Roland TD-9 Owner's manual

TD-9 Quick Start

English, Deutsch, Français, Italiano,

Español, Português, Nederlands

2

.

3

TD-9 Quick Start

EnglishDeutschFrançaisItalianoEspañolPortuguês

Nederlands

TD-9 Quick Start

Guide rapide de la TD-9

TD-9 Guida Veloce

Guía Rápida del TD-9

TD-9 Quick Start

TD-9 Snelstart

- English

- Français

- Italiano

- Español

- Nederlands

- Deutsch

- Português

4

1. Check out the amazing sounds! . . . . . . . . . . . . . . . . . 8

Selecting drum kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Drum kit list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

2. Playing with the on-board songs. . . . . . . . . . . . . . . . . . . . 10

Playing along with the built-in songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Playing along with songs from a USB memory key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Playing along with music from a portable audio player . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

3. Practice applications. . . . . . . . . . . . . . . . . . . . . . . . . . 12

Recording/playing your performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Practicing with the metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Practicing and monitoring your timing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

4. Expanding the drum kit . . . . . . . . . . . . . . . . . . . . . . . 14

Connecting an extra tom pad (PD-85: sold separately) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Connecting a crash cymbal (CY-8: sold separately) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Connecting a V hi-hat (VH-11: sold separately). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

English

1. Spielen der Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Auswahl eines Drum-Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Liste der Drum-Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

2. Spielen zu Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Spielen zu den internen Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Spielen zu Songs eines USB Sticks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Spielen zu Songs eines externen Audio Players . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

3. Üben des eigenen Spiels . . . . . . . . . . . . . . . . . . . . . . 20

Aufnehmen und Abspielen der Spieldaten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Üben mit Metronom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Üben und Überprüfen des eigenen Spiels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

4. Erweitern des Drum-Kits . . . . . . . . . . . . . . . . . . . . . . 22

Anschluss eines weiteren Tom-Pads (PD-85) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Anschließen eines Crash-Cymbals(CY-8) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Anschließen der V hi-hat VH-11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Deutsch

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1

2

1. Check out the amazing sounds!

The prime advantage of V-Drums, compared to acoustic drums, is that with the push of a button

you can change the sounds to adapt to absolutely any and every style of music. The TD-9 has 522

sounds set up in 50 kits. And sound editing is possible. Start out by switching kits to experience

the wide variety of sonic possibilities.

Use the

[

+/-

]

buttons or turn the

[

VALUE

]

knob to select di erent

k

its

.

2

.

Selecting drum kits

If you want to use the “cross

stick” function, press the

[F3] button to turn it on

(“XSTICK”).

P

ress the [K

n

T

he [KIT] button li

t

up an

U

M KIT

e

K

p

appears in the dis

p

1

.

8

EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands

B

ow s

h

o

t

The most common and normal

playing technique on the main

surface of the cymbal.

Drum kit list

Roland logo

Edge sensor

B

ell sho

t

(CY-12R/C or CY-15 onl

y

)

You can have a natural “bell”

sound when hitting this part of

the cymbal pad.

Edg

e s

h

ot

Using the shoulder of the

stick to strike the edge of the

cymbal.

Ch

o

k

in

g

By using your hand to grasp

the edge of the cymbal after

hitting it, you can choke or

“mute” the sound.

T

he secret o

f

the realistic sounds is the combination o

f

the “TD-9” with

p

ads

care

f

ully designed

f

or great playing

f

ee

l

L

ike acoustic drums, V-Drums, no matter what pad con



guration

y

ou have chosen, will give

y

ou

a

n incredibly natural expressiveness,

f

eeling and response. This allows you to play as you would

o

n

acoust

i

c

d

r

u

m

s.

Head

Rim

H

ead

s

h

ot

The typcical/normal sound by

just hitting the surface of the

pad.

Rim

shot

Hitting the rim and the head at

the same time.

Cross stic

k

Gently hold the lower end of

the stick against the head and

strike the rim with the stick’s

shoulder.

Cy

m

b

a

l

(CY-12R/C, CY-8) Snare

(

PD-105, PDX-8

)

9

No. Drum kit name

1

V

-Tour

S

tudi

o

2

Coo

l

Jaz

z

3

D

oub

l

e

B

ASS

4

Com

p

act

p

1

8

"Ki

ck

5

A

coust

ic

6

H

ouse +Latin

P

erc

7

A

mbient ChillOu

t

8

Ju

nk

I

NDU

S

TRIAL

9

T

i

g

htHit

g

2n

d

Hi-H

at

1

0

Br

ushes

11 Ba

ll

a

d

R

e

v

e

r

b

12

Big Rock

g

Stadiu

m

1

3

Modern JAZZ

14

JazzyBop

yp

Sizz

l

e

15

F

usion

1

6

Alte

rn

a

R

oc

k/

Pun

k

17 B

l

as

t

1

8

Mixtur

e

1

9

G

roov

e

2

0

V

inta

g

e

g

30's-40's

21

Ja

zzF

u

n

k

2

9

0

'

s

R

ock

23

80'sRoc

k

24

70

'

sRo

c

2

5

Dry Pop

yp

No. Drum kit name

26

L

o-Fi

27

FunkyDry

yy

28

Ne

wD

isco

2

9 Tr

ip

Ho

p

pp

30

Hip

Ho

p

pp

OldSchool

31

D

rum

'

nB

s

32

B

rea

k

B

EA

T

33

Nu

Ja

zz

B

rokenBea

t

3

4 A

bst

r

act

35

G

immi

ck

Br

eak

B

eat

36

M

inima

l

H

OUSE

37

Reggae

gg

+

Tim

ba

l

e

38

L

atin FootClav

e

39

Wo

rl

d

1 Ca

j

on,D

j

emb

e

jj

4

0

Wo

rl

d

2

T

a

bl

a,Ba

y

a

y

41

Sa

m

ba

Batucada

4

2

Symphony

yp y

O

r

ch

Hi

ts

4

3

Stee

l

Drm

C

Ma

j

orScale

j

44

Trancy

y

45

E

l

ect

r

o

n Electronic

a

4

6

E

l

e

Dr

u

m

s

Cl

assicE

l

ec

47

TR-

808

4

8

T

R

-90

9

4

9

Voices H

u

m

a

n

BeatBox

50

U

ser Ki

t

10

2. Playing with the on-board songs

The TD-9 has 50 pre-programmed songs featuring a variety of styles. You can also use the MIX IN

jack to play along with an external audio source (MP3 player or CD player etc). And you can con-

nect a USB Key as well for the same purpose.

on.

o

N

] bu

Pre

the

d the “SONG” screen

d

hts u

The [S

The [

NG] bu

h

he

G]

]

appears.

1

P

ress the

[

T

he

[

W

hen

y

ou press the [

]

button again, the button

goes dark and pla

y

back stops.

3.

Playing along with the built-in songs

By pressing the [MUTE]

button you can mute the

pre-programmed drum

part.

2

FWD (fast-forward)BWD (rewind)

TOP (to the beginning of the song)

PAUSE

3

11

Playing along with music from a portable audio player

U

se MIX IN jack to connect your MP3 player, CD or other audio source

.

Connect it to the TD-9’s MIX IN jack as shown in the illustration.

U

sin

g

an external audio source.

F

or details, re

f

er to the owner’s manual o

f

your audio player.

T

he sound received at MIX IN will be output

f

rom the main OUTPUT and PHONES

j

acks.

T

he volume

/

audio level from the external source will determine the balance between it and the level o

f

your playing on the TD-9. Adjust accordingly

.

1.

2

.

*

Playing along with songs from a USB memory key

A

fter you have saved songs on your USB memory key (WA

V

ONLY) from your computer, you can use this as an external audio

source to pla

y

along with.

Press t

h

e [SHIFT] + [SONG]

b

uttons.

T

h

e [SONG]

b

utton wi

ll

l

i

gh

t, an

d

t

h

e “EXTERNAL SONG” screen

appears.

U

se t

h

e [+/-]

b

uttons or turn t

h

e [VALUE]

d

ia

l.

A

udio  les saved on the USB key will be shown following the on-

b

oar

d

songs; c

h

oose t

h

e song you want to

h

ear

.

Press t

h

e [

T

h

e [

p

ress t

h

e [ ]

b

utton once a

g

ain, t

h

e

b

utton

g

oes

d

ar

k

an

d

pl

ay

b

ac

k

stops

.

1

.

2.

3.

Audio cable

Stereo mini-plug

EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands

New

h

orizons

by

using USB

k

e

ys

The TD-9’s USB port allows you to

use audio data saved to a USB key for

practice or live performances.

IMPORTANT: Only audio  les in the

following formats can be used.

A

ud

i

o

 l

es

F

ormat

WAV

S

am

p

lin

g

rat

e

pg

4

4.1kH

z

Bit de

p

t

h

p

8

/16/24 bits

Save the  le in the root directory of

your USB memory.

The name of the  le will be the song

name.

*

12

3. Practice applications

V-Drums make practicing more enjoyable. The TD-9 features a Quick Rec function that lets you

easily record your performance. The Quick Play function allows immediate play back of that re-

corded performance. The Scope function lets you see your timing accuracy in the display, a help-

ful tool to improve your drumming technique.

C] button.

Q

ICK

ts up, and the “QUICK

t

]

utton

h

Th

QUICK

U

IC

tt

to

o

p

s.

RE

R

screen

scree

P

ress the [QUICK PLAY] button

.

Th

e [QUICK PLAY]

b

utton

l

ig

h

ts up, an

d

p

l

ay

b

ac

k

b

egins.

Quick Pla

y

onl

y

pla

y

s back per

f

ormances

y

ou recorded

u

sin

g

the Quick Rec

f

unction.

3.

*

1

3

2

Recording/playing your performance

C

]

K

If you only want to record your drum performance, do

as explained above.

If you want to record your performance together with

a built-in song, press the [QUICK REC] button and then

press the [

] button to start recording.

1

3

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Practicing and monitoring your timing

T

he TD-9’s Scope

f

unction makes practicing even more

f

un and challenging b

y

displa

y

ing

y

our

t

iming in rea

l

time.

Press t

h

e

[

SCOPE

]

b

utton.

The [SCOPE] button li

g

hts up, and the “SCOPE” screen appears.

S

trike a pad.

The screen will show

y

our timing.

Press the [SCOPE] button a

g

ain to exit the “SCOPE” function. The button

g

oes dark.

1.

2.

Practicing with the metronome

Practicing with the TD-9’s built in metronome will help

y

ou per

f

ect

y

our tempo skills

.

Using t

h

e metronome

Press the [CLICK (TEMPO)] button

.

The [CLICK (TEMPO)] button lights up and

t

he metronome starts. Press the button a

g

ain

t

o stop it.

Ch

anging t

h

e tempo

Wh

i

l

e

h

o

ld

in

g

d

own t

h

e [SHIFT]

b

utton,

p

ress t

h

e [CLICK (TEMPO)]

butto

n

.

T

h

e “TEMPO” screen a

pp

ears

.

U

se t

h

e [+/-]

b

uttons or t

h

e [VALUE]

k

no

b

to a

dj

ust t

h

e tempo

.

1

.

2.

3

.

1

2

3

When your timing is good

When your timing is inaccurate

Timing of your strikes

Rushing - ahead

of the beat

Dragging - behind

the beat

Timing is correct

Others

Cymbals

Hi-hat

Toms

Snare

Kick

Others

Cymbals

Hi-hat

Toms

Snare

Kick

By pressing the [F3] (ZOOM+) button you can zoom

in to see more details.

By pressing the [F2] (ZOOM-) button you can zoom

out to see a broader area.

14

4. Expanding the drum kit

Connecting an extra tom pad (PD-85: sold separately)

U

se a stereo ca

bl

e to connect t

h

e PD-85 to t

h

e TD-9 as s

h

own in t

h

e i

ll

ustration.

Attac

h

t

h

e Pa

d

Mount (MDH-10U : so

ld

separate

ly

) to t

h

e stan

d.

Connect the cable included with the

pa

d

to t

h

e TD-9’s AUX jac

k.

1

.

2.

There are di erent ways to expand the size of the TD-9K/KX to adapt to your playing style.

By adding a V hi-hat, you can enjoy the same playing feel and expressiveness as with an acoustic

hi-hat.

Ex

p

ansion exam

pl

e

s

Pad Mount

(MDH-10U : sold separately)

from PD-85

Crash cymbal (CY-8)

Tom (PD-85)

Hi-hat (VH-11)

The TD-9 comes with the toms and crash cymbals

shown in this illustration. And it’s easy to expand the

con guration.

15

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Connecting a crash cymbal

(CY-8: sold separately)

Use

a

ste

r

eo

cab

l

e

to

co

nn

ect

t

h

e

C

Y-

8

to

t

h

e

TD-9

as

s

h

o

wn in

the illustration

.

Attac

h

t

h

e Cym

b

a

l

Mount (MDY-10U

: so

ld

separate

ly

) to t

h

e stan

d.

Connect the cable included with the

pad to the TD-9’s CRASH2 jack.

1

.

2

.

Th

e V

h

i-

h

at is a

p

rime exam

pl

e

o

f

Roland’s V-Drums technolog

y

The main feature of the V hi-hat (VH-

11) is the design that creates the

movement, weight and playing feel of

a acoustic hi-hat.

The VH-11 can be mounted on a just

about any hi-hat stand, allowing

normal bow/edge playing technique,

smooth transition between the open

and closed position and even foot

splashes.

Connecting a V hi-hat (VH-11: sold separately)

Use the existin

g

cables to connect the VH-11 to

the TD-9 as shown in the illustration

.

Connect t

h

e HH (

h

i-

h

at tri

gg

er) ca

bl

e

to t

h

e TRIGGER OUT

j

ac

k

.

Connect the HHC

(

hi-hat control

)

cable

to the CONTROL OUT jack.

For details on mounting the VH-11 on a hi-hat stand, refer

to

t

h

e

“VH-11

o

wn

e

r’

s

m

a

n

ua

l

.

”

Th

e

h

i-

h

at stan

d

is so

ld

separate

ly

.

T

he original cymbal pad (CY-5) used

f

or the hi-hat can be

u

se

d

as a sp

l

as

h

or cras

h

cym

b

a

l

. Mount it using an Cym-

b

al Mount (MDY-10U : sold separatel

y

) or C

y

mbal Parts

Set (CYM-10 : sold separately).

1.

2.

*

TRIGGER OUT

jack

CONTROL OUT

jack

MDY-10U (sold separately)

Cymbal Mount

from CY-8

Dedicated V-Drums setu

p

mat

TDM-20/10

Stereo monitor head

p

hones

RH series

Ot

h

er o

p

tion

s

I

n addition to items proposed here, you can expand your system with other options. For details,

talk with your local Roland dealer or check out the Roland website.

h

tt

p

://www.roland.com/V-Drums/

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B

ow (Ober



äche

)

Die am häu gsten verwendete

Spieltechnik auf der Ober ä-

che des Beckens.

Liste der Drum-Kits

Roland logo

Edge sensor

B

ell (Ku

pp

e

)

(

nur mit CY-12R/C o

d

er

C

Y-15

)

Anschlagen der Kuppe mit der

Stockschulter.

Ed

ge (Ran

d

)

Das Anschlagen des Beckens

mit der Stockschulter am

Rand.

C

hoke (Becken-Sto

pp

)

Abstoppen eines gerade ange-

spielten Sounds.

Der rea

l

istisc

h

e Sc

hl

agzeug-K

l

ang resu

l

tiert aus

d

er ü

b

erragen

d

en K

l

angqua

-

l

ität des TD-9 und dem Spielverhalten der Pads.

D

ie V-Drums-Tec

h

no

l

ogie er

l

au

b

t ein se

h

r expressives un

d

dy

namisc

h

es Spie

l

en

d

er

Kl

änge, una

bh

ängig vom ausgewä

hl

ten Sc

hl

agzeug-Set.

Head

Rim

Hea

d

(Fe

ll

sc

hl

a

g)

Das Anschlagen des Fells.

Rim S

h

ot (Kom

b

i-Sc

hl

ag

)

Das Anschlagen von Fell und

Rand gleichzeitig.

C

r

oss

St

i

c

k

Au egen des Sticks auf den

Rand des Pads und Anspielen

des Rands mit der Stockschul-

ter.

Cy

mbals (CY-12R/C, CY-8) Snare (PD-105

,

PDX-8

)

17

Nr. Name des Drum-Kits

1

V-Tour Studi

o

2

C

oo

l

Jazz

3

Doub

l

e

BASS

4

C

om

p

act

p

18

"Ki

ck

5

A

coust

i

c

6

H

ouse

+

Latin

P

erc

7

A

mbient

C

hillOut

8

Ju

n

k

I

NDU

S

TRIA

L

9

Ti

g

htHit

g

2

n

d

Hi-H

at

10

B

r

ushes

1

B

a

ll

a

d

Re

v

e

r

b

12

Big Rock

g

Stadium

13

M

odern

J

AZ

Z

14

JazzyBop

yp

Sizz

le

15

Fusio

n

16

Alte

rn

a

R

oc

k/

Pun

k

17

Bl

as

t

18

M

ixtur

e

19

G

roov

e

2

0

Vinta

g

e

g

3

0's-40'

s

21

Ja

zzF

u

nk

22

90

'

s

R

ock

23

8

0'sRoc

k

24

7

0

'

sRoc

2

5

Dry Pop

yp

Nr. Name des Drum-Kits

26

Lo-Fi

27

FunkyDry

yy

28

N

e

wD

isco

29

Tr

ip

Ho

p

pp

30

H

ip

Ho

p

pp

OldSchool

31

Drum

'

nB

s

32

Brea

k

B

EA

T

33

N

u

Ja

zz

B

rokenBea

t

3

4 A

bst

r

act

35

Gimmi

ck

Br

eak

B

eat

36

Minima

l

H

OUSE

37

Reggae

gg

+

Tim

ba

l

e

38

Latin

F

ootClav

e

39

Wo

rl

d

1 Ca

j

on,D

j

embe

jj

4

0

Wo

rl

d

2

T

a

bl

a,Ba

y

a

y

41

Sa

m

ba

Batucada

4

2

Symphony

yp y

O

r

ch

Hi

ts

4

3

Stee

l

Drm

C

Ma

j

orScale

j

44

Trancy

y

45

El

ect

r

o

n Electronic

a

4

6

El

e

Dr

u

m

s

Cl

assicE

l

e

c

47

TR-

808

4

8

T

R

-90

9

4

9

Voices

Hu

m

a

n

BeatBox

50

U

ser Ki

t

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F

rappe sur

l

e corps

Technique de jeu la plus com-

mune sur la surface principale

de la cymbale.

Liste des kits de batterie

Logo Roland

Capteur du bord

Capteur du

bord

F

ra

pp

e sur le dôm

e

(CY-12R/C ou CY-15 uni

q

uement.

)

Vous obtenez un son naturel

de dôme lorsque vous frappez

cette partie de la cymbale.

F

rappe sur

l

e

b

or

d

Utilisez le manche de la baguet-

te pour frapper le bord de la

cymbale.

E

tou ement

En prenant le bord de la cymba-

le en main après l’avoir frappée,

vous étou ez le son.

Le réa

l

isme

d

es sons s’ex

pl

i

q

ue

p

ar

l

a com

b

inaison

d

u mo

d

u

l

e TD-9 et

d

e

pads conçus spécialement pour o



rir une superbe sensation de je

u

C

omme une batterie acoustique, la V-Drums

f

ait preuve d’une expressivité, d’une sensation de

j

eu

et d’une réponse incro

y

ablement naturelles, quelle que soit la con



guration de pads choisie. Cela

v

ous permet de jouer comme vous le

f

eriez sur une batterie acoustique.

Peau

Bord

Fra

pp

e sur la

p

ea

u

Son typique de frappe sur la

surface d’une peau.

Rim

shot

Frappe simultanée du bord et

de la peau.

Cross stic

k

Abaissez doucement l’extrémi-

té inférieure de la baguette

contre la peau et frappez le

bord avec le manche de la

baguette.

Cy

m

b

a

l

e (CY-12R/C, CY-8) Caisse c

l

aire (PD-105, PDX-8)

25

Nr. Nom du kit de batterie

1

V

-

T

our

Stud

i

o

2

CoolJa

z

3

Double

B

A

SS

4

C

om

p

act

p

18"Kic

k

5

A

coustic

6

House

+L

at

inP

e

r

c

7

Am

b

ient

C

hill

Out

8

Jun

k

IND

US

TRIAL

9

T

i

g

htHit

g

2ndHi-Hat

1

0

Br

us

h

es

11

B

allad

R

e

v

e

r

b

1

2

Bi

g

Roc

k

g

Stad

i

um

1

3

Mo

d

ern

JAZZ

14

Jazz

yB

o

p

yp

Sizzle

15

Fusio

n

1

6

Al

te

rn

a

Roc

k/

Pun

k

17

B

last

1

8

M

i

x

tu

r

e

1

9

G

roove

20

V

inta

g

e

g

30's-40's

21

JazzFun

k

22

9

0

'

s

R

ock

23

80

'

s

R

ock

2

4 7

0's

R

oc

25

D

r

y

P

o

p

yp

Nr. Nom du kit de batterie

2

6 Lo-F

i

27

Funk

y

Dr

y

yy

28

NewDisco

2

9

T

ri

p

Ho

p

pp

30

H

ip

Ho

p

pp

OldSchool

3

1 Dr

u

m

'

nB

s

32

Brea

k

B

EAT

33

Nu Jazz Br

o

k

e

nB

eat

34

A

bstrac

t

35

G

immi

c

k

B

rea

k

Beat

36

Minim

al

HOUS

E

3

7 Re

gg

ae

gg

+Tim

bale

38

Lat

i

n

FootC

l

a

v

e

39

World1

C

a

j

on,D

j

embe

jj

40

World2 Tabla,Ba

ya

y

41

Sa

m

ba

Batuca

da

42

Sy

m

ph

on

y

yp y

O

r

ch

Hi

ts

43

Steel

Drm CMa

j

orSca

le

j

44

T

ranc

y

4

5 Electron

E

lectronic

a

46

EleDrums ClassicEle

c

47

T

R-

808

48

T

R-9

09

49

Voices

H

u

m

a

nB

eat

B

o

x

5

0

User K

i

t

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S

uper cie

La tecnica esecutiva più comu-

ne, che consiste nel colpire il

piatto sulla super cie princi-

pale.

Lista dei drum kit

Logo Roland

Sensore bordo

C

am

p

ana

(Solo con CY-12R/C o CY-15

)

Potete avere un suono natura-

le di “campana” quando colpite

questa parte del piatto.

C

o

l

po su

l

b

or

d

o

Usate il corpo della bacchetta

per colpire il bordo del piatto.

S

toppato

Afferrando il bordo del piatto con la

mano subito dopo averlo suonato,

potete stoppare il suono del piatto

(o ottenere l’effetto “mute”).

I

l

segreto

d

ei suoni rea

l

istici sta ne

ll

a com

b

inazione

d

e

ll

a “TD-9” con i pa

d

accuratamente progettati per una sensazione di gran naturalezza

C

ome nelle batterie acustiche, le V-Drum, a prescindere da quale con



g

urazione di pad avete

sce

l

to, vi

d

aranno una natura

l

ezza espressiva una sensazione rea

l

e e

d

una risposta a

l

tocco incre

-

dibili. Questo vi permette di suonare come

f

areste su di una batteria acustica.

Pelle

Bordo

Col

p

o sulla

p

elle

Il suono normale ottenuto col-

pendo la super cie del pad.

Rim

shot

Si ottiene colpendo contempo-

raneamente il bordo e la pelle.

Cross stic

k

Appoggiate gentilmente la

parte inferiore della bacchetta

sulla pelle, e colpite il bordo

con il corpo della bacchetta.

P

iatto

(

CY-12R/C, CY-8

)

Ru

ll

ante (PD-105, PDX-8

)

33

No. Nome del drum kit

1

V

-

T

our

Stud

i

o

2

Coo

l

Ja

zz

3

D

ouble BA

SS

4

C

om

p

act

p

1

8"Kic

k

5

Acoustic

6

House

+

L

at

inP

e

r

c

7

A

m

b

ient

C

hill

Out

8

J

unk

I

NDU

S

TRIA

L

9

TightHit

g

2

ndHi-Ha

t

10

B

r

us

h

es

11

Ballad

Re

v

e

r

b

1

2

Big Rock

g

Stad

i

u

m

13

M

o

d

ern

JAZZ

14

JazzyBop

yp

S

izzl

e

15

F

usion

16

A

l

te

rn

a

R

oc

k/

Pun

k

17

Blast

18

Mi

x

tu

r

e

19

G

roov

e

20

Vintage

g

3

0's-40'

s

21

J

azzFunk

22

90

'

s

R

oc

k

2

3

80

'

s

R

ock

2

4

70's

R

oc

2

5

Dry Pop

yp

No. Nome del drum kit

26

Lo-F

i

27

FunkyDry

yy

28

NewDisc

o

2

9

T

ri

p

Ho

p

pp

30

H

ip

Ho

p

pp

O

ld

Sc

h

oo

l

3

1 Dr

u

m

'

nB

s

32

Brea

k

B

EAT

33

N

u

J

azz

B

rokenBea

t

3

4 Abstrac

t

35

Gimmi

ck

Brea

k

Beat

36

Minim

a

l

H

OUSE

3

7 Re

gg

ae

gg

+

Tim

bale

38

Lat

i

n

FootC

l

a

v

e

39

World1

C

a

j

on,D

j

embe

jj

4

0

World2

T

abla,Ba

ya

y

41

Sa

m

ba

B

atuca

da

4

2

Symphony

yp y

O

rc

h

Hits

4

3

Steel

Drm CMa

j

orSca

le

j

44

Trancy

y

4

5

Electron

E

lectronica

4

6

EleDrums

C

lassicEle

c

47

T

R-

808

4

8

T

R-9

0

9

4

9

Voices

Hu

m

a

nB

eat

B

ox

50

User K

it

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D

isparo

d

e arco

Ésta es la técnica de interpre-

tación más habitual y normal

en la super cie principal del

plato.

Lista de kits de percusión

Logotipo de Roland

Sensor de borde

D

is

p

aro de cam

p

ana

(sólo CY-12R/C o CY-15)

Si golpea esta parte del pad

de plato, puede conseguir un

sonido de “campana” natural.

D

isparo

d

e

b

or

de

Se consigue golpeando el bor-

de del plato utilizando el otro

extremo de la baqueta.

A

mortiguaci

ón

Puede amortiguar o “silenciar”

el sonido, sujetando con una

mano el borde del plato des-

pués de golpearlo.

E

l

secreto

d

e

l

os soni

d

os rea

l

istas es

l

a com

b

inación

d

e

l

“TD-9” con

l

os

p

a

d

s

especialmente diseñados para una

f

antástica sensación de interpretación

Al

igua

l

que

l

as

b

aterías acústicas, V-Drums

l

e proporcionará una expresivi

d

a

d

, una sensación

y

una respuesta increíblemente naturales, independientemente de la con



guración de pad selec

-

ciona

d

a. Esto

l

e permite tocar como si

l

o

h

iciera en una

b

atería

.

Parche

Arco

Dis

p

aro de

p

arch

e

Éste es el sonido más típico,

producido al golpear la super-

 cie del pad.

Disparo

d

e arco

Se produce golpeando el borde

y el parche al mismo tiempo.

Baquetas cruza

d

as

Dirija suavemente el extremo

inferior de la baqueta hacia

el parche y golpee el arco con

el otro extremo de la baqueta.

Cy

m

b

a

l

(CY-12R/C, CY-8) Ca

j

a

(

PD-105, PDX-8

)

j

41

Nº.

Nombre del kit de percusión

1

V

-

Tou

r

Stud

i

o

2

Coo

l

Ja

zz

3

D

ou

bl

e BA

SS

4

C

om

p

act

p

1

8"Kick

5

A

coust

i

c

6

House

+

LatinPer

c

7

Am

b

i

e

n

t

Ch

i

llOut

8

J

un

k

IND

US

TRIA

L

9

TightHit

g

2

n

d

Hi-H

at

10

B

rushes

11

Ba

ll

ad

R

ever

b

1

2

B

i

g

Rock

g

S

ta

d

ium

13

Mode

rn

J

AZ

Z

14

JazzyBop

yp

S

izz

le

15

F

usion

16

Alterna Rock/Punk

17

B

l

ast

18

Mi

x

tu

r

e

1

9

G

r

oo

v

e

20

Vintage

g

30's

-4

0's

21

J

azzFun

k

22

9

0'sRoc

k

23

80

'

s

R

ock

24

70

'

s

R

oc

25

Dry Pop

yp

Nº.

Nombre del kit de percusión

2

6

L

o

-F

i

27

FunkyDry

yy

28

NewD

i

sco

29

T

ri

p

Ho

p

pp

30

Hi

p

Ho

p

pp

O

ldSchool

3

1 Dr

u

m'nB

s

32

Br

eak

BEAT

33

Nu

Ja

zz Br

oke

nB

eat

34

Ab

strac

t

3

5

G

immick

B

r

ea

kB

eat

36

Minimal

HO

U

S

E

3

7 Re

gg

ae

gg

+Tim

b

a

l

e

38

L

ati

n

FootCla

v

e

39

W

o

r

ld

1

C

a

j

on,D

j

em

b

e

jj

40

Wor

ld

2

T

abla,Ba

ya

y

41

S

amba Batucad

a

42

Symphony

yp y

O

rchHits

43

Stee

lDrm CMa

j

orSca

le

j

44

Trancy

y

45

E

lect

r

o

n

Elect

r

o

ni

ca

46

E

l

eDrums

C

l

ass

i

c

El

ec

47

TR

-808

48

TR

-909

49

Vo

i

ces

H

umanBeatBox

50

Use

r K

it

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B

ow s

h

o

t

A técnica de execução mais

comum e normal é tocar na

superfície principal do prato.

Lista de Drum kits

Roland logo

Edge sensor

B

ell sho

t

(CY-12R/C or CY-15 onl

y

)

Você pode ter um som de cú-

pula natural quando percutir

nesta parte do pad de prato.

Edg

e s

h

ot

Utilize a lateral da baqueta para

percutir na borda do prato.

Ch

o

k

in

g

Utilize sua mão para abafar

a borda do prato, depois

de percutir no mesmo, fazendo

o efeito “choke” (ou mute).

O

segredo de um som real é a combina

ç

ão do TD-9 com pads que

f

oram cui

-

d

adosamente desenhados para garantir um per

f

eito sentimento na execução

.

C

omo em baterias acústicas, não importa a con

g

uração de pad que você tenha de nido. O TD-9

i

rá oferecer ex

p

ressividade, sensibilidade e res

p

osta incrivelmente naturais. Isto

p

ermitirá

q

ue

v

ocê to

q

ue da mesma maneira

q

ue em uma bateria acústica

.

Head

Rim

H

ead

s

h

ot

Som típico que ocorre quando

percutimos na superfície do pad.

Rim

shot

Percutindo na borda e no cen-

tro do pad ao mesmo tempo.

Cross stic

k

Segure sutilmente a ponta da

baqueta sobre a pele e toque

na borda, com a lateral da

baqueta.

Cy

m

b

a

l

(CY-12R/C, CY-8) Snare

(

PD-105, PDX-8

)

4

9

No. Nome do Drum kit

1

V-T

ou

r Stu

d

i

o

2

C

oolJazz

3

D

ou

bl

e BA

SS

4

C

om

p

act

p

1

8"Kick

5

A

coustic

6

House

+

LatinPerc

7

A

m

b

i

e

n

t

Ch

i

llOut

8

Ju

n

k

I

ND

US

TRIA

L

9

TightHit

g

2

n

d

Hi-H

at

10

B

rushe

s

11

B

allad

R

ever

b

1

2

B

i

g

Rock

g

Sta

d

ium

13

Mode

rn

J

AZ

Z

14

JazzyBop

yp

S

izz

le

1

5

F

us

i

on

16

A

lterna

R

ock/Pun

k

17

B

las

t

18

M

ix

tu

r

e

1

9

G

r

oo

v

e

2

0

Vintage

g

30's

-4

0's

21

J

azzFun

k

22

9

0'sRock

23

8

0'sRock

2

4

70

'

s

R

oc

2

5

Dry Pop

yp

No. Nome do Drum kit

2

6

L

o

-F

i

27

FunkyDry

yy

28

NewD

i

sc

o

29

T

ri

p

Ho

p

pp

30

Hi

p

Ho

p

pp

OldSchoo

l

3

1 Dr

u

m'nB

s

32

Br

eak

BEAT

33

Nu

Ja

zz Br

oke

nB

eat

3

4 A

b

strac

t

35

Gimmic

k

BreakBeat

36

Minimal

HO

U

S

E

3

7

Reggae

gg

+

Tim

b

a

l

e

38

L

ati

n

F

ootC

l

ave

39

W

o

r

ld

1

C

a

j

on,D

j

em

b

e

jj

4

0

Wor

ld

2

T

abla,Ba

ya

y

41

S

am

b

a

B

atucad

a

42

Symphony

yp y

O

rchHits

4

3

Stee

lDrm CMa

j

orSca

le

j

44

Trancy

y

45

E

lect

r

o

n

Elect

r

o

ni

ca

4

6

E

l

eDrums

C

l

ass

i

c

El

ec

47

TR

-808

4

8

TR

-909

4

9

Vo

i

ces

H

umanBeatBo

x

50

Use

r K

it

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B

ow s

h

o

t

De meest gangbare en normale

speeltechniek op het hoofdop-

pervlak van het cimbaal.

Lijst van de Drumkits

Roland-logo

Randsensor

B

ell sho

t

(enkel CY-12R/C o

f

CY-15)

U krijgt een natuurlijke “bel-

klank” wanneer u dit deel van

de cimbaalpad aanslaat.

Edg

e s

h

ot

Sla met de hals van het drum-

stokje op de rand van het

cimbaal.

Ch

o

k

in

g

Grijp direct na het aanslaan de

rand van het cimbaal vast om

het geluid te “muten” of af te

dempen.

Het ge

h

eim van

d

e rea

l

istisc

h

e

kl

an

k

en zit in

d

e com

b

inatie van

d

e “TD-9” en

de pads die zorgvuldig ontworpen zijn voor een subliem speelgevoel

N

et als akoestische drums, geven V-Drums een ongeloo



i

j

k natuurli

j

ke expressiviteit,

f

eeling en respons, ongeacht de padcon



guratie die u hebt gekozen. Dus u kunt gewoon spelen

zoa

l

s u

d

at op een a

k

oestisc

h

d

rumste

l

zou

d

oen

.

Vel

Rand

H

ead

s

h

ot

Het typcische/normale geluid

wanneer u gewoon op het op-

pervlak van de pad slaat.

Rim

shot

De rand en het vel worden

tegelijkertijd aangeslagen.

Cross stic

k

Hou het onderste uiteinde van

het stokje zachtjes tegen het

vel en sla de rand aan met de

hals van het stokje.

C

im

b

aa

l

(CY-12R/C, CY-8

)

Snare

(

PD-105, PDX-8

)

57

No. Naam Drumkit

1

V

-

Tou

r

Stud

i

o

2

Coo

l

Ja

zz

3

D

ou

bl

e BA

SS

4

C

om

p

act

p

1

8"Kick

5

Acoust

i

c

6

House

+

LatinPerc

7

A

m

b

i

e

n

t

Ch

i

llOut

8

J

un

k

I

ND

US

TRIA

L

9

TightHit

g

2

n

d

Hi-H

at

10

B

rushe

s

11

Ba

ll

ad

R

ever

b

1

2

B

i

g

Rock

g

Sta

d

ium

13

Mode

rn

J

AZ

Z

14

JazzyBop

yp

S

izz

le

1

5

F

usion

16

A

lterna

R

ock/Pun

k

17

B

l

ast

18

Mi

x

tu

r

e

1

9

G

r

oo

v

e

20

Vintage

g

30's

-4

0's

21

J

azzFun

k

22

9

0'sRock

2

3

80

'

s

R

oc

k

2

4

70

'

s

R

oc

2

5

Dry Pop

yp

No. Naam Drumkit

2

6

L

o

-F

i

27

FunkyDry

yy

28

NewD

i

sc

o

29

T

ri

p

Ho

p

pp

30

Hi

p

Ho

p

pp

OldSchoo

l

3

1 Dr

u

m'nB

s

32

Br

eak

BEAT

33

Nu

Ja

zz Br

oke

nB

eat

3

4 A

b

strac

t

35

Gimmic

k

Br

ea

kB

eat

36

Minimal

HO

U

S

E

3

7 Re

gg

ae

gg

+

Tim

b

a

l

e

38

L

ati

n

FootCla

v

e

39

W

o

r

ld

1

C

a

j

on,D

j

em

b

e

jj

4

0

Wor

ld

2

T

abla,Ba

ya

y

41

S

amba

B

atucad

a

42

Symphony

yp y

O

rchHits

4

3

Stee

lDrm CMa

j

orSca

le

j

44

Trancy

y

4

5

E

lect

r

o

n

Elect

r

o

ni

ca

4

6

E

l

eDrums

C

l

ass

i

c

El

ec

47

TR

-808

4

8

TR

-909

4

9

Vo

i

ces

H

umanBeatBo

x

50

Use

r K

it

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