Blackmagic DaVinci Resolve 14 User manual

Brand: Blackmagic

Model: DaVinci Resolve 14

Category: Graphics software

Type: User manual

Reference Manual

January 2018

DaVinci

Resolve 14.3

Welcome

Welcome to DaVinci Resolve 14 for Mac, Linux and Windows!

DaVinci is the world’s most trusted name in color and has been used to grade more

Hollywoodfilms, TV shows, and commercials than anything else. Now, with DaVinci Resolve14,

you get a complete set of editing, advanced color correction and professional audio

postproduction tools combined in one application so you can edit, grade, mix and master

deliverables from start to finish, all in a single tool!

DaVinci Resolve 14 has the features professional editors, colorists and audio engineers

need, and is built on completely modern technology with advanced audio, color and image

processing that goes far beyond what any other system can do. With this release, we hope

to inspire creativity by letting you work in a comfortable, familiar way, while also giving you

an entirely new creative toolset that will help you cut and finish projects at higher quality than

everbefore!

We hope you enjoy reading this manual. With its customizable interface and keyboard

shortcuts, DaVinci Resolve 14 is easy to learn, especially if you’re switching from another editor,

and has all of the tools you need to create breathtaking, high end work!

The DaVinci Resolve Engineering Team

Grant Petty

CEO Blackmagic Design

Contents

PART 1

1 Introduction to DaVinci Resolve 9

2 Managing Projects and Databases 45

3 Project Settings and Preferences 63

4 Camera Raw Settings 100

5 Improving Performance, Proxies, and the Render Cache 118

6 Data Levels, Color Management, ACES, and HDR 134

PART 2

7 Using the Media Page 167

8 Adding and Organizing Media 183

9 Using Clip Metadata 207

10 Modifying Clips and Clip Attributes 218

11 Using Scene Detection 232

12 Ingesting From Tape 241

13 Capturing From the Cintel Film Scanner 250

PART 3

14 Using the Edit Page 269

15 Creating and Working with Timelines 303

16 Preparing Clips for Editing and Viewer Playback 313

17 Editing Basics 329

18 Modifying Clips in the Timeline 352

19 Three and Four Point Editing 365

20 Marking and Finding Clips in the Timeline 390

21 Multicam Editing 406

22 Take Selectors, Compound Clips, andNested Timelines 417

23 Trimming 425

Contents

24 Using Transitions 457

25 Working with Audio in the Edit Page 471

26 Media Management 496

PART 4

27 Editing, Adding, and Copying Effects and Filters 505

28 Titles, Generators, and Stills 516

29 Compositing and Transforms in the Timeline 524

30 Edit Page Effects 537

31 Keyframing Effects in the Edit Page 549

32 Fusion Connect 561

PART 5

33 Preparing Timelines for DaVinci Resolve Import 571

34 Conforming and Relinking Clips 584

35 Creating Digital Dailies for Round Trip Workflows 610

36 Conforming XML Files 618

37 Conforming AAF Files 624

38 Conforming EDL Files 635

PART 6

39 Introduction to Color Grading 643

40 Using the Color Page 657

41 Automated Grading Commands and Imported Grades 700

42 Primary Grading Controls 715

43 Curves 741

44 Secondary Qualifiers 765

Contents

45 Secondary Windows and Tracking 790

46 Motion Tracking Windows 808

47 Using the Gallery 835

48 Grade Management 847

49 Node Editing Basics 883

50 Serial, Parallel, and Layer Nodes 902

51 Combining Keys and Using Mattes 911

52 Channel Splitting and ImageCompositing 933

53 Keyframing in the Color Page 949

54 Copying and Importing Grades Using ColorTrace 963

55 DaVinci Resolve Control Panels 974

PART 7

56 Using OpenFX and ResolveFX 1000

57 ResolveFX 1011

58 Sizing and Image Stabilization 1052

59 The Motion Effects and Blur Palettes 1075

60 Dust Removal 1087

61 Data Burn 1091

PART 8

62 Using the Fairlight Page 1099

63 Setting Up Tracks, Buses, and Patching 1122

64 Transport Controls, TimelineNavigation, and Markers 1135

65 Recording 1142

66 Editing Basics in the Fairlight Page 1147

67 Clip Levels, Crossfades, Equalization, and Gating 1168

68 Mixing in the Fairlight Page 1174

Contents

69 Automation Recording 1192

70 Audio Effects 1199

71 Audio Meters and Audio Monitoring 1206

72 Signal Flow Diagrams 1214

PART 9

73 Using the Deliver Page 1219

74 Delivery Effects Processing 1226

75 Rendering Media 1232

76 Delivering Using EasyDCP 1253

77 Delivering to Tape 1259

78 Exporting Timelines and Metadata 1268

PART 10

79 Resolve Live 1280

80 Stereoscopic Workflows 1287

81 Using Variables and Keywords 1307

82 Creating DTCL LUTs 1313

83 TCP Protocol for DaVinciResolve Transport Control 1319

PART 11

84 Managing Databases andProjectServers 1324

85 Collaborative Workflow 1332

86 Remote Grading 1342

87 Regulatory Notices andSafetyInformation 1345

88 Warranty 1346

PART 1

Introduction to DaVinci Resolve Part 1 – 1

Chapter 1

Introduction to

DaVinci Resolve

Introduction to DaVinci Resolve Part 1 – 1

Introduction to DaVinci Resolve

DaVinci Resolve integrates editing, color correction, audio recording and mixing, and finishing

within a single, easy to learn application. The editing, grading, and audio tools found in DaVinci

Resolve should be immediately familiar to experienced artists who’ve used other

postproduction applications, but they’re also very approachable to folks who are new to

postproduction.

Additionally, dedicated tools available for on-set workflows integrate tasks such as media

duplication, shot and metadata organization, and on-location look management into a complete

tool set that lets you smoothly segue from the camera-original media being acquired in the field

to the organization and use of that media in a wide variety of postproduction workflows that use

DaVinci Resolve at their heart.

The tight integration in DaVinci Resolve of on-set media, metadata, and “look” organization,

editing, grading, and sound work means that you can freely move from one task to the next

without skipping a beat. This makes it easy to back up and organize your media, and then

immediately dive into editing a program, switching over to color-correct clips in the middle of

your editing spree, before going right back to editing, and then perhaps a bit of mixing to make

sure things sound right, all without needing to export projects or launch other applications. And

you can go further, using the collaborative features of DaVinci Resolve to enable multiple

artists, for example an editor, a colorist, and assistants, to work together on the same timeline

simultaneously, for the ultimate integrated workflow.

Of course, no postproduction professional works in a vacuum, and DaVinci Resolve makes it

easy to work with other facilities by importing projects and exporting project exchange formats

and rendered or managed media among applications such as Apple’s Final Cut Pro X, Adobe’s

Premiere Pro, Avid’s Media Composer and ProTools, Autodesk’s Smoke and Flame Premium,

and many other applications via robust support of XML, AAF, and EDL import and export

workflows.

This chapter introduces the DaVinci Resolve user interface (UI), explaining where to find each

group of features, and how the highly focused and tightly integrated Media, Edit, Color, Fairlight,

and Deliver pages of functionality work together to let you pursue nearly any postproduction

workflow you can imagine. After this brief tour, the rest of Part 1 of this manual provides much

more in-depth information about every aspect of functionality found in DaVinci Resolve.

This chapter covers the following topics:

Getting Started 11

The Project Manager 11

Preferences 11

User Preferences 13

Project Settings 13

Switching Among Pages 14

About Keyboard Shortcuts in the Documentation 15

The Media Page 15

The Media Storage Browser 16

Viewer 16

Media Pool 17

Metadata Editor 17

Audio Panel 18

Introduction to DaVinci Resolve Part 1 – 1

The Edit Page 18

The Media Pool 19

Eects Library Browsing 19

Edit Index 20

Source/Oine and Timeline Viewers 20

Inspector 21

Toolbar 22

Timeline 22

Edit and Color Page Effects and Fusion Connect 22

The Color Page 23

Viewer 24

Gallery 24

Node Editor 25

Timeline 26

Left Palettes 26

Center Palettes 27

Keyframe Editor 27

The Fairlight Page 28

The Audio Timeline 28

Toolbar 29

Mixer 30

Dedicated Channel Strip Controls 30

The Monitoring Panel 32

The Deliver Page 32

The Render Settings List 33

The Deliver Page Timeline 34

The Viewer 34

The Render Queue 35

Working with the DaVinciResolve User Interface 35

Working Full Screen vs. within a Floating Window 35

Showing and Hiding Panels of Functionality Using the Interface Toolbar 36

Adjusting the Size of Dierent Panels 36

Using Single vs. Dual Monitor Layouts 37

Saving Custom Screen Layouts 38

Resetting to the Default Layout 39

Undocking Speciﬁc Panels of the Interface 39

DaVinci Resolve User Interface Conventions 41

Contextual Menus 41

Buttons and Pop-up Menus 41

Adjusting Parameters 42

The Three Buttons of a Mouseor Other Input Device 42

Introduction to DaVinci Resolve Part 1 – 1

Getting Started

When you install DaVinci Resolve and then open it for the first time, there are a few things

you’re going to want to do before you begin working on your first project.

The Project Manager

The Project Manager is the first window you’ll see when you open DaVinci Resolve. The Project

Manager is a centralized interface for managing all projects belonging to the user who’s

currently logged in, whose name appears at the upper right-hand corner in a project title bar.

The Project Manager is also the place where you import and export projects to and from

DaVinci Resolve, whether you’re moving projects around from user to user, or moving projects

from one DaVinci Resolve workstation to another. Finally, the Project Manager also lets you

organize the databases that are used to manage everything in DaVinci Resolve using the

Database Sidebar.

To open any project, double-click it. To create a new project, double-click the Untitled Project

icon, or click the New Project button.

The Project Manager shows all projects belonging to the current user

More information about the Project Manager appears in Chapter 2, “Managing Projects

andDatabases.”

Preferences

The Preferences Window, divided into System preferences and User preferences panels, lets

you set up the overall environment of your DaVinci workstation, choosing what hardware to use

with DaVinci Resolve and what user interface settings you prefer as you work.

Introduction to DaVinci Resolve Part 1 – 1

The DaVinci Resolve Preferences let you set up your environment

A quick overview of the most important System and User Preferences appears below, but for a

comprehensive overview and for more information, see Chapter 3, “Project Settings and

Preferences.”

System Preferences

The System preferences let you configure the hardware DaVinci Resolve works with. If you have

a system that doesn’t change very often, then you may only rarely use the Preferences window.

On the other hand, if you’re working with a mobile system with changing video interfaces,

control panels, and scratch volumes, then you may use this window more frequently.

Note: Whenever you change certain core System Settings in the Preferences, you may have to

quit and restart DaVinci Resolve for those changes to take effect.

Hardware Conﬁguration

Lets you choose various options governing how to use the GPUs attached to your computer,

and how to configure Viewers in different pages. This panel also provides an overview, for

reference, of all hardware and computer characteristics that are relevant to DaVinci Resolve

running smoothly, including listing of installed GPUs.

Media Storage

This is a list within which you define the scratch disk used by your system. The first volume in

this list is where Gallery stills and cache files are stored, so you want to make sure that you

choose the fastest storage volume that’s connected.

Introduction to DaVinci Resolve Part 1 – 1

Video and Audio I/O

The preferences in this panel let you choose which video and audio interfaces you want

DaVinci Resolve to use on your workstation. If you have multiple Blackmagic Design I/O

interfaces connected to your computer, you can choose one to use for monitoring video output,

and one to use for Resolve Live, a feature that lets you grade camera output during a shoot as

part of an on-set workflow.

Control Panels

Lets you choose and configure (if necessary) a control panel that’s connected for use during

grading in Resolve.

User Preferences

User preferences govern the setup of the user interface in Resolve, letting you customize it to

work the way you like.

UI Settings

A Language pop-up at top lets you specify which language the DaVinci Resolve user interface

displays. DaVinci Resolve currently supports English, Chinese, Japanese, and Spanish.

Additional checkboxes let you choose options for which project to open during startup, and

how to configure the Viewers that appear in every page of DaVinci Resolve.

Auto Save

This panel contains the all-important auto-save controls, including the Live Save option that

enables Resolve to incrementally save your changes as you work.

Editing

Numerous controls in this panel let you customize the editing experience in the Edit page,

including default settings to use when making new timelines, and general settings that govern

standard effects durations and trim behaviors.

Color

These controls let you customize the grading experience in the Color page, with options

controlling video scope display, the look of UI overlays, and other color-specific functions.

Keyboard Mapping

This panel has all the controls you need for searching for and customizing the keyboard

shortcuts used for different commands throughout DaVinci Resolve.

Project Settings

Once you’ve created a project, all project-specific settings are found in the Project Settings

window. To open the Project Settings window, just click the gear button at the bottom right on

any page.

Project Manager and Project Settings buttons

Introduction to DaVinci Resolve Part 1 – 1

The Project Settings open in the middle of the screen, divided into a series of panels which can

be selected from a sidebar to the left. Each panel contains a collection of related settings that

affects some category of Resolve functionality. To open a panel of settings, simply click its

name in the sidebar at the left.

The Project Settings show all project-specific settings and attributes

The Master Settings define the principal attributes of a project, such as the timeline resolution,

timeline frame rate, color science, and bit depth. Image Scaling settings define how clips that

don’t match the timeline resolution are scaled to fit. There are other panels for Color

Management, Camera RAW, Capture and Playback, et cetera.

For more information about Project Settings, see Chapter 3, “Project Settings and Preferences.”

Switching Among Pages

DaVinci Resolve is divided into five main pages of functionality, which can be accessed using

buttons at the very bottom of the DaVinci Resolve interface. These buttons are organized in

order of workflow, and they’re always available, letting you quickly switch between importing

media, editing, grading, mixing, and outputting your project in a structured manner.

Buttons for switching pages appear at the bottom of the UI

Introduction to DaVinci Resolve Part 1 – 1

You can also switch pages using the following keyboard shortcuts.

Page Keyboard Shortcut

Media Shift-2

Edit Shift-4

Color Shift-6

Fairlight Shift-7

Deliver Shift-8

About Keyboard Shortcuts in the Documentation

Since the majority of DaVinci Resolve users are on Mac OS, this manual presents all keyboard

shortcuts using the OS X conventions of the Command key and the Option key.

Forcompatibility with Windows and Linux, the Control key in Mac OS is not used by default for any

keyboard shortcuts (although it can be assigned if you customized your keyboard shortcuts).

All keyboard shortcuts that use the Option key in macOS use the ALT key in Windows and

Linux, and all keyboard shortcuts that use the Command key in macOS use the Control key in

Windows and Linux.

The Media Page

The Media page is the primary interface for media management and clip organization in DaVinci

Resolve. It’s central to the way DaVinci Resolve works that the source media used by a project

is organized separately from the project data that you import and manage in the Edit page. In

this way, you can manage and update the clips used by timelines in the current project with

ease, switching between offline and online media, reorganizing clips, and troubleshooting any

problems that occur.

The Media page also contains much of the core functionality that will be used for on-set

workflows, and in the ingest, organizational, and sound-synching steps of digital dailies

workflows. This chapter covers most of the functionality found in the Media page, including

functions in detail that are referenced throughout this manual.

The Media page is divided into six different areas, designed to make it easy to find, select, and

work with media in your project. Much of the functionality and most of the commands are found

within the contextual menus that appear when you right-click clips in the Library, File Browser,

or Media Pool.

Media page

For more information on using the Media page, see Chapter 7, “Using the Media Page.”

Introduction to DaVinci Resolve Part 1 – 1

The Media Storage Browser

The Media Storage browser shows a list of all volumes that are currently available to your

Resolve workstation. It’s used to locate media that you want to import manually into

yourproject.

Media Storage with scrubbable Clip view

Viewer

Clips that you select in any area of the Media page show their contents in the Viewer. A jog

barappears at the bottom, letting you drag the playhead directly with the pointer, while a

jogcontrol between the mode pop-up and transport controls lets you move through a long clip

more slowly. The full width of the jog bar represents the full duration of the clip in the Viewer.

The current position of the playhead is shown in the timecode field at the upper right-hand

corner of the Viewer. Simple transport controls appear underneath the jog bar, letting you

Jumpto First Frame, Play/Stop, and Jump to Last Frame.

Media page viewer

You can also put the Viewer into Cinema Viewer mode by choosing Workspace > Viewer Mode

> Cinema Viewer (Command-F), so that it fills the entire screen. This command toggles

CinemaViewer mode on and off.

Introduction to DaVinci Resolve Part 1 – 1

Media Pool

The Media Pool contains all of the media that you import into the current project. It also contains

any media that’s automatically imported along with Timelines that have been imported into

Resolve. Ordinarily, all media imported into a project goes into the Master folder, however the

Media Pool can be organized into as many user-definable folders as you like, depending on

your needs. Media can be freely moved from one folder to another from within the Media Pool.

Media Pool with the Folder View closed

Metadata Editor

When you select a clip in any area of the Media page, its metadata is displayed within the

Metadata Editor. If you select multiple clips, only the last clip’s information appears. The

Metadata Editor’s header contains uneditable information about the selected clip, including the

file name, directory, duration, frame rate, resolution, and codec. A series of editable fields within

the Metadata Editor lets you review and edit the different metadata items that are available.

Apop-up menu at the upper-right of the Metadata Editor lets you choose from many different

sets of metadata fields and checkboxes, each grouped for a specific task or workflow.

Clip Metadata Editor

Introduction to DaVinci Resolve Part 1 – 1

Audio Panel

The Audio Panel can be put into one of two modes via a pair of buttons above the audio meters.

In the default Meters mode, Audio Meters are displayed that show the levels of audio in clips

you’re playing. In Waveform mode, you can load audio clips side by side with video clips opened

in the Viewer in order to sync them together manually. The Audio Panel can also be hidden.

Audio Meters exposed

The Edit Page

The Edit page exposes a source-record style NLE that incorporates many specialized features

for both creative editing and finishing. The Edit page is divided into three main regions: the

browsers found at the left, the Viewers at the top, and the Timeline at the bottom, all of which

work together to let you import, edit, and trim timelines with a flexible variety of tools

andmethods.

The Edit page

For more information on the Edit page, see Chapter 14, “Using the Edit Page.”

Introduction to DaVinci Resolve Part 1 – 1

The Media Pool

The Media Pool lets you organize and peruse all of the media and timelines in a project. DaVinci

Resolve projects may contain one or more edited timelines (sometimes called a sequence in

other applications).

The Media Pool in the Edit page is identical to that shown on the Media page, and shows you all

of the source clips and timelines that are available for editing. A Bin list at the left shows a

hierarchical list of folders that you can use to organize your media. By default, the Media Pool

has a single bin, named “Master,” but you can add more bins as necessary to organize your

clips, opening any of them to expose their contents with a single click. The Bin list can be

hidden or shown via the button at the upper-left of the Media Pool. A browser to the right shows

the contents of the currently selected bin.

The Media Pool in Thumbnail mode

Effects Library Browsing

The Effects Library contains a folder with the different Video Transitions, Title Effects,

Generators, and Filters that are available for editing in the Timeline. The Effects Library has

twopanels, a Toolbox panel that contains the default Transitions, Titles, and Generators that

Resolve comes with, and an OpenFX panel that contains any OpenFX transitions and

generators you might have installed on your system.

The Effects Library, made taller to show all of its contents

Introduction to DaVinci Resolve Part 1 – 1

Edit Index

Clicking the Edit Index button opens the Edit Index. By default, this shows an EDL-style list view

of all the edit events in the current Timeline. Whichever timeline is selected in the Timeline list

displays its events here; each clip and transition is shown as an individual event, each of which

contains multiple columns of information. If you re-edit a timeline, your changes are

automatically reflected in this list.

Edit Index List shown open

Source/Offline and Timeline Viewers

The Source Viewer lets you view individual clips from the Media Pool to prepare them for

editing. Meanwhile, the Timeline Viewer shows the frame at the position of the playhead in the

Timeline. You can select either viewer by clicking, and the name of the viewer that currently has

focus appears in orange. The color shown in the Source Viewer usually reflects that of the

original source media, while the Timeline Viewer shows whatever grading you’ve done in the

Color page.

Source and Timeline Viewers

Page is loading ...

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346

Blackmagic DaVinci Resolve 14 User manual

Brand: Blackmagic

Model: DaVinci Resolve 14

Category: Graphics software

Type: User manual

Download PDF

report

Blackmagic DaVinci Resolve 14 User manual

Blackmagic DaVinci Resolve 14 User manual

Related papers

Other documents