Avid Media Composer 5.5 User guide

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Software
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Avid
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Supporting Applications Guide
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Other patents are pending.
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Other patents are pending.
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3
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Copyright 1995, Trinity College Computing Center. Written by David Chappell.
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granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission
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Copyright 1996 Daniel Dardailler.
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the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in
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suitability of this software for any purpose. It is provided "as is" without express or implied warranty.
Modifications Copyright 1999 Matt Koss, under the same license as above.
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4
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“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0 products developed by
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subject to copyright protection.
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© DevelopMentor
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Trademarks
003, 192 Digital I/O, 192 I/O, 96 I/O, 96i I/O, Adrenaline, AirSpeed, ALEX, Alienbrain, AME, AniMatte, Archive, Archive II,
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Axiom, Beat Detective, Beauty Without The Bandwidth, Beyond Reality, BF Essentials, Bomb Factory, Boom, Bruno, C|24,
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Digital Choreography, Digital Nonlinear Accelerator, DigiTest, DigiTranslator, DigiWear, DINR, DNxchange, DPP-1, D-Show,
DSP Manager, DS-StorageCalc, DV Toolkit, DVD Complete, D-Verb, Eleven, EM, EveryPhase, Expander, ExpertRender,
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Massive Pack Pro, M-Audio, M-Audio Micro, Maxim, Mbox, Media Composer, MediaDock, MediaDock Shuttle, MediaFlow,
5
MediaLog, MediaMatch, MediaMix, Media Reader, Media Recorder, MEDIArray, MediaServer, MediaShare, MetaFuze,
MetaSync, MicroTrack, MIDI I/O, Midiman, Mix Rack, MixLab, Moviebox, Moviestar, MultiShell, NaturalMatch, NewsCutter,
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PowerSwap, PRE, ProControl, ProEncode, Profiler, Pro Tools|HD, Pro Tools LE, Pro Tools M-Powered, Pro Transfer, Pro Tools,
QuickPunch, QuietDrive, Realtime Motion Synthesis, Recti-Fi, Reel Tape Delay, Reel Tape Flanger, Reel Tape Saturation,
Reprise, Res Rocket Surfer, Reso, RetroLoop, Reverb One, ReVibe, Revolution, rS9, rS18, RTAS, Salesview, Sci-Fi, Scorch,
Scorefitter, ScriptSync, SecureProductionEnvironment, Serv|LT, Serv|GT, Session, Shape-to-Shape, ShuttleCase, Sibelius,
SIDON, SimulPlay, SimulRecord, Slightly Rude Compressor, Smack!, Soft SampleCell, Soft-Clip Limiter, Solaris,
SoundReplacer, SPACE, SPACEShift, SpectraGraph, SpectraMatte, SteadyGlide, Streamfactory, Streamgenie, StreamRAID,
Strike, Structure, Studiophile, SubCap, Sundance Digital, Sundance, SurroundScope, Symphony, SYNC HD, Synchronic,
SynchroScope, SYNC I/O, Syntax, TDM FlexCable, TechFlix, Tel-Ray, Thunder, Titansync, Titan, TL Aggro, TL AutoPan,
TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities,
tools for storytellers, Torq, Torq Xponent, Transfuser, Transit, TransJammer, Trigger Finger, Trillium Lane Labs, TruTouch,
UnityRAID, Vari-Fi, Velvet, Video the Web Way, VideoRAID, VideoSPACE, VideoSpin, VTEM, Work-N-Play, Xdeck, X-Form,
Xmon, XPAND!, Xponent, X-Session, and X-Session Pro are either registered trademarks or trademarks of Avid Technology,
Inc. in the United States and/or other countries.
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Footage
Arri — Courtesy of Arri/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
"The Big Swell" — Courtesy of Swell Pictures, Inc.
Windhorse — Courtesy of Paul Wagner Productions.
Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,
Editor/Producer Bryan Foote.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Ice Island — Courtesy of Kurtis Productions, Ltd.
Tornados + Belle Isle footage — Courtesy of KWTV News 9.
WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.
Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.
Avid Media Composer, NewsCutter, and Symphony Supporting Applications Guide • 0130-30393-01 •
June 2010
6
Contents
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Accessing the Goodies Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Avid MediaLog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Chapter 1 Understanding Avid MediaLog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
How to Use Avid MediaLog?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
How Does Avid MediaLog Work? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
What Are the Basic Logging Steps? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Chapter 2 Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Setting Up the Hardware. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Turning on Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Avid MediaLog Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Starting Avid MediaLog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Understanding User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Ending a Work Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Chapter 3 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Overview of the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Using the Bins Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Project Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
The Format, Info and Usage Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Other Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Chapter 4 Logging Source Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Using Avid MediaLog for Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Deck Configuration and Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
8
Understanding Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Prepare to Log Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Logging. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Modify Clip Information After Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Create Avid Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Import Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Chapter 5 Organizing with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Preparing to Work with Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Bin Display Views. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Basic Bin Procedures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Working with Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Adding Timecode Columns to a Bin or the Media Tool . . . . . . . . . . . . . . . . . . . . . 104
Frame Counting for Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Adding Timecode Values to the Timecode Columns . . . . . . . . . . . . . . . . . . . . . . . 104
Bin Column Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Chapter 6 Creating MediaLog Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Transferring MediaLog Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Exporting Projects and Bins Using AFE Files (Windows Only) . . . . . . . . . . . . . . . 112
Chapter 7 Avid Log Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Global Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Column Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Data Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Chapter 8 Working with a Film Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Film and 24P Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Logging Film Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
9
Avid MetaFuze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Chapter 9 Using Avid MetaFuze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Film and High-Resolution Workflows using MetaFuze . . . . . . . . . . . . . . . . . . . . . . 139
Opening a Project in MetaFuze. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Customizing the MetaFuze Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Scanning your Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Transcoding your Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Configuring the MetaFuze Transcoder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Using LUTs in MetaFuze. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Transcoding your Files in a Batch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Exporting an ALE from MetaFuze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Importing MXF Files into Avid Media Composer. . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Chapter 10 Avid MetaFuze Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Scan Folders Dialog Box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Group View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Detail View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Details of a group... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Details of a file... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Details of a transcode job.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Details of a stereoscopic group or transcode job... . . . . . . . . . . . . . . . . . . . . . . . . . 176
Details of R3D groups or transcode jobs... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Create XML Batch Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Burn-in Editor Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Transcode Configuration Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Avid MetaSync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Chapter 11 MetaSync Overview and Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Understanding MetaSync Enhancements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Overview of MetaSync Components. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Installing MetaSync Components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Understanding MetaSync XML and DTD Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
XML Information in the MetaSync Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
10
MetaSync Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
MetaSync DTD Files Reference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Chapter 12 Using MetaSync Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Opening and Closing MetaSync Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Using MetaSync Manager Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Exploring the MetaSync Manager Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Creating, Saving, and Closing an Enhancements File. . . . . . . . . . . . . . . . . . . . . . 198
Opening an Enhancements File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Creating an Enhancement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Enhancement Attributes Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Additional Enhancement Attributes in Spreadsheet. . . . . . . . . . . . . . . . . . . . . . . . 201
Verifying Enhancement Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Editing an Enhancements File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Sorting and Sifting Enhancements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Importing an Enhancements File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Displaying ITV SMPTE-363M Enhancements . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Creating Enhancements File Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Setting Default Options for Enhancements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Printing an Enhancements File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Running MetaSync Manager from the Command Line (Windows Only) . . . . . . . . 210
MetaSync Manager Command-Line Syntax (Windows Only) . . . . . . . . . . . . . . . . 210
Chapter 13 Using MetaSync with Avid Editing Applications. . . . . . . . . . . . . . . . . . 211
Importing Enhancements Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Viewing Enhancements in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Working with Enhancements in the Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Modifying the Bin Display for Enhancements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Understanding ITV Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Viewing Enhancements in a Source Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Editing Enhancements into the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Editing with Overlay Mode (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Previewing Enhancements in the Timeline (Windows Only) . . . . . . . . . . . . . . . . . 219
Using AutoSync with Enhancements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Updating (Refreshing) Enhancements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
11
Understanding the Modify Enhancement Dialog Box . . . . . . . . . . . . . . . . . . . . . . . 222
Changing the Size and Position of the Video Image (Windows Only) . . . . . . . . . . 223
Opening an Enhancement’s Native Application . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Exporting a Sequence with Meta Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Chapter 14 Using MetaSync Publisher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Using the MetaSync Publisher Window to Create XML Files . . . . . . . . . . . . . . . . . 227
MetaSync Publisher XML File Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Creating an XML File by Dragging an AAF File (Windows Only) . . . . . . . . . . . . . . 229
Running MetaSync Publisher from the Command Line (Windows Only) . . . . . . . . 230
MetaSync Publisher Command-Line Syntax (Windows Only) . . . . . . . . . . . . . . . . 230
Avid EDL Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Chapter 15 Working with EDLs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Edit Decision List (EDL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Avid EDL Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Starting Avid EDL Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
Using Avid EDL Manager with your Avid Editing System . . . . . . . . . . . . . . . . . . . . 236
Creating an EDL from a Bin or a File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Saving an EDL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Reading an Existing EDL from the RT-11 Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Copying an EDL between Storage Locations Using RT-11 Disks . . . . . . . . . . . . . 242
Formatting an RT-11 Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Viewing the Tape List in the Source Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Chapter 16 Customizing EDLs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Avid EDL Manager Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Using the Avid EDL Manager Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Changing Settings in the Options Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
The Repair Notes Comment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Saving Options to a File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Changing Options in the Site Settings Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . 270
12
Chapter 17 Editing and Troubleshooting EDLs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
EDL Online Resources. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Using a Text Editor to Edit an EDL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Removing Issues in Complex Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Locating Trouble Spots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Avoiding Problems in EDLs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Chapter 18 Checklist for Online Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Calling Ahead to the Online Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Deciding What to Take to the Online Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Chapter 19 Creating EDLs for Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Matchback Conversion in Film-to-Video EDLs. . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Creating EDLs for a Matchbacked Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Creating Audio-Only EDLs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Chapter 20 Using Serial Transfer to Transmit EDLs . . . . . . . . . . . . . . . . . . . . . . . . 281
Connecting the Edit Controller to the Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Setting Serial Transfer Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Transferring the EDL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Avid FilmScribe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Chapter 21 Understanding Film Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Film List Concepts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Understanding Cut Lists and Change Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Frame Reference Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
About Optional Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Using Icons in Lists to Represent Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Chapter 22 Working with FilmScribe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
FilmScribe Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
How to Start and Quit FilmScribe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
The FilmScribe Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Working with Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
The Cut List Tool and the Change List Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
The Options Pane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
The List Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
13
How to View Sequences as QuickTime Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
How to Save, Open, and Print Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Special-Purpose Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Multiple Cuts and Reels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
The Matchback Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Chapter 23 Film List Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Global Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Options Common to All Lists. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
List-Specific Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Chapter 24 Preparing Sequences for FilmScribe . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Enter Film Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Prepare Your Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Track Frames Based on File Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Prepare and Export QuickTime Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
14
Using This Guide
This guide contains complete information on the following supporting applications for your
Avid
®
editing application:
Avid MediaLog
Avid MetaFuze
®
Avid MetaSync
®
Avid EDL Manager
Avid FilmScribe
This guide is intended for all users, from beginning to advanced.
Unless noted otherwise, the material in this document applies to the Windows
®
and
Mac OS
®
X operating systems.The majority of screen shots in this document were captured
on a Windows system, but the information applies to both Windows and Mac OS X systems.
Where differences exist, both Windows and Mac OS X screen shots are shown.
n
The documentation describes the features and hardware of all models. Therefore, your
system might not contain certain features and hardware that are covered in the
documentation.
Symbols and Conventions
Avid documentation uses the following symbols and conventions:
Symbol or Convention Meaning or Action
n
A note provides important related information, reminders,
recommendations, and strong suggestions.
c
A caution means that a specific action you take could cause harm to
your computer or cause you to lose data.
w
A warning describes an action that could cause you physical harm.
Follow the guidelines in this document or on the unit itself when
handling electrical equipment.
16
If You Need Help
If you are having trouble using your Avid product:
1. Retry the action, carefully following the instructions given for that task in this guide. It
is especially important to check each step of your workflow.
2. Check the latest information that might have become available after the documentation
was published:
- If the latest information for your Avid product is provided as printed release notes,
they are shipped with your application and are also available online.
- If the latest information for your Avid product is provided as a ReadMe file, it is
supplied on your Avid installation CD or DVD as a PDF document
(README_product.pdf) and is also available online.
You should always check online for the most up-to-date release notes or ReadMe
because the online version is updated whenever new information becomes
available. To view these online versions, select ReadMe from the Help menu, or visit
the Knowledge Base at www.avid.com/readme.
> This symbol indicates menu commands (and subcommands) in the
order you select them. For example, File > Import means to open the
File menu and then select the Import command.
This symbol indicates a single-step procedure. Multiple arrows in a list
indicate that you perform one of the actions listed.
(Windows), (Windows
only), (Macintosh), or
(Macintosh only)
This text indicates that the information applies only to the specified
operating system, either Windows or Macintosh OS X.
Bold font Bold font is primarily used in task instructions to identify user interface
items and keyboard sequences.
Italic font Italic font is used to emphasize certain words and to indicate variables.
Courier Bold font
Courier Bold font identifies text that you type.
Ctrl+key or mouse action Press and hold the first key while you press the last key or perform the
mouse action. For example, Command+Option+C or Ctrl+drag.
Symbol or Convention Meaning or Action
Accessing the Goodies Folder
17
3. Check the documentation that came with your Avid application or your hardware for
maintenance or hardware-related issues.
4. Visit the online Knowledge Base at www.avid.com/onlinesupport. Online services are
available 24 hours per day, 7 days per week. Search this online Knowledge Base to find
answers, to view error messages, to access troubleshooting tips, to download updates,
and to read or join online message-board discussions.
Accessing the Goodies Folder
Avid supplies a Goodies folder located on the editing application DVD. Access the Goodies
folder by browsing the DVD. This folder contains programs and files you might find useful
when trying to perform functions beyond the scope of your Avid editing application.
The information in the Goodies folder is provided solely for your reference and as
suggestions for you to decide if any of these products fit into your process. Avid is not
responsible for the manufacture, support, or sales of these products. Avid is also not
responsible for any loss of data or time, or any other adverse results related to the use of
these products. All risks of using such products or accessing such Web sites are entirely your
own. The Web sites listed in the Goodies folder are not under the control of Avid, and Avid
is not responsible for their content, any changes or updates to them, or the collection of any
personal data or information by the operators of such Web sites. All information and product
availability is subject to change without notice.
Avid Training Services
Avid makes lifelong learning, career advancement, and personal development easy and
convenient. Avid understands that the knowledge you need to differentiate yourself is always
changing, and Avid continually updates course content and offers new training delivery
methods that accommodate your pressured and competitive work environment.
For information on courses/schedules, training centers, certifications, courseware, and
books, please visit www.avid.com/support and follow the Training links, or call Avid Sales
at 800-949-AVID (800-949-2843).
18
1 Avid MediaLog
This section provides information about Avid MediaLog, an application that lets you select
and log footage. Avid MediaLog frees up your Avid editing application for editing rather
than for logging footage.
This section contains the following chapters:
Understanding Avid MediaLog
Getting Started
Working with the Project Window
Logging Source Material
Organizing with Bins
Creating MediaLog Output
Avid Log Specifications
Working with a Film Project
1 Avid MediaLog
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Avid Media Composer 5.5 User guide

Category
Software
Type
User guide
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