Avid NewsCutter 6.7 User guide

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Basics Guide
2
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on the part of
Avid Technology, Inc.
The software described in this document is furnished under a license agreement. You can obtain a copy of that license by
visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as
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Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663;
5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423;
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6,847,373; 7,081,900; D352,278; D372,478; D373,778; D392,267; D392,268; D392,269; D395,291; D396,853; D398,912.
Other patents are pending.
This document is protected under copyright law. An authorized licensee of NewsCutter may reproduce this publication for the
licensee’s own use in learning how to use the software. This document may not be reproduced or distributed, in whole or in
part, for commercial purposes, such as selling copies of this document or providing support or educational services to others.
This document is supplied as a guide for NewsCutter and NewsCutter XP. Reasonable care has been taken in preparing the
information it contains. However, this document may contain omissions, technical inaccuracies, or typographical errors. Avid
Technology, Inc. does not accept responsibility of any kind for customers’ losses due to the use of this document. Product
specifications are subject to change without notice.
Copyright © 2006 Avid Technology, Inc. and its licensors. All rights reserved. Printed in USA.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose
is hereby granted without fee, provided that (i) the above copyright notices and this permission notice appear in all copies of
the software and related documentation, and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any
advertising or publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon
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THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS, IMPLIED OR
OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT
OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE,
DATA OR PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF
LIABILITY, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
This software is based in part on the work of the Independent JPEG Group.
This Software may contain components licensed under the following conditions:
Copyright (c) 1989 The Regents of the University of California. All rights reserved.
Redistribution and use in source and binary forms are permitted provided that the above copyright notice and this paragraph
are duplicated in all such forms and that any documentation, advertising materials, and other materials related to such
distribution and use acknowledge that the software was developed by the University of California, Berkeley. The name of the
University may not be used to endorse or promote products derived from this software without specific prior written
permission. THIS SOFTWARE IS PROVIDED ``AS IS'' AND WITHOUT ANY EXPRESS OR IMPLIED WARRANTIES,
INCLUDING, WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE.
Copyright (C) 1989, 1991 by Jef Poskanzer.
Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby
granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission
notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.
3
Copyright 1995, Trinity College Computing Center. Written by David Chappell.
Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby
granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission
notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.
Copyright 1996 Daniel Dardailler.
Permission to use, copy, modify, distribute, and sell this software for any purpose is hereby granted without fee, provided that
the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in
supporting documentation, and that the name of Daniel Dardailler not be used in advertising or publicity pertaining to
distribution of the software without specific, written prior permission. Daniel Dardailler makes no representations about the
suitability of this software for any purpose. It is provided "as is" without express or implied warranty.
Modifications Copyright 1999 Matt Koss, under the same license as above.
Copyright (c) 1991 by AT&T.
Permission to use, copy, modify, and distribute this software for any purpose without fee is hereby granted, provided that this
entire notice is included in all copies of any software which is or includes a copy or modification of this software and in all
copies of the supporting documentation for such software.
THIS SOFTWARE IS BEING PROVIDED "AS IS", WITHOUT ANY EXPRESS OR IMPLIED WARRANTY. IN PARTICULAR,
NEITHER THE AUTHOR NOR AT&T MAKES ANY REPRESENTATION OR WARRANTY OF ANY KIND CONCERNING THE
MERCHANTABILITY OF THIS SOFTWARE OR ITS FITNESS FOR ANY PARTICULAR PURPOSE.
This product includes software developed by the University of California, Berkeley and its contributors.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Nexidia Inc.:
© 2006 Nexidia. All rights reserved.
Manufactured under license from the Georgia Tech Research Corporation, U.S.A. Patent Pending.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to derive a source code
equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray Sauers Associates, Inc. shall in no event be
liable for any damages resulting from reseller’s failure to perform reseller’s obligation; or any damages arising from use or
operation of resellers products or the software; or any other damages, including but not limited to, incidental, direct, indirect,
special or consequential Damages including lost profits, or damages resulting from loss of use or inability to use reseller’s
products or the software for any reason including copyright or patent infringement, or lost data, even if Ray Sauers Associates
has been advised, knew or should have known of the possibility of such damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product, including warranties with
respect to its merchantability or its fitness for any particular purpose.
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0 products developed by
Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties under license from Videomedia, Inc. Use
of this software will allow “frame accurate” editing control of applicable videotape recorder decks, videodisc recorders/players
and the like.
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win software and Sample
Source Code:
©1993–1998 Altura Software, Inc.
The following disclaimer is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte Corporation and are
subject to copyright protection.
The following disclaimer is required by 3Prong.com Inc.:
Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.
4
The following disclaimer is required by Interplay Entertainment Corp.:
The “Interplay” name is used with the permission of Interplay Entertainment Corp., which bears no responsibility for Avid
products.
This product includes portions of the Alloy Look & Feel software from Incors GmbH.
This product includes software developed by the Apache Software Foundation (http://www.apache.org/
).
© DevelopMentor
This product may include the JCifs library, for which the following notice applies:
JCifs © Copyright 2004, The JCIFS Project, is licensed under LGPL (http://jcifs.samba.org/). See the LGPL.txt file in the Third
Party Software directory on the installation CD.
Avid Interplay contains components licensed from LavanTech. These components may only be used as part of and in
connection with Avid Interplay.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial computer software” or
“commercial computer software documentation.” In the event that such Software or documentation is acquired by or on behalf
of a unit or agency of the U.S. Government, all rights with respect to this Software and documentation are subject to the terms
of the License Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, Adrenaline, AirPlay, AirSPACE, AirSPACE HD, AirSpeed, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,
Avid DNA, Avid DNxcel, Avid DNxHD, AVIDdrive, AVIDdrive Towers, Avid DS Assist Station, Avid ISIS,
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NetReview, NewsCutter, Nitris, OMF, OMF Interchange, OMM, Open Media Framework, Open Media Management, PCTV,
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Sci-Fi, ScriptSync, SecureProductionEnvironment, Show Center, Softimage, Sound Designer II, SPACE, SPACEShift,
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Video RAID, Video Slave Driver, VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology,
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and/or other countries. Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other
countries. Windows is either a registered trademark or trademark of Microsoft Corporation in the United States and/or other
countries. All other trademarks contained herein are the property of their respective owners.
Footage
Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,
Editor/Producer Bryan Foote.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
News material provided by WFTV Television Inc.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
Tornados + Belle Isle footage — Courtesy of KWTV News 9.
WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.
Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content
creators of every genre — Just finished an incredible project and want to share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid NewsCutter Products Basics Guide • 0130-07602-01 • March 2007
Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Avid Educational Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Chapter 1 Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Turning on Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Working with the Desktop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Using the Windows Taskbar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Using Shortcut Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Navigating in Dialog Boxes and Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Understanding Mouse Scroll Wheel Functions . . . . . . . . . . . . . . . . . . . . . . . . . 34
Customizing Mouse Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Starting Your Avid Editing Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Working with Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Understanding the Select Project Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Opening an Existing Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Browsing for a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Opening a Project Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Deleting a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Ending a Work Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Quitting Your Avid Editing Application . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Turning Off Your Equipment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
6
Managing the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . . . . . . . . . . 45
Understanding the Avid Projects and Avid Users Folders. . . . . . . . . . . . . . . . . 45
Changing Project and User Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Saving Your Project Information on a Drive or on Removable Media . . . . . . . . 48
Restoring from a Backup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Working with the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Understanding the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Retrieving Files from the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Opening Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Customizing Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Chapter 2 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Understanding the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Controlling Project Window Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Using the Bins Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Viewing a List of Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Renaming a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Opening and Closing Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Displaying Folders of Bins in the Bins List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Deleting a Bin or Folder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Emptying the Trash in the Bins List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Saving Bins Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Using the Settings Tab in the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Using the Format Tab in the Project Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Chapter 3 Capturing Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Understanding Logging and Shot Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Importing Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
7
Preparing the Hardware for Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Getting Information About Striped Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Establishing Sync for Audio-Only Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Selecting Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Understanding Video Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Selecting Video Resolutions and Media Drives . . . . . . . . . . . . . . . . . . . . . . . . . 73
Setting Drive Filtering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Configuring Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Configuring a Deck or Multiple Decks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Deleting Deck Configuration Elements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Capturing DV Media Directly from a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Connecting a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Selecting a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Capturing DV 25 Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Capturing DV 50, DVCPRO HD, or HDV Media. . . . . . . . . . . . . . . . . . . . . . . . . 86
Setting Up the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Opening the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Changing the Power Scheme. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Selecting a Deck in the Capture Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Selecting a Source Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Selecting Source Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Setting the Video and Audio Input in the Capture Tool . . . . . . . . . . . . . . . . . . . 91
Detecting a Valid or Locked Sync Signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Selecting a Resolution in the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Targeting a Single Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Targeting Separate Drives for Audio and Video . . . . . . . . . . . . . . . . . . . . . 94
Targeting a Drive Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Interpreting the Time-Remaining Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Selecting a Custom Preroll. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
8
Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Understanding Audio Project Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Selecting the Audio Sample Rate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Understanding Audio Files and Formats . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Selecting the Audio File Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Selecting the Audio Input Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Configuring the Sound Card (Software-Only Systems). . . . . . . . . . . . . . . . . . . 99
Sound Card Configuration with Surround Sound Capabilities
(Software-Only Systems) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Understanding the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Opening and Sizing the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Preparing for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Opening the Video Input Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Using the Factory Preset Buttons in the Video Input Tool. . . . . . . . . . . . . . . . 105
Preparing to Calibrate Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Calibrating Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Capture Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Capturing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Naming Clips and Adding Comments in the Capture Tool . . . . . . . . . . . . . . . 111
Capturing from a Mark IN to a Mark OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Capturing by Setting Both Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Capturing by Setting Only One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Capturing On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Preparing to Autocapture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Autocapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Capturing with Time-of-Day Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Capturing Audio from a Music CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Frame Chase Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Understanding Frame Chase Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Enabling Frame Chase Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Requirements and Guidelines for Frame Chase Capture . . . . . . . . . . . . . . . . 122
9
Batch Capturing from Logged Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Preparing to Batch Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Batch Capturing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Recapturing Your Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Recapturing Master Clips and Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Recapturing Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Saving Two Versions of a Sequence When Recapturing . . . . . . . . . . . . . 128
Using Decompose When Recapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Recapturing the Sequence Without Using Decompose . . . . . . . . . . . . . . 130
Chapter 4 Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Creating and Using Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Creating a New Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Modifying an Existing Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Importing Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Importing Audio Files from a Music CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Using the Batch Import Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Starting the Reimport Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Chapter 5 Working with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Understanding Object Icons in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Understanding Bin Highlight Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Using Brief View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Enlarging or Reducing Frame Sizes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Realigning Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . . . . . . . . . . 152
10
Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Adding Text in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Playing Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Rearranging Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Basic Bin Procedures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Selecting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Duplicating Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Deleting Bin Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Conserving Screen Real Estate with the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . 160
Enabling and Disabling the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Opening Bins in the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Closing the SuperBin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Moving Bins into and out of the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Moving Clips and Sequences into and out of the SuperBin . . . . . . . . . . . . . . 162
Copying Clips and Sequences into and out of the SuperBin. . . . . . . . . . . . . . 162
Deleting a Bin with the SuperBin Enabled. . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Creating a Storyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Chapter 6 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Working with Media Files in an Avid Interplay Environment. . . . . . . . . . . . . . . . . . 166
Configuring Avid Editing Systems to Work with the
Interplay Engine and Interplay Transfer. . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Using Avid Editing Systems in an Avid Workgroup Environment . . . . . . . . . . 167
Using Avid Editing Systems in an Avid Unity LANshare Workgroup. . . . . . . . 167
Viewing Media with a 100Base-T Connection to Avid Unity ISIS . . . . . . . . . . 168
Mounting and Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Mounting All Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
11
Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Basic Media Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Using the Media Tool in an Avid Interplay Environment. . . . . . . . . . . . . . . . . . 171
Opening the Media Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Deleting Media Files with the Media Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Using the Consolidate Command. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Consolidate Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Using the Transcode Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Transcode Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Refreshing Media Directories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Deleting Unreferenced Clips and Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Chapter 7 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Viewing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Customizing the Source/Record Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Resizing Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Resizing the Source/Record Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Expanding the Source/Record Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Hiding the Video in a Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Using the 16:9 Display Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Displaying a Second Row of Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Displaying Tracking Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Playing Video to the Client Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Selecting the Video Display Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Playing Video to a Full-Screen Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Loading Clips or Sequences into Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Resizing Pop-up Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
12
Switching Between Loaded Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Clearing Clips from Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Using Position Bars and Position Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Using Buttons to Control Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Stepping Forward and Backward by Field. . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Using the Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Playing Footage with the J-K-L Keys (Three-Button Play) . . . . . . . . . . . . 206
Navigating with Home, End, and Arrow Keys. . . . . . . . . . . . . . . . . . . . . . 208
Playing Back to a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Optimizing Your Playback Performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Understanding Video Quality for Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Setting the Video Quality for Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Marking IN and OUT Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Marking an Entire Clip or Segment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Subclips and Audio Sync for 24p and 25p Projects. . . . . . . . . . . . . . . . . . . . . 217
Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Searching for a Clip or Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Understanding Match Frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Performing a Reverse Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Selecting Tracks for Matching Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Finding a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Locating a Master Clip from a Subclip in a Sequence. . . . . . . . . . . . . . . . . . . 223
Chapter 8 Creating and Editing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Creating a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Changing the Name and Timecode for a Sequence . . . . . . . . . . . . . . . . . . . . 227
Understanding Track Display for a New Sequence. . . . . . . . . . . . . . . . . . . . . 228
Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
13
Making a First Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Creating an Instant Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Undoing or Redoing Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Editing Additional Clips into the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Performing an Insert or Splice-in Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Performing an Overwrite Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Lifting, Extracting, and Copying Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Copying Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Preserving Clipboard Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Recovering Material from the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Playing Back a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Managing Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Editing to Avoid Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Displaying Sync Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Fixing Sync Breaks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Chapter 9 Using the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Customizing Timeline Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Using the Timeline Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Enlarging and Reducing Timeline Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Highlighting Offline Media Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Highlighting Clips in a Mixed-Format Timeline . . . . . . . . . . . . . . . . . . . . . . . . . 250
Saving a Customized Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Replacing a Timeline View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Restoring the Default Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Navigating in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Using the Position Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Using the Timeline Scroll Bar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Setting the Scroll Option for the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Displaying Detail in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
14
Zooming In and Out in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Focusing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Controlling Movement in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Using Segment Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Selecting and Deselecting Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Guidelines for Selecting and Lassoing Segments. . . . . . . . . . . . . . . . . . . . . . 258
Performing Segment Mode Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
Maintaining Sync in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Extracting/Splicing Segments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Lifting/Overwriting Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
Deleting Segments in Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Marking Clips and Sequences in Segment Mode. . . . . . . . . . . . . . . . . . . 261
Cutting, Copying, and Pasting in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . 262
Working with Multiple Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Understanding the Track Selector Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Monitoring and Soloing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Understanding Track Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Performing an Alternate Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Patching Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Locking and Sync Locking Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Sync Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Adding a Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Deleting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Understanding Backtiming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Backtiming Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Chapter 10 Working in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Understanding Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Quick Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Big Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Trim Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
15
Entering and Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Switching Between Quick Trim Mode and the Record Monitor . . . . . . . . . . . . 280
Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Using Basic Trim Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Selecting Trim Sides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Selecting Video Tracks in Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Audio Solo in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Selecting Additional Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Performing a Basic Trim. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Reviewing Trim Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Reviewing an Edit with the Play Loop Button . . . . . . . . . . . . . . . . . . . . . . 285
Reviewing an Edit with the Edit Review Button. . . . . . . . . . . . . . . . . . . . . 285
Trimming with the J-K-L Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Trimming On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Trimming During a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Chapter 11 Working with Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Overview of Audio Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Accessing Audio Effect Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Audio Editing Aids. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Using Audio Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Understanding Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Selecting Tracks for Audio Scrubbing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Performing Smooth Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Understanding Digital Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Adjusting Digital Scrub Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Performing Digital Audio Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Soloing Audio Tracks in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Displaying Waveform Plots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Using Audio Meters in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Adjusting Volume Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Adjusting Buffer Size (Software-only Models) . . . . . . . . . . . . . . . . . . . . . . . . . 301
Identifying the Sample Rate by Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Muting the Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
16
Using the Audio Mixer Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Accessing the Audio Mixer and Audio Mixer Modes . . . . . . . . . . . . . . . . . . . . 303
Understanding Audio Mixer Tool Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Resizing the Audio Mixer Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Selecting Tracks in the Audio Mixer Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Using the Track Solo and Track Mute Buttons . . . . . . . . . . . . . . . . . . . . . . . . 307
Interpreting Position Indicator Lights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Using Clip Gain and Pan Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Adjusting Clip Gain and Pan for Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . 309
Using the Audio Mixer Fast Menu in Clip Gain and Pan Mode . . . . . . . . . . . . 312
Modifying Pan Values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Modifying How the System Interprets Pan . . . . . . . . . . . . . . . . . . . . . . . . 313
Using the Center Pan Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Using Automation Gain and Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Using Automation Gain and Pan in the Timeline. . . . . . . . . . . . . . . . . . . . . . . 315
Deleting Automation Gain or Automation Pan Keyframes in the Timeline . . . 317
Understanding Automation Gain and Pan Mode. . . . . . . . . . . . . . . . . . . . . . . 318
Recording Automation Gain or Automation Pan Information. . . . . . . . . . . . . . 319
Using the Audio Mixer Tool Sliders for Automation Gain and Pan. . . . . . 319
Using the Audio Mixer Fast Menu in Automation Gain
and Pan Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Using Keyboard Shortcuts with Audio Keyframes . . . . . . . . . . . . . . . . . . 322
Using Live Mix Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Using an External Controller in Live Mix Mode . . . . . . . . . . . . . . . . . . . . . . . . 324
Using Live Mix Mode Without an External Controller . . . . . . . . . . . . . . . . . . . 326
Switching Between Live Mix Mode and Other Audio Mixer Modes . . . . . . . . . 326
Using the Audio Mixer Mode Fast Menu in Live Mix Mode . . . . . . . . . . . . . . . 326
Fine-Tuning Audio Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Fading and Dipping Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Fading Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Dipping Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
17
Converting the Audio Sample Rate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Changing the Audio Sample Rate for Sequences and Audio Clips . . . . . . . . . 333
Mixing Down Audio Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Chapter 12 Working with Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Types of Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Effects Creation Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Real-Time Effects and Non-Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . 340
Effects and Project Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
AVX Plug-In Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Understanding the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Displaying and Adjusting the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Applying Effects From the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Using the Fade Effect Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Using the Quick Transition Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Deleting Effects in a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
Sizing Effects to Fit the Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Adjusting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Entering Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Understanding Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Making Basic Effect Adjustments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Moving Through an Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Working with Effect Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Saving an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Applying an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Working with Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Understanding Standard Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Adding a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Selecting a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Moving a Standard Keyframe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Changing a Standard Keyframe’s Parameters. . . . . . . . . . . . . . . . . . . . . . . . . 360
Copying and Pasting Standard Keyframe Parameters. . . . . . . . . . . . . . . . . . . 361
Deleting a Standard Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
18
Playing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Playing an Effect in Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Playing Real-Time Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Understanding Render On-the-Fly for Effect Preview . . . . . . . . . . . . . . . . . . . 364
Using Render On-the-Fly for Effect Preview . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Real-Time Playback of Video Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Understanding Real-Time Effects Processing. . . . . . . . . . . . . . . . . . . . . . . . . 365
Understanding Real-Time Playback Information in the Timeline. . . . . . . . . . . 366
Turning Playback Performance Indicators On or Off. . . . . . . . . . . . . . . . . . . . 367
Controlling Real-Time Effects Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Choosing Bit Depth for Effects Processing. . . . . . . . . . . . . . . . . . . . . . . . 369
Prefilling the Video Display Buffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Selecting the OpenGL Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Limiting the Number of Real-Time Streams . . . . . . . . . . . . . . . . . . . . . . . 371
Playing Effects Back at Different Video Qualities . . . . . . . . . . . . . . . . . . . . . . 372
Basics of Effects Rendering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Understanding Effects Rendering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Rendering a Single Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Rendering Effects at Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Rendering Effects Between IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . 376
Rerendering Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
ExpertRender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Understanding ExpertRender . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Using the ExpertRender Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Using the ExpertRender Command After a Real-Time
Playback Attempt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Modifying ExpertRender Results . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Considerations When Using ExpertRender . . . . . . . . . . . . . . . . . . . . . . . 386
Chapter 13 Working with Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Opening the Title Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Using Marquee. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389
Workflow for Creating Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Understanding the Title Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
19
Using the Selection and Text Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Setting Up the Drawing Environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Previewing Titles with Anti-Aliasing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Displaying Safe Title and Safe Action Guidelines in the Title Tool. . . . . . . . . . 394
Selecting a Background for Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394
Creating Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Sizing and Positioning Text Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Editing a Text String . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Formatting Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Setting Default Text Attributes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Selecting a Font . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Changing Point Size. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Making Text Bold or Italic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Justifying Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Understanding Kerning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Kerning Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Adjusting Leading. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Creating Graphic Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Modifying and Manipulating Title Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Adding Shadows to Title Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Saving Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
Saving a Title and Exiting the Title Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407
Saving Multiple Titles in a Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408
Using a Keyboard Shortcut to Save a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . 408
Using the Fast Save Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Revising a Title in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Editing with Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Title Effect Clips in the Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
Editing a Title into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412
Setting Marks in a Rolling Title or a Crawling Title. . . . . . . . . . . . . . . . . . . . . . 413
Splicing or Overwriting a Title into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . 413
Dragging a Marked Title into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415
20
Dragging an Unmarked Title into a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . 416
Trimming the Duration of Rolling and Crawling Titles . . . . . . . . . . . . . . . . . . . 417
Removing a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
Replacing a Title. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
Fading a Title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Chapter 14 Color Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
How Avid Color Correction Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
Reasons for Making Color Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422
Color Correction Mode Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
Entering and Leaving Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . 423
Understanding Color Correction Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
Monitor Buttons in Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
The Client Monitor in Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . 425
Color Correction Tool Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Making Basic Color Corrections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Correcting Color Automatically Using the Color Correction Effect . . . . . . . . . 426
Correcting Color Automatically in the Hue Offsets Tab. . . . . . . . . . . . . . . . . . 428
Color Match Corrections in the Curves Tab . . . . . . . . . . . . . . . . . . . . . . . . . . 429
Safe Color Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Managing Safe Color Warnings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Safe Color Warnings in the Monitor Window. . . . . . . . . . . . . . . . . . . . . . . . . . 431
Chapter 15 Exporting and Transferring Material . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Understanding Export. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Preparing to Export a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Exporting Frames, Clips, or Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Using the Drag-and-Drop Method for Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439
Using Avid Interplay Media Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439
Customizing Export Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440
Transferring Project and Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Methods for Transferring Files Between Avid Editing Systems. . . . . . . . . . . . 441
Using Nonshared Storage to Transfer Project and Media Files . . . . . . . . . . . 443
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Avid NewsCutter 6.7 User guide

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Software
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User guide
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