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High Dynamic Range Digital Photography For Dummies
Chapter 8: Preparing to Tone Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151
Tone Mapping 101 .......................................................................................151
Getting Acquainted with Photomatix Pro .................................................155
Exploring Details Enhancer ..............................................................156
Examining Tone Compressor ...........................................................163
Using Photoshop .........................................................................................166
Chapter 9: Tone Mapping for Fun and Profi t . . . . . . . . . . . . . . . . . . . . .173
Tone Mapping with Photomatix Pro .........................................................173
Getting ready to tone map ................................................................174
Getting started to tone map .............................................................174
Making and evaluating adjustments ................................................178
Finishing up ........................................................................................182
Tone Mapping in Photoshop ......................................................................183
An Approach to Comparing Approaches .................................................188
Batch-Processing Multiple Files .................................................................190
Batch-Processing Single Files .....................................................................194
Chapter 10: Layers, Process, and Blending. . . . . . . . . . . . . . . . . . . . . .197
Taking the Layers Refresher Course .........................................................198
The lasagna of layers .........................................................................198
Managing layers .................................................................................200
Mama Mia Methodologia ............................................................................202
Editing with layers .............................................................................202
The work ow (cue reveal music) ....................................................205
And Now, Blending in 3-D ...........................................................................212
Blending with opacity........................................................................212
Blending select areas.........................................................................213
Using blending modes .......................................................................217
Chapter 11: Cleaning Up Your Photos. . . . . . . . . . . . . . . . . . . . . . . . . . .221
Hey! Keep the Noise Down in There! .........................................................222
Global noise smackdown ..................................................................222
Select and reduce...............................................................................225
Masked reduction ..............................................................................226
Multiple masked reduction ...............................................................228
We Have the Technology: Cloning ............................................................229
Ye olde feather duster .......................................................................229
Removing distractions ......................................................................230
Fixing Lens Distortions ...............................................................................232
Solving Color and Saturation Problems ....................................................236
Oversaturation ...................................................................................236
Color casts ..........................................................................................237
Levels and Lightness ...................................................................................239
Smoothing Rough Spots ..............................................................................240
Turning Your Images Loose: Publishing ...................................................241
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