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make manage move | media
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Avid
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Avid
®
Symphony
™
Input and Output Guide
Copyright and Disclaimer
Product specifications are subject to change without notice and do not represent a commitment on the part
of Avid Technology, Inc. The software described in this document is furnished under a license agreement.
You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license
are also available in the product in the same directory as the software. The software may not be reverse
assembled and may be used or copied only in accordance with the terms of the license agreement. It is
against the law to copy the software on any medium except as specifically allowed in the license
agreement. Avid products or portions thereof are protected by one or more of the following United States
patents: 4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348;
5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601;
5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851;
5,799,150; 5,812,216; 5,852,435; 5,883,670; 5,905,841; 5,929,836; 5,929,942; 5,930,445; 5,946,445;
5,987,501; 5,995,115; 6,016,152; 6,018,337; 6,023,531; 6,035,367; 6,038,573; 6,058,236; 6,061,758;
6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,130,676; 6,134,607; 6,137,919; 6,141,007; 6,141,691;
6,157,929; 6,198,477; 6,201,531; 6,211,869; 6,223,211; 6,239,815; 6,249,280; 6,269,195; 6,301,105;
6,317,158; 6,317,515; 6,327,253; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435;
6,407,775; 6,417,891; 6,426,778; D396,853; D398,912. Additional U.S. and foreign patents pending. No
part of this document may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording, for any purpose without the express written permission
of Avid Technology, Inc.
Copyright © 2003 Avid Technology, Inc. and its licensors. All rights reserved.
The following disclaimer is required by Apple Computer, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,
REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE
OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of
their TIFF library:
Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its
documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices
and this permission notice appear in all copies of the software and related documentation, and (ii) the
names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the
software without the specific, prior written permission of Sam Leffler and Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,
IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,
INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED
OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN
CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
Portions of this software are based on work of the Independent JPEG Group.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to
derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray
Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to
perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the
software; or any other damages, including but not limited to, incidental, direct, indirect, special or
consequential Damages including lost profits, or damages resulting from loss of use or inability to use
reseller’s products or the software for any reason including copyright or patent infringement, or lost data,
even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such
damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product,
including warranties with respect to its merchantability or its fitness for any particular purpose.”
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0
products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third
parties under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control
of applicable videotape recorder decks, videodisc recorders/players and the like.”
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win
software and Sample Source Code:
©1993–1998 Altura Software, Inc.
The following disclaimer is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte
Corporation and are subject to copyright protection.
The following disclaimer is required by 3Prong.com Inc.:
Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such Software or
documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with
respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to
FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, AirPlay, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,
AVIDdrive, AVIDdrive Towers, AvidNet, AvidNetwork, AVIDstripe, Avid Unity, Avid Xpress, AVoption, AVX,
CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx, Digidesign, Digidesign Audio Engine,
Digidesign Intelligent Noise Reduction, DigiDrive, DINR, D-Verb, Equinox, ExpertRender, FieldPak,
Film Composer, FilmScribe, FluidMotion, HyperSPACE, HyperSPACE HDCAM, IllusionFX,
Image Independence, Intraframe, iS9, iS18, iS23, iS36, Lo-Fi, Magic Mask, make manage move | media,
Marquee, Matador, Maxim, MCXpress, Media Composer, MediaDock, MediaDock Shuttle, Media Fusion,
Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray, MediaShare, Meridien, MetaSync,
NaturalMatch, NetReview, NewsCutter, OMF, OMF Interchange, OMM, Open Media Framework,
Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi, rS9, rS18, Sci-Fi, Softimage,
Sound Designer II, SPACE, SPACEShift, Symphony, Trilligent, UnityRAID, Vari-Fi, Video Slave Driver,
VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology, Inc. in the
United States and/or other countries.
iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.
Aaton is a registered trademark of Aaton S.A. Abekas is a registered trademark of Accom, Inc. Acrobat,
Adobe, After Effects, Photoshop, PostScript Reader, and Type Manager are either registered trademarks
or trademarks of Adobe Systems, Incorporated in the United States and/or other countries. Alias and
Wavefront are trademarks of Alias|Wavefront, a division of Silicon Graphics Limited. Amiga is a registered
trademark of Amiga, Inc. AppleScript, AppleShare, DVD Studio Pro, FireWire, Macintosh, Mac OS,
QuickDraw, SuperDrive, and TrueType are trademarks of Apple Computer, Inc., registered in the U.S. and
other countries. Arri is a registered trademark of Arri Group. Betacam, i.LINK, and Sony are registered
trademarks, and DVCAM, Hi8, and MPEG IMX are trademarks of Sony Corporation of America. Chyron is
a registered trademark of Chyron Corporation. Cineon, Keykode, and Photo CD are trademarks of
Eastman Kodak Company. Cinepak is a trademark of Digital Origin, Inc. CrossStripe and MacDrive are
trademarks of Mediafour Corporation. DVDit! is a trademark of Sonic Solutions. Editcam is a trademark of
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its subsidiaries in the US and in other countries where Formac products are sold or distributed. GIF is a
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International Business Machines Corporation. Intel is a registered trademark of Intel Corporation or its
subsidiaries in the United States and other countries. Jaz and Zip are either registered trademarks or
trademarks of Iomega Corporation in the United States and/or other countries. Microsoft, Windows,
Windows Media, and Windows NT are either registered trademarks or trademarks of Microsoft Corporation
in the United States and/or other countries. Paintbrush is a trademark of Zsoft Corporation. Philips is a
registered trademark of Philips Electronics N.V. Pixar is a registered trademark of Pixar Animation Studios.
QuickTime and the QuickTime logo are trademarks used under license from Apple Computer, Inc. The
QuickTime logo is registered in the U.S. and other countries. RealVideo is a registered trademark of
RealNetworks, Inc. Silicon Graphics is a registered trademark of Silicon Graphics, Inc. Sound Forge is a
registered trademark of Sonic Foundry, Inc. Sun is a registered trademark and Sun Raster is a trademark
of Sun Microsystems, Inc. in the United States or other countries. TARGA is a trademark of Pinnacle
Systems, Inc., registered in the United States and other countries. Ultimatte is a registered trademark of
Ultimatte Corporation. Video Toaster is a trademark of NewTek. V-LAN and VLXi are registered
trademarks of Videomedia, Inc. X Window System is a trademark of X Consortium, Inc. All other
trademarks contained herein are the property of their respective owners.
Footage
Arri — Courtesy of Arri
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/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com.
Windhorse — Courtesy of Paul Wagner Productions.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —
Broadcasters — Content creators of every genre — Just finished an incredible project and want to
share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid Symphony Input and Output Guide • Part 0130–05443–01• February 2003
Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Who Should Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
If You Need Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Related Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
If You Have Documentation Comments . . . . . . . . . . . . . . . . . . . . . . . . . 28
How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Avid Educational Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Chapter 1 Planning a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Working with Multiple Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Working with 24p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Working with 25p Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Types of Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Planning a Video Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Planning a 24p or 25p Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
NTSC and PAL Image Sizes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
24-fps Film Source, SDTV Transfer, Multiformat Output . . . . . . . . . 38
24-fps Film or HD Video Source, SDTV Downconversion,
Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
25-fps Film or HD Video Source, SDTV Downconversion,
Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Alternative Audio Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
NTSC Audio and Video Synchronized During Transfer. . . . . . . 48
NTSC Audio and Video Digitized Separately . . . . . . . . . . . . . . 49
6
PAL Audio and Video Synchronized During Transfer
(PAL Method 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
PAL Audio and Video Digitized Separately (PAL Method 2) . . . 51
Audio Transfer Options for 24p PAL Projects. . . . . . . . . . . . . . . . . . 52
Planning a 23.976p NTSC Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Working in a 23.976p NTSC Project. . . . . . . . . . . . . . . . . . . . . . . . . 54
Creating a 23.976p Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Film Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Digitizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Digital Cut Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
23.976-fps Film Transfer or HD Video Source, SDTV Downconversion,
Multiformat Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Limitations for 23.976p Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Planning a DV Project (Windows Only). . . . . . . . . . . . . . . . . . . . . . . . . . 60
Understanding DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
DV Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Starting a DV Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Editing in DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Planning an MPEG Project (Windows Only) . . . . . . . . . . . . . . . . . . . . . . 64
MPEG Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Starting an MPEG Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Editing in MPEG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Film Project Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Film Shoot Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Viewing Dailies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Film Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Video Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Chapter 2 Film-to-Tape Transfer Methods . . . . . . . . . . . . . . . . . . . . . . . . 73
Understanding the Transfer Process . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Transferring 24-fps Film to NTSC Video . . . . . . . . . . . . . . . . . . . . . . . . . 74
Stage 1: Transferring Film to Video . . . . . . . . . . . . . . . . . . . . . . . . . 75
Frames Versus Fields . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
7
Part 1: Using a 2:3 Pulldown to Translate 24-fps Film to
30-fps Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Part 2: Slowing the Film Speed to 23.976 fps . . . . . . . . . . . . . . 77
Maintaining Synchronized Sound . . . . . . . . . . . . . . . . . . . . . . . 78
Stage 2: Digitizing at 24 fps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Transferring 24-fps Film to PAL Video . . . . . . . . . . . . . . . . . . . . . . . . . . 80
PAL Method 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
PAL Method 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
How the Avid System Stores and Displays 24p and 25p Media. . . . . . . 82
Displaying Media While Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Displaying Media During a Digital Cut . . . . . . . . . . . . . . . . . . . . . . . 84
Film-to-Tape Transfer Guidelines. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Film-to-Tape Transfer Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Transfer Quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Additional Film Transfer Aids . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Chapter 3 Logging. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Preparing Log Files for Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Compatible Log Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Using Avid Log Exchange to Convert Log Files. . . . . . . . . . . . . . . . 91
Converting Log Files with Avid Log Exchange (Windows) . . . . 92
Using Drag-and-Drop Conversion for Log Files (Windows) . . . 96
Converting Log Files with Avid Log Exchange (Macintosh) . . . 97
Using Drag-and-Drop Conversion for Log Files (Macintosh). . 101
Creating Avid Logs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Applications for Creating Avid Logs. . . . . . . . . . . . . . . . . . . . . 102
Required Information for Logging . . . . . . . . . . . . . . . . . . . . . . 102
Creating an Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Transferring Bins from MediaLog. . . . . . . . . . . . . . . . . . . . . . . . . . 103
Transferring Bins (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Transferring Bins (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . 104
Associating the Bin with Your Project . . . . . . . . . . . . . . . . . . . 105
Double-Checking the Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Importing Shot Log Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
8
Logging Directly into a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Tips for Logging Preroll, Logging Timecode, and Naming Tapes. . 112
Logging with an Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . 114
Pausing the Deck While Logging . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Using a Memory Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Logging with Non-Avid-Controlled Decks . . . . . . . . . . . . . . . . . . . . 120
Logging Film Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Displaying Film Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Entering Pulldown Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Determining the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . 126
Modifying the Pulldown Phase Before Digitizing . . . . . . . . . . . 127
Entering Frames-per-Second Rates for PAL Transfers . . . . . . . . . 129
Entering Key Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Entering Additional Timecodes (Option) . . . . . . . . . . . . . . . . . . . . . 130
Entering the Ink Number (Option). . . . . . . . . . . . . . . . . . . . . . . . . . 131
Entering Additional Film Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Modifying Clip Information Before Digitizing . . . . . . . . . . . . . . . . . . . . . 132
Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Chapter 4 Preparing to Digitize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Preparing the Hardware for Digitizing . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Selecting Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Media Creation Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Setting Drive Filtering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Selecting a Video Resolution and Drives . . . . . . . . . . . . . . . . . 139
Digitize Settings Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Digitize Settings: General Tab . . . . . . . . . . . . . . . . . . . . . . . . . 141
Selecting the Preroll Method . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Digitizing Across Timecode Breaks . . . . . . . . . . . . . . . . . . . . . 147
Digitize Settings: Media Files Tab . . . . . . . . . . . . . . . . . . . . . . 147
Digitizing to Multiple Media Files . . . . . . . . . . . . . . . . . . . . . . . 149
General Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Transfer Settings for Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . 151
Configuring Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Deck Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
9
Deleting Deck Configuration Elements . . . . . . . . . . . . . . . . . . . . . 160
Setting Deck Preferences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Understanding Drop-Frame Timecode and Non-Drop-Frame
Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Entering Capture Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Setting Up the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Selecting a Deck in the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . 166
Selecting a Source Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Selecting Source Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Setting the Video and Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . 169
Setting the Pulldown Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Film Project Pulldown and Transfer Settings. . . . . . . . . . . . . . 171
Selecting a Resolution in the Digitize Tool. . . . . . . . . . . . . . . . . . . 173
Selecting Color or Monochrome in the Digitize Tool . . . . . . . . . . . 173
Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Targeting a Single Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Targeting Separate Drives for Audio and Video . . . . . . . . . . . 175
Targeting a Drive Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Interpreting the Time-Remaining Display. . . . . . . . . . . . . . . . . . . . 177
Selecting a Custom Preroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Preparing for Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Establishing Sync for Audio-Only Input . . . . . . . . . . . . . . . . . . . . . 178
Checking for a Valid Digital Sync Signal . . . . . . . . . . . . . . . . . 179
Adjusting Audio Project Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Saving the Audio Project Settings as Site Settings . . . . . . . . . 184
Selecting the Audio File Format. . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Using the Audio Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Resizing the Audio Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Adjusting the Reference Level. . . . . . . . . . . . . . . . . . . . . . . . . 188
Selecting a Peak Hold Option . . . . . . . . . . . . . . . . . . . . . . . . . 190
Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Creating Tone Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Calibrating the Eight-Channel Audio I/O Device . . . . . . . . . . . . . . 193
Changing the Audio Hardware Calibration Setting . . . . . . . . . 195
10
Calibrating Input Channels for the Audio I/O Device . . . . . . . . 196
Calibrating Output Channels for the Audio I/O Device. . . . . . . 198
Using the Console Window to Check Audio Levels . . . . . . . . . . . . 198
Preparing for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Using the Factory Preset Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Calibrating Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Limitation When Using Consumer Decks or Decks Without
Time-Base Correctors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Saving Video Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Saving a Custom Default Setting for the Video Input Tool . . . . . . . 211
Adjusting Video Levels for Tapes Without Color Bars . . . . . . . . . . 211
Digitizing Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Chapter 5 Digitizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Before You Begin Digitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Special Digitizing Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Logging Errors to the Console Window . . . . . . . . . . . . . . . . . . . . . 217
Creating Subclips On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Adding Locators On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Adding Clip Names and Comments On-the-Fly . . . . . . . . . . . . . . . 220
Controlling Decks from the Keyboard . . . . . . . . . . . . . . . . . . . . . . . 221
Mapping the Record Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Digitizing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . . . . 222
Digitizing from a Mark IN to a Mark OUT . . . . . . . . . . . . . . . . . . . . 223
Setting Both Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Setting Only One Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Digitizing On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Autodigitizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Digitizing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . . . . . 230
Digitizing with Time-of-Day Timecode . . . . . . . . . . . . . . . . . . . . . . 232
Digitizing with External Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Digitizing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Patching When Digitizing to the Timeline . . . . . . . . . . . . . . . . . . . . 235
Digitizing Video Without Pulldown into a 24p NTSC Project. . . . . . . . . 236
Recording DV Through a 1394 Connection (Windows Only) . . . . . . . . 237
11
Recording Through MPEG SDTI-CP (Windows Only) . . . . . . . . . . . . . 237
Batch Digitizing from Logged Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Preparing to Batch Digitize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Resizing the Digitize Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Preparing Settings for Unattended Batch Digitizing . . . . . . . . 240
Digitize Settings: Batch Tab . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Batch Digitizing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Redigitizing Your Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Redigitizing Master Clips and Subclips . . . . . . . . . . . . . . . . . . . . . 246
Redigitizing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Saving Two Versions of a Sequence When Redigitizing. . . . . 247
Using Decompose When Redigitizing . . . . . . . . . . . . . . . . . . . 248
Redigitizing the Sequence Without Using Decompose . . . . . . 249
Relinking Clips by Key Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Modifying the Pulldown Phase After Digitizing . . . . . . . . . . . . . . . . . . . 254
Digitizing During the Film-to-Tape Transfer . . . . . . . . . . . . . . . . . . . . . 257
Preparing to Digitize in Telecine Slave Mode . . . . . . . . . . . . . . . . 259
Selecting the VTR Emulation Serial Port (Telecine
Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Understanding VTR Emulation Settings (Telecine
Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
Selecting VTR Emulation Settings. . . . . . . . . . . . . . . . . . . . . . 262
Selecting Digitize Settings for Telecine Slave Mode . . . . . . . . 263
Digitize Tool Controls for Telecine Slave Mode . . . . . . . . . . . . . . . 264
Selecting Telecine Slave Mode . . . . . . . . . . . . . . . . . . . . . . . . 266
Selecting a Source Tape Name. . . . . . . . . . . . . . . . . . . . . . . . 267
Digitizing and Logging in Telecine Slave Mode . . . . . . . . . . . . . . . 267
Formatting and Setting the Virtual Tape Timecode (Telecine
Slave Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
DV Scene Extraction (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . 270
Setting Up DV Scene Extraction Before Digitizing . . . . . . . . . . . . 270
Setting Up DV Scene Extraction After Digitizing . . . . . . . . . . . . . . 272
12
Chapter 6 Multicamera Planning and Digitizing . . . . . . . . . . . . . . . . . . . 273
Developing a Postproduction Model . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Tape Numbering Schemes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Tape Numbering for Video Productions . . . . . . . . . . . . . . . . . . 274
Tape Numbering for Film Productions . . . . . . . . . . . . . . . . . . . 275
Production Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Production Paths for Video Productions . . . . . . . . . . . . . . . . . 275
Production Paths for Film Productions. . . . . . . . . . . . . . . . . . . 276
Managing Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Audio for Videotape Productions . . . . . . . . . . . . . . . . . . . . . . . 278
Audio for Film Productions . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Digitizing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Digitizing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Logging Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Autodigitizing Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Storage Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Checking the Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Replacing Missing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Deleting Extra Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Checking Audio and Image Quality . . . . . . . . . . . . . . . . . . . . . . . . 287
Chapter 7 Importing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Working with Mixed-Resolution Projects. . . . . . . . . . . . . . . . . . . . . . . . 290
Creating and Using Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Creating a New Import Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Modifying an Existing Import Setting . . . . . . . . . . . . . . . . . . . . . . . 292
Import Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Importing Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . . . . 306
Importing Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Importing Single-Layer Photoshop Graphics . . . . . . . . . . . . . . . . . 307
Importing Multilayered Photoshop Graphics. . . . . . . . . . . . . . . . . . 308
Understanding Multilayered Graphics Import. . . . . . . . . . . . . . 308
Importing Multilayered Files . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
13
Importing Editcam Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Batch Import Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Starting the Reimport Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Chapter 8 Generating Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Preparing for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Establishing Sync for Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Calibrating for Video Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Using the Factory Preset Buttons . . . . . . . . . . . . . . . . . . . . . . 323
Basic Video Output Calibration . . . . . . . . . . . . . . . . . . . . . . . . 324
Advanced Video Output Calibration . . . . . . . . . . . . . . . . . . . . 328
Preparing for Audio Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Setting the Calibration Tone . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Calibrating Global Output Levels. . . . . . . . . . . . . . . . . . . . . . . 334
Adjusting Output on Eight-Channel Audio Systems . . . . . . . . 334
Preparing Record Tapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Frame-Accurate Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Manual Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Recording Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Enabling Assemble-Edit Recording . . . . . . . . . . . . . . . . . . . . . . . . 339
Using the Digital Cut Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Selecting a Deck in the Digital Cut Tool. . . . . . . . . . . . . . . . . . . . . 343
Previewing a Digital Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344
Creating a Custom Countdown Display . . . . . . . . . . . . . . . . . . . . . 345
Recording a Digital Cut to Tape (Remote Mode). . . . . . . . . . . . . . 347
Recording a Digital Cut to Tape (Local Mode). . . . . . . . . . . . . . . . 351
Selecting Output and Timecode Formats for 23.976p, 24p,
and 25p Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Selecting Output Formats for 24p and 25p Projects . . . . . . . . 354
Selecting Output Formats for 23.976p Projects. . . . . . . . . . . . 357
Selecting the Timecode Format for Output . . . . . . . . . . . . . . . 358
Indicating the Destination Timecode Rate. . . . . . . . . . . . . . . . 360
Selecting DSK Title Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Performing an Insert Edit with Pulldown . . . . . . . . . . . . . . . . . . . . 362
14
Digital Cuts and Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Changing the Default Pulldown Phase for Sequences. . . . . . . . . . 364
Using EDL Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Using the Matchback Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
How Matchback Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Matchback Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Using FilmScribe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Using VTR Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Enabling VTR Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Using VTR Play Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
Using Direct Record Emulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Chapter 9 Exporting Frames, Clips, or Sequences . . . . . . . . . . . . . . . . 375
Understanding Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Preparing to Export a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Exporting Frames, Clips, or Sequences . . . . . . . . . . . . . . . . . . . . . . . . 378
Using the Drag-and-Drop Method to Export Frames, Clips, or
Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Customizing Export Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Preset Export Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Creating a New Export Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Export Settings Dialog Box Options . . . . . . . . . . . . . . . . . . . . . . . . 385
Exporting OMFI and AAF Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Exporting Through OMF Interchange . . . . . . . . . . . . . . . . . . . . . . . 387
Exporting Through AAF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Selecting an OMFI or an AAF Transfer Method . . . . . . . . . . . . . . . 388
Exporting As an OMFI or an AAF File . . . . . . . . . . . . . . . . . . . . . . 389
OMFI and AAF Export Settings Options . . . . . . . . . . . . . . . . . . . . . 391
Exporting As an MPEG File (Windows Only) . . . . . . . . . . . . . . . . . . . . 393
Creating Files for a DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Creating Files for a DVD (Windows). . . . . . . . . . . . . . . . . . . . . . . . 397
Creating Files for a DVD (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . 399
Creating Files for iDVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Creating Files for DVD Studio Pro (Macintosh Only) . . . . . . . . 401
15
Using an AppleScript Script to Create a DVD (Macintosh Only) . . .
404
Adding and Removing Applications for Creating DVDs. . . . . . 405
Exporting Video in DV Stream Format . . . . . . . . . . . . . . . . . . . . . . . . . 406
Exporting QuickTime Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Exporting As a QuickTime Movie . . . . . . . . . . . . . . . . . . . . . . . . . . 410
QuickTime Movie Export Options . . . . . . . . . . . . . . . . . . . . . . 412
Selecting QuickTime Movie Format Options . . . . . . . . . . . . . . 415
Exporting As a QuickTime Reference Movie . . . . . . . . . . . . . . . . . 422
QuickTime Reference Export Options . . . . . . . . . . . . . . . . . . . 424
Using Avid Codecs for QuickTime . . . . . . . . . . . . . . . . . . . . . . . . . 427
Exporting with an Avid Meridien Codec or the Avid DV Codec 427
Exporting As an AVI File (Windows Only) . . . . . . . . . . . . . . . . . . . . . . 430
AVI Settings Options (Windows Only) . . . . . . . . . . . . . . . . . . . . . . 432
AVI Video Compression Dialog Box Options (Windows Only). . . . 435
Using the Avid Codec for AVI (Windows Only) . . . . . . . . . . . . . . . 437
Installing the Avid Codecs for QuickTime or AVI on Other Systems . . 439
Copying the Avid Codecs for QuickTime to Another Windows
System (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440
Copying the Avid Codecs for QuickTime to Another Macintosh
System (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Installing the Avid Codec for AVI on Another Windows System . . 442
Downloading Avid Codecs for QuickTime . . . . . . . . . . . . . . . . . . . 443
Exporting from a Third-Party QuickTime or AVI Application. . . . . . . . . 444
Exporting Tracks As Audio Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
Exporting As a Graphic File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447
Sending Material Out for Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456
Reviewing Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456
Opening R&A Files in the Locators Window . . . . . . . . . . . . . . . . . 457
Displaying Information in the Locators Window . . . . . . . . . . . . . . . 458
Using Locator Colors with R&A Files . . . . . . . . . . . . . . . . . . . . . . . 459
16
Chapter 10 Exchanging Files with Avid Applications . . . . . . . . . . . . . . . 461
Compatibility Between Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Transferring from Avid Xpress DV . . . . . . . . . . . . . . . . . . . . . . . . . 463
Transferring Media Files from Media Composer Version 7.2 or
Avid Xpress Version 2.1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464
Transferring Projects and Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464
Before You Begin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
Step 1: Transfer Project Files and Media Files. . . . . . . . . . . . . . . . 466
Transferring Project Information Only . . . . . . . . . . . . . . . . . . . 466
Transferring Video Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467
Transferring Audio Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468
Step 2: Open the Project and Relink or Redigitize . . . . . . . . . . . . . 468
Step 3: Import Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Step 4: Re-create the Title Media. . . . . . . . . . . . . . . . . . . . . . . . . . 470
Redefining a Font Replacement. . . . . . . . . . . . . . . . . . . . . . . . 472
Turning Off Downstream Keys (DSK) . . . . . . . . . . . . . . . . . . . 473
Step 5: Render Non-Real-Time Effects . . . . . . . . . . . . . . . . . . . . . 474
Transferring Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
Exporting the Sequence Without Audio Media . . . . . . . . . . . . . . . . 476
Exporting the Sequence with Embedded Audio Media. . . . . . . . . . 477
Transferring Sound Designer II Audio Files from Macintosh
Systems. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478
Options for File Transfers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478
Transferring a Project Using Shared Storage. . . . . . . . . . . . . . . . . 479
Transferring Project Files and Media Files Using Nonshared
Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479
Devices and Methods for Transferring Files . . . . . . . . . . . . . . . . . . 482
Transferring Files Between Macintosh Systems . . . . . . . . . . . 482
Transferring Files Between Windows Systems . . . . . . . . . . . . 484
Transferring Files Between Macintosh and Windows Systems 486
Nonshared Storage Issues for Cross-Platform Collaboration. . . . . 487
Using AvidLinks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 488
Transferring Projects and Bins Using AFE Files. . . . . . . . . . . . . . . 490
17
Appendix A File Format Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
Graphics (Image) Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
Preparing Graphics Files for Import . . . . . . . . . . . . . . . . . . . . . . . . 496
Graphics File Import Specifications . . . . . . . . . . . . . . . . . . . . . . . . 496
Screen Resolution for Imported Graphics and Sequences . . . . . . . . . 500
Animation Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503
Audio File Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507
OMFI Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508
Field Ordering in Graphic Imports and Exports . . . . . . . . . . . . . . . . . . 510
Appendix B Resolutions and Storage Requirements . . . . . . . . . . . . . . . . 515
Compression and Avid Editing Systems. . . . . . . . . . . . . . . . . . . . . . . . 515
Screen Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 516
Compression and Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517
Mixing Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517
Avid Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517
DV Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 518
MPEG Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519
Advantages to Mixing Resolutions . . . . . . . . . . . . . . . . . . . . . 519
Resolution Groups and Image Quality . . . . . . . . . . . . . . . . . . . . . . 520
Video Streams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520
Compression Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520
Resolution Specifications: Interlaced. . . . . . . . . . . . . . . . . . . . 521
Resolution Specifications: Progressive . . . . . . . . . . . . . . . . . . 522
Multicamera Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523
DV Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 525
MPEG 50 Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 526
Storage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 527
Estimating Drive Space Requirements . . . . . . . . . . . . . . . . . . . . . 527
Estimated Storage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . 528
Estimated Storage Requirements: Interlaced . . . . . . . . . . . . . 529
Estimated Storage Requirements: Progressive. . . . . . . . . . . . 532
Estimated Storage Requirements: DV. . . . . . . . . . . . . . . . . . . 536
Estimated Storage Requirements: MPEG 50 . . . . . . . . . . . . . 536
Maximizing Drive Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 537
18
Managing Storage to Improve Playback Performance . . . . . . . . . . . . . 538
Appendix C Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 539
Understanding Avid Log Specifications. . . . . . . . . . . . . . . . . . . . . . . . . 539
Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 540
Global Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 540
Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 542
Data Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 545
Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 548
Appendix D Preserving Information in the Vertical Blanking Interval . . . 551
Line Ranges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 551
Preserving Vertical Blanking Information . . . . . . . . . . . . . . . . . . . . . . . 552
Using a Partial Wipe Operation to Insert or Delete Vertical Blanking
Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 554
Potential Problems with Preserving Vertical Blanking Information . . . . 555
Preserving Vertical Blanking Information Can Affect Compressed
Video Quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 556
Effects Can Modify the Vertical Blanking Information. . . . . . . . . . . 557
Cross-Format Conflicts with Respect to Black Levels . . . . . . . . . . 557
Appendix E MPEG SDTI-CP Technical Information. . . . . . . . . . . . . . . . . . 559
SDTI-CP and SMPTE Type D-10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559
MPEG SDTI-CP Restrictions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 560
Supported VTRs for MPEG SDTI-CP . . . . . . . . . . . . . . . . . . . . . . . . . . 561
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563
19
Figures
Figure 1 Workflow: Video Project with Video Source. . . . . . . . . . . .34
Figure 2 Workflow: Video Project with HD Source, SDTV
Downconversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Figure 3 Offline Workflow: 24-fps Film Source, SDTV Transfer . . .39
Figure 4 Online Workflow: 24-fps Film Source, SDTV Transfer,
Multiformat Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Figure 5 Offline Workflow: 24-fps Film or HDTV Source,
SDTV Downconversion . . . . . . . . . . . . . . . . . . . . . . . . .42
Figure 6 Online Workflow: 24-fps Film or HDTV Source, SDTV
Downconversion, Multiformat Output . . . . . . . . . . . . . . .43
Figure 7 Offline Workflow: 25-fps Film or HDTV Source,
SDTV Downconversion . . . . . . . . . . . . . . . . . . . . . . . . .45
Figure 8 Online Workflow: 25-fps Film or HDTV Source, SDTV
Downconversion, Multiformat Output . . . . . . . . . . . . . . .46
Figure 9 NTSC Audio and Video Synchronized During
Transfer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Figure 10 NTSC Audio and Video Digitized Separately. . . . . . . . . . .49
Figure 11 PAL Audio and Video Synced During Transfer
(PAL Method 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Figure 12 PAL Audio and Video Digitized Separately
(PAL Method 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
Figure 13 Offline Workflow: 23.976-fps Film Transfer or HDTV
Source, SDTV Downconversion . . . . . . . . . . . . . . . . . . .56
Figure 14 Online Workflow: 23.976-fps Film Transfer or HDTV
Source, SDTV Downconversion, Multiformat Output . . .57
Figure 15 NTSC Audio and Video Digitized Separately
(23.976p Project) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
Figure 16 Workflow: DV Project with Mixed Sources. . . . . . . . . . . . .63
Figure 17 Workflow: MPEG Project with Mixed Sources . . . . . . . . . .67
Figure 18 Film Dailies Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Figure 19 Video Dailies Method. . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
Figure 20 Workflow: Telecine Slave Mode . . . . . . . . . . . . . . . . . . .258
20
Tables
Table 1 Film Shoot Specifications . . . . . . . . . . . . . . . . . . . . . . . . . 68
Table 2 Ratio of Film to Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Table 3 Ratio of Film to Video with FPS . . . . . . . . . . . . . . . . . . . . 77
Table 4 Compatible Log Formats . . . . . . . . . . . . . . . . . . . . . . . . . 90
Table 5 Drive Filtering Options . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Table 6 Digitize Settings: General Tab . . . . . . . . . . . . . . . . . . . . 142
Table 7 Digitize Settings: Media Files Tab . . . . . . . . . . . . . . . . . 148
Table 8 Deck Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Table 9 Deck Preferences Options . . . . . . . . . . . . . . . . . . . . . . . 161
Table 10 Film Project Pulldown and Transfer Settings . . . . . . . . . 172
Table 11 Audio Project Settings Options. . . . . . . . . . . . . . . . . . . . 181
Table 12 Audio Tool Components . . . . . . . . . . . . . . . . . . . . . . . . . 187
Table 13 Video Input Tool Components . . . . . . . . . . . . . . . . . . . . 200
Table 14 Luminance Settings for Video Input . . . . . . . . . . . . . . . . 207
Table 15 Function Keys Available When Digitizing . . . . . . . . . . . . 217
Table 16 Locators Mapped to Function Keys . . . . . . . . . . . . . . . . 220
Table 17 J-K-L Functions for Deck Control . . . . . . . . . . . . . . . . . . 221
Table 18 Digitize Settings: Batch Tab . . . . . . . . . . . . . . . . . . . . . . 241
Table 19 VTR Emulation Settings:
Telecine Emulation . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Table 20 Telecine Slave Mode Controls . . . . . . . . . . . . . . . . . . . . 266
Table 21 Import Settings: Image Tab . . . . . . . . . . . . . . . . . . . . . . 294
Table 22 Import Settings: OMFI Tab . . . . . . . . . . . . . . . . . . . . . . . 299
Table 23 Import Settings: Shot Log Tab . . . . . . . . . . . . . . . . . . . . 301
Table 24 Support for Photoshop Layer Options . . . . . . . . . . . . . . 311
Table 25 Support for Photoshop Special Layer Types . . . . . . . . . 312
Table 26 Video Format Output Parameters. . . . . . . . . . . . . . . . . . 325
Table 27 Luminance Settings for Video Output. . . . . . . . . . . . . . . 327
Table 28 24p and 25p Project Output Options . . . . . . . . . . . . . . . 355
Table 29 Audio Play Rates for 24p and 25p Projects . . . . . . . . . . 357
Table 30 Audio Play Rates for 23.976p Projects. . . . . . . . . . . . . . 358
Table 31 VTR Emulation Settings:
Record and Play Emulation. . . . . . . . . . . . . . . . . . . . . 370
Table 32 Export Settings Dialog Box Options . . . . . . . . . . . . . . . . 385
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