TEAC DM-3200 Quick start guide

Brand: TEAC

Model: DM-3200

Category: Digital media players

Type: Quick start guide

• DualCompactFlashrecordingmediasupportsbackup,

mirroringandseamlessA/Brecording

• Longbatterylifethroughlowpowerusage

• EasytoreadandoperateusingpivotingTFTColorTouch

Panelinterface

• All-aluminumchassisisruggedyetlightweight

• 8-trackrecordingplusstereomixforatotalof10-track

recording

• 8-trackrecordingatupto96kHz/24-bit

• 4-trackrecordingat192kHz/24-bit

• BroadcastWAV(BWF)supportwithiXMLmetadata

• VariouspoweroptionsincludeAAbatteries(x10),NP

type,ACadaptor,externalDCinputandoptionalV-

mountadaptorforENDURAbatteries

• Upto5-secondpre-recordbuffer

• Internalmicrophoneforslaterecording

• Limiterandlow-cutlterpertrack

• Autoormanualcuepoints

• Alertsignaltoheadphoneoutput

• Retakefunction

• Panellockoutfunctiontopreventaccidentaltransport

switching

• 8high-qualitymicrophonepreampsandA/Dconvert-

erswithindependent+48Vphantompowerforeach

(standardXLRconnectors)

• 8AES/EBUinputsandoutputs(DB-25connector)

• SamplingrateconverteroneachAES/EBUinput

• 2balancedanalogoutputs(XLRconnector)

• Stereodigitaloutput(BNCconnector)

• SMPTETimecodeInandOut(BNCconnector)

• Video/WordClock/CascadeI/O(BNCconnector)

• Headphoneout(1/4”stereojack)

• PS/2keyboardinputfortracknaming

• USB2.0high-speeddatatransfertoPC

• OptionalAR-P82casebyPortaBrace

• 8lbs(withoutbattery)

TASCAM’sHS-P82offers8tracksofthehighestqualityrecording,yet

it’sbuiltfortherigorsoflocationrecordingwithreliablesolid-stateper-

formance.TheHS-P82isbuiltforlocationtelevisionandlmproduction

audio,witheightmicrophoneinputsforbigshootsorrealityprograms.

ThestandardXLRmicrophoneinputsincludephantompowerandanalog

limiting,withtrimscontrolledfromrecessedfront-panelcontrols.Inaddition

totheeightindividualtracks,astereomixdowncanberecordedforinstant

useduringediting.

Audioisrecordedatupto192kHz/24-bitWAVformattoapairofCom-

pactFlashcards.Thissolidstatemediaiscompletelyreliablewithno

movingparts,andyoucanrecordtobothcardssimultaneouslyforextra

security.TheBroadcastWAVlesincludeiXMLmetadataforquickimport

intonearlyanyvideooraudioeditingsystemviatheUSB2.0connection

orastandardcardreader.

TheHS-P82offersseveraloptionsforpower.ItrunsoneitherAAorNP

batteries,anincludedACadapter,externalDCinputoraV-mountadapter

forEndurabatteries.Aninternalslatemicrophoneisavailablefornaming

takes.A5-secondpre-recordbuffer,frontpanellockoutandheadphone

outputalertsignalinspirecondenceinrecordedtakes.

Forhigh-resolutionmusicrecording,asetofAES/EBUconnectorsisavail-

ableforattachingpedigreeA/Dconvertersandpreampliers.SMPTEtime-

codeinandout,videoandwordsyncareprovided.Allofthisiscontrolled

fromacolortouchscreeninterfacewhichmakesoperationfastandsimple.

TheHS-P82fromTASCAMisbuilton30yearsofreliableeldrecording.

SeehowaffordablethestateoftheartcanbewithTASCAM’sagship

productionrecorder,theHS-P82.

RC-F82

FaderControllerforHS-P82

• 8-channel/2-channelsolid-staterecorder

• RecordstoCompactFlashmedia,dual

slotsformirroringorcontinuousrecording

• 8-channel96kHz/24-bitBroadcastWAV

lerecording(HS-8)

• 4-channelrecordingat192kHz/24-bit

resolution(HS-8)

• 8-channelrecordingplusstereomixtrack

at44.1/48kresolution(HS-8)

• Internalstereomixer(level/pan,HS-8)

• BWFleformatwithiXMLmetadata

• Multi-channelashstart(HS-8)

• ColorTFTtouchpanelinterface

• 5-secondpre-recordbuffer

• Cascadefunctionformultipleunitoperation

• (8)balancedanaloginputs/outputson

25-pinD-subconnectors(HS-8)

• Balancedstereoanaloginputs/outputson

XLRconnector(HS-2)

• XLRstereoanaloginputandoutput

(Assignable,HS-8)

• AES/EBUdigitalI/O(HS-8:8-channel

25-pinD-sub;HS-2:StereoXLR)

• XLRstereoAES/EBUI/O(Assignable,

HS-8)

• 8-channelADATopticaldigitalinandout

(HS-8)

• VideoandwordclockonBNC

• SMPTEtimecodeBNCin/out(HS-8,

optionalonHS-2)

• PS/2keyboardinput

• RS-232Cserialcontrolinput

• RS-422serialcontrolinput(HS-8,

optionalonHS-2)

TASCAM’sHS-8andHS-2aretherstsolutionsforprofessionalmulti-

trackrecordingandplaybacktosolid-statemedia.Fromstudiosurround

recordingtopostproductionplaybackofHS-P82locationrecordings,the

HS-8tsavarietyofmultitrackrolesrstpioneeredbyTASCAM’sDA-88

recorders.TruetoTASCAMtradition,audioistop-qualitythroughoutwith

upto192kHz/24-bitrecording.

LiketheHS-P82,theHS-8usesacolortouch-screeninterfacetoaccessset-

tingsandtracks.Astereomixerisbuiltinformonitoring,andthemixcan

berecordedliveasaseparatetrack.AudioisrecordedasBroadcastWAV

lestoCompactFlashmedia,withSMPTEtimecodeavailableonvarious

interfaces.ApairofCFcardslotsisavailablefordatamirroringorcontinu-

ousrecording.

TheHS-2addsaffordablestereorecordingandplaybacktosolidstate

media.TimecodeontheHS-2isaddedthroughanoptioncard,theSY-2,

makingitanidealbroadcastreplacementfortimecodeDATrecorders.The

RC-HS20PDremotecontrolallowsoperationofeitherrecorderfroma

separateroomoveraRJ-45connection.

TASCAM’sHS-8andHS-2providethesoundquality,instantaccessand

ease-of-usethatstudioandpostprofessionalsdemand.

RC-HS20PD

DirectPlayRemote

withTouchscreen&

FaderStart

RC-SS20

DirectPlayRemote

PicturedwithoptionalSY-2synchronizationcardinstalled

• XLRbalancedinputs/outputs

• XLRbalancedstereomonitoroutputs

• 1/4”TRSstereoheadphoneoutput

• RS-422,RS-232CandParallelinputson

D-sub

• XLRbalancedSMPTEtimecodeinputand

output

• RJ-45gigabitethernet

• PS/2keybardinput

• USBhostoutput(type-A4P,USB2.0)

• RJ-45remoteinput(forRC-HS20PDor

RC-HS32PDonly)

• 2-trackrecorderwiththefunctionsof

timecodeDAT(HS-2000)

• 4-trackrecorderwithtimecodechase

(HS-4000)

• Solid-staterecordingusingdualCompact

Flashcardslotsforredundancy

• Condencemonitoringmodeforread-

after-writeverication

• Fastboottime

• DualDeckmodeoperatesastwosepa-

rateashstartdevices(HS-4000)

• Simple-to-useTouchscreeninterfacewith

largecolorTFTdisplay

• TimelinemodeandTakemode

• On-airaudioplaybackandmonitor

playback

• Advancedplaylistfunctionsincludeadd-

ingtrackstoplaylistwhileinplay

• Gigabitethernetcontrolandletransfer

• SerialRS-422andParallelcontrolmodes

• USBhostforrecord/transfertoUSBash

media

• SMPTETimecodesyncwithpull-up/pull-

downmodes

• Upto96kHz/24-bitrecording

• ExportprojectstoAES31format

• Stereomonitormixing

• VideosyncinputsupportsNTSC/PAL/

BB/HDTri-Level

• Flashstartusingcontroller(RC-HS32PD,

RC-HS20PD,RC-SS20),parallelcontrol,

RS-232CcontrolorPS/2keyboard

• Jog/Shuttlefunction

• 2urackmountsize

TASCAM’sHS-2000&HS-4000arebuiltfortheneedsofmodern

broadcastfacilitiesandpoststudios.Recordingsarecapturedonareliable

solid-state-basedtransporttoapairofCompactFlashcards,eitherindividu-

allyortobothforredundancy.CondenceMonitoringisavailabletolisten

toaudiooffthecardwhilerecording.Inadditiontorecordingandlogging

tasks,bothrecordersincludeon-airandmonitorplaymodes.TheHS-4000

canfunctionastwoindependantplaybacktransports,eachwithashstart.

AudioontheHS-2000&HS-4000iscapturedasBroadcastWAVles,

includingatimestampfromtheSMPTEinputsource.Thetransportcanbe

controlledoverRS-232C,RS-422,ParallelorLANcontrol.Balancedana-

logaudioisinterfacedthroughXLRconnectors,andmulti-channelAES/EBU

digitalI/Oisavailable.

BothrecordersfeatureacolorTFTtouchscreenwhichisusedtochangeset-

tingsandviewmeters,makingtheGUIsimpletouse.Threeremotecontrols

areavailablewithavarietyofashstart,transportandfaderfunctions.

• 48-trackdigitalrecordingatupto96kHz/24-bit

• 32-bitoatingpointaudiolerecordingandplayback

withnolossoftrackcount

• Advancedintegratedsynchronizationandmachine

control,includingHDTVtri-levelsync

• Time-stampedBroadcastWAVleformat

• Front-paneltransport,trackarming,projectmanagement

andmeteringfunctions

• Built-in1TBharddriveandDVDforbackup,transferand

restore

• ±6%varispeed

• 48-channelmixingwith6stereoreturns(60totalinputs

atmixdown),6auxsendsanddynamiclevelautomation

• Dynamics,4-bandparametricEQand6auxsendsper

channel

• 48-channelTDIFI/Ostandard

• S/PDIFstereoI/O

• USB2.0andeSATAinterfaceforconnectingharddrive

• Optionalanalog,AES-EBUandADATdigitalI/Ocards

(24-channelseach,twoexpansionslotsprovided)

• SMPTE,MTCandRS-422synchronization

• VideoandWordClockconnectors

IF-AD24

ADATopticalinterfacecard

PicturedwithoptionalIF-AN24Xanaloginterfacecardsinstalled

IF-AE24X

AES/EBUinterfacecard

TASCAM’sX-48mkIIistheworld’srststandalone48-trackHybridHard

DiskWorkstation.Co-developedwithSaneWave,itintegratesthebest

ofbothworlds:thestabilityandease-of-useofapurpose-builtharddisk

recorder,withtheGUI,editingandmixingfeaturesofacomputer-based

digitalaudioworkstation.

TheX-48mkIIboastsupto96kHz/24-bitrecordingacrossall48tracks.Its

lecompatibilityandsynchronizationsurpasseventheTECAward-winning

MX-2424,withnativeBroadcastWAVaudiolesupportandAAFexport

forcompatibilitywithworkstationslikeProTools

,NuendoandLogic.Sup-

portforexternalharddrivesandGigabitEthernetallowssimpletransfer

betweensystems,makingittheultimatemultitracksolutionforhigh-quality

music,postandliverecordingapplications.Recordaneventtotheinter-

nal1TBdrive,orcapturetoanexternalUSBoreSATAdrive,unplugand

delivertoaclientformixdownintheDAWoftheirchoice.

TheX-48mkIIgoesbeyondmerestandalonerecorderswithabuilt-in,auto-

mated48-channeldigitalmixerandpowerfuleditingfunctions.Plugina

VGAmonitor,mouseandkeyboardforediting,tracknamingandmonitor

mixing–nothingtoinstallortroubleshoot.ADVDbackupdriveallowsyou

toarchiveandupdateprojects.

TrustyourliveeventrecordingtoTASCAM’scompactX-48mkIImultitrack

harddiskrecorder.

TheTASCAMDM-4800andDM-3200aretheultimatedigitalconsoles

forprofessionaluserswhodemandexiblemixplatformsthatcongureto

ttheirneeds.The64-channelDM-4800featuresa“fatchannel”stripin

thecenteroftheboard,providinginstantaccessto4-bandparametricEQ,

dynamicsandauxcontrols.ApairofeffectsprocessorsincludeTCReverbs

forpolishedmixes.Twenty-fourstudio-grademicpreampsprovideenough

inputsforaliveevent,andmorecanbeaddedusingexpansioncardswith

externalpreamps.ThestandardcomplementofanaloganddigitalI/O

ismorethanyou’llndonconsolescostingthreetimesasmuch,anda

completelycongurable24-bussroutingsystemallowsyoutore-patchthe

boardattheickofaswitch.

TASCAM’sDM-4800tsseamlesslyintothemodernrecordingenvironment

basedaroundacomputerDAW.ItsRemotelayerprovides24-faderMackie

HUIorMackieControlemulationforcontrolofpremiereworkstationslike

ProTools,Logic,SONARandNuendo.TheoptionalIF-FW/DMmkIIinter-

facecardprovides32channelstoandfromacomputerat96kHzovera

singleFireWirecable.Andtheoptionalsurroundmonitoringcardprovides

downmixing,bassmanagementandlevelcontrolformixinginupto6.1

surround.

The48-channelDM-3200packsmanyofthefeaturesoftheDM-4800into

asmallersizeandprice,with16micpresand16bussesforgreatsound-

ingproductions.OptionsincludetheMU-1000meterbridge(pictured)and

analoganddigitalexpansioncards.

Nomatterwhatyourapplication,theTASCAMDM-4800andDM-3200

adapttotheneedsofanyprofessionalaudioinstallation.

• 48channelsand16returnsfor64total

inputs(DM-3200:48inputs)

• 24busses(16bussesonDM-3200)

• 12AuxSends(8onDM-3200)

• 24XLRmic/lineinputswithanalog

insertsplusphantompowerforcondenser

mics(16onDM-3200)

• 4expansioncardslotssupportoptional

expansioncards(2onDM-3200)

• Dedicatedcascadeportsupportscascade

oftwoconsoles

• ChannelStripsectionforEQ,Dynamics

andAuxcontrolofselectedchannel(DM-

4800only)

• LEDringencodersforpan,auxsends

andEQ

• Built-inDAWcontrollayercompatible

withProTools®,LogicPro™,SONAR™,

Cubase™,Nuendo™,andDigital

Performer™

• TransportbuttonscontrolDAWsoftware,

RS-422devicesorMMCdevices

• Powerfulautomationwithtouch-sensitive

motorizedfaders

• 4-bandEQ,compressionandgatingon

eachchannel

• Compressionforeachaux,bussand

mainoutput

• Twobuilt-ineffectsprocessors,eachable

torunTCReverbprograms

• Flexibleroutingallowsanyinputtobe

routedtoanychanneloroutput

• SavedatatoCompactFlashmediausing

built-inCFslot

• (3x)8-channelTDIFdigitalinputsand

outputs(24channels)

• 8-channelADATopticaldigitalinputand

output

• (2)StereoAES/EBUandS/PDIFdigital

inputsandoutputs

• StereoXLRbalancedlineoutputs

• (8)1/4”TRSbalancedassignableinsert

sends(4onDM-3200)

• (8)1/4”TRSbalancedassignableinsert

returns(4onDM-3200)

• RCAtimecodeinput

• MIDIIn,OutandThruconnectors

• BNCWordSyncInputandOut/Thruwith

termination

• GPIoutputforparallelcontrol

• RS-422connectorfordevicecontrol

• USBconnectorforDAWcontrolmodes

• 1/4”Footswitchjack

Optionalexpantioncardsinclude:

• Analog

• AES/EBU

• ADAT

• TDIF

• FireWire

• Aviom

• Cobranet

• Surround

Monitoring

• XLRmicinputswithphantompowerandanaloglimiter

• UnbalancedstereoanalogI/O,S/PDIFdigitalI/O

• Built-inmonomicrophoneandspeakerfordesktopinter-

viewapplications

• Analoglevelcontrolsforeasyoperationwithoutthe

needtolookattheunit

• SMPTE/LTCtimecodeinputonlockingXLRbalancedjack

• TimestampBroadcastWAVrecordingswithSMPTEinput

• ChaselocktoincomingSMPTEtimecode

• Videoclockinputresolvestohouseclockwithtri-level

syncsupportforHDTVapplications

• IncludesFrameLock,LockandReleaseandexibleFree-

wheelsettingsforunpredictabletimecodesources

• Pull-upandPull-downsampleratesincludedforvideo

formatcompatibility

• Approximately5.5hoursofoperatingtimeon(8)AA

batterypower,<2lbswithbatteries

• Fourmicrophones-StereoCardioidandOmniCondenserMics

• 44.1kto96ksamplingratesforWAVlerecording

• MP3andWAVleRecordingandPlayback

• XLRMicInputswithPhantomPower,LowCutFilterandAnalogLimiter

• High-performancemicrophonepreampwith60dBofgain

• AKMAudio4Pro™A/Dconverterswithover100dBsignaltonoiseratio

• 3.5mmLineInputsandOutputs

• Built-inSpeaker

• Integratedmicrophonestandmount

• RunsonRechargeableLi-IonBatteryorAABatteries

• (6)micpreswith60dBofgainandphantompower

• (4)XLR/1/4”(combi)mic/lineinputsand(2)TRS1/4”

mic/lineinputs

• Lowcutlterandlimiteroneachinput

• (6)RCAunbalancedlineoutputs

• S/PDIFdigitalinandout

• USB2.0(miniB)connectionforcomputer

• Built-inspeaker

• 1/4”stereoheadphoneoutput

• Includedaccessories:PS-1225Lpowersupply,shoulder

strap

• 8-trackportablerecordingatupto96kHz/24-bit

BroadcastWAVleresolution

• Recordeightindividualinputsorsixinputsplusastereo

mixdown

• Stereo192kHz/24-bitrecordingmode

• 4-channelMP3recording

• Digitalmonitormixing(levelandpan)withrecordable

stereomixdown

• Mid-sidemicrophonedecoding

• Gangedinputoptionforusewithstereomicrophones

• Idealforsurroundmusicandeffectsrecording

• Cascadefunctionforrunningtwounitstogether

• Pre-recordingfeature

• Auto-recordingmodebeginsrecordingwhentheinput

reachesacertainlevel

• Markfunctionduringrecording/playback

• Editfunctionssuchasdivideanddelete

• 128x64backlitLCDdisplay

• Poweredthrough(8x)AAbatteriesor(included)

PS-1225Ladapter

• RecordstoSD/SDHCcardmedia(notincluded)

• PremiumAKMAudio4Pro™192kHzA/Dconverters

withover100dBsignaltonoiseratio

TASCAM’sDR-680bringsmulti-channelportable

recordingwithinreachofanymusicianforpolishedlive,

locationandsurroundeffectrecordings.Uptoeight

trackscanberecordedtosolid-stateSDcardmediaat

WAVorBWFformat,upto96kHz/24-bitresolution.

Sixmicinputsprovidephantompowerand60dBof

gainforgreat-soundingrecordingswithyourcondenser

microphones.Eachmicinputhasaselectablelowcut

lterandanaloglimiterforoptimalsound.

Inputscanbemonitoredusingabuilt-inmixerwithlevel

andpancontrolsforeachinput.Thestereomixdown

canevenberecordedalongwiththesixmicsforquick

stereoplaybackoftheevent.Mid-Sidemicrophone

decodingisavailableforsoundeffectsgathering,either

duringrecordingorinmonitor/mixdown.

Inadditiontomulti-channelrecordingupto96kHz,the

DR-680capturesstereoaudioat192kHz/24-bitfor

audiophile-qualitymasters.TheDR-680recordsupto

fourchannelsofMP3audioforweb-readyrecordings.

Twooftherecorderscanbeconnectedwithacascade

cableforupto14-trackrecordingonbatterypower.

Twooptionalcasesareavailable,onebyTASCAMand

asecondbyPortaBrace.

Designedforstereoremoterecording,theTASCAMHD-P2

PortableHigh-DenitionStereoAudioRecorderistheprofes-

sionalsolutionforliveandon-locationapplications.Co-

developedwithFrontierDesignGroup,itrecordsatupto

192kHz/24-bitresolutiontoCompactFlashmedia,andits

audiolesareinstantlyavailabletoDAWsthroughthebuilt-in

high-speedFireWirecomputerconnection.

TheprofessionalHD-P2incorporateshigh-endfeatureslikea

SMPTEtimecodeinputforsynchronizationtoexternaldevices

whileinrecordorplayback.Theuserinterfaceisdesignedfor

fastandintuitiveuseunderstressfulone-take-onlysituations,

anditslarge,angledLCDisperfectforanyapplicationfrom

over-the-shoulderlocationrecordingtoconcertrecordingand

commercialuse.

TheruggedDR-100 offershigh-endrecordingfeatures

tomusiciansandengineerswhodemandmorefromtheir

portablerecorder.Itfeaturesfourbuilt-inmicrophones,two

cardioidandtwoomnidirectional,withanaloglimitingand

lteringforgreat-soundingrecordings.ApairofXLRmi-

crophoneinputswithphantompowerwelcomespro-grade

condensermicrophones,andlineinandoutconnectorsare

alsoprovided.

TheDR-100includesarechargeableLithium-ionbattery,

butcanalsobepoweredbyAAbatteriesoranoptional

ACadapter.Abuilt-inspeakerallowsforinstantplayback,

andthemetalenclosureincludesatripodmountingholefor

recordingexibility.Awiredorwirelessremotecontrolis

alsoincludedforremotelystartingtherecording.

• High-qualitystereorecordingatup192kHz/24-bitor

DSDformat

• RecordstoBuilt-in60GBharddrive,DVD+RW,CD-R/

RWmedia

• ArchivestoDVD-R,DVD-RW,DVD+RandDVD+RW

discs

• Multibandcompressionand3-bandEQmixdowneffects

• USB2.0connectiontoPCforuseasDVDdatadrive

• BalancedXLRandunbalancedRCAinputsandoutputs

• BalancedAES/EBUinputsandoutputs,runningatnor-

mal,double-speedanddouble-wireformats

• SDIF-3DSDinputandoutputforexternalconversionand

processingofDSDaudio

• StereoS/PDIFdigitaloutputoncoaxialconnector

• WordSyncIn,Out,Thru

• RS-232Cserialcontrol

• PS/2keyboardconnectorfortitleediting

• User-denablefunctionkeys

• Large,backlitLCDdisplay

• RecordstostandardCD-DA,BroadcastWaveand

DSDIFFformats

• Dedicatedinputlevelcontrolandadjustablemaximum

outputlevel

• ±6%pitchcontrol

• Fadein/out

• Jogplayback

• Poweronplayfeature

• Variousplayandrecordmodessuchasautotrackincre-

ment,autocue,autoready,single/continuousplayand

programA/Bplay.

• Wiredremotecontrol(RC-RA1000)included

• 1/4”Headphoneoutput

TASCAM’saward-winningDV-RA1000HDshattersthe

pricebarriertorecordingmixesandmasterstoDirect

StreamDigital,Sony’s2.822MHz/1-bit“SuperAudio”

formatthatmustbeheardtobebelieved.Thestereore-

cordercapturesaudiofrom44.1kHzto192kHzasWAV

les.Inaddition,thebreakthroughDSDrecordingformat

addsincredibledetailwithallofthedepthandimaging

ofqualityanalogrecording.

TheDV-RA1000HDrecordsdirectlytoa60GBharddrive

ortoaCD/DVDopticaldrive,andDVDsorCDscanbe

madefromharddriveplaylists.Therich-soundinganalog

convertersarecapableofrecordingDSDformataudio-

noadditionalhardwareisrequired.Designedforrecord-

ingstudiomixdown,audiophilearchival,liverecording

andinstalledsound,youcantrusttheDV-RA1000HDwith

yourmosttreasuredmasterrecordings.

TheKS-342 isafeature-rich4-channelmixerfor

lmandlocationvideorecordingwithanexpand-

abledesignthatenablesyoutogrowyourmixer

totyourapplication.

Itoffersexibleoutputandmonitorstructureslike

4-chdirectoutputcapabilitywhilemonitoringin

stereo,multipleheadphoneoutputsandanaux

inputthatcancascadeexternalsourcesoroffer

theabilitytomonitorthereturnfromacameraor

externalrecorder.No-compromisedesignincludes

12/48Vphantompower,LCF,internaloscillator

andbuilt-incompression.TheKS-342evenhasa

96kHz-capableAES/EBUoutput.

TheKS-342’sunique“piggy-back”plug-inmodule

expandsthecapabilitiesofthemixer.Available

modulesaddEQ,compressionandevenmore

channelsofmixingtotheKS-342.Eachofthese

modulesgettheirpowerfromtheKS-342,sono

additionalpowerisrequired.Anall-weatherpock-

etedcaseisalsoavailable.

TheKS-T2000offersthehighstandardsofitsbig-

gerbrotherinamorecompact,budget-conscious

mixer.This3-channellocationmixerisidealfor

newsgathering,DVvideoproductionandmore.

ThelightweightKS-T2000operatesforsixhours

onfourAAbatteries.Italsoincludes12/48V

phantompowerandLCF.Amulti-levelstereoout-

put,oscillatorandswitchableheadphonemoni-

toringwithEEinputprovideawideselectionof

bussingandmonitoringoptions.Anoptionalsoft

caseprovidesstorageandall-weatheraccessto

controlsandconnectors.

TheKS-1017LipCheckerisauniqueproduct

whichtrackssignaltimedifferencesinbroadcast

andpostproduction.TheLipCheckeracceptsboth

videoandaudiosignals,comparinganaudio

sourcewithavideoburstoranotheraudiosource.

Itthendisplaysthetimedifferenceandsignal

strengthsoproblemscanbexedbeforethepro-

gramleavesthestudio.Astandalonesoundand

lightburstsource–theKS-1018VideoKachinko–

isalsoavailableforuseinremotelocations.

TEAC DM-3200 Quick start guide

Brand: TEAC

Model: DM-3200

Category: Digital media players

Type: Quick start guide

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TEAC DM-3200 Quick start guide

TEAC DM-3200 Quick start guide

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