Rode Broadcaster, a high-quality microphone, is designed for broadcasting applications where wide frequency response and low distortion are crucial. It features a 1" externally biased condenser transducer, a switchable high-pass filter, and an 'ON-AIR' LED indicator. With its tailored low-cut feature, internal pop filter, and rugged stainless steel body, the Rode Broadcaster is an excellent choice for studio recordings and live performances.
Rode Broadcaster, a high-quality microphone, is designed for broadcasting applications where wide frequency response and low distortion are crucial. It features a 1" externally biased condenser transducer, a switchable high-pass filter, and an 'ON-AIR' LED indicator. With its tailored low-cut feature, internal pop filter, and rugged stainless steel body, the Rode Broadcaster is an excellent choice for studio recordings and live performances.
(
EMC, LVD
)
Broadcaster
Instruction Manual
www.rodemic.com
051-950-2-1_Broadcaster_manual.indd 1051-950-2-1_Broadcaster_manual.indd 1 3/08/2009 6:06:32 PM3/08/2009 6:06:32 PM
- 2 -
Introduction
We at would like to thank you and congratulate
you on investing in the
Broadcaster.
Like its name suggests, this
microphone was
specifi cally designed for ‘ON-AIR’ applications where
wide frequency response and low distortion are
demanded.
Winner of the Radio World/US National Association
of Broadcasters (NAB) ‘What’s Cool’ award, the
Broadcaster has become an industry standard when
studio sound quality is required for on-air applications.
Utilising an Australian designed and manufactured
1” externally biased condenser transducer, the
Broadcaster features a switchable high-pass fi lter to
remove low frequency rumble.
A unique ‘ON-AIR’ LED indicator can be switched on
or off by shorting contacts on the fi ve pin audio
connector. This feature allows console operators to warn
the ‘Talent’ that the mic is live. More information on
integrating this feature is available in this user manual.
Please take the time to visit www.rodemic.com and
register your microphone for a full ten year warranty.
While there you can view studio tips and techniques, as
well as browse the comprehensive range of accessories
for
microphones.
Peter Freedman
Microphones
Sydney, Australia
051-950-2-1_Broadcaster_manual.indd 2051-950-2-1_Broadcaster_manual.indd 2 3/08/2009 6:06:37 PM3/08/2009 6:06:37 PM
- 3 -
Specifi cations
Acoustic
Principle:
Pressure gradient
Directional
Pattern:
Cardioid- end address
Frequency
Range:
20 Hz-20 kHz
Output
Impedence:
40
Sensitivity: -34 dB re 1 Volt/Pascal (20 mV @
94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise: 14 dB SPL
(A - weighted per IEC651)
Maximum
Output:
+2dBu
(@ 1kHz, 1% THD into 1K load)
Dynamic Range: >114 dB SPL
(A - weighted per IEC651)
Maximum SPL: 128dB SPL
(@ 1kHz, 1% THD into 1K load)
Signal/Noise: 80 dB
(A - weighted per IEC651)
Power
Requirement:
P48 (48V), P24 (24V) phantom
supply
Current
Consumption:
5 mA (P48)
4.5mA (P24)
Net Weight: 577gm
051-950-2-1_Broadcaster_manual.indd 3051-950-2-1_Broadcaster_manual.indd 3 3/08/2009 6:06:38 PM3/08/2009 6:06:38 PM
- 4 -
Specifi cations
Frequency Response
Polar Response
• 1” capsule with gold plated diaphragm
• On-Air indicator LED
• Ultra low noise
• Voice tailored switchable low-cut feature
• Internal pop fi lter
• Rugged stainless steel body
• Made in Australia
• 10 Year warranty*
Features
*Online product registration required.
0˚
90˚ 270˚
180˚
-2.0
-20.0
-10.0
0.0
-2.0
-4.0
-6.0
-8.0
-10.0
-12.0
-14.0
-16.0
-18.0
-20.0
-22.0
-24.0
-25.0
dB rel. 1V/Pa
+5.0
Frequency:
500 Hz:
1000 Hz:
4000 Hz:
–
–
–
High Pass Filter
051-950-2-1_Broadcaster_manual.indd 4051-950-2-1_Broadcaster_manual.indd 4 3/08/2009 6:06:38 PM3/08/2009 6:06:38 PM
- 5 -
Accessories
• RM2 stand mount
• ZP1 zip pouch
• 5 pin ‘on-air’ indicator adaptor
051-950-2-1_Broadcaster_manual.indd 5051-950-2-1_Broadcaster_manual.indd 5 3/08/2009 6:06:38 PM3/08/2009 6:06:38 PM
- 6 -
• The Broadcaster is a phantom powered
microphone. To operate correctly it requires a 48V
phantom supply from the mixing console or other
source.
• It is recommended that you use a high-quality
microphone lead, and keep it as short as practical
for your stage set up. This will ensure the highest
quality sound reproduction.
• The Broadcaster is an ‘end address’ microphone,
so should be addressed with the microphone
mounted lengthways, talking directly in to the
head.
• Please ensure all cable connections are secure
before applying power to the microphone, and
allow a few moments for the microphone to
stabilise after the power is turned on.
• Microphone technique, or how to get the sound
you want, requires experimentation. Moving
closer to the microphone increases the perceived
‘warmth’ and ‘bass’ (Proximity Effect). Try to get
the sound you want by placing either refl ective
or absorbent panels at various angles adjacent
to the source. Changing the acoustic properties
of the space around the microphone is our
recommended initial approach for obtaining the
best sound quality.
Setting the High Pass Filter
• The High-Pass Filter setting can be used to
reduce the microphone’s sensitivity to low
frequency sounds, and is useful when you wish
to avoid additional noise and vibration from
outside traffi c, air conditioning and machinery,
foot tapping etc.
Using the Broadcaster
051-950-2-1_Broadcaster_manual.indd 6051-950-2-1_Broadcaster_manual.indd 6 3/08/2009 6:06:39 PM3/08/2009 6:06:39 PM
- 7 -
Using the Broadcaster
• The High Pass Filter can be engaged using the
toggle switch at the rear of the microphone.
High Pass Filter
toggle switch
High Pass Filter engaged
BROADCASTER
SIDE VIEW
BROADCASTER
BOTTOM VIEW
Flat
051-950-2-1_Broadcaster_manual.indd 7051-950-2-1_Broadcaster_manual.indd 7 3/08/2009 6:06:39 PM3/08/2009 6:06:39 PM
- 8 -
• While the broadcaster’s output connection
and ‘On-Air’ indicator control is a very simple
operation to perform, we suggest that unless
you are familiar with cable connections and
audio installations in general, that you have an
Audio/Electronics Technician perform this task
to assure optimum performance.
• The On-Air Indicator LED is switched either On
or Off by applying an open or closed circuit
across Pins 4 and 5 of the output connector.
• When ‘open circuit’ (no connections across Pins
4 and 5), the LED is active. If you do not wish to
switch the LED via a console or separate mute
button, then the LED will be active continuously
whenever the microphone has P48V (Phantom
Power) applied.
• Most professional consoles have switches
that provide both open circuit or short circuit
outputs. These are usually called ‘Channel On’
or ‘Channel Mute’ controls and actually mute
the audio signal as well as providing external
contacts. These external contacts are usually
used to mute audio monitors and switch On-Air
lights at the same time as microphones become
active. These contacts can also be used to
activate the broadcaster’s ‘On-Air’ indicator.
• Remember, the LED does not interfere with the
audio circuit, and has no other function than that
of an indicator. The microphone does not mute
itself! The indicator is simply that; an indicator of
the status of what another device is doing.
Connecting
the ‘on-air’ LED
051-950-2-1_Broadcaster_manual.indd 8051-950-2-1_Broadcaster_manual.indd 8 3/08/2009 6:06:39 PM3/08/2009 6:06:39 PM
- 9 -
• A 5-pin female connector is supplied, and
you can use a four-core screened (Quad)
microphone cable which is readily available
from most professional audio suppliers, or you
can use any cable which is two wire screened
plus two extra control wires if the LED is to be
switched.
Connecting
the ‘on-air’ LED
5
4
AUDIO
32
1
/
OPEN
NORMAL
SWITCH
AUDIO
5
4
3
2
1
051-950-2-1_Broadcaster_manual.indd 9051-950-2-1_Broadcaster_manual.indd 9 3/08/2009 6:06:39 PM3/08/2009 6:06:39 PM
Circuit Diagram
- 10 -
051-950-2-1_Broadcaster_manual.indd 10051-950-2-1_Broadcaster_manual.indd 10 3/08/2009 6:06:43 PM3/08/2009 6:06:43 PM
Storage
- 11 -
• After use the Broadcaster should be removed
from its mount, wiped with a dry, soft cloth and
placed in its protective case.
• Be sure to place the moisture-absorbent crystals
(supplied) at the head of the microphone, so as
to absorb any moisture present.
• Eventually this pack of crystals will need to be
dried. This is indicated by the crystals turning
pink in colour.
• They can easily be re-used by placing them
in an oven at 100 - 150 degrees celsius for
approximately ten minutes. The crystals will
operate effectively again once they have turned
blue.
051-950-2-1_Broadcaster_manual.indd 11051-950-2-1_Broadcaster_manual.indd 11 3/08/2009 6:06:44 PM3/08/2009 6:06:44 PM
- 12 -- 12 -
Warranty
All microphones are warranted for one year
from date of purchase. You can extend that to a full
ten years if you register online at www.rodemic.com.
The warranty covers parts and labour that may be
required to repair the microphone during the warranty
period. The warranty excludes defects caused by
normal wear and tear, modifi cation, shipping damage,
or failure to use the microphone as per the instruction
guide.
If you experience any problem, or have any questions
regarding your
microphone, fi rst contact the
dealer who sold it to you. If the microphone requires a
factory authorised service, return will be organised by
that dealer.
We have an extensive distributor/dealer network, but
if you have diffi culty getting the advice or assistance
you require, do not hesitate to contact us directly.
Microphones
International
PO Box 6685
Silverwater NSW 2128 Australia
Ph: +61 2 9648 5855
Fax: +61 2 9648 2455
USA
P.O. Box 4189
Santa Barbara, CA 93140-4189
Ph: 805 566 7777
Fax: 805 566 0071
Technical Support
For information and technical support questions contact:
support@rodemic.com
In the Unites States and Puerto Rico, contact
usasupport@rodemic.com or call 425 398-1910
In Australia, contact ozsupport@rodemic.com or call (02) 9648 5855
Anywhere except Australia, the United States and Puerto Rico,
contact support@rodemic.com or call +61 2 9648 5855
051-950-2-1_Broadcaster_manual.indd 12051-950-2-1_Broadcaster_manual.indd 12 3/08/2009 6:06:44 PM3/08/2009 6:06:44 PM
-
1
-
2
-
3
-
4
-
5
-
6
-
7
-
8
-
9
-
10
-
11
-
12
Rode Broadcaster, a high-quality microphone, is designed for broadcasting applications where wide frequency response and low distortion are crucial. It features a 1" externally biased condenser transducer, a switchable high-pass filter, and an 'ON-AIR' LED indicator. With its tailored low-cut feature, internal pop filter, and rugged stainless steel body, the Rode Broadcaster is an excellent choice for studio recordings and live performances.
Ask a question and I''ll find the answer in the document
Finding information in a document is now easier with AI
Related papers
Other documents
-
RODE Microphones NT55 User manual
-
-
RODE Microphones NT1000 User manual
-
-
-
-
-
Brauner Phantom Owner's manual
-
RODE Microphones NTG-1 User manual
-