Avid Symphony 4.7 User guide

Category
Software
Type
User guide
make manage move | media
Avid
®
Avid
®
Symphony
Editing Guide
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on the part
of Avid Technology, Inc. The software described in this document is furnished under a license agreement.
You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license
are also available in the product in the same directory as the software. The software may not be reverse
assembled and may be used or copied only in accordance with the terms of the license agreement. It is
against the law to copy the software on any medium except as specifically allowed in the license
agreement. Avid products or portions thereof are protected by one or more of the following United States
patents: 4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348;
5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601;
5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851;
5,799,150; 5,812,216; 5,852,435; 5,883,670; 5,905,841; 5,929,836; 5,929,942; 5,930,445; 5,946,445;
5,987,501; 5,995,115; 6,016,152; 6,018,337; 6,023,531; 6,035,367; 6,038,573; 6,058,236; 6,061,758;
6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,130,676; 6,134,607; 6,137,919; 6,141,007; 6,141,691;
6,157,929; 6,198,477; 6,201,531; 6,211,869; 6,223,211; 6,239,815; 6,249,280; 6,269,195; 6,301,105;
6,317,158; 6,317,515; 6,327,253; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435;
6,407,775; 6,417,891; 6,426,778; D396,853; D398,912. Additional U.S. and foreign patents pending. No
part of this document may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording, for any purpose without the express written permission
of Avid Technology, Inc.
Copyright © 2003 Avid Technology, Inc. and its licensors. All rights reserved.
The following disclaimer is required by Apple Computer, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,
REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE
OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of
their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its
documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices
and this permission notice appear in all copies of the software and related documentation, and (ii) the
names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the
software without the specific, prior written permission of Sam Leffler and Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,
IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,
INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED
OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN
CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
Portions of this software are based on work of the Independent JPEG Group.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to
derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray
Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to
perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the
software; or any other damages, including but not limited to, incidental, direct, indirect, special or
consequential Damages including lost profits, or damages resulting from loss of use or inability to use
reseller’s products or the software for any reason including copyright or patent infringement, or lost data,
even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such
damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product,
including warranties with respect to its merchantability or its fitness for any particular purpose.
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0
products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties
under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control of
applicable videotape recorder decks, videodisc recorders/players and the like.
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win
software and Sample Source Code:
©1993–1998 Altura Software, Inc.
The following disclaimer is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte
Corporation and are subject to copyright protection.
The following disclaimer is required by 3Prong.com Inc.:
Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such Software or
documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with
respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to
FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, AirPlay, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,
AVIDdrive, AVIDdrive Towers, AvidNet, AvidNetwork, AVIDstripe, Avid Unity, Avid Xpress, AVoption, AVX,
CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx, Digidesign, Digidesign Audio Engine,
Digidesign Intelligent Noise Reduction, DigiDrive, DINR, D-Verb, Equinox, ExpertRender, FieldPak,
Film Composer, FilmScribe, FluidMotion, HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX,
Image Independence, Intraframe, iS9, iS18, iS23, iS36, Lo-Fi, Magic Mask, make manage move | media,
Marquee, Matador, Maxim, MCXpress, Media Composer, MediaDock, MediaDock Shuttle, Media Fusion,
Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray, MediaShare, Meridien, MetaSync,
NaturalMatch, NetReview, NewsCutter, OMF, OMF Interchange, OMM, Open Media Framework,
Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi, rS9, rS18, Sci-Fi, Softimage,
Sound Designer II, SPACE, SPACEShift, Symphony, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver,
VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology, Inc. in the
United States and/or other countries.
iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.
Aaton is a registered trademark of Aaton S.A. Adobe, Acrobat, and Acrobat Reader are either registered
trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
Arri is a registered trademark of Arri Group. FaderMaster Professional is a trademark of JL Cooper, a
division of Sound Technology. Focusrite is a registered trademark of Focusrite Audio Engineering LTD. Jaz
and Zip are registered trademarks of Iomega Corporation. Mac OS and Macintosh are trademarks of Apple
Computer, Inc., registered in the U.S. and other countries. Microsoft, Windows, and Windows NT are either
registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries.
QuickTime and the QuickTime logo are trademarks used under license from Apple Computer, Inc. The
QuickTime logo is registered in the U.S. and other countries. Sony is a registered trademark of Sony
Corporation. V-LAN and VLXi are registered trademarks of Videomedia, Inc. Yamaha is a registered
trademark of Yamaha Corporation. All other trademarks contained herein are the property of their
respective owners.
Footage
Arri — Courtesy of Arri
/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com.
Windhorse — Courtesy of Paul Wagner Productions.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —
Broadcasters — Content creators of every genre — Just finished an incredible project and want to
share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid Symphony Editing Guide • Part 0130-05441-01 • February 2003
Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Related Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . . 38
How to Order Documentation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Avid Educational Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Chapter 1 Editing Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Editing Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Starting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Preparing to Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Editing a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Finishing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Chapter 2 Desktop Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Working with the Desktop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Creating an Emergency Repair Disk (Windows Only) . . . . . . . . . . . 48
Using Shortcut Menus (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Using Shortcut Menus (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 49
Using the Windows Taskbar (Windows Only) . . . . . . . . . . . . . . . . . 49
Using the Macintosh Dock (Macintosh Only) . . . . . . . . . . . . . . . . . . 50
Dragging Windows (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . 51
Setting the Avid Color Scheme (Windows) . . . . . . . . . . . . . . . . . . . 51
Setting the Apple Color Scheme (Macintosh) . . . . . . . . . . . . . . . . . 52
6
Setting Your Screen Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Changing Screen Resolution (Windows) . . . . . . . . . . . . . . . . . . 53
Changing Screen Resolution (Macintosh) . . . . . . . . . . . . . . . . . 53
Using the Avid Symphony Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Managing the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . 54
Using the Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . 55
Changing Project and User Names . . . . . . . . . . . . . . . . . . . . . . . . . 56
Deleting Projects and User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . 57
Retrieving Files from the Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . 58
Retrieving Files from the Avid Attic Folder (Windows) . . . . . . . . . . . 59
Retrieving Files from the Avid Attic Folder (Macintosh) . . . . . . . . . . 60
Starting the Avid Application (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . 62
Starting the Avid Application (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . 63
Chapter 3 Starting a Work Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Opening and Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Identifying a User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Creating a New User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Selecting an Existing User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Selecting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Setting Film Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Selecting an Existing Project . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Nesting Projects in Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Opening a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Closing a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Saving Your Project Information on a Drive or Floppy Disk . . . . . . . 77
Restoring from a Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Ending a Work Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Quitting the Avid Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Turning Off Your Equipment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Mounting and Unmounting Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Mounting All Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Session Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
7
Chapter 4 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . 85
Opening and Closing the Project Window . . . . . . . . . . . . . . . . . . . . . . . 86
Using the Bins Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Viewing a List of Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Displaying Folders of Bins in the Bins List . . . . . . . . . . . . . . . . . . . . 89
Creating a Folder in a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Renaming a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Opening and Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Opening Selected Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Opening Bins from Other Projects. . . . . . . . . . . . . . . . . . . . . . . 92
Closing a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Deleting a Bin or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Viewing Contents in the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Emptying the Trash in the Bins List . . . . . . . . . . . . . . . . . . . . . . . . . 95
Managing Folders and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Saving Bins Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Saving Bins Manually. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Using the Settings Scroll List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Understanding Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Defining Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Reviewing Basic Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Film Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Bin Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
General Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Interface Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Keyboard Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Displaying Project Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Changing the Settings Scroll List Display . . . . . . . . . . . . . . . . 115
Working with Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Selecting Another User . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Modifying Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Working with Multiple Settings. . . . . . . . . . . . . . . . . . . . . . . . . 118
Duplicating Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Naming Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
8
Selecting Among Multiple Settings. . . . . . . . . . . . . . . . . . . . . . 120
Deleting Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Restoring Default Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Copying Settings Between Settings Files . . . . . . . . . . . . . . . . 121
Using Site Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Using the Info Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Viewing Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Accessing the Hardware Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Displaying Usage Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Statistics File Structure and Layout . . . . . . . . . . . . . . . . . . . . . . . . 128
Importing the Statistics File into a Spreadsheet . . . . . . . . . . . . . . . 131
Displaying Disk Space Statistics. . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Customizing the Appearance of the Avid User Interface . . . . . . . . . . . 133
Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . . 134
Changing Shading Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Changing Shading Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Changing Button Separation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Changing Button Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Using Interface Appearance Templates . . . . . . . . . . . . . . . . . . . . . 142
Changing Font and Point Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Customizing Your Workspace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Creating a New Workspace Setting . . . . . . . . . . . . . . . . . . . . . . . . 145
Linking User Settings and Workspaces . . . . . . . . . . . . . . . . . . . . . 147
Switching Between Workspaces. . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Deleting a Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Assigning a Workspace Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Sharing Bins and Projects on Avid Unity MediaNetwork. . . . . . . . . . . . 151
Understanding Avid Unity MediaNetwork . . . . . . . . . . . . . . . . . . . . 151
Mapping Workspaces on the Avid Unity Network. . . . . . . . . . . . . . 152
Sharing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Shared Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Shared Bins and Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Opening a Shared Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
9
Working with Locks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Overriding the Default Locking Mechanism. . . . . . . . . . . . . . . 157
Restrictions and Limitations for Locked Bins. . . . . . . . . . . . . . 157
Chapter 5 Using Basic Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Navigating in Dialog Boxes and Menus . . . . . . . . . . . . . . . . . . . . . . . . 160
Using Toolsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Opening Toolsets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Customizing Toolsets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Linking Toolsets to Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . 162
Using the Tools Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Using the Deck Controller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Using the Command Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Understanding Button Mapping . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Mapping User-Selectable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . 168
Using the Blank Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Mapping Modifier Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Mapping Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Activating Commands from the Command Palette . . . . . . . . . . . . 173
Using the Avid Calculator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Using the Console Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Displaying System Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Reviewing a Log of Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Getting Information with the Console. . . . . . . . . . . . . . . . . . . . . . . 176
Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Using Avid System Test Pro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Using the Communication (Serial) Ports Tool . . . . . . . . . . . . . . . . . . . 179
Configuring a Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Chapter 6 Organizing with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Preparing to Work with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Adjusting Audio Pan Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Adjusting Default Pan Settings . . . . . . . . . . . . . . . . . . . . . . . . 185
Using the Center Pan Command. . . . . . . . . . . . . . . . . . . . . . . 185
10
Using Audio Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Film Scene Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Conserving Screen Real Estate with the SuperBin. . . . . . . . . . . . . . . . 191
Enabling and Disabling the SuperBin . . . . . . . . . . . . . . . . . . . . . . . 191
Opening Bins in the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Closing the SuperBin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Moving Bins into and out of the SuperBin . . . . . . . . . . . . . . . . . . . 192
Moving Clips and Sequences into and out of the SuperBin . . . . . . 193
Copying Clips and Sequences into and out of the SuperBin . . . . . 193
Deleting a Bin with the SuperBin Enabled . . . . . . . . . . . . . . . . . . . 194
Basic Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Using Bin Display Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Displaying Custom Bin Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Customizing Bin Views in Text View . . . . . . . . . . . . . . . . . . . . 196
Saving a Custom Bin View. . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Lassoing Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Selecting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Duplicating Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . 199
Moving Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Deleting Clips, Subclips, and Sequences. . . . . . . . . . . . . . . . . . . . 201
Assigning Colors to Bin Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Adding a Color Column to a Bin. . . . . . . . . . . . . . . . . . . . . . . . 203
Assigning a Source Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Assigning a Custom Source Color . . . . . . . . . . . . . . . . . . . . . . 204
Limiting Color Choices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Sifting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Sifting Timecodes or Keycode Ranges . . . . . . . . . . . . . . . . . . 206
Sifting Within a Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Locking and Unlocking Items in a Bin. . . . . . . . . . . . . . . . . . . . . . . 211
Selecting Offline Items in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Selecting Media Relatives for an Object. . . . . . . . . . . . . . . . . . . . . 212
11
Selecting Sources Used by an Object . . . . . . . . . . . . . . . . . . . . . . 213
Selecting Unreferenced Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Using Brief View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Arranging Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Moving and Rearranging Columns . . . . . . . . . . . . . . . . . . . . . 216
Aligning Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Showing and Hiding Columns . . . . . . . . . . . . . . . . . . . . . . . . . 216
Deleting a Column. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Duplicating a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Adding Customized Columns to a Bin. . . . . . . . . . . . . . . . . . . 220
Changing a Custom Column Heading. . . . . . . . . . . . . . . . . . . 220
Managing Clip Information in Text View . . . . . . . . . . . . . . . . . . . . 221
Moving Within Column Cells . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Modifying Clip Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Copying Information Between Columns . . . . . . . . . . . . . . . . . 227
Copying Information from Another Cell in a Custom Column . 228
Sorting Clips in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Sorting Clips in Ascending Order . . . . . . . . . . . . . . . . . . . . . . 228
Sorting Clips in Descending Order . . . . . . . . . . . . . . . . . . . . . 229
Performing Multilevel Sorting with Columns . . . . . . . . . . . . . . 229
Sorting Clips by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . . 230
Frame Counting for Timecodes. . . . . . . . . . . . . . . . . . . . . . . . 231
Adding Timecode Columns to a Bin or the Media Tool . . . . . . 232
Adding Timecode Values to the Timecode Columns. . . . . . . . 232
Bin Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . 238
Enlarging or Reducing Frame Sizes . . . . . . . . . . . . . . . . . . . . . . . 239
Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . . . . 239
Arranging Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Adding Text in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
12
Playing Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Rearranging Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Gathering Format Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Preparing Digital Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Importing Color Bars and Other Test Patterns . . . . . . . . . . . . . . . . 245
Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Creating Video Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Creating Audio Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Storyboard Worksheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Chapter 7 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Working with Media Files in an Avid Unity Environment. . . . . . . . . . . . 254
Configuring Avid Editing Systems to Work with MediaManager
and TransferManager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Support for Avid Unity LANshare . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Basic Media Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Deleting Media Files with the Media Tool. . . . . . . . . . . . . . . . . . . . 260
Freeing Storage Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Understanding the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . 264
Using the Consolidate Command. . . . . . . . . . . . . . . . . . . . . . . . . . 267
Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Refreshing Media Databases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Using Videotapes for Archiving and Restoring Media Files . . . . . . . . . 271
Archiving Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
Archive to Videotape Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Restoring an Archive from Videotape. . . . . . . . . . . . . . . . . . . . . . . 278
Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Relinking Clips to Media Files or Bin Items. . . . . . . . . . . . . . . . . . . . . . 281
Relinking to Selected Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Relinking Consolidated Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
13
Relinking Moved Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Unlinking Clips from Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Chapter 8 Using Script Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Lined Script Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Explanation of Symbols . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Lining in the Digital Realm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Script Integration Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Using Script Integration in Video Projects . . . . . . . . . . . . . . . . . . . 294
Script Window Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Script Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Importing a Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Opening, Closing, and Saving the Script Window . . . . . . . . . . . . . 298
Displaying Clip and Sequence Information in a Script Window . . . 299
Exploring the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Adjusting the Script Margins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Manipulating Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Changing the Font of the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Selecting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Cutting, Copying, and Pasting Script . . . . . . . . . . . . . . . . . . . . . . . 303
Removing Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Searching Through Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Using Page and Scene Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . 304
Adding a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . 305
Changing a Page or Scene Number . . . . . . . . . . . . . . . . . . . . 305
Deleting a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . 306
Searching for a Page or Scene Number . . . . . . . . . . . . . . . . . 306
Conducting a Text Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Linking Clips to the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Interpolating Position for Script Integration. . . . . . . . . . . . . . . . . . . . . . 309
Manipulating Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Selecting Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Resizing Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Holding Slates On Screen in the Script Window . . . . . . . . . . . . . . 311
Hiding Slate Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
14
Showing One Take Per Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Moving a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Deleting a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Manipulating Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Selecting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Adding Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Deleting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Displaying Take Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Changing the Representative Frame for a Take. . . . . . . . . . . . . . . 316
Loading Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Playing Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Adjusting Take Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Indicating Off-Screen Dialog. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Using Color Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Using Script Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Placing Script Marks Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
Automating Screening and Marking . . . . . . . . . . . . . . . . . . . . . . . . 321
Loading and Playing Marked Segments. . . . . . . . . . . . . . . . . . . . . 323
Moving a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Deleting a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Finding Clips and Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Finding Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Finding Clips and Bins from the Script Window . . . . . . . . . . . . . . . 325
Editing with the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Assembling a Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Splicing a Script Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Revising the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Interactive Screenings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Chapter 9 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . 329
Customizing the Composer Window . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Using the 16:9 Display Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Using 16:9 for 24p and 25p Editing . . . . . . . . . . . . . . . . . . . . . . . . 333
Displaying Tracking Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
15
Displaying the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Copying Text from the Info Window . . . . . . . . . . . . . . . . . . . . 342
Displaying Timecode in the Timecode Window . . . . . . . . . . . . . . . 342
Displaying Multiple Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . . . 344
Understanding Composer Settings . . . . . . . . . . . . . . . . . . . . . . . . 345
Color Framing Options (Edit Tab) . . . . . . . . . . . . . . . . . . . . . . 347
Miscellaneous Composer Options (Edit Tab) . . . . . . . . . . . . . 348
Fast Forward and Rewind Options (FF/REW Tab) . . . . . . . . . 349
Using the Tool Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350
Viewing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
Fast Frame Display in 24p and 25p Projects . . . . . . . . . . . . . . . . . . . . 354
Playing Selected Clips in a Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Loading Footage into the Playback and Pop-up Monitors . . . . . . . 355
Loading Footage into the Source, Record, and
Pop-up Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Loading Multiple Clips or Sequences. . . . . . . . . . . . . . . . . . . . . . . 357
Using the Clip Name Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Switching Between Loaded Clips . . . . . . . . . . . . . . . . . . . . . . 358
Clearing Clips from Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Resizing Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Hiding the Video in a Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Resizing a Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Customizing the Playback Monitor Size. . . . . . . . . . . . . . . . . . . . . 361
Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
Using Position Bars and Position Indicators . . . . . . . . . . . . . . . . . 362
Using Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Play Reverse, Play, Pause, Stop, Rewind, and
Fast Forward Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Play Standby Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Step Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Using Single-Field Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Using the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
J-K-L Keys (Three-Button Play). . . . . . . . . . . . . . . . . . . . . . . . 367
Home, End, and Arrow Keys . . . . . . . . . . . . . . . . . . . . . . . . . . 368
16
Using the Mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Jogging with the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Shuttling with the Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Marking IN to OUT Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Moving IN to OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
Marking an Entire Clip or Segment. . . . . . . . . . . . . . . . . . . . . . . . . 372
Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Subclips and Audio Sync for 24p and 25p Projects . . . . . . . . . . . . 374
Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Ways to Use Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Adding Locators While Editing . . . . . . . . . . . . . . . . . . . . . . . . . 377
Copying Locators from Source Clips . . . . . . . . . . . . . . . . . . . . 379
Marking an Area Using Locators . . . . . . . . . . . . . . . . . . . . . . . 379
Moving to the Previous or Next Locator . . . . . . . . . . . . . . . . . . 379
Deleting Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Understanding the Locators Window . . . . . . . . . . . . . . . . . . . . . . . 380
Displaying Timecode or Footage in the Locators Window . . . . 382
Sorting Information in the Locators Window . . . . . . . . . . . . . . 382
Displaying Frames in the Locators Window . . . . . . . . . . . . . . . 383
Changing the Color of the Locator Icon . . . . . . . . . . . . . . . . . . 383
Accessing a Locator in a Clip or Sequence . . . . . . . . . . . . . . . 383
Printing the Contents of the Locators Window . . . . . . . . . . . . . 384
Deleting Locators Using the Locators Window . . . . . . . . . . . . 385
Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Using Timecode to Find a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Searching for a Clip or Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . 388
Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389
Performing a Reverse Match Frame. . . . . . . . . . . . . . . . . . . . . . . . 391
Selecting Tracks for Matching Frames . . . . . . . . . . . . . . . . . . . . . . 392
Finding a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Locating a Master Clip from a Subclip in a Sequence . . . . . . . . . . 393
Finding a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
17
Chapter 10 Editing in Source/Record Mode . . . . . . . . . . . . . . . . . . . . . . . 395
Entering Source/Record Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Setting Up a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Changing the Sequence Name and Timecode . . . . . . . . . . . . . . . 398
Setting Up Tracks for the New Sequence . . . . . . . . . . . . . . . . . . . 400
User Preferences for Creating Tracks. . . . . . . . . . . . . . . . . . . 401
Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Making an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Creating an Instant Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Undoing or Redoing Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
Editing Additional Clips into the Sequence. . . . . . . . . . . . . . . . . . . . . . 408
Performing a Splice-in Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408
Performing an Overwrite Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Single-Mark Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Using Phantom Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
Setting One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412
Adding a Second Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412
Lifting, Extracting, and Copying Material . . . . . . . . . . . . . . . . . . . . . . . 413
Lifting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Extracting Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Copying Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Using the Clipboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415
Preserving Clipboard Contents . . . . . . . . . . . . . . . . . . . . . . . . 415
Recovering Material from the Clipboard . . . . . . . . . . . . . . . . . 416
Adding Comments to Sequence Clips . . . . . . . . . . . . . . . . . . . . . . . . . 417
Playing the New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
Starting a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Playback Performance Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420
Playing a Limited Duration of a Sequence. . . . . . . . . . . . . . . . . . . 420
Setting a Limited Play Length . . . . . . . . . . . . . . . . . . . . . . . . . 421
Playing a Sequence Using a Limited Play Length. . . . . . . . . . 421
Fine-Tuning the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422
18
Chapter 11 Using the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
Understanding Timeline Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
Using the Timeline Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Additional Procedures for Customizing the Timeline . . . . . . . . . . . 428
Enlarging and Reducing Tracks . . . . . . . . . . . . . . . . . . . . . . . . 428
Moving a Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429
Displaying the Timeline Top Toolbar . . . . . . . . . . . . . . . . . . . . . . . 430
Displaying Timecode Tracks in the Timeline . . . . . . . . . . . . . . . . . 430
Assigning Local Colors to Clips in the Timeline . . . . . . . . . . . . . . . 431
Displaying Local and Source Colors in the Timeline . . . . . . . . . . . 432
Displaying Source Colors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
Displaying Local Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Highlighting Offline Media Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Changing the Timeline Background Color . . . . . . . . . . . . . . . . . . . 433
Changing the Timeline Track Color . . . . . . . . . . . . . . . . . . . . . . . . 434
Showing Locators in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . 434
Saving a Customized Timeline View . . . . . . . . . . . . . . . . . . . . . . . 435
Replacing a Timeline View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Restoring the Default Timeline View. . . . . . . . . . . . . . . . . . . . . . . . 436
Setting the Scroll Option for the Timeline . . . . . . . . . . . . . . . . . . . . 437
Timeline Settings Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Exploring the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440
Using the Position Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440
Using the Timeline Scroll Bar/Position Bar. . . . . . . . . . . . . . . . . . . 441
Displaying Detail in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . 443
Zooming In and Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
Focusing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
Using the Full-Screen Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . 445
Displaying Source Material in the Timeline. . . . . . . . . . . . . . . . . . . 447
Controlling Movement in the Timeline . . . . . . . . . . . . . . . . . . . . . . 448
IN to OUT Highlighting in the Timeline . . . . . . . . . . . . . . . . . . . . . . 449
Understanding Segment Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 449
Segment Mode Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450
Selecting and Deselecting Segments. . . . . . . . . . . . . . . . . . . . . . . 450
Selecting Segments with the Segment Mode Pointer . . . . . . . 451
19
Lassoing One or More Segments . . . . . . . . . . . . . . . . . . . . . . 451
Deselecting Segments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452
Performing Segment Mode Edits . . . . . . . . . . . . . . . . . . . . . . . . . . 452
Understanding the Four-Frame Display . . . . . . . . . . . . . . . . . 453
Maintaining Sync in Segment Mode . . . . . . . . . . . . . . . . . . . . 454
Extracting/Splicing Segments . . . . . . . . . . . . . . . . . . . . . . . . . 456
Lifting/Overwriting Segments. . . . . . . . . . . . . . . . . . . . . . . . . . 457
Deleting Segments in Segment Mode. . . . . . . . . . . . . . . . . . . 458
Marking Clips and Sequences in Segment Mode . . . . . . . . . . 459
Adding Comments in Segment Mode . . . . . . . . . . . . . . . . . . . . . . 459
Using Advanced Timeline Techniques . . . . . . . . . . . . . . . . . . . . . . . . . 460
Bin Editing into the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Bin Editing Directly into a Sequence Using the Keyboard . . . . . . . 461
Cutting, Copying, and Pasting in the Timeline . . . . . . . . . . . . . . . . 462
Editing with the Film Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Editing in Heads or Heads Tails View . . . . . . . . . . . . . . . . . . . . . . 463
Performing a Quick Edit Using the Top and Tail Commands . . . . 464
Working with Multiple Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
Understanding Effects Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466
Understanding Nesting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467
Using the Track Selector Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . 467
Selecting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468
Monitoring Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Monitoring Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Monitoring Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Monitoring a Solo Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 471
Patching Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472
Locking and Sync Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . 473
Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474
Sync Locking Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
Adding a Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
Deleting Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477
Adding an Edit (Match Framing) . . . . . . . . . . . . . . . . . . . . . . . . . . 477
Adding Edits to Filler Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . 478
Removing Match-Frame Edits. . . . . . . . . . . . . . . . . . . . . . . . . 479
20
Backtiming Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479
Additional Offline Aids. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 480
Detecting Duplicate Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 481
Adjusting Handle Length in Dupe Detection . . . . . . . . . . . . . . 482
Tracking Color Frame Shifts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 484
Finding Black Holes and Flash Frames . . . . . . . . . . . . . . . . . . . . . 487
Finding Black Holes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487
Finding Flash Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487
Printing the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 488
Chapter 12 Working in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 489
Understanding Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 490
Quick Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491
Big Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 492
Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
Trim Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
Entering and Exiting Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495
Entering Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495
Switching Between Quick Trim Mode and Finishing Mode. . . . . . . 498
Setting Small Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 498
Exiting Trim Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 499
Using Basic Trim Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500
Selecting Trim Sides. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500
Selecting Video Tracks in Trim Mode. . . . . . . . . . . . . . . . . . . . . . . 501
Audio Solo in Trim Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 501
Selecting Additional Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . 502
Performing a Basic Trim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503
Reviewing the Trim Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504
Reviewing an Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505
Trimming On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505
Dual-Image Playback During Trims . . . . . . . . . . . . . . . . . . . . . . . . 506
Trimming During a Playback Loop . . . . . . . . . . . . . . . . . . . . . . . . . 507
Creating Overlap Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508
Extending an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752
  • Page 753 753
  • Page 754 754
  • Page 755 755
  • Page 756 756
  • Page 757 757
  • Page 758 758
  • Page 759 759
  • Page 760 760
  • Page 761 761
  • Page 762 762
  • Page 763 763
  • Page 764 764
  • Page 765 765
  • Page 766 766
  • Page 767 767
  • Page 768 768

Avid Symphony 4.7 User guide

Category
Software
Type
User guide

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI