audio settings.

Reference

For details, refer to “Connecting to a Computer” in “Reference Manual” (PDF).

–

Control Setup Allows you to assign functions to foot switches or drum triggers. p. 18

Options Allows you to make settings such as display settings and sound modify lock. p. 19

Auto O Allows you to make Auto O settings. p. 19

System Info Allows you to view information about the TM-6 PRO unit, such as the program version. p. 19

Factory Reset

Returns the settings to their factory-set state.

Reference

For details, refer to “Returning to the Factory Settings” in “Reference Manual” (PDF).

–

4. Edit the settings of the menu that you selected.

5. Press the [EXIT] button several times to return to the KIT screen.

Output Assign

Parameter Value Explanation

PAD tab

PAD OUTPUT ASSIGN MASTER OFF, ENABLE

Species whether each drum trigger is output from the MASTER OUT jacks (when Master Direct Sw

(p. 17) is “NORMAL”).

By turning this “OFF,” you can prevent the sound of a specic drum trigger from being output from

the MAIN OUT jacks.

PAD OUTPUT ASSIGN

DIRECT

OFF, DIRECT 1, DIRECT 2, DIRECT 1+2,

DIRECT 3, DIRECT 4, DIRECT 3+4, MST

DIR L, MST DIR R, MST DIR L+R

Species how each drum trigger is output from the DIRECT OUT 1–4 jacks and MASTER OUT jacks

(when Master Direct Sw (p. 17) is “DIRECT”).

For example, if DIRECT 1 is selected, the drum trigger is output in mono from DIRECT 1.

If DIRECT 1+2 is selected, the L portion is output from DIRECT 1 and the R portion from DIRECT 2.

OTHER tab

OTHER OUTPUT ASSIGN MASTER OFF, ENABLE

Species whether the reverb, song, and click (including the click track) are output from the MASTER

OUT jacks (when Master Direct Sw (p. 17) is “NORMAL”).

MEMO

You can also edit the click output setting from CLICK “Output” (p. 4).

OTHER OUTPUT ASSIGN DIRECT

OFF, DIRECT 1, DIRECT 2, DIRECT 1+2,

DIRECT 3, DIRECT 4, DIRECT 3+4, MST

DIR L, MST DIR R, MST DIR L+R

Species how the reverb, song, and click (including the click track) are output from the DIRECT OUT

1–4 jacks and MASTER OUT jacks (when Master Direct Sw (p. 17) is “DIRECT”).

For example, if DIRECT 1 is selected, they are output in mono from DIRECT 1.

If DIRECT 1+2 is selected, the L portion is output from DIRECT 1 and the R portion is output from

DIRECT 2.

Parameter Value Explanation

SETUP tab

Master Gain*1 -24–+12dB

Adjusts the volume of the MASTER OUT jacks (gain).

If the output volume of the TM-6 PRO is too loud, causing the receiving device to distort, you can

use this setting to lower the volume.

* Raising the volume excessively might cause distortion. Adjust this with care.

Phones Gain*1 -24–+12dB

Adjusts the volume of the PHONES jack (gain).

Adjust the output from the PHONES jack to an appropriate volume.

* Raising the volume excessively might cause distortion. Adjust this with care.

Direct Gain*1 -24–+12dB

Adjusts the volume of the DIRECT OUT jacks (gain).

If the output volume of the TM-6 PRO is too loud, causing the receiving device to distort, you can

use this setting to lower the volume.

This applies to all of the DIRECT OUT jacks.

If the Master Direct Sw is set to “DIRECT,” this also aects the output from the MASTER OUT jacks.

* Raising the volume excessively might cause distortion. Adjust this with care.

Pad Eect to Direct*2 OFF, ON

Species whether the pad eects (pad equalizer, transient, pad compressor, multi-eect) are

applied (ON) to the sound that is output from the DIRECT OUT jacks or are not applied (OFF).

If this is “OFF,” the pad eects are bypassed for the output from the DIRECT OUT jacks.

If the OUTPUT SETUP parameter Master Direct Sw is set to “DIRECT,” setting “Pad Eect to Direct” as

“OFF” will also bypass the pad eects for the output from the MASTER OUT jacks.

LoCut Freq*1 20–200Hz

Cuts the frequency region that is below the specied frequency (low cut).

This setting is common to all output jacks.

Master LoCut Sw*1 OFF, ON

Species whether the low-cut eect is applied (ON) to the sound that is output from the MASTER

OUT jacks or is not applied (OFF).

Phones LoCut Sw*1 OFF, ON

Species whether the low-cut eect is applied (ON) to the sound that is output from the PHONES

jack or is not applied (OFF).

Direct LoCut Sw*1 OFF, ON

Species whether the low-cut eect is applied (ON) to the sound that is output from the DIRECT

OUT jacks or is not applied (OFF).

Master Direct Sw*2 NORMAL, DIRECT

Selects whether the MASTER OUT jacks will output the same signal as the DIRECT OUT jacks

(DIRECT) or not (NORMAL).

If this is set to “DIRECT,” the master compressor and master EQ eects are not applied to the output

from the MASTER OUT jacks, allowing you to use the MASTER OUT jacks as DIRECT OUT jacks (The

setting of the [MASTER] knob is eective.).

This setting also applies to USB audio output to the computer.

Master Mono Sw*2 STEREO, MONOx2

Selects whether the output of the MASTER OUT jacks is output in stereo (STEREO) or in mono

(MONOx2). If MONOx2 is selected, the same mono signal is output to L and R.

This is convenient when you’re connecting to a mono-input amp.

*1 The gain and low-cut eects are not applied to the TM-6 PRO’s sound that is output via USB audio.

*2 This also applies to the sound of the TM-6 PRO that is output via USB audio.

Control Setup

Parameter Value Explanation

FOOT SW tab

Foot Switch FS 1 Func,

Foot Switch FS 2 Func

Refer to “Functions that you can

assign to a footswitch or drum

trigger” (p. 18)

These parameters let you assign functions to footswitches (sold separately: BOSS FS-5U, FS-6) that

are connected to the TM-6 PRO’s FOOT SW jack.

Connecting an FS-5U

SW2SW1

TIP

Stereo 1/4” phone type

1/4” phone type x 2

RING

POLARITY switch

* If you use a mono cable to connect a single FS-5U, it will operate as SW2.

* The FS-5L cannot be used.

Connecting an FS-6

Stereo 1/4” phone type

SW2

SW1

MODE/POLARITY switch

PAD CTRL tab

PAD (TRIG 5) Head Func,

PAD (TRIG 5) Rim Func

Refer to “Functions that you can

assign to a footswitch or drum

trigger” (p. 18)

These parameters let you assign functions to a drum trigger that is connected to the TRIGGER IN 5

jack.

Stereo 1/4” phone type

Functions that you can assign to a footswitch or drum trigger

Value Explanation

OFF No function is assigned.

KIT# INC Calls up the previous kit.

KIT# DEC Calls up the next kit.

SETLIST# INC Calls up the previous set list.

SETLIST# DEC Calls up the next set list.

SONG# INC Calls up the previous song.

SONG# DEC Calls up the next song.

SONG PLAY Play the song.

SONG STOP Stop the song.

SONG TOP Return to the beginning of the song.

SONG PLAY/STOP Play/stop the song.

ALL SOUND OFF

Stops the currently-sounding drum

performance sound or user sample playback.

Options

Parameter Value Explanation

LCD Contrast 1–16 Display contrast

LCD Brightness 1–16 Display brightness

SOUND MODIFY Lock OFF, ON

Species whether the SOUND MODIFY knobs are locked (ON) or not (OFF).

This lets you lock the knobs so that parameter values do not change even if you inadvertently

touch the sound modify knobs, for example during a live performance.

Trig Button Display Mode

These parameters specify how the trigger buttons are illuminated.

TYPE1

All trigger buttons are illuminated.

When a trigger signal is received, the corresponding trigger button blinks.

TYPE2

All trigger buttons are always illuminated.

They remain illuminated even when a trigger signal is received.

TYPE3

All trigger buttons always remain unlit.

They remain unlit even when a trigger signal is received.

Trig Button Sound Preview OFF, ON

Species whether the instrument assigned to a trigger is sounded when you press the

corresponding trigger button (ON) or is not sounded (OFF).

Auto O

Parameter Value Explanation

Auto O

Species whether the unit will turn o automatically after a certain time has elapsed. If you don’t want the unit to turn o automatically,

choose “OFF” setting

OFF The power does not turn o automatically.

4 HOURS

When four hours have elapsed without any drum trigger being struck or any operation being

performed, the unit will turn o automatically.

System Info

Parameter Value Explanation

PROG tab

Program Ver. Program version

SAMPLE tab

Imported Sample Number of imported user samples

Memory Remain Remaining amount for user samples in user memory

SDCARD tab

Backup All Backup data saved on the SD card (all settings)

1 Kit Kit backup data saved on the SD card

USER SAMPLE

LIST

Here’s how to specify the play/stop positions of a user sample, and how it plays (play type).

1. Press the [USER SAMPLE] button.

2. Use the cursor buttons to select “LIST,” and then press the [ENTER] button.

The SAMPLE LIST screen appears.

3. Press the [F3] (EDIT) button.

4. Use cursor buttons to select the menu item for the settings that you want to make, and then press the [ENTER]

button.

Menu Explanation

Play Type/Gain Species a user sample’s volume and playback type.

Adjust Start/End Species a user sample’s play/stop positions.

Rename

Renames the currently selected user sample.

Reference

For details, refer to “Renaming a Kit” in “Reference Manual” (PDF).

5. Edit the settings of the menu that you selected.

6. Press the [EXIT] button several times to return to the KIT screen.

EDIT ([F3] button)

Play Type/Gain

Parameter Value Explanation

Sample Gain -12–+12 [dB] User sample volume

Play Type

Species how the user sample is sounded.

ONESHOT MONO

When you strike the drum trigger, the currently-heard sound is silenced before the new sound is

heard. Notes do not overlap (mono).

ONESHOT POLY When you strike the drum trigger repeatedly, the sounds of the notes are heard overlapping (poly).

LOOP ALT

The user sample plays repeatedly (loop).

Each time you strike the drum trigger, the sound alternately plays or stops.

Adjust Start/End

Parameter Value Explanation

Zoom –

Zooms the waveform display in or out.

By holding down the [ENTER] button and using the cursor [<] [>] buttons, you can zoom-in/out for

the horizontal axis.

Use the [

] [ ] buttons to zoom-in/out for the vertical axis.

START*1 0–07937742

Adjusts the start point (the location at which the user sample starts playing).

The amount by which the value changes will dier according to the ZOOM ratio of the horizontal

axis.

END*1 257–07937999

Adjusts the end point (the location at which the user sample stops playing).

The amount by which the value changes will dier according to the ZOOM ratio of the horizontal

axis.

[F1] (PREVIEW) button –

Plays the user sample with the current settings. During playback, press the [F1] (PREVIEW) button

once again to stop.

*1 You can’t set the end point earlier than the start point.

You can’t set the start point and end point to the same value.

For both the start point and end point, you can’t specify a value that exceeds the length of the user sample.

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Roland TM-6 PRO Datasheet

Roland TM-6 PRO Datasheet

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