Sony PDW-700 User manual

PROFESSIONAL DISC CAMCORDER

PDW-F800

PDW-700

OPERATION MANUAL [English]

1st Edition (Revised 4)

2

To reduce the risk of fire or electric

shock, do not expose this apparatus to

rain or moisture.

To avoid electrical shock, do not open

the cabinet. Refer servicing to qualified

personnel only.

This Professional Disc Camcorder is

classified as a CLASS 1 LASER PRODUCT.

Laser diode properties

Wavelength: 400 to 410 nm

Emission duration: Continuous

Laser output power: 135 mW (max. of

pulse peak), 65 mW (max. of CW)

Standard: IEC60825-1 (2001)

Egenskaber for laserdiode

Bølgelængde: 400 til 410 nm

Strålingsvarighed: Kontinuerlig

Afgivet lasereffekt: 135 mW (maks

stråletoppunkt), 65 mW (maks ved

kontinuerlig stråling)

Standard: IEC60825-1 (2001)

Tekniska data för laserdiod

Våglängd: 400 till 410 nm

Emissionslängd: Kontinuerlig

Laseruteffekt: 135 mW (max. för

pulstopp), 65 mW (max. för kontinuerlig

våg)

Standard: IEC60825-1 (2001)

Egenskaper for laserdiode

Bølgelengde: 400 til 410 nm

Strålingsvarighet: Uavbrutt

Utgangseffekt for laser: 135 mW (maks av

pulshøyde), 65 mW (maks av CW)

Standard: IEC60825-1 (2001)

This label is located

inside the outside

panel of the unit.

Denna etikett finns på

apparatens ovansida.

Denne mærkat sidder

på apparatets øverste

panel.

Tämä kyltti sijaitsee

laitteen yläpinnalla.

Dette merket er

plassert på oversiden

av produktet.

CAUTION

The use of optical instruments with this

product will increase eye hazard.

Use of controls or adjustments or

performance of procedures other than those

specified herein may result in hazardous

radiation exposure.

VAROITUS!

LAITTEEN KÄYTTÄMINEN MUULLA KUIN

TÄSSÄ KÄYTTÖOHJEESSA MAINITULLA

TAVALLA SAATTAA ALTISTAA

KÄYTTÄJÄN TURVALLISUUSLUOKAN 1

YLITTÄVÄLLE NÄKYMÄTTÖMÄLLE

LASERSÄTEILYLLE.

VARNING

OM APPARATEN ANVÄNDS PÅ ANNAT

SÄTT ÄN I DENNA BRUKSANVISNING

SPECIFICERATS, KAN ANVÄNDAREN

UTSÄTTAS FÖR OSYNLIG

LASERSTRÅLNING, SOM ÖVERSKRIDER

GRÄNSEN FÖR LASERKLASS 1.

WARNING

Excessive sound pressure from earphones

and headphones can cause hearing loss.

In order to use this product safely, avoid

prolonged listening at excessive sound

pressure levels.

WARNING

3

For the customers in the U.S.A.

This equipment has been tested and found to

comply with the limits for a Class B digital

device, pursuant to Part 15 of the FCC Rules.

These limits are designed to provide

reasonable protection against harmful

interference in a residential installation. This

equipment generates, uses, and can radiate

radio frequency energy and, if not installed

and used in accordance with the instructions,

may cause harmful interference to radio

communications. However, there is no

guarantee that interference will not occur in a

particular installation. If this equipment does

cause harmful interference to radio or

television reception, which can be

determined by turning the equipment off and

on, the user is encouraged to try to correct

the interference by one or more of the

following measures:

— Reorient or relocate the receiving

antenna.

— Increase the separation between the

equipment and receiver.

— Connect the equipment into an outlet on a

circuit different from that to which the

receiver is connected.

— Consult the dealer or an experienced

radio/TV technician for help.

You are cautioned that any changes or

modifications not expressly approved in this

manual could void your authority to operate

this equipment.

All interface cables used to connect

peripherals must be shielded in order to

comply with the limits for a digital device

pursuant to Subpart B of Part 15 of FCC

Rules.

If you have any questions about this product,

you may call;

Sony Customer Information Service Center

1-800-222-7669 or http://www.sony.com/

For the customers in Canada

This Class B digital apparatus complies with

Canadian ICES-003.

For the State of California, USA only

Perchlorate Material - special handling may

apply, See

www.dtsc.ca.gov/hazardouswaste/perchlorate

Perchlorate Material : Lithium battery

contains perchlorate.

For the customers in Europe

This product with the CE marking complies

with the EMC Directive issued by the

Commission of the European Community.

Compliance with this directive implies

conformity to the following European

standards:

• EN55103-1: Electromagnetic Interference

(Emission)

• EN55103-2: Electromagnetic Susceptibility

(Immunity)

This product is intended for use in the

following Electromagnetic Environments: E1

(residential), E2 (commercial and light

industrial), E3 (urban outdoors), E4

(controlled EMC environment, ex. TV studio).

The manufacturer of this product is Sony

Corporation, 1-7-1 Konan, Minato-ku, Tokyo,

Japan.

The Authorized Representative for EMC and

product safety is Sony Deutschland GmbH,

Hedelfinger Strasse 61, 70327 Stuttgart,

Declaration of Conformity

Trade Name: SONY

Model: PDW-F800, PDW-700

Responsible party:

Sony Electronics Inc.

Address: 16530 Via Esprillo,

San Diego, CA 92127

U.S.A.

Telephone Number:

858-942-2230

This device complies with part 15 of the

FCC Rules. Operation is subject to the

following two conditions: (1) this device

may not cause harmful interference, and

(2) this device must accept any

interference received, including

interference that may cause undesired

operation.

4

Germany. For any service or guarantee

matters please refer to the addresses given

in separate service or guarantee documents.

For the customers in Taiwan only

Table of Contents

5

Table of Contents

Foreword .................................................................................................... 11

Before use........................................................................................ 11

Marks for model-specific functions ................................................ 11

Chapter 1 : Overview

Features ...................................................................................................... 12

Locations and Functions of Parts and Controls...................................... 15

Power supply................................................................................... 15

Accessory attachments.................................................................... 16

Operating and connectors section ................................................... 17

HDVF-20A viewfinder (optional)................................................... 31

Status display on the viewfinder screen.......................................... 32

Chapter 2 : Preparations

Preparing a Power Supply ........................................................................ 38

Using a battery pack........................................................................ 38

Using AC power.............................................................................. 39

Attaching the Viewfinder.......................................................................... 39

Attaching the HDVF-20A/C35W ................................................... 39

Adjusting the viewfinder position................................................... 40

Moving the viewfinder shoe up....................................................... 40

Using the BKW-401 Viewfinder Rotation Bracket ........................ 41

Detaching the eyepiece ................................................................... 42

Adjusting the viewfinder focus and screen ..................................... 42

Setting the Area of Use.............................................................................. 43

Setting the Date/Time of the Internal Clock ........................................... 44

Mounting the Lens..................................................................................... 45

Adjusting the Flange Focal Length.......................................................... 46

Preparing the Audio Input System .......................................................... 47

Connecting a microphone to the MIC IN connector....................... 47

Connecting microphones to the AUDIO IN connectors ................. 48

Attaching a UHF portable tuner (for a UHF wireless microphone

system)...................................................................................... 49

Connecting line input audio equipment .......................................... 51

Table of Contents

6

Tripod Mounting ....................................................................................... 52

Connecting a Video Light ......................................................................... 53

Using the Shoulder Strap .......................................................................... 53

Adjusting the Shoulder Pad Position ....................................................... 54

Connecting the Remote Control Unit ...................................................... 55

Chapter 3 : Adjustments and Settings for Shooting

Setting the Recording Format .................................................................. 58

Setting the system frequency .......................................................... 58

Setting the video recording format.................................................. 59

Mixed recording of clips in different formats on the same disc ..... 59

Adjusting the Black Balance and the White Balance............................. 60

Adjusting the black balance ............................................................ 60

Adjusting the white balance............................................................ 61

Setting the Electronic Shutter................................................................... 66

Shutter modes.................................................................................. 66

Selecting the shutter mode and shutter speed ................................. 67

Changing the Reference Value for Automatic Iris Adjustment............ 70

Adjusting the Audio Level ........................................................................ 72

Manually adjusting the audio levels of the audio inputs from the

AUDIO IN CH1/CH2 connectors............................................. 72

Manually adjusting the audio level of the MIC IN connector ........ 73

Recording audio on channels 3 and 4 ............................................. 73

Setting the Time Data................................................................................ 75

Setting the timecode........................................................................ 75

Setting the user bits......................................................................... 75

Synchronizing the timecode............................................................ 76

Chapter 4 : Shooting

Handling Discs ........................................................................................... 79

Discs used for recording and playback ........................................... 79

Notes on handling ........................................................................... 79

Write-protecting discs..................................................................... 79

Loading and unloading a disc ......................................................... 80

Formatting a disc............................................................................. 81

Handling of discs when recording does not end normally (salvage

function).................................................................................... 81

Basic Procedure for Shooting ................................................................... 83

Table of Contents

7

Playing back the recorded clip ........................................................ 85

Deleting the recorded clip ............................................................... 86

Using the Freeze Mix function........................................................ 87

Using the Focus Assist function...................................................... 87

Advanced Operations for Shooting.......................................................... 88

Recording essence marks ................................................................ 88

Setting clip flags with switches....................................................... 89

Setting the thumbnail image at recording time ............................... 89

Starting a shoot with a few seconds of pre-stored picture data (Picture

Cache function)......................................................................... 89

Time-lapse video (Interval Rec function) ....................................... 91

Shooting with Slow & Quick Motion ............................................. 95

Exchanging discs while recording (Disc Exchange Cache function)

.................................................................................................. 96

Recording with the Clip Continuous Rec function ......................... 97

Retaking the most recent clip.......................................................... 97

Assigning user-defined clip titles automatically............................. 98

Assigning user-defined names to clips and clip lists .................... 101

Using planning metadata............................................................... 102

Recording video from external devices......................................... 105

Using the Live Logging function.................................................. 106

Recording proxy data .................................................................... 107

Chapter 5 : Operations in GUI Screens

Overview................................................................................................... 111

Switching between GUI screens ................................................... 111

Information and controls in thumbnail screens............................. 113

Displaying menus.......................................................................... 116

GUI screen operations................................................................... 120

Thumbnail Operations ............................................................................ 121

Selecting thumbnails ..................................................................... 121

Searching with thumbnails............................................................ 121

Playing the scene you have found................................................. 124

Selecting clips by type (Filter Clips function) .............................. 124

Selecting the information displayed on thumbnails...................... 126

Changing clip index pictures......................................................... 126

Checking clip properties ............................................................... 127

Setting clip flags............................................................................ 130

Locking (write-protecting) clips ................................................... 130

Deleting clips ................................................................................ 131

Scene Selection (Clip List Editing)......................................................... 132

What is scene selection?................................................................ 132

Creating and editing clip lists........................................................ 133

Table of Contents

8

Managing clip lists ........................................................................ 138

Disc Operations........................................................................................ 139

Checking disc properties............................................................... 139

Using planning metadata............................................................... 140

Checking user-defined essence marks .......................................... 141

Formatting discs............................................................................ 142

Displaying disc and clip properties in a web browser................... 142

Transferring clips (Direct FTP function) .............................................. 146

Preparations for clip transfers ....................................................... 147

Uploading clips ............................................................................. 147

Downloading clips ........................................................................ 151

Copying clips directly between XDCAM devices........................ 151

Shortcut List............................................................................................. 153

Chapter 6 : Menu Displays and Detailed Settings

Menu Organization.................................................................................. 154

TOP menu and top-level menus.................................................... 155

Menu List.................................................................................................. 157

OPERATION menu ...................................................................... 157

PAINT menu ................................................................................. 171

MAINTENANCE menu................................................................ 180

FILE menu .................................................................................... 199

DIAGNOSIS menu ....................................................................... 203

Menu Operations ..................................................................................... 205

Displaying menus.......................................................................... 205

Basic menu operations .................................................................. 205

Using the USER menu (example menu operation)....................... 208

Editing the USER menu................................................................ 209

Resetting USER menu settings to the standard settings................ 213

Setting the Status Display on the Viewfinder Screen and the LCD

Monitor............................................................................................... 213

Selecting the display items............................................................ 213

Change confirmation/adjustment progress messages.................... 214

Setting the marker display............................................................. 215

Setting the viewfinder ................................................................... 216

Recording shot data superimposed on the color bars.................... 217

Setting the shot ID......................................................................... 217

Displaying the status confirmation screens................................... 218

Adjustments and Settings from Menus.................................................. 220

Setting gain values for the GAIN selector positions..................... 220

Selecting the output signals........................................................... 220

Table of Contents

9

Assigning functions to ASSIGN switches .................................... 221

Setting power saving functions ..................................................... 224

Setting up a wireless LAN ............................................................ 224

Setting the color temperature manually ........................................ 227

Specifying an offset for the auto white balance setting ................ 227

Selecting the lens file .................................................................... 228

Setting the UMID data .................................................................. 228

Chapter 7 : Saving and Loading User Setting Data

Handling the “Memory Stick”................................................................ 230

Saving and Recalling User Files ............................................................. 231

Saving user menu data to the “Memory Stick”............................. 231

Loading saved data from a “Memory Stick”................................. 233

Returning the user file settings to the standard settings................ 234

Saving and Loading Scene Files ............................................................. 234

Saving a scene file......................................................................... 234

Loading scene files........................................................................ 236

Returning the scene file settings to the standard settings.............. 237

Jumping to a File-Related Menu Page When Inserting a “Memory Stick”

............................................................................................................. 237

Chapter 8 : File Operations

Overview................................................................................................... 239

Directory structure ........................................................................ 239

File operation restrictions.............................................................. 240

File Operations in File Access Mode (for Windows) ............................ 245

Making FAM connections............................................................. 245

Operating on files.......................................................................... 246

Exiting file operations................................................................... 246

File Operations in File Access Mode (for Macintosh) .......................... 247

Making FAM connections............................................................. 247

Operating on files.......................................................................... 248

Exiting file operations................................................................... 248

FTP File Operations ................................................................................ 249

Making FTP connections .............................................................. 249

Command list ................................................................................ 250

Recording Continuous Timecode with FAM and FTP Connections .. 255

Table of Contents

10

Chapter 9 : Maintenance

Testing the Camcorder before Shooting................................................ 256

Preparations for testing ................................................................. 256

Testing the camera ........................................................................ 256

Testing the VDR ........................................................................... 258

Maintenance ............................................................................................. 260

Cleaning the viewfinder................................................................ 260

Note about the battery terminal..................................................... 261

Operation Warnings................................................................................ 262

Appendix

Important Notes on Operation ............................................................... 270

Specifications............................................................................................ 272

General.......................................................................................... 272

Video camera section .................................................................... 272

Optical disc drive section.............................................................. 273

Supplied accessories...................................................................... 274

Recommended additional equipment............................................ 274

Chart of Optional Components and Accessories .................................. 276

Using PDZ-1 Proxy Browsing Software ................................................ 277

List of Supported USB Keyboards......................................................... 278

Recommended USB Flash Drives (As of June 2009) ............................ 281

Trademarks and Licenses ....................................................................... 281

MPEG-4 Visual Patent Portfolio License ..................................... 281

MPEG-2 Video Patent Portfolio License...................................... 281

About IJG (Independent JPEG Group) ......................................... 282

Character display software “iType”.............................................. 282

About libupnp................................................................................ 282

About OpenSSL ............................................................................ 282

About a “Memory Stick” ........................................................................ 286

Index.......................................................................................................... 288

Foreword

11

After purchasing this unit, before operating, it is

necessary to set the region of use.

(Unless this setting is made, the unit will not

operate.)

For details of these settings, see “Setting the Area of

Use” on page 43.

Note

Before attaching/removing optional components or

accessories to/from the camcorder, be sure to turn the

power of the camcorder off.

In this manual, functions that are supported only

by the PDW-F800 or only by the PDW-700 are

indicated by the following marks.

[F800]: PDW-F800

[700]: PDW-700

Foreword

Before use

Marks for model-specific

functions

Features

12

Chapter 1 Overview

New

2

/

3

-inch full-HD “PowerHAD FX”

CCDs

• IT (Interline Transfer)

2

/

3

-inch progressive

image sensors with 2.2 million pixels, for full

HD resolution (1920 × 1080)

• Newly developed “PowerHAD FX” CCDs,

featuring a signal processing ASIC with 14-bit

A/D converters

These new image sensor technologies enable the

capture of very high-quality images, with F11

(59.94i) and F12 (50i) sensitivity and an SN ratio

of 59 dB.

1)

1) With noise suppression on (off value is 54 dB)

Noise suppression uses proprietary Sony signal

processing technology to suppress noise in high-

frequency regions.

Mechanisms for high reliability

A new duct cooling system prevents overheating

inside the unit and on its surfaces, for greater

reliability in high-temperature environments.

Reliability is also enhanced by the drip-proof

design.

Recording can continue even when the unit is

subjected to jarring shocks, because data is stored

in shockproof memory before being recorded to

the media. Reliable recording is ensured by a

recording verification function, similar to the

confidence playback function of tape recorders,

qualifying the unit for use in demanding

broadcast applications.

Multi-format support

The unit supports six system frequencies (1080/

59.94i, 1080/29.97P, 1080/50i, 1080/25P, 1080/

23.98P

1)

, 720/59.94P

2)

, and 720/50p), offering

the flexibility needed for worldwide HD

recording. It also supports recording and

playback of SD signals (both NTSC and PAL)

3)

,

allowing a stepwise transition from SD to HD

systems.

A multi-format conversion function enables up-

and down-conversion between SD and HD, and

cross-conversion between 1080 and 720.

Squeeze, edge cropping, and letterbox are

selectable as the aspect pattern in up- and down-

conversion between SD and HD.

1) The PDW-700 requires installation of the optional

CBKZ-FC02 23.98P Record and Playback Software

and a verification key. For details, contact a Sony

service representative.

2) When the current recording format is 720/59.94P, you

can shoot in 23.98P mode. However, as soon as it is

shot, the video undergoes 2-3 pulldown and is

recorded as 59.94P.

3) The PDW-700 requires installation of the optional

CBKZ-MD01 SD Record and Playback Software and

a verification key. For details, contact a Sony service

representative.

Note

It is not possible to combine material recorded in

different frame frequency groups on single disc (see

page 59).

Recording of more than 90 minutes of

high-quality video and audio data

• Signals captured by the full-HD (1920 × 1080)

image sensors are recorded in MPEG HD422

format

1)

for consistently high image quality.

2)

• The unit supports recording of four audio

channels

3)

sampled at 24 bits for high quality.

• Dual-layer Professional discs can record about

95 minutes of high-quality video and audio

data.

The generous recording times and the high-

quality of the recorded video and audio allow this

unit to meet the most stringent requirements of

production teams in a wide range of genres, from

news gathering through digital cinema and

program production.

The unit supports a variety of HD formats,

including formats with 720 lines of resolution.

1) The MPEG-2 422P@HL codec performs 4:2:2

sampling and records at a video bit rate of 50 Mbps.

2) Image compression uses the MPEG-2 Long GOP

system.

Chapter1 Overview

Features

13

Chapter 1 Overview

3) The PDW-HD1500 supports recording of up to eight

channels in MPEG HD422 format.

Format compatibility with earlier models

The unit is capable of recording in the MPEG-2

MP@HL 35/25 Mbps formats used by earlier

XDCAM HD devices. These formats offer longer

recording times than the MPEG-2 422P@HL 50

Mbps format.

It is also capable of recording and playback in the

MPEG IMX 50/40/30 Mbps and DVCAM 25

Mbps formats.

1)

1) The PDW-700 requires installation of the optional

CBKZ-MD01 SD Record and Playback Software and

a verification key. For details, contact a Sony service

representative.

Rich selection of interfaces

• HDSDI and SDSDI output connectors: Allow

free combination of HDSDI and SDSDI signals.

Timecode and other text data can be

superimposed on signals from one of the two

interfaces.

• Composite signal output connector

• Selectable video input connectors: The unit is

designed to support recording in every type of

environment, including reporting by pool

coverage teams. The optional CBK-HD01 HD/

SD SDI Input Board or CBK-SC02 Analog

Composite Input Board can be installed to

enable selection of HD SDI/SD SDI or

composite signals. SD signals can be

upconverted and recorded as HD signals.

• Gen-lock input connector: Enables

synchronized operation of multiple units, with

synchronization possible to either VBS or HD-

Y signals.

• Audio input connectors: Supports AES/EBU

signal input, in addition to microphone input,

+48 V microphone input, and line input.

• Timecode input and output connectors

• Network connector and i.LINK connector:

Enable transfer of MXF-format files. Material

recorded in the field can be transferred to a

computer for immediate cut editing with the

supplied PDZ-1 Proxy Browsing Software

Version 2.7.

• USB connector: Enables use of a Windows

USB keyboard or mouse. You can also connect

a USB flash drive to record proxy data or load

planning metadata, or connect the optional

CBK-WA01 Wi-Fi adapter to connect to a

wireless LAN network.

Features for improved performance

under various shooting conditions

Picture Cache function

The unit can utilize its internal memory to

continuously record the current video input,

allowing recording to commence a certain time (2

to 30 seconds) in advance of the time when the

recording button is pressed, and allowing discs to

be exchanged seamlessly without interrupting the

recording.

[F800]

Two optical filters

The unit is equipped with separate CC filters and

ND filters. Two filters can be used

simultaneously.

[700]

Color temperature filters

Color temperature filters are composed of

electronic circuits, allowing smooth and

instantaneous switching – an important advantage

in ENG (Electronic News Gathering) – and linked

operation with ND filters. Dedicated switches are

provided to enable rapid switching between color

temperature filters, and absolute color

temperature settings can be recalled instantly

without being effected by white balance settings.

Noise suppression circuits

New noise suppression circuits offer improved

performance under difficult evening or nighttime

shooting conditions.

Slow shutter function

A maximum of 16 frames can be accumulated

using the slow shutter function. In low light levels

this allows clear and noiseless video to be shot,

and provides a fantasy video effect with ghost

images.

Time lapse function (interval recording)

Using this function slow-moving subjects can be

shot with the movement compressed in time. This

is convenient for many applications, such as

monitoring plant growth, or the progress of a

construction site.

Features

14

Chapter 1 Overview

[F800]

Slow & quick motion function

1)

This function allows the shooting frame rate to be

different from the playback frame rate, for the

same effect as overcranking or undercranking a

film camera. Unlike low-speed or high-speed

playback of normally shot video, this provides a

smooth slow-motion effect, or action speeded up

beyond actual speed.

1) This function is available when the recording format is

MPEG HD422, 50 Mbps, and the resolution/system

frequency is 1080/23.98P, 1080/25P, or 1080/29.97P.

Freeze Mix function

This allows a still image from previously

captured video to be aligned with the current

video output from the camera. Thus you can

adjust the camera position to get exactly the same

framing for new shots. For example, this function

makes it easy to frame summer and winter shots

of a landscape scene in exactly the same way.

Digital extender function

This magnifies the center section of the video. It

utilizes electronic processing, which prevents the

decrease in sensitivity (F-drop) that occurs when

the lens extender function is used.

Focus magnification function

This magnifies the center section of the

viewfinder by a factor of about two. It enables

highly precise focus adjustments in HD shooting.

[F800]

Image inversion function

1)

This cancels the image inversion that can occur

when a cinema lens converter is mounted.

1) This function is available when the resolution/system

frequency is 1080/23.98P, 1080/25P, or 1080/29.97P.

Assignable switches

Frequently used function can be assigned to

switches for quick and convenient operation.

Hyper gamma

This enables a wide dynamic range without using

the Knee function, by smoothly compressing the

high-luminance range.

Supports new digital wireless

microphone system

The new digital wireless microphone system

offers high-quality, superior resistance to noise,

and simultaneous multi-channel operation.

Installation of the DWR-S01D Digital Wireless

Receiver

1)

enables simultaneous reception of two

channels.

1) These products are not available in countries where

they are prohibited by radio frequency regulations.

3.5-inch color LCD monitor

The 3.5-inch color LCD monitor displays easy-

to-read audio meters, menus, disc and battery

capacity indications, and thumbnails of clips

stored on disc.

Inherits unique features of XDCAM series

The unit inherits the workflow features of the

XDCAM series, including thumbnail display and

metadata management, and improves them by

introducing an improved man-machine interface.

Metadata includes new user-settable clip flags

(OK/NG/KEEP) in addition to the existing Rec

Start essence marks. The new metadata types

enable more efficient workflows when clips

recorded on this unit are edited on nonlinear

editing systems.

Locations and Functions of Parts and Controls

15

Chapter 1 Overview

a LIGHT switch

Determines how a video light connected to the

LIGHT connector (see page 16) is turned on and

off.

AUTO: When the POWER switch of the video

light is in the on position, the video light is

turned on automatically while the camcorder

is recording.

MANUAL: You can turn the video light on or off

manually, using its own switch.

Notes

• When this switch is set to AUTO, at the beginning of

the recording, the picture is recorded even though the

lighting may fluctuate until the video light comes on.

If the beginning of the recording is important, you

should set this switch to MANUAL.

• To ensure proper operation of the video light, Sony

recommends the use of the BP-GL95/L80S Battery

Pack with the camcorder.

b POWER switch

Turns the main power supply on and off.

c DC IN (DC power input) connector

(XLR type, 4-pin, male)

To operate the camcorder from an AC power

supply, connect an optional DC power cord to this

terminal and then connect the cord to the DC

output terminal of the BC-L70, BC-L160, or

another battery charger.

d DC OUT 12V (DC power output)

connector (4-pin, female)

Supplies power for a WRR-860A/861/862 UHF

Synthesized Diversity Tuner (not supplied)

(maximum 0.5 A).

Do not connect any equipment other than the

UHF synthesized diversity tuner.

e Battery attachment shoe

Attach a BP-GL95/GL65/L60S/L80S Battery

Pack. Alternatively, you can attach an AC-

DN2B/DN10 AC Adaptor to operate the

camcorder on AC power supply.

For details about how to attach the battery or AC

adaptor, see “Preparing a Power Supply” on page

38. For information about attaching a synthesized

tuner, see “Attaching a UHF portable tuner (for a

UHF wireless microphone system)” on page 49.

Note

For your safety, and to ensure proper operation of the

camcorder, Sony recommends the use of the following

battery packs: BP-GL95, BP-GL65, BP-L60S, and BP-

L80S.

Locations and Functions

of Parts and Controls

Power supply

23154

Locations and Functions of Parts and Controls

16

Chapter 1 Overview

a Shoulder strap fitting

Attach the supplied shoulder strap (see page 53).

b Accessory fitting shoe

Attach an optional accessory such as a video light

(see page 53).

c Viewfinder front-to-back positioning

lever

To adjust the viewfinder position in the front-to-

back direction, loosen this lever and the LOCK

knob. After adjustment, retighten this lever and

the LOCK knob.

d Viewfinder left-to-right positioning ring

Loosen this ring to adjust the left-to-right position

of the viewfinder (see page 40).

e Viewfinder fitting shoe

Attach an optional viewfinder.

f VF (viewfinder) connector (20-pin)

Connect an optional viewfinder.

Consult a Sony representative for information about

available viewfinders.

g Lens mount securing rubber

After locking the lens in position using the lens

locking lever, fit this rubber over the lower of the

two projections. This fixes the lens mount,

preventing it from coming loose.

h Viewfinder front-to-back positioning

knob (LOCK knob)

Loosen this knob to adjust the front-to-back

position of the viewfinder (see page 40).

i Fitting for optional microphone holder

Fit an optional CAC-12 Microphone Holder (see

page 48).

j Shoulder pad

Raise the shoulder pad fixing lever to adjust the

position in the front-to-rear direction. Adjust the

position for maximum convenience when

operating the unit on your shoulder.

For details of the adjustment, see “Adjusting the

Shoulder Pad Position” on page 54.

k LIGHT (video light) connector (2-pin,

female)

A video light with a maximum power

consumption of 50 W, such as the Anton Bauer

Ultralight 2 or equivalent can be connected (see

page 53).

l Lens cable clamp

Clamp a lens cable.

m MIC IN (microphone input) (+48 V)

connector (XLR type, 5-pin, female)

Connect a stereo microphone to this connector.

The power (+48 V) is supplied via this connector.

n LENS connector (12-pin)

Connect a lens cable to this connector.

Note

When connecting the lens cable to this connector,

power off this unit first.

Accessory attachments

5674231

890qaqs qd qgqh qj

qk

qf

ql

Locations and Functions of Parts and Controls

17

Chapter 1 Overview

o Tripod mount

When using the unit on a tripod, attach the tripod

adaptor (optional).

p Lens mount (special bayonet mount)

Attach the lens.

Consult a Sony representative for information about

available lenses.

q Lens locking lever

After inserting the lens in the lens mount, rotate

the lens mount ring with this lever to lock the lens

in position.

After locking the lens, be sure to use the lens

mount securing rubber to prevent the lens from

becoming detached.

r Lens mount cap

Remove by pushing up the lens locking lever.

When no lens is mounted, keep this cap fitted for

protection from dust.

s CA (camera adapter) connector (50-

pin)

Remove the connector cover, and connect the 50-

pin connector of the HDCA-702 MPEG TS

Adaptor.

Refer to the Operation Manual of the HDCA-702 for

more information about how to mount it.

Front

a REC START (recording start) button

Press to start recording. Press it again to stop

recording. The effect is the same as that of the

REC button on the lens.

b SHUTTER selector

Set to ON to use the electronic shutter. Flick to

SELECT to switch the shutter speed or shutter

mode setting within the range previously set with

the menu. When this switch is operated, the new

setting appears on the setting change/adjustment

progress message display area for about three

seconds.

For details about the shutter speed and shutter mode

settings, see “Setting the Electronic Shutter” on

page 66.

c FILTER selector

Switches between optical filters built into this

unit.

When this selector is used with the menu item for

filter selection display set to ON (see page 214),

the new setting appears on the viewfinder screen

for about three seconds.

[F800]

The PDW-F800 is equipped with two switchable

filters. You can switch between four electrical CC

filters and four ND filters.

Operating and connectors section

2

1

7

5

6

3

4

Locations and Functions of Parts and Controls

18

Chapter 1 Overview

a) A type of special effect filter. A cross of light appears

in the highlight section.

[700]

The PDW-700 is equipped with one switchable

filter. It is possible to switch between four ND

filters.

For the PDW-700, you can change a

MAINTENANCE menu setting so that different

white balance settings can be stored for different

FILTER selector positions. This allows you to

automatically obtain optimum white balance for

the current shooting conditions in linkage with

the filter selection.

For details, see “Adjusting the white balance” on

page 61.

d MENU knob

Changes the page selection or a setting within the

menu.

For details about how to use the MENU knob, see

“Menu Operations” on page 205.

e EARPHONE jack (monaural,

minijack)

You can monitor the E-E

1)

sound during

recording and playback sound during playback.

When an alarm is indicated, you can hear the

alarm sound through the earphone. You can use

this with the EARPHONE jack on the rear of the

unit at the same time. Plugging an earphone into

the jack automatically cuts off the built-in

speaker.

1) E-E: Abbreviation of “Electric-to-Electric”. In E-E

mode, video and audio signals input to the camcorder

are output after passing through internal electric

circuits only. This can be used to check input signals.

f AUTO W/B BAL (automatic white/

black balance adjustment) switch

Activates the automatic white/black balance

adjustment functions.

WHT: Adjusts the white balance automatically.

If the WHITE BAL switch (see page 20) is

set to A or B, the white balance setting is

stored in the corresponding memory. If the

WHITE BAL switch is set to PRST, the

automatic white balance adjustment function

does not operate.

BLK: Adjusts the black set and black balance

automatically.

g MIC (microphone) LEVEL control

Adjusts the input level of audio channels 1, 2, 3

and 4.

For details, see “Adjusting the Audio Level” on page

72.

FILTER selector

(outer knob) setting

CC filter

A

Cross filter

a)

B 3200K

C 4300K

D 6300K

FILTER selector

(inner knob) setting

ND filter

1 CLEAR (no filter)

2

1

/

4

ND (reduces the

amount of light to about

1

/

4

)

3

1

/

16

ND(reduces the

amount of light to about

1

/

16

)

4

1

/

64

ND(reduces the

amount of light to about

1

/

64

)

FILTER selector

setting

ND filter

1 CLEAR

2

1

/

4

ND (attenuates light

to approximately

1

/

4

)

3

1

/

16

ND (attenuates light

to approximately

1

/

16

)

4

1

/

64

ND (attenuates light

to approximately

1

/

64

)

Locations and Functions of Parts and Controls

19

Chapter 1 Overview

Right side (near the front)

a ASSIGN (assignable) 1/2 switches

You can assign the desired functions to these

switches on the ASSIGNABLE SW page of the

OPERATION menu.

Nothing is assigned to these switches when the

camcorder is shipped from the factory (equivalent

to a selection of OFF in the menu).

For details, see “Assigning functions to ASSIGN

switches” on page 221.

[F800]

b ASSIGN (assignable) 5 switch

You can assign the desired functions to these

switches on the ASSIGNABLE SW page of the

OPERATION menu.

Nothing is assigned to these switches when the

camcorder is shipped from the factory (equivalent

to a selection of OFF in the menu).

For details, see “Assigning functions to ASSIGN

switches” on page 221.

[700]

b COLOR TEMP. (color temperature)

button

Press to light the button and change the color

temperature for shooting. You can use this as an

ASSIGN (assignable) switch

(see page 221).

c ALARM (alarm tone volume

adjustment) knob

Controls the volume of the warning tone that is

output via the built-in speaker or optional

earphones. When the knob is turned to the

minimum position, no sound can be heard.

However, if the MIN ALARM VOL item on the

AUDIO-1 page of the MAINTENANCE menu is

set to SET, the alarm tone is audible even when

this volume control is at the minimum position.

d MONITOR (monitor volume

adjustment) knob

Controls the volume of the sound other than the

warning tone that is output via the built-in speaker

or optional earphones. When the knob is turned to

the minimum position, no sound can be heard.

e MONITOR (audio monitor selection)

switches

By means of combinations of the two switches,

you can select audio that you want to hear through

the built-in speaker or optional earphones.

Position of down-side switch: CH-1/2

Position of down-side switch: CH-3/4

MENU

ON/

SEL

OFF

STATUS

CANCEL/PRST

ESCAPEON

OFF

5

6789

2341

qa qs0

qf

qd

Position of up-side

switch

Audio output

CH-1/CH-3 Channel 1 audio

MIX Channels 1 and 2 mixed

audio (stereo)

a)

CH-2/CH-4 Channel 2 audio

Position of up-side

switch

Audio output

CH-1/CH-3 Channel 3 audio

MIX Channels 3 and 4 mixed

audio (stereo)

a)

CH-2/CH-4 Channel 4 audio

ALARM

Minimum Maximum

Locations and Functions of Parts and Controls

20

Chapter 1 Overview

a) By connecting stereo headphones to the EARPHONE

jack on the rear of the unit, you can hear the audio in

stereo. (On the AUDIO-1 page of the

MAINTENANCE menu, HEADPHONE OUT must

be set to STEREO.)

f VDR SAVE/STBY (VDR save/standby)

switch

Switches the status of the power supply to the

VDR while recording is stopped (STOP) or

paused (REC PAUSE).

SAVE: The disc stops rotating and some

functions are disabled. Power consumption is

lower than when the camcorder is in STBY

mode. Battery life is extended.

STBY: Recording to the disc starts immediately

when the REC START button is pressed.

Note

An internal operating sound may be recorded at the start

of recording when the VDR SAVE/STBY switch is set to

SAVE.

g GAIN selector

Switches the gain of the video amplifier to match

the lighting conditions during shooting. The gains

corresponding to the L, M, and H settings can be

selected in the menu. (The factory settings are

L=0 dB, M=6 dB, and H=12 dB.)

When this switch is adjusted, the new setting

appears on the setting change/adjustment

progress message display area of the viewfinder

screen for about three seconds.

For details, see “Setting gain values for the GAIN

selector positions” on page 220.

h OUTPUT/DCC (output signal/dynamic

contrast control) switch

Switches the video signal, which is output to the

video disc drive (referred to as “VDR”),

viewfinder, and video monitor from the camera

section, between the following two.

BARS: Outputs the color bar signal.

CAM: Outputs the video signal from the camera.

When this is selected, you can switch DCC

1)

on and off.

1) DCC (Dynamic Contrast Control): Against a very

bright background with the iris opening adjusted to the

subject, objects in the background will be lost in the

glare. The DCC function will suppress the high

intensity and restore much of the lost detail and is

particularly effective in the following cases.

• Shooting people in the shade on a sunny day

• Shooting a subject indoors, against a background

through a window

• Any high contrast scene

i WHITE BAL (white balance memory)

switch

Controls adjustment of the white balance.

PRST: Adjusts the color temperature to the preset

value (the factory default setting: 3200K).

Use this setting when you have no time to

adjust the white balance.

A or B: Recall the white balance adjustment

settings already stored in A or B. Flick the

AUTO W/B BAL switch (see page 18) on the

WHT side, to automatically adjust the white

balance, and save the adjustment settings in

memory A or memory B.

You can use the AUTO W/B BAL switch

even when ATW

1)

is in use.

B (ATW): When this switch is set to B and

WHITE SWITCH <B> is set to ATW on the

WHITE SETTING page of the

OPERATION menu, ATW is activated.

When this switch is adjusted, the new setting

appears on the setting change/adjustment

progress message display area of the viewfinder

screen for about three seconds.

1) ATW (Auto Tracing White Balance): The white

balance of the picture being shot is adjusted

automatically for varying lighting conditions.

j STATUS ON/SEL/OFF (menu display

on/page selection/display off) switch

To enable this switch, set the MENU ON/OFF

switch to OFF.

Closing the cover automatically sets the MENU

ON/OFF switch to OFF.

ON/SEL: Each time this switch is pushed

upward, a window to confirm the menu

settings and status of the camcorder appears

on the viewfinder screen. The window

consists of four pages, which are switched

each time the switch is pushed upward. Each

page is displayed for about 10 seconds.

OFF: To clear the page immediately after

display, push this switch down to the OFF

position.

You can select the pages to be displayed on the

menu.

For details, see “Displaying the status confirmation

screens” on page 218.

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