2. Computers & electronics
  3. Audio & home theatre
  4. Digital media players
  5. TEAC
  6. DM-3200

TEAC DM-3200 Quick start guide

  • Hello! I am an AI chatbot trained to assist you with the TEAC DM-3200 Quick start guide. I’ve already reviewed the document and can help you find the information you need or explain it in simple terms. Just ask your questions, and providing more details will help me assist you more effectively!
• DualCompactFlashrecordingmediasupportsbackup,
mirroringandseamlessA/Brecording
• Longbatterylifethroughlowpowerusage
• EasytoreadandoperateusingpivotingTFTColorTouch
Panelinterface
• All-aluminumchassisisruggedyetlightweight
• 8-trackrecordingplusstereomixforatotalof10-track
recording
• 8-trackrecordingatupto96kHz/24-bit
• 4-trackrecordingat192kHz/24-bit
• BroadcastWAV(BWF)supportwithiXMLmetadata
• VariouspoweroptionsincludeAAbatteries(x10),NP
type,ACadaptor,externalDCinputandoptionalV-
mountadaptorforENDURAbatteries
• Upto5-secondpre-recordbuffer
• Internalmicrophoneforslaterecording
• Limiterandlow-cutlterpertrack
• Autoormanualcuepoints
• Alertsignaltoheadphoneoutput
• Retakefunction
• Panellockoutfunctiontopreventaccidentaltransport
switching
• 8high-qualitymicrophonepreampsandA/Dconvert-
erswithindependent+48Vphantompowerforeach
(standardXLRconnectors)
• 8AES/EBUinputsandoutputs(DB-25connector)
• SamplingrateconverteroneachAES/EBUinput
• 2balancedanalogoutputs(XLRconnector)
• Stereodigitaloutput(BNCconnector)
• SMPTETimecodeInandOut(BNCconnector)
• Video/WordClock/CascadeI/O(BNCconnector)
• Headphoneout(1/4”stereojack)
• PS/2keyboardinputfortracknaming
• USB2.0high-speeddatatransfertoPC
• OptionalAR-P82casebyPortaBrace
• 8lbs(withoutbattery)
TASCAM’sHS-P82offers8tracksofthehighestqualityrecording,yet
it’sbuiltfortherigorsoflocationrecordingwithreliablesolid-stateper-
formance.TheHS-P82isbuiltforlocationtelevisionandlmproduction
audio,witheightmicrophoneinputsforbigshootsorrealityprograms.
ThestandardXLRmicrophoneinputsincludephantompowerandanalog
limiting,withtrimscontrolledfromrecessedfront-panelcontrols.Inaddition
totheeightindividualtracks,astereomixdowncanberecordedforinstant
useduringediting.
Audioisrecordedatupto192kHz/24-bitWAVformattoapairofCom-
pactFlashcards.Thissolidstatemediaiscompletelyreliablewithno
movingparts,andyoucanrecordtobothcardssimultaneouslyforextra
security.TheBroadcastWAVlesincludeiXMLmetadataforquickimport
intonearlyanyvideooraudioeditingsystemviatheUSB2.0connection
orastandardcardreader.
TheHS-P82offersseveraloptionsforpower.ItrunsoneitherAAorNP
batteries,anincludedACadapter,externalDCinputoraV-mountadapter
forEndurabatteries.Aninternalslatemicrophoneisavailablefornaming
takes.A5-secondpre-recordbuffer,frontpanellockoutandheadphone
outputalertsignalinspirecondenceinrecordedtakes.
Forhigh-resolutionmusicrecording,asetofAES/EBUconnectorsisavail-
ableforattachingpedigreeA/Dconvertersandpreampliers.SMPTEtime-
codeinandout,videoandwordsyncareprovided.Allofthisiscontrolled
fromacolortouchscreeninterfacewhichmakesoperationfastandsimple.
TheHS-P82fromTASCAMisbuilton30yearsofreliableeldrecording.
SeehowaffordablethestateoftheartcanbewithTASCAM’sagship
productionrecorder,theHS-P82.
RC-F82
FaderControllerforHS-P82
• 8-channel/2-channelsolid-staterecorder
• RecordstoCompactFlashmedia,dual
slotsformirroringorcontinuousrecording
• 8-channel96kHz/24-bitBroadcastWAV
lerecording(HS-8)
• 4-channelrecordingat192kHz/24-bit
resolution(HS-8)
• 8-channelrecordingplusstereomixtrack
at44.1/48kresolution(HS-8)
• Internalstereomixer(level/pan,HS-8)
• BWFleformatwithiXMLmetadata
• Multi-channelashstart(HS-8)
• ColorTFTtouchpanelinterface
• 5-secondpre-recordbuffer
• Cascadefunctionformultipleunitoperation
• (8)balancedanaloginputs/outputson
25-pinD-subconnectors(HS-8)
• Balancedstereoanaloginputs/outputson
XLRconnector(HS-2)
• XLRstereoanaloginputandoutput
(Assignable,HS-8)
• AES/EBUdigitalI/O(HS-8:8-channel
25-pinD-sub;HS-2:StereoXLR)
• XLRstereoAES/EBUI/O(Assignable,
HS-8)
• 8-channelADATopticaldigitalinandout
(HS-8)
• VideoandwordclockonBNC
• SMPTEtimecodeBNCin/out(HS-8,
optionalonHS-2)
• PS/2keyboardinput
• RS-232Cserialcontrolinput
• RS-422serialcontrolinput(HS-8,
optionalonHS-2)
TASCAM’sHS-8andHS-2aretherstsolutionsforprofessionalmulti-
trackrecordingandplaybacktosolid-statemedia.Fromstudiosurround
recordingtopostproductionplaybackofHS-P82locationrecordings,the
HS-8tsavarietyofmultitrackrolesrstpioneeredbyTASCAM’sDA-88
recorders.TruetoTASCAMtradition,audioistop-qualitythroughoutwith
upto192kHz/24-bitrecording.
LiketheHS-P82,theHS-8usesacolortouch-screeninterfacetoaccessset-
tingsandtracks.Astereomixerisbuiltinformonitoring,andthemixcan
berecordedliveasaseparatetrack.AudioisrecordedasBroadcastWAV
lestoCompactFlashmedia,withSMPTEtimecodeavailableonvarious
interfaces.ApairofCFcardslotsisavailablefordatamirroringorcontinu-
ousrecording.
TheHS-2addsaffordablestereorecordingandplaybacktosolidstate
media.TimecodeontheHS-2isaddedthroughanoptioncard,theSY-2,
makingitanidealbroadcastreplacementfortimecodeDATrecorders.The
RC-HS20PDremotecontrolallowsoperationofeitherrecorderfroma
separateroomoveraRJ-45connection.
TASCAM’sHS-8andHS-2providethesoundquality,instantaccessand
ease-of-usethatstudioandpostprofessionalsdemand.
RC-HS20PD
DirectPlayRemote
withTouchscreen&
FaderStart
RC-SS20
DirectPlayRemote
PicturedwithoptionalSY-2synchronizationcardinstalled
• XLRbalancedinputs/outputs
• XLRbalancedstereomonitoroutputs
• 1/4”TRSstereoheadphoneoutput
• RS-422,RS-232CandParallelinputson
D-sub
• XLRbalancedSMPTEtimecodeinputand
output
• RJ-45gigabitethernet
• PS/2keybardinput
• USBhostoutput(type-A4P,USB2.0)
• RJ-45remoteinput(forRC-HS20PDor
RC-HS32PDonly)
• 2-trackrecorderwiththefunctionsof
timecodeDAT(HS-2000)
• 4-trackrecorderwithtimecodechase
(HS-4000)
• Solid-staterecordingusingdualCompact
Flashcardslotsforredundancy
• Condencemonitoringmodeforread-
after-writeverication
• Fastboottime
• DualDeckmodeoperatesastwosepa-
rateashstartdevices(HS-4000)
• Simple-to-useTouchscreeninterfacewith
largecolorTFTdisplay
• TimelinemodeandTakemode
• On-airaudioplaybackandmonitor
playback
• Advancedplaylistfunctionsincludeadd-
ingtrackstoplaylistwhileinplay
• Gigabitethernetcontrolandletransfer
• SerialRS-422andParallelcontrolmodes
• USBhostforrecord/transfertoUSBash
media
• SMPTETimecodesyncwithpull-up/pull-
downmodes
• Upto96kHz/24-bitrecording
• ExportprojectstoAES31format
• Stereomonitormixing
• VideosyncinputsupportsNTSC/PAL/
BB/HDTri-Level
• Flashstartusingcontroller(RC-HS32PD,
RC-HS20PD,RC-SS20),parallelcontrol,
RS-232CcontrolorPS/2keyboard
• Jog/Shuttlefunction
• 2urackmountsize
TASCAM’sHS-2000&HS-4000arebuiltfortheneedsofmodern
broadcastfacilitiesandpoststudios.Recordingsarecapturedonareliable
solid-state-basedtransporttoapairofCompactFlashcards,eitherindividu-
allyortobothforredundancy.CondenceMonitoringisavailabletolisten
toaudiooffthecardwhilerecording.Inadditiontorecordingandlogging
tasks,bothrecordersincludeon-airandmonitorplaymodes.TheHS-4000
canfunctionastwoindependantplaybacktransports,eachwithashstart.
AudioontheHS-2000&HS-4000iscapturedasBroadcastWAVles,
includingatimestampfromtheSMPTEinputsource.Thetransportcanbe
controlledoverRS-232C,RS-422,ParallelorLANcontrol.Balancedana-
logaudioisinterfacedthroughXLRconnectors,andmulti-channelAES/EBU
digitalI/Oisavailable.
BothrecordersfeatureacolorTFTtouchscreenwhichisusedtochangeset-
tingsandviewmeters,makingtheGUIsimpletouse.Threeremotecontrols
areavailablewithavarietyofashstart,transportandfaderfunctions.
• 48-trackdigitalrecordingatupto96kHz/24-bit
• 32-bitoatingpointaudiolerecordingandplayback
withnolossoftrackcount
• Advancedintegratedsynchronizationandmachine
control,includingHDTVtri-levelsync
• Time-stampedBroadcastWAVleformat
• Front-paneltransport,trackarming,projectmanagement
andmeteringfunctions
• Built-in1TBharddriveandDVDforbackup,transferand
restore
• ±6%varispeed
• 48-channelmixingwith6stereoreturns(60totalinputs
atmixdown),6auxsendsanddynamiclevelautomation
• Dynamics,4-bandparametricEQand6auxsendsper
channel
• 48-channelTDIFI/Ostandard
• S/PDIFstereoI/O
• USB2.0andeSATAinterfaceforconnectingharddrive
• Optionalanalog,AES-EBUandADATdigitalI/Ocards
(24-channelseach,twoexpansionslotsprovided)
• SMPTE,MTCandRS-422synchronization
• VideoandWordClockconnectors
IF-AD24
ADATopticalinterfacecard
PicturedwithoptionalIF-AN24Xanaloginterfacecardsinstalled
IF-AE24X
AES/EBUinterfacecard
TASCAM’sX-48mkIIistheworld’srststandalone48-trackHybridHard
DiskWorkstation.Co-developedwithSaneWave,itintegratesthebest
ofbothworlds:thestabilityandease-of-useofapurpose-builtharddisk
recorder,withtheGUI,editingandmixingfeaturesofacomputer-based
digitalaudioworkstation.
TheX-48mkIIboastsupto96kHz/24-bitrecordingacrossall48tracks.Its
lecompatibilityandsynchronizationsurpasseventheTECAward-winning
MX-2424,withnativeBroadcastWAVaudiolesupportandAAFexport
forcompatibilitywithworkstationslikeProTools
®
,NuendoandLogic.Sup-
portforexternalharddrivesandGigabitEthernetallowssimpletransfer
betweensystems,makingittheultimatemultitracksolutionforhigh-quality
music,postandliverecordingapplications.Recordaneventtotheinter-
nal1TBdrive,orcapturetoanexternalUSBoreSATAdrive,unplugand
delivertoaclientformixdownintheDAWoftheirchoice.
TheX-48mkIIgoesbeyondmerestandalonerecorderswithabuilt-in,auto-
mated48-channeldigitalmixerandpowerfuleditingfunctions.Plugina
VGAmonitor,mouseandkeyboardforediting,tracknamingandmonitor
mixing–nothingtoinstallortroubleshoot.ADVDbackupdriveallowsyou
toarchiveandupdateprojects.
TrustyourliveeventrecordingtoTASCAM’scompactX-48mkIImultitrack
harddiskrecorder.
TheTASCAMDM-4800andDM-3200aretheultimatedigitalconsoles
forprofessionaluserswhodemandexiblemixplatformsthatcongureto
ttheirneeds.The64-channelDM-4800featuresa“fatchannel”stripin
thecenteroftheboard,providinginstantaccessto4-bandparametricEQ,
dynamicsandauxcontrols.ApairofeffectsprocessorsincludeTCReverbs
forpolishedmixes.Twenty-fourstudio-grademicpreampsprovideenough
inputsforaliveevent,andmorecanbeaddedusingexpansioncardswith
externalpreamps.ThestandardcomplementofanaloganddigitalI/O
ismorethanyou’llndonconsolescostingthreetimesasmuch,anda
completelycongurable24-bussroutingsystemallowsyoutore-patchthe
boardattheickofaswitch.
TASCAM’sDM-4800tsseamlesslyintothemodernrecordingenvironment
basedaroundacomputerDAW.ItsRemotelayerprovides24-faderMackie
HUIorMackieControlemulationforcontrolofpremiereworkstationslike
ProTools,Logic,SONARandNuendo.TheoptionalIF-FW/DMmkIIinter-
facecardprovides32channelstoandfromacomputerat96kHzovera
singleFireWirecable.Andtheoptionalsurroundmonitoringcardprovides
downmixing,bassmanagementandlevelcontrolformixinginupto6.1
surround.
The48-channelDM-3200packsmanyofthefeaturesoftheDM-4800into
asmallersizeandprice,with16micpresand16bussesforgreatsound-
ingproductions.OptionsincludetheMU-1000meterbridge(pictured)and
analoganddigitalexpansioncards.
Nomatterwhatyourapplication,theTASCAMDM-4800andDM-3200
adapttotheneedsofanyprofessionalaudioinstallation.
• 48channelsand16returnsfor64total
inputs(DM-3200:48inputs)
• 24busses(16bussesonDM-3200)
• 12AuxSends(8onDM-3200)
• 24XLRmic/lineinputswithanalog
insertsplusphantompowerforcondenser
mics(16onDM-3200)
• 4expansioncardslotssupportoptional
expansioncards(2onDM-3200)
• Dedicatedcascadeportsupportscascade
oftwoconsoles
• ChannelStripsectionforEQ,Dynamics
andAuxcontrolofselectedchannel(DM-
4800only)
• LEDringencodersforpan,auxsends
andEQ
• Built-inDAWcontrollayercompatible
withProTools®,LogicPro™,SONAR™,
Cubase™,Nuendo™,andDigital
Performer™
• TransportbuttonscontrolDAWsoftware,
RS-422devicesorMMCdevices
• Powerfulautomationwithtouch-sensitive
motorizedfaders
• 4-bandEQ,compressionandgatingon
eachchannel
• Compressionforeachaux,bussand
mainoutput
• Twobuilt-ineffectsprocessors,eachable
torunTCReverbprograms
• Flexibleroutingallowsanyinputtobe
routedtoanychanneloroutput
• SavedatatoCompactFlashmediausing
built-inCFslot
• (3x)8-channelTDIFdigitalinputsand
outputs(24channels)
• 8-channelADATopticaldigitalinputand
output
• (2)StereoAES/EBUandS/PDIFdigital
inputsandoutputs
• StereoXLRbalancedlineoutputs
• (8)1/4”TRSbalancedassignableinsert
sends(4onDM-3200)
• (8)1/4”TRSbalancedassignableinsert
returns(4onDM-3200)
• RCAtimecodeinput
• MIDIIn,OutandThruconnectors
• BNCWordSyncInputandOut/Thruwith
termination
• GPIoutputforparallelcontrol
• RS-422connectorfordevicecontrol
• USBconnectorforDAWcontrolmodes
• 1/4”Footswitchjack
Optionalexpantioncardsinclude:
• Analog
• AES/EBU
• ADAT
• TDIF
• FireWire
• Aviom
• Cobranet
• Surround
Monitoring
• XLRmicinputswithphantompowerandanaloglimiter
• UnbalancedstereoanalogI/O,S/PDIFdigitalI/O
• Built-inmonomicrophoneandspeakerfordesktopinter-
viewapplications
• Analoglevelcontrolsforeasyoperationwithoutthe
needtolookattheunit
• SMPTE/LTCtimecodeinputonlockingXLRbalancedjack
• TimestampBroadcastWAVrecordingswithSMPTEinput
• ChaselocktoincomingSMPTEtimecode
• Videoclockinputresolvestohouseclockwithtri-level
syncsupportforHDTVapplications
• IncludesFrameLock,LockandReleaseandexibleFree-
wheelsettingsforunpredictabletimecodesources
• Pull-upandPull-downsampleratesincludedforvideo
formatcompatibility
• Approximately5.5hoursofoperatingtimeon(8)AA
batterypower,<2lbswithbatteries
• Fourmicrophones-StereoCardioidandOmniCondenserMics
• 44.1kto96ksamplingratesforWAVlerecording
• MP3andWAVleRecordingandPlayback
• XLRMicInputswithPhantomPower,LowCutFilterandAnalogLimiter
• High-performancemicrophonepreampwith60dBofgain
• AKMAudio4Pro™A/Dconverterswithover100dBsignaltonoiseratio
• 3.5mmLineInputsandOutputs
• Built-inSpeaker
• Integratedmicrophonestandmount
• RunsonRechargeableLi-IonBatteryorAABatteries
• (6)micpreswith60dBofgainandphantompower
• (4)XLR/1/4”(combi)mic/lineinputsand(2)TRS1/4”
mic/lineinputs
• Lowcutlterandlimiteroneachinput
• (6)RCAunbalancedlineoutputs
• S/PDIFdigitalinandout
• USB2.0(miniB)connectionforcomputer
• Built-inspeaker
• 1/4”stereoheadphoneoutput
• Includedaccessories:PS-1225Lpowersupply,shoulder
strap
• 8-trackportablerecordingatupto96kHz/24-bit
BroadcastWAVleresolution
• Recordeightindividualinputsorsixinputsplusastereo
mixdown
• Stereo192kHz/24-bitrecordingmode
• 4-channelMP3recording
• Digitalmonitormixing(levelandpan)withrecordable
stereomixdown
• Mid-sidemicrophonedecoding
• Gangedinputoptionforusewithstereomicrophones
• Idealforsurroundmusicandeffectsrecording
• Cascadefunctionforrunningtwounitstogether
• Pre-recordingfeature
• Auto-recordingmodebeginsrecordingwhentheinput
reachesacertainlevel
• Markfunctionduringrecording/playback
• Editfunctionssuchasdivideanddelete
• 128x64backlitLCDdisplay
• Poweredthrough(8x)AAbatteriesor(included)
PS-1225Ladapter
• RecordstoSD/SDHCcardmedia(notincluded)
• PremiumAKMAudio4Pro™192kHzA/Dconverters
withover100dBsignaltonoiseratio
TASCAM’sDR-680bringsmulti-channelportable
recordingwithinreachofanymusicianforpolishedlive,
locationandsurroundeffectrecordings.Uptoeight
trackscanberecordedtosolid-stateSDcardmediaat
WAVorBWFformat,upto96kHz/24-bitresolution.
Sixmicinputsprovidephantompowerand60dBof
gainforgreat-soundingrecordingswithyourcondenser
microphones.Eachmicinputhasaselectablelowcut
lterandanaloglimiterforoptimalsound.
Inputscanbemonitoredusingabuilt-inmixerwithlevel
andpancontrolsforeachinput.Thestereomixdown
canevenberecordedalongwiththesixmicsforquick
stereoplaybackoftheevent.Mid-Sidemicrophone
decodingisavailableforsoundeffectsgathering,either
duringrecordingorinmonitor/mixdown.
Inadditiontomulti-channelrecordingupto96kHz,the
DR-680capturesstereoaudioat192kHz/24-bitfor
audiophile-qualitymasters.TheDR-680recordsupto
fourchannelsofMP3audioforweb-readyrecordings.
Twooftherecorderscanbeconnectedwithacascade
cableforupto14-trackrecordingonbatterypower.
Twooptionalcasesareavailable,onebyTASCAMand
asecondbyPortaBrace.
Designedforstereoremoterecording,theTASCAMHD-P2
PortableHigh-DenitionStereoAudioRecorderistheprofes-
sionalsolutionforliveandon-locationapplications.Co-
developedwithFrontierDesignGroup,itrecordsatupto
192kHz/24-bitresolutiontoCompactFlashmedia,andits
audiolesareinstantlyavailabletoDAWsthroughthebuilt-in
high-speedFireWirecomputerconnection.
TheprofessionalHD-P2incorporateshigh-endfeatureslikea
SMPTEtimecodeinputforsynchronizationtoexternaldevices
whileinrecordorplayback.Theuserinterfaceisdesignedfor
fastandintuitiveuseunderstressfulone-take-onlysituations,
anditslarge,angledLCDisperfectforanyapplicationfrom
over-the-shoulderlocationrecordingtoconcertrecordingand
commercialuse.
TheruggedDR-100 offershigh-endrecordingfeatures
tomusiciansandengineerswhodemandmorefromtheir
portablerecorder.Itfeaturesfourbuilt-inmicrophones,two
cardioidandtwoomnidirectional,withanaloglimitingand
lteringforgreat-soundingrecordings.ApairofXLRmi-
crophoneinputswithphantompowerwelcomespro-grade
condensermicrophones,andlineinandoutconnectorsare
alsoprovided.
TheDR-100includesarechargeableLithium-ionbattery,
butcanalsobepoweredbyAAbatteriesoranoptional
ACadapter.Abuilt-inspeakerallowsforinstantplayback,
andthemetalenclosureincludesatripodmountingholefor
recordingexibility.Awiredorwirelessremotecontrolis
alsoincludedforremotelystartingtherecording.
• High-qualitystereorecordingatup192kHz/24-bitor
DSDformat
• RecordstoBuilt-in60GBharddrive,DVD+RW,CD-R/
RWmedia
• ArchivestoDVD-R,DVD-RW,DVD+RandDVD+RW
discs
• Multibandcompressionand3-bandEQmixdowneffects
• USB2.0connectiontoPCforuseasDVDdatadrive
• BalancedXLRandunbalancedRCAinputsandoutputs
• BalancedAES/EBUinputsandoutputs,runningatnor-
mal,double-speedanddouble-wireformats
• SDIF-3DSDinputandoutputforexternalconversionand
processingofDSDaudio
• StereoS/PDIFdigitaloutputoncoaxialconnector
• WordSyncIn,Out,Thru
• RS-232Cserialcontrol
• PS/2keyboardconnectorfortitleediting
• User-denablefunctionkeys
• Large,backlitLCDdisplay
• RecordstostandardCD-DA,BroadcastWaveand
DSDIFFformats
• Dedicatedinputlevelcontrolandadjustablemaximum
outputlevel
• ±6%pitchcontrol
• Fadein/out
• Jogplayback
• Poweronplayfeature
• Variousplayandrecordmodessuchasautotrackincre-
ment,autocue,autoready,single/continuousplayand
programA/Bplay.
• Wiredremotecontrol(RC-RA1000)included
• 1/4”Headphoneoutput
TASCAM’saward-winningDV-RA1000HDshattersthe
pricebarriertorecordingmixesandmasterstoDirect
StreamDigital,Sony’s2.822MHz/1-bit“SuperAudio”
formatthatmustbeheardtobebelieved.Thestereore-
cordercapturesaudiofrom44.1kHzto192kHzasWAV
les.Inaddition,thebreakthroughDSDrecordingformat
addsincredibledetailwithallofthedepthandimaging
ofqualityanalogrecording.
TheDV-RA1000HDrecordsdirectlytoa60GBharddrive
ortoaCD/DVDopticaldrive,andDVDsorCDscanbe
madefromharddriveplaylists.Therich-soundinganalog
convertersarecapableofrecordingDSDformataudio-
noadditionalhardwareisrequired.Designedforrecord-
ingstudiomixdown,audiophilearchival,liverecording
andinstalledsound,youcantrusttheDV-RA1000HDwith
yourmosttreasuredmasterrecordings.
TheKS-342 isafeature-rich4-channelmixerfor
lmandlocationvideorecordingwithanexpand-
abledesignthatenablesyoutogrowyourmixer
totyourapplication.
Itoffersexibleoutputandmonitorstructureslike
4-chdirectoutputcapabilitywhilemonitoringin
stereo,multipleheadphoneoutputsandanaux
inputthatcancascadeexternalsourcesoroffer
theabilitytomonitorthereturnfromacameraor
externalrecorder.No-compromisedesignincludes
12/48Vphantompower,LCF,internaloscillator
andbuilt-incompression.TheKS-342evenhasa
96kHz-capableAES/EBUoutput.
TheKS-342’sunique“piggy-back”plug-inmodule
expandsthecapabilitiesofthemixer.Available
modulesaddEQ,compressionandevenmore
channelsofmixingtotheKS-342.Eachofthese
modulesgettheirpowerfromtheKS-342,sono
additionalpowerisrequired.Anall-weatherpock-
etedcaseisalsoavailable.
TheKS-T2000offersthehighstandardsofitsbig-
gerbrotherinamorecompact,budget-conscious
mixer.This3-channellocationmixerisidealfor
newsgathering,DVvideoproductionandmore.
ThelightweightKS-T2000operatesforsixhours
onfourAAbatteries.Italsoincludes12/48V
phantompowerandLCF.Amulti-levelstereoout-
put,oscillatorandswitchableheadphonemoni-
toringwithEEinputprovideawideselectionof
bussingandmonitoringoptions.Anoptionalsoft
caseprovidesstorageandall-weatheraccessto
controlsandconnectors.
TheKS-1017LipCheckerisauniqueproduct
whichtrackssignaltimedifferencesinbroadcast
andpostproduction.TheLipCheckeracceptsboth
videoandaudiosignals,comparinganaudio
sourcewithavideoburstoranotheraudiosource.
Itthendisplaysthetimedifferenceandsignal
strengthsoproblemscanbexedbeforethepro-
gramleavesthestudio.Astandalonesoundand
lightburstsource–theKS-1018VideoKachinko–
isalsoavailableforuseinremotelocations.
/