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TD-9SX

Roland TD-9SX, TD-9, TD-9K, TD-9KX, TD-9S Owner's manual

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TD-9 Quick Start
English, Deutsch, Français, Italiano,
Español, Português, Nederlands
2
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION
.
3
TD-9 Quick Start
EnglishDeutschFrançaisItalianoEspañolPortuguês
Nederlands
TD-9 Quick Start
Guide rapide de la TD-9
TD-9 Guida Veloce
Guía Rápida del TD-9
TD-9 Quick Start
TD-9 Snelstart
- English
- Français
- Italiano
- Español
- Nederlands
- Deutsch
- Português
4
1. Check out the amazing sounds! . . . . . . . . . . . . . . . . . 8
Selecting drum kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Drum kit list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
2. Playing with the on-board songs. . . . . . . . . . . . . . . . . . . . 10
Playing along with the built-in songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Playing along with songs from a USB memory key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Playing along with music from a portable audio player . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
3. Practice applications. . . . . . . . . . . . . . . . . . . . . . . . . . 12
Recording/playing your performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Practicing with the metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Practicing and monitoring your timing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
4. Expanding the drum kit . . . . . . . . . . . . . . . . . . . . . . . 14
Connecting an extra tom pad (PD-85: sold separately) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Connecting a crash cymbal (CY-8: sold separately) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Connecting a V hi-hat (VH-11: sold separately). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
English
1. Spielen der Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Auswahl eines Drum-Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Liste der Drum-Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
2. Spielen zu Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Spielen zu den internen Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Spielen zu Songs eines USB Sticks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Spielen zu Songs eines externen Audio Players . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
3. Üben des eigenen Spiels . . . . . . . . . . . . . . . . . . . . . . 20
Aufnehmen und Abspielen der Spieldaten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Üben mit Metronom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Üben und Überprüfen des eigenen Spiels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
4. Erweitern des Drum-Kits . . . . . . . . . . . . . . . . . . . . . . 22
Anschluss eines weiteren Tom-Pads (PD-85) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Anschließen eines Crash-Cymbals(CY-8) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Anschließen der V hi-hat VH-11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Deutsch
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1
2
1. Check out the amazing sounds!
The prime advantage of V-Drums, compared to acoustic drums, is that with the push of a button
you can change the sounds to adapt to absolutely any and every style of music. The TD-9 has 522
sounds set up in 50 kits. And sound editing is possible. Start out by switching kits to experience
the wide variety of sonic possibilities.
Use the
[
+/-
]
buttons or turn the
[
VALUE
]
knob to select di erent
k
its
.
2
.
Selecting drum kits
If you want to use the “cross
stick” function, press the
[F3] button to turn it on
(“XSTICK”).
P
ress the [K
n
T
he [KIT] button li
t
U
M KIT
M KIT
M KIT
e
e
e
K
p
p
appears in the dis
p
1
.
8
EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands
B
ow s
h
o
t
The most common and normal
playing technique on the main
surface of the cymbal.
Drum kit list
Roland logo
Edge sensor
Edge sensor
B
ell sho
t
(CY-12R/C or CY-15 onl
y
)
You can have a natural “bell”
sound when hitting this part of
the cymbal pad.
Edg
e s
h
ot
Using the shoulder of the
stick to strike the edge of the
cymbal.
Ch
o
k
in
g
By using your hand to grasp
the edge of the cymbal after
hitting it, you can choke or
“mute” the sound.
T
he secret o
f
the realistic sounds is the combination o
f
the “TD-9” with
p
ads
care
f
ully designed
f
or great playing
f
ee
l
L
ike acoustic drums, V-Drums, no matter what pad con
guration
y
ou have chosen, will give
y
ou
a
n incredibly natural expressiveness,
f
eeling and response. This allows you to play as you would
o
n
acoust
i
c
d
r
u
m
s.
Head
Rim
Rim
Rim
H
ead
s
h
ot
The typcical/normal sound by
just hitting the surface of the
pad.
Rim
shot
Hitting the rim and the head at
the same time.
Cross stic
k
Gently hold the lower end of
the stick against the head and
strike the rim with the stick’s
shoulder.
Cy
m
b
a
l
(CY-12R/C, CY-8) Snare
(
PD-105, PDX-8
)
9
No. Drum kit name
1
V
-Tour
S
tudi
o
2
Coo
l
Jaz
z
3
D
oub
l
e
B
ASS
4
Com
p
act
p
1
8
"Ki
ck
5
A
coust
ic
6
H
ouse +Latin
P
erc
7
A
mbient ChillOu
t
8
Ju
nk
I
NDU
S
TRIAL
9
T
i
g
htHit
g
2n
d
Hi-H
at
1
0
Br
ushes
11 Ba
ll
a
d
R
e
v
e
r
b
12
Big Rock
g
Stadiu
m
1
3
Modern JAZZ
14
JazzyBop
yp
Sizz
l
e
15
F
usion
1
6
Alte
rn
a
R
oc
k/
Pun
k
17 B
l
as
t
1
8
Mixtur
e
1
9
G
roov
e
2
0
V
inta
g
e
g
30's-40's
21
Ja
zzF
u
n
k
2
2
9
0
'
s
R
ock
23
80'sRoc
k
24
70
'
sRo
c
2
5
Dry Pop
yp
No. Drum kit name
26
L
o-Fi
27
FunkyDry
yy
28
Ne
wD
isco
2
9 Tr
ip
Ho
p
pp
30
Hip
Ho
p
pp
OldSchool
31
D
rum
'
nB
s
32
B
rea
k
B
EA
T
33
Nu
Ja
zz
B
rokenBea
t
3
4 A
bst
r
act
35
G
immi
ck
Br
eak
B
eat
36
M
inima
l
H
OUSE
37
Reggae
gg
+
Tim
ba
l
e
38
L
atin FootClav
e
39
Wo
rl
d
1 Ca
j
on,D
j
emb
e
jj
4
0
Wo
rl
d
2
T
a
bl
a,Ba
y
a
y
41
Sa
m
ba
Batucada
4
2
Symphony
yp y
O
r
ch
Hi
ts
4
3
Stee
l
Drm
C
Ma
j
orScale
j
44
Trancy
y
45
E
l
ect
r
o
n Electronic
a
4
6
E
l
e
Dr
u
m
s
Cl
assicE
l
ec
47
TR-
808
4
8
T
R
-90
9
4
9
Voices H
u
m
a
n
BeatBox
50
U
ser Ki
t
10
2. Playing with the on-board songs
The TD-9 has 50 pre-programmed songs featuring a variety of styles. You can also use the MIX IN
jack to play along with an external audio source (MP3 player or CD player etc). And you can con-
nect a USB Key as well for the same purpose.
on.
o
N
] bu
Pre
the
d the “SONG” screen
d
hts u
The [S
The [
NG] bu
NG] bu
h
he
G]
]
appears.
1
P
ress the
[
T
he
[
W
hen
y
ou press the [
]
button again, the button
goes dark and pla
y
back stops.
3.
Playing along with the built-in songs
By pressing the [MUTE]
button you can mute the
pre-programmed drum
part.
2
FWD (fast-forward)BWD (rewind)
TOP (to the beginning of the song)
PAUSE
3
11
Playing along with music from a portable audio player
U
se MIX IN jack to connect your MP3 player, CD or other audio source
.
Connect it to the TD-9’s MIX IN jack as shown in the illustration.
U
sin
g
an external audio source.
F
or details, re
f
er to the owner’s manual o
f
your audio player.
T
he sound received at MIX IN will be output
f
rom the main OUTPUT and PHONES
j
acks.
T
he volume
/
audio level from the external source will determine the balance between it and the level o
f
your playing on the TD-9. Adjust accordingly
.
1.
2
.
*
*
Playing along with songs from a USB memory key
A
fter you have saved songs on your USB memory key (WA
V
ONLY) from your computer, you can use this as an external audio
source to pla
y
along with.
Press t
h
e [SHIFT] + [SONG]
b
uttons.
T
h
e [SONG]
b
utton wi
ll
l
i
gh
t, an
d
t
h
e “EXTERNAL SONG” screen
appears.
U
se t
h
e [+/-]
b
uttons or turn t
h
e [VALUE]
d
ia
l.
A
udio  les saved on the USB key will be shown following the on-
b
oar
d
songs; c
h
oose t
h
e song you want to
h
ear
.
Press t
h
e [
T
h
e [
p
ress t
h
e [ ]
b
utton once a
g
ain, t
h
e
b
utton
g
oes
d
ar
k
an
d
pl
ay
b
ac
k
stops
.
1
.
2.
3.
Audio cable
Stereo mini-plug
EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands
New
h
orizons
by
using USB
k
e
ys
The TD-9’s USB port allows you to
use audio data saved to a USB key for
practice or live performances.
IMPORTANT: Only audio  les in the
following formats can be used.
A
ud
i
o
l
es
F
ormat
WAV
S
am
p
lin
g
rat
e
pg
4
4.1kH
z
Bit de
p
t
h
p
8
/16/24 bits
Save the  le in the root directory of
your USB memory.
The name of the  le will be the song
name.
*
*
12
3. Practice applications
V-Drums make practicing more enjoyable. The TD-9 features a Quick Rec function that lets you
easily record your performance. The Quick Play function allows immediate play back of that re-
corded performance. The Scope function lets you see your timing accuracy in the display, a help-
ful tool to improve your drumming technique.
C] button.
Q
ICK
ts up, and the “QUICK
t
]
utton
h
Th
QUICK
QUICK
U
IC
tt
to
o
o
p
s.
RE
R
screen
scree
P
ress the [QUICK PLAY] button
.
Th
e [QUICK PLAY]
b
utton
l
ig
h
ts up, an
d
p
l
ay
b
ac
k
b
egins.
Quick Pla
y
onl
y
pla
y
s back per
f
ormances
y
ou recorded
u
sin
g
the Quick Rec
f
unction.
3.
*
1
3
2
Recording/playing your performance
C
]
K
If you only want to record your drum performance, do
as explained above.
If you want to record your performance together with
a built-in song, press the [QUICK REC] button and then
press the [
] button to start recording.
1
3
EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands
Practicing and monitoring your timing
T
he TD-9’s Scope
f
unction makes practicing even more
f
un and challenging b
y
displa
y
ing
y
our
t
iming in rea
l
time.
Press t
h
e
[
SCOPE
]
b
utton.
The [SCOPE] button li
g
hts up, and the “SCOPE” screen appears.
S
trike a pad.
The screen will show
y
our timing.
Press the [SCOPE] button a
g
ain to exit the “SCOPE” function. The button
g
oes dark.
1.
2.
Practicing with the metronome
Practicing with the TD-9’s built in metronome will help
y
ou per
f
ect
y
our tempo skills
.
Using t
h
e metronome
Press the [CLICK (TEMPO)] button
.
The [CLICK (TEMPO)] button lights up and
t
he metronome starts. Press the button a
g
ain
t
o stop it.
Ch
anging t
h
e tempo
Wh
i
l
e
h
o
ld
in
g
d
own t
h
e [SHIFT]
b
utton,
p
ress t
h
e [CLICK (TEMPO)]
butto
n
.
T
h
e “TEMPO” screen a
pp
ears
.
U
se t
h
e [+/-]
b
uttons or t
h
e [VALUE]
k
no
b
to a
dj
ust t
h
e tempo
.
1
.
2.
3
.
1
2
3
When your timing is good
When your timing is inaccurate
Timing of your strikes
Rushing - ahead
of the beat
Dragging - behind
the beat
Timing is correct
Others
Cymbals
Hi-hat
Toms
Snare
Kick
Others
Cymbals
Hi-hat
Toms
Snare
Kick
By pressing the [F3] (ZOOM+) button you can zoom
in to see more details.
By pressing the [F2] (ZOOM-) button you can zoom
out to see a broader area.
14
4. Expanding the drum kit
Connecting an extra tom pad (PD-85: sold separately)
U
se a stereo ca
bl
e to connect t
h
e PD-85 to t
h
e TD-9 as s
h
own in t
h
e i
ll
ustration.
Attac
h
t
h
e Pa
d
Mount (MDH-10U : so
ld
separate
ly
) to t
h
e stan
d.
Connect the cable included with the
pa
d
to t
h
e TD-9’s AUX jac
k.
1
.
2.
There are di erent ways to expand the size of the TD-9K/KX to adapt to your playing style.
By adding a V hi-hat, you can enjoy the same playing feel and expressiveness as with an acoustic
hi-hat.
Ex
p
ansion exam
pl
e
s
Pad Mount
(MDH-10U : sold separately)
from PD-85
Crash cymbal (CY-8)
Tom (PD-85)
Hi-hat (VH-11)
The TD-9 comes with the toms and crash cymbals
shown in this illustration. And it’s easy to expand the
con guration.
15
EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands
Connecting a crash cymbal
(CY-8: sold separately)
Use
a
ste
r
eo
cab
l
e
to
co
nn
ect
t
h
e
C
Y-
8
to
t
h
e
TD-9
as
s
h
o
wn in
the illustration
.
Attac
h
t
h
e Cym
b
a
l
Mount (MDY-10U
: so
ld
separate
ly
) to t
h
e stan
d.
Connect the cable included with the
pad to the TD-9’s CRASH2 jack.
1
.
2
.
Th
e V
h
i-
h
at is a
p
rime exam
pl
e
o
f
Roland’s V-Drums technolog
y
The main feature of the V hi-hat (VH-
11) is the design that creates the
movement, weight and playing feel of
a acoustic hi-hat.
The VH-11 can be mounted on a just
about any hi-hat stand, allowing
normal bow/edge playing technique,
smooth transition between the open
and closed position and even foot
splashes.
Connecting a V hi-hat (VH-11: sold separately)
Use the existin
g
cables to connect the VH-11 to
the TD-9 as shown in the illustration
.
Connect t
h
e HH (
h
i-
h
at tri
gg
er) ca
bl
e
to t
h
e TRIGGER OUT
j
ac
k
.
Connect the HHC
(
hi-hat control
)
cable
to the CONTROL OUT jack.
For details on mounting the VH-11 on a hi-hat stand, refer
to
t
h
e
“VH-11
o
wn
e
r’
s
m
a
n
ua
l
.
”
Th
e
h
i-
h
at stan
d
is so
ld
separate
ly
.
T
he original cymbal pad (CY-5) used
f
or the hi-hat can be
u
se
d
as a sp
l
as
h
or cras
h
cym
b
a
l
. Mount it using an Cym-
b
al Mount (MDY-10U : sold separatel
y
) or C
y
mbal Parts
Set (CYM-10 : sold separately).
1.
2.
*
*
*
TRIGGER OUT
jack
CONTROL OUT
jack
MDY-10U (sold separately)
Cymbal Mount
from CY-8
Dedicated V-Drums setu
p
mat
TDM-20/10
Stereo monitor head
p
hones
RH series
Ot
h
er o
p
tion
s
I
n addition to items proposed here, you can expand your system with other options. For details,
talk with your local Roland dealer or check out the Roland website.
h
tt
p
://www.roland.com/V-Drums/
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EnglishDeutschFrançaisItalianoEspañolPortuguêsNederlands
B
ow (Ober
äche
)
Die am häu gsten verwendete
Spieltechnik auf der Ober ä-
che des Beckens.
Liste der Drum-Kits
Roland logo
Edge sensor
Edge sensor
B
ell (Ku
pp
e
)
(
nur mit CY-12R/C o
d
er
C
Y-15
)
Anschlagen der Kuppe mit der
Stockschulter.
Ed
ge (Ran
d
)
Das Anschlagen des Beckens
mit der Stockschulter am
Rand.
C
hoke (Becken-Sto
pp
)
Abstoppen eines gerade ange-
spielten Sounds.
Der rea
l
istisc
h
e Sc
hl
agzeug-K
l
ang resu
l
tiert aus
d
er ü
b
erragen
d
en K
l
angqua
-
l
ität des TD-9 und dem Spielverhalten der Pads.
D
ie V-Drums-Tec
h
no
l
ogie er
l
au
b
t ein se
h
r expressives un
d
dy
namisc
h
es Spie
l
en
d
er
Kl
änge, una
bh
ängig vom ausgewä
hl
ten Sc
hl
agzeug-Set.
Head
Rim
Rim
Rim
Hea
d
(Fe
ll
sc
hl
a
g)
Das Anschlagen des Fells.
Rim S
h
ot (Kom
b
i-Sc
hl
ag
)
Das Anschlagen von Fell und
Rand gleichzeitig.
C
r
oss
St
i
c
k
Au egen des Sticks auf den
Rand des Pads und Anspielen
des Rands mit der Stockschul-
ter.
Cy
mbals (CY-12R/C, CY-8) Snare (PD-105
,
PDX-8
)
17
Nr. Name des Drum-Kits
1
V-Tour Studi
o
2
C
oo
l
Jazz
3
Doub
l
e
BASS
4
C
om
p
act
p
18
"Ki
ck
5
A
coust
i
c
6
H
ouse
+
Latin
P
erc
7
A
mbient
C
hillOut
8
Ju
n
k
I
NDU
S
TRIA
L
9
Ti
g
htHit
g
2
n
d
Hi-H
at
10
B
r
ushes
1
1
B
a
ll
a
d
Re
v
e
r
b
12
Big Rock
g
Stadium
13
M
odern
J
AZ
Z
14
JazzyBop
yp
Sizz
le
15
Fusio
n
16
Alte
rn
a
R
oc
k/
Pun
k
17
Bl
as
t
18
M
ixtur
e
19
G
roov
e
2
0
Vinta
g
e
g
3
0's-40'
s
21
Ja
zzF
u
nk
22
90
'
s
R
ock
23
8
0'sRoc
k
24
7
0
'
sRoc
2
5
Dry Pop
yp
Nr. Name des Drum-Kits
26
Lo-Fi
27
FunkyDry
yy
28
N
e
wD
isco
29
Tr
ip
Ho
p
pp
30
H
ip
Ho
p
pp
OldSchool
31
Drum
'
nB
s
32
Brea
k
B
EA
T
33
N
u
Ja
zz
B
rokenBea
t
3
4 A
bst
r
act
35
Gimmi
ck
Br
eak
B
eat
36
Minima
l
H
OUSE
37
Reggae
gg
+
Tim
ba
l
e
38
Latin
F
ootClav
e
39
Wo
rl
d
1 Ca
j
on,D
j
embe
jj
4
0
Wo
rl
d
2
T
a
bl
a,Ba
y
a
y
41
Sa
m
ba
Batucada
4
2
Symphony
yp y
O
r
ch
Hi
ts
4
3
Stee
l
Drm
C
Ma
j
orScale
j
44
Trancy
y
45
El
ect
r
o
n Electronic
a
4
6
El
e
Dr
u
m
s
Cl
assicE
l
e
c
47
TR-
808
4
8
T
R
-90
9
4
9
Voices
Hu
m
a
n
BeatBox
50
U
ser Ki
t
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F
rappe sur
l
e corps
Technique de jeu la plus com-
mune sur la surface principale
de la cymbale.
Liste des kits de batterie
Logo Roland
Capteur du bord
Capteur du
bord
F
ra
pp
e sur le dôm
e
(CY-12R/C ou CY-15 uni
q
uement.
)
Vous obtenez un son naturel
de dôme lorsque vous frappez
cette partie de la cymbale.
F
rappe sur
l
e
b
or
d
Utilisez le manche de la baguet-
te pour frapper le bord de la
cymbale.
E
tou ement
En prenant le bord de la cymba-
le en main après l’avoir frappée,
vous étou ez le son.
Le réa
l
isme
d
es sons s’ex
pl
i
q
ue
p
ar
l
a com
b
inaison
d
u mo
d
u
l
e TD-9 et
d
e
pads conçus spécialement pour o
rir une superbe sensation de je
u
C
omme une batterie acoustique, la V-Drums
f
ait preuve d’une expressivité, d’une sensation de
j
eu
et d’une réponse incro
y
ablement naturelles, quelle que soit la con
guration de pads choisie. Cela
v
ous permet de jouer comme vous le
f
eriez sur une batterie acoustique.
Peau
Bord
Bord
Bord
Fra
pp
e sur la
p
ea
u
Son typique de frappe sur la
surface d’une peau.
Rim
shot
Frappe simultanée du bord et
de la peau.
Cross stic
k
Abaissez doucement l’extrémi-
té inférieure de la baguette
contre la peau et frappez le
bord avec le manche de la
baguette.
Cy
m
b
a
l
e (CY-12R/C, CY-8) Caisse c
l
aire (PD-105, PDX-8)
25
Nr. Nom du kit de batterie
1
V
-
T
our
Stud
i
o
2
CoolJa
z
z
3
Double
B
A
SS
4
C
om
p
act
p
18"Kic
k
5
A
coustic
6
House
+L
at
inP
e
r
c
7
Am
b
ient
C
hill
Out
8
Jun
k
IND
US
TRIAL
9
T
i
g
htHit
g
2ndHi-Hat
1
0
Br
us
h
es
11
B
allad
R
e
v
e
r
b
1
2
Bi
g
Roc
k
g
Stad
i
um
1
3
Mo
d
ern
JAZZ
14
Jazz
yB
o
p
yp
Sizzle
15
Fusio
n
1
6
Al
te
rn
a
Roc
k/
Pun
k
17
B
last
1
8
M
i
x
tu
r
e
1
9
G
roove
20
V
inta
g
e
g
30's-40's
21
JazzFun
k
22
9
0
'
s
R
ock
23
80
'
s
R
ock
2
4 7
0's
R
oc
25
D
r
y
P
o
p
yp
Nr. Nom du kit de batterie
2
6 Lo-F
i
27
Funk
y
Dr
y
yy
28
NewDisco
2
9
T
ri
p
Ho
p
pp
30
H
ip
Ho
p
pp
OldSchool
3
1 Dr
u
m
'
nB
s
32
Brea
k
B
EAT
33
Nu Jazz Br
o
k
e
nB
eat
34
A
bstrac
t
35
G
immi
c
k
B
rea
k
Beat
36
Minim
al
HOUS
E
3
7 Re
gg
ae
gg
+Tim
bale
38
Lat
i
n
FootC
l
a
v
e
39
World1
C
a
j
on,D
j
embe
jj
40
World2 Tabla,Ba
ya
y
41
Sa
m
ba
Batuca
da
42
Sy
m
ph
on
y
yp y
O
r
ch
Hi
ts
43
Steel
Drm CMa
j
orSca
le
j
44
T
ranc
y
y
4
5 Electron
E
lectronic
a
46
EleDrums ClassicEle
c
47
T
R-
808
48
T
R-9
09
49
Voices
H
u
m
a
nB
eat
B
o
x
5
0
User K
i
t
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S
uper cie
La tecnica esecutiva più comu-
ne, che consiste nel colpire il
piatto sulla super cie princi-
pale.
Lista dei drum kit
Logo Roland
Sensore bordo
Sensore bordo
C
am
p
ana
(Solo con CY-12R/C o CY-15
)
Potete avere un suono natura-
le di “campana” quando colpite
questa parte del piatto.
C
o
l
po su
l
b
or
d
o
Usate il corpo della bacchetta
per colpire il bordo del piatto.
S
toppato
Afferrando il bordo del piatto con la
mano subito dopo averlo suonato,
potete stoppare il suono del piatto
(o ottenere l’effetto “mute”).
I
l
segreto
d
ei suoni rea
l
istici sta ne
ll
a com
b
inazione
d
e
ll
a “TD-9” con i pa
d
accuratamente progettati per una sensazione di gran naturalezza
C
ome nelle batterie acustiche, le V-Drum, a prescindere da quale con
g
urazione di pad avete
sce
l
to, vi
d
aranno una natura
l
ezza espressiva una sensazione rea
l
e e
d
una risposta a
l
tocco incre
-
dibili. Questo vi permette di suonare come
f
areste su di una batteria acustica.
Pelle
Bordo
Bordo
Bordo
Col
p
o sulla
p
elle
Il suono normale ottenuto col-
pendo la super cie del pad.
Rim
shot
Si ottiene colpendo contempo-
raneamente il bordo e la pelle.
Cross stic
k
Appoggiate gentilmente la
parte inferiore della bacchetta
sulla pelle, e colpite il bordo
con il corpo della bacchetta.
P
iatto
(
CY-12R/C, CY-8
)
Ru
ll
ante (PD-105, PDX-8
)
33
No. Nome del drum kit
1
V
-
T
our
Stud
i
o
2
Coo
l
Ja
zz
3
D
ouble BA
SS
4
C
om
p
act
p
1
8"Kic
k
5
Acoustic
6
House
+
L
at
inP
e
r
c
7
A
m
b
ient
C
hill
Out
8
J
unk
I
NDU
S
TRIA
L
9
TightHit
g
2
ndHi-Ha
t
10
B
r
us
h
es
11
Ballad
Re
v
e
r
b
1
2
Big Rock
g
Stad
i
u
m
13
M
o
d
ern
JAZZ
14
JazzyBop
yp
S
izzl
e
15
F
usion
16
A
l
te
rn
a
R
oc
k/
Pun
k
17
Blast
18
Mi
x
tu
r
e
19
G
roov
e
20
Vintage
g
3
0's-40'
s
21
J
azzFunk
22
90
'
s
R
oc
k
2
3
80
'
s
R
ock
2
4
70's
R
oc
2
5
Dry Pop
yp
No. Nome del drum kit
26
Lo-F
i
27
FunkyDry
yy
28
NewDisc
o
2
9
T
ri
p
Ho
p
pp
30
H
ip
Ho
p
pp
O
ld
Sc
h
oo
l
3
1 Dr
u
m
'
nB
s
32
Brea
k
B
EAT
33
N
u
J
azz
B
rokenBea
t
3
4 Abstrac
t
35
Gimmi
ck
Brea
k
Beat
36
Minim
a
l
H
OUSE
3
7 Re
gg
ae
gg
+
Tim
bale
38
Lat
i
n
FootC
l
a
v
e
39
World1
C
a
j
on,D
j
embe
jj
4
0
World2
T
abla,Ba
ya
y
41
Sa
m
ba
B
atuca
da
4
2
Symphony
yp y
O
rc
h
Hits
4
3
Steel
Drm CMa
j
orSca
le
j
44
Trancy
y
4
5
Electron
E
lectronica
4
6
EleDrums
C
lassicEle
c
47
T
R-
808
4
8
T
R-9
0
9
4
9
Voices
Hu
m
a
nB
eat
B
ox
50
User K
it
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D
isparo
d
e arco
Ésta es la técnica de interpre-
tación más habitual y normal
en la super cie principal del
plato.
Lista de kits de percusión
Logotipo de Roland
Sensor de borde
Sensor de borde
D
is
p
aro de cam
p
ana
(sólo CY-12R/C o CY-15)
Si golpea esta parte del pad
de plato, puede conseguir un
sonido de “campana” natural.
D
isparo
d
e
b
or
de
Se consigue golpeando el bor-
de del plato utilizando el otro
extremo de la baqueta.
A
mortiguaci
ón
Puede amortiguar o “silenciar”
el sonido, sujetando con una
mano el borde del plato des-
pués de golpearlo.
E
l
secreto
d
e
l
os soni
d
os rea
l
istas es
l
a com
b
inación
d
e
l
“TD-9” con
l
os
p
a
d
s
especialmente diseñados para una
f
antástica sensación de interpretación
Al
igua
l
que
l
as
b
aterías acústicas, V-Drums
l
e proporcionará una expresivi
d
a
d
, una sensación
y
una respuesta increíblemente naturales, independientemente de la con
guración de pad selec
-
ciona
d
a. Esto
l
e permite tocar como si
l
o
h
iciera en una
b
atería
.
Parche
Arco
Arco
Arco
Dis
p
aro de
p
arch
e
Éste es el sonido más típico,
producido al golpear la super-
cie del pad.
Disparo
d
e arco
Se produce golpeando el borde
y el parche al mismo tiempo.
Baquetas cruza
d
as
Dirija suavemente el extremo
inferior de la baqueta hacia
el parche y golpee el arco con
el otro extremo de la baqueta.
Cy
m
b
a
l
(CY-12R/C, CY-8) Ca
j
a
(
PD-105, PDX-8
)
j
41
Nº.
Nombre del kit de percusión
1
V
-
Tou
r
Stud
i
o
2
Coo
l
Ja
zz
3
D
ou
bl
e BA
SS
4
C
om
p
act
p
1
8"Kick
5
A
coust
i
c
6
House
+
LatinPer
c
7
Am
b
i
e
n
t
Ch
i
llOut
8
J
un
k
IND
US
TRIA
L
9
TightHit
g
2
n
d
Hi-H
at
10
B
rushes
11
Ba
ll
ad
R
ever
b
1
2
B
i
g
Rock
g
S
ta
d
ium
13
Mode
rn
J
AZ
Z
14
JazzyBop
yp
S
izz
le
15
F
usion
16
Alterna Rock/Punk
17
B
l
ast
18
Mi
x
tu
r
e
1
9
G
r
oo
v
e
20
Vintage
g
30's
-4
0's
21
J
azzFun
k
22
9
0'sRoc
k
23
80
'
s
R
ock
24
70
'
s
R
oc
25
Dry Pop
yp
Nº.
Nombre del kit de percusión
2
6
L
o
-F
i
27
FunkyDry
yy
28
NewD
i
sco
29
T
ri
p
Ho
p
pp
30
Hi
p
Ho
p
pp
O
ldSchool
3
1 Dr
u
m'nB
s
32
Br
eak
BEAT
33
Nu
Ja
zz Br
oke
nB
eat
34
Ab
strac
t
3
5
G
immick
B
r
ea
kB
eat
36
Minimal
HO
U
S
E
3
7 Re
gg
ae
gg
+Tim
b
a
l
e
38
L
ati
n
FootCla
v
e
39
W
o
r
ld
1
C
a
j
on,D
j
em
b
e
jj
40
Wor
ld
2
T
abla,Ba
ya
y
41
S
amba Batucad
a
42
Symphony
yp y
O
rchHits
43
Stee
lDrm CMa
j
orSca
le
j
44
Trancy
y
45
E
lect
r
o
n
Elect
r
o
ni
ca
46
E
l
eDrums
C
l
ass
i
c
El
ec
47
TR
-808
48
TR
-909
49
Vo
i
ces
H
umanBeatBox
50
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r K
it
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B
ow s
h
o
t
A técnica de execução mais
comum e normal é tocar na
superfície principal do prato.
Lista de Drum kits
Roland logo
Edge sensor
Edge sensor
B
ell sho
t
(CY-12R/C or CY-15 onl
y
)
Você pode ter um som de cú-
pula natural quando percutir
nesta parte do pad de prato.
Edg
e s
h
ot
Utilize a lateral da baqueta para
percutir na borda do prato.
Ch
o
k
in
g
Utilize sua mão para abafar
a borda do prato, depois
de percutir no mesmo, fazendo
o efeito “choke” (ou mute).
O
segredo de um som real é a combina
ç
ão do TD-9 com pads que
f
oram cui
-
d
adosamente desenhados para garantir um per
f
eito sentimento na execução
.
C
omo em baterias acústicas, não importa a con
g
uração de pad que você tenha de nido. O TD-9
i
rá oferecer ex
p
ressividade, sensibilidade e res
p
osta incrivelmente naturais. Isto
p
ermitirá
q
ue
v
ocê to
q
ue da mesma maneira
q
ue em uma bateria acústica
.
Head
Rim
Rim
Rim
H
ead
s
h
ot
Som típico que ocorre quando
percutimos na superfície do pad.
Rim
shot
Percutindo na borda e no cen-
tro do pad ao mesmo tempo.
Cross stic
k
Segure sutilmente a ponta da
baqueta sobre a pele e toque
na borda, com a lateral da
baqueta.
Cy
m
b
a
l
(CY-12R/C, CY-8) Snare
(
PD-105, PDX-8
)
4
9
No. Nome do Drum kit
1
V-T
ou
r Stu
d
i
o
2
C
oolJazz
3
D
ou
bl
e BA
SS
4
C
om
p
act
p
1
8"Kick
5
A
coustic
6
House
+
LatinPerc
7
A
m
b
i
e
n
t
Ch
i
llOut
8
Ju
n
k
I
ND
US
TRIA
L
9
TightHit
g
2
n
d
Hi-H
at
10
B
rushe
s
11
B
allad
R
ever
b
1
2
B
i
g
Rock
g
Sta
d
ium
13
Mode
rn
J
AZ
Z
14
JazzyBop
yp
S
izz
le
1
5
F
us
i
on
16
A
lterna
R
ock/Pun
k
17
B
las
t
18
M
ix
tu
r
e
1
9
G
r
oo
v
e
2
0
Vintage
g
30's
-4
0's
21
J
azzFun
k
22
9
0'sRock
23
8
0'sRock
2
4
70
'
s
R
oc
2
5
Dry Pop
yp
No. Nome do Drum kit
2
6
L
o
-F
i
27
FunkyDry
yy
28
NewD
i
sc
o
29
T
ri
p
Ho
p
pp
30
Hi
p
Ho
p
pp
OldSchoo
l
3
1 Dr
u
m'nB
s
32
Br
eak
BEAT
33
Nu
Ja
zz Br
oke
nB
eat
3
4 A
b
strac
t
35
Gimmic
k
BreakBeat
36
Minimal
HO
U
S
E
3
7
Reggae
gg
+
Tim
b
a
l
e
38
L
ati
n
F
ootC
l
ave
39
W
o
r
ld
1
C
a
j
on,D
j
em
b
e
jj
4
0
Wor
ld
2
T
abla,Ba
ya
y
41
S
am
b
a
B
atucad
a
42
Symphony
yp y
O
rchHits
4
3
Stee
lDrm CMa
j
orSca
le
j
44
Trancy
y
45
E
lect
r
o
n
Elect
r
o
ni
ca
4
6
E
l
eDrums
C
l
ass
i
c
El
ec
47
TR
-808
4
8
TR
-909
4
9
Vo
i
ces
H
umanBeatBo
x
50
Use
r K
it
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B
ow s
h
o
t
De meest gangbare en normale
speeltechniek op het hoofdop-
pervlak van het cimbaal.
Lijst van de Drumkits
Roland-logo
Randsensor
Randsensor
B
ell sho
t
(enkel CY-12R/C o
f
CY-15)
U krijgt een natuurlijke “bel-
klank” wanneer u dit deel van
de cimbaalpad aanslaat.
Edg
e s
h
ot
Sla met de hals van het drum-
stokje op de rand van het
cimbaal.
Ch
o
k
in
g
Grijp direct na het aanslaan de
rand van het cimbaal vast om
het geluid te “muten” of af te
dempen.
Het ge
h
eim van
d
e rea
l
istisc
h
e
kl
an
k
en zit in
d
e com
b
inatie van
d
e “TD-9” en
de pads die zorgvuldig ontworpen zijn voor een subliem speelgevoel
N
et als akoestische drums, geven V-Drums een ongeloo
i
j
k natuurli
j
ke expressiviteit,
f
eeling en respons, ongeacht de padcon
guratie die u hebt gekozen. Dus u kunt gewoon spelen
zoa
l
s u
d
at op een a
k
oestisc
h
d
rumste
l
zou
d
oen
.
Vel
Rand
Rand
Rand
H
ead
s
h
ot
Het typcische/normale geluid
wanneer u gewoon op het op-
pervlak van de pad slaat.
Rim
shot
De rand en het vel worden
tegelijkertijd aangeslagen.
Cross stic
k
Hou het onderste uiteinde van
het stokje zachtjes tegen het
vel en sla de rand aan met de
hals van het stokje.
C
im
b
aa
l
(CY-12R/C, CY-8
)
Snare
(
PD-105, PDX-8
)
57
No. Naam Drumkit
1
V
-
Tou
r
Stud
i
o
2
Coo
l
Ja
zz
3
D
ou
bl
e BA
SS
4
C
om
p
act
p
1
8"Kick
5
Acoust
i
c
6
House
+
LatinPerc
7
A
m
b
i
e
n
t
Ch
i
llOut
8
J
un
k
I
ND
US
TRIA
L
9
TightHit
g
2
n
d
Hi-H
at
10
B
rushe
s
11
Ba
ll
ad
R
ever
b
1
2
B
i
g
Rock
g
Sta
d
ium
13
Mode
rn
J
AZ
Z
14
JazzyBop
yp
S
izz
le
1
5
F
usion
16
A
lterna
R
ock/Pun
k
17
B
l
ast
18
Mi
x
tu
r
e
1
9
G
r
oo
v
e
20
Vintage
g
30's
-4
0's
21
J
azzFun
k
22
9
0'sRock
2
3
80
'
s
R
oc
k
2
4
70
'
s
R
oc
2
5
Dry Pop
yp
No. Naam Drumkit
2
6
L
o
-F
i
27
FunkyDry
yy
28
NewD
i
sc
o
29
T
ri
p
Ho
p
pp
30
Hi
p
Ho
p
pp
OldSchoo
l
3
1 Dr
u
m'nB
s
32
Br
eak
BEAT
33
Nu
Ja
zz Br
oke
nB
eat
3
4 A
b
strac
t
35
Gimmic
k
Br
ea
kB
eat
36
Minimal
HO
U
S
E
3
7 Re
gg
ae
gg
+
Tim
b
a
l
e
38
L
ati
n
FootCla
v
e
39
W
o
r
ld
1
C
a
j
on,D
j
em
b
e
jj
4
0
Wor
ld
2
T
abla,Ba
ya
y
41
S
amba
B
atucad
a
42
Symphony
yp y
O
rchHits
4
3
Stee
lDrm CMa
j
orSca
le
j
44
Trancy
y
4
5
E
lect
r
o
n
Elect
r
o
ni
ca
4
6
E
l
eDrums
C
l
ass
i
c
El
ec
47
TR
-808
4
8
TR
-909
4
9
Vo
i
ces
H
umanBeatBo
x
50
Use
r K
it
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