Kodak Signet 40 User manual

Type
User manual

Kodak Signet 40 is a high-quality camera that will produce great results if you take the time to learn how to use it. This manual will provide you with all the information you need to get started. Some of the features of the Kodak Signet 40 include:

  • Easy loading: Never load or unload in bright, direct light.
  • Shutter speeds: Shutter speeds are used to vary the length of time that the shutter stays open when the shutter release lever is pressed. The slowest shutter speed is 5 (1/5 second) - the fastest is 100 (1/400 second).

Kodak Signet 40 is a high-quality camera that will produce great results if you take the time to learn how to use it. This manual will provide you with all the information you need to get started. Some of the features of the Kodak Signet 40 include:

  • Easy loading: Never load or unload in bright, direct light.
  • Shutter speeds: Shutter speeds are used to vary the length of time that the shutter stays open when the shutter release lever is pressed. The slowest shutter speed is 5 (1/5 second) - the fastest is 100 (1/400 second).
GONTENTS
looding 2
Unlooding 5
Kodok Films 6
Setling The Shuiter And lens I
Focus l0
Ronge Of Shorpness I I
Toking The Picture 12
Ihe Simplest
Settings 14
Flqsh
Pictures
16
Portro Lenses
24,
Core
Of
The
Comero 25
Picture Toking Around The
Clock
26
Photo Aids
28
Deloils
32
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o
You can
be
proud that
you're
now
the
owner
of
one of
Kodak's
finest
cameras.
Your
new
Kodak
Signet
40 Camera
rvill
give excellent
results
-
if
you will spend
a few
minutes
getting
acquainted
with it.
As
you're reading
these
instruc-
tions, keep
the
camera
handy;
then
practice each
oper.ation
as
it appears
in
the manual.
Before
making
any
important
pictures-a trip
or
some
special
event-shoot
a magazine
of film,
including
a few
flash
pictures. This gives
you
practice
and
provides a
check
on
your equipment.
Should
you have
additional
questions,
your Kodak dealer
will be
glad to
give
you
a
helping
hand.
T.II. Reg.
U.S. Par,
Of.
EASY LOADTNG
Never lood or
unlood
in
bright, direct
lighf.
I
Open
tlie back by
plessing
the r-ercrr in
the clilection
of the allow,.
2 Push out
the REwTND KNoB with your
thumb.
Drop the
film magazine in the
recess
ne\t
to the knob.
See
pictule.
Push in
the
re$/ind knob
and turn it until
it
engages
the
magazine.
3
N{ove tl-re
rrr-u ADvANCE
LEvER until the
wide slot in
the take-up
drum is up.
Note: In cose
you
con
not move lhe film odvonce
lever,
turn the SPROCKET
toword
fhe toke-up drum.
4 Drop the end
of the film into
the
slot
in
the take-up
dlum. Hold
dorvn the edge of
the
magazine
and
move the
film advance lever'
until
the slack is out
of the
film.
z
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5 Close
the
back.
N{ake
sure it
snaps
in
place. Move
the
film
advance
lever
until
it
locks.
6 To
rcrdv
the film
for
tlre first
e.rposrrr.e:
o. Push
and
hold
the
nrx'rNo
nnr,resn (on
the
bottom
edge
of the
back
of
the camera)
lvhile
the film
advance
lever
is noved
one
stroke.
Let
the
release
go and
move
the
film
advirnce
lever
until
it locks.
b.
Push
nnd hold
the rer,vind
release
while
moving
the
film
advance
lever
one
stroke.
Let
the release
go and
again
rvind
until
it
locks.
c.
Advance
the
film
for
the
thircl
tirne
until
the
fiLn
advance
lever.
locks.
The
first
frame
is nou'
in
position,
FILM ADVANCE
LEVER
7 Turn the nxposunr corrNTER
dial
in the
direction of the alrow-
until the index mark
is opposite
the led 20 for a 20-exposure
magazine-the
red 0 for a 36-exposure
maga-
zine.
The counter r'vill move tr mark for
each
picture
taken. 1l u;ill
ahoays shou; tl'te num-
ber of erposures remaining
on the
film.
The
exposure counter rvill
not l,vork unless there
is film in
the camela.
I
Rotate
the rrr,rr-rypE
rNDrcAToR to
bring
the ntrme
of the
film
opposite
the
index
mark.
Nole: To
qdyqnce
the film if
o coble releose wos
useC
lo irip the shutter,
or
if the
double-exposure releose
on
the
bottom fronl of lhe
comero wos occidenlolly
tripped,
do this:
A. Press
qnd
hold
the
rewind
rereose,
B. Move film
odvonce lever one stroke.
C.
Let
go
of lhe releose ond
qdvonce
film
until
the
lever locks.
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UNLOADING
THE
CAMERA
Never
unlood
in
bright,
direct
light.
After
the
20th
or
36th
erposure.
and
before
tlre lrat.k
is
operred.
il
is rrlcessary
to rewirrd
the film
into
the
magarzine.
To
clo this:
1
Hold
the
nurvrNn
r,EvER
mzrrked'iervincl"
in the
direction
of the
arrorv.
2
Continue
holding
the
rewind
lever
ancl
turn
the rervind
knob
cneNr
clockrvise
until
the
film
is
completely
rervound
into
the
magi,rzine.
The
film
is
completely
rewound
u'hen
rorr
fecl
a
lcssening
of
teniion
on
thc
rertind
crarrk.
3
Open
the
camera
back; pull
out
the re-
rr ind
knob:
tuln
lhe
camera
over
ancl
let
thc
rnagazine
fall
into
vour
hand.
'l'
I
I
,t
COLOR
Kodqchrome
Film-This
is the favorite color
film that is en-
joyed
by
millions. The
full-color transparencies
can be
pro-
jected
in
any of the easy-working
Kodaslide
Projectors.
Kodachrome
Film is
available in both Daylight Type
(KlSs)
and
Type F
(K135F
for use with clear wire-filled
flash lamps).
Available in
20- and 36-exposure
magazines.
Kodqk
Ekrochrome
Film-A fast color
fflm
that
you
can
process
yourseH
or
have
processed
by
your photoffnisher.
Like Koda-
chrome,
itk a
"reversal"
process
that
produces
brilliant
color
transoarencies.
Ektachrome
Film is
available in Dayiight Type
(E135)
and
Type F
(E135F for use with clear wire-filled
flash
lamps).
Available
in 20-exposure
magazines.
6
i-
l
{"
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BLACK
AND
l^/HITE
Kodok
Ponqtomic-X
Film-Ifere's
a
new,
modern
film
rvith
micro-fine
grain
and
high
resolution.
For
those
r,vho
rvant
zuper-size
enlargements
r,vith
crisp,
brilliant
tone
renclering.
Available
in 20-
and
36-exposure
magazines.
Kodqk
Plus-X
Film-This
is
a
moderately
fast
film
to use
for
average
lighting
conditions.
Its
pan
seisitivity
smooths
out
skin
texture-ideal
for
nost
outdoor
ancl
incloor.
shots.
Avail-
able
in
20-
or 36-exposure
magazines.
Kodok
Tri-X
Film-You'll
like
this
ultr.a_speed
film
having
medium
contrast,
moderate
graininess
orr.l
*id"
""por.,r."
latitude.
It's
ideal
for
sports
pictures and
other
snaipshots
where
adverse
lighting
conditions
ar.e
encounter"d.
S""
page
26.
Available
in
20-
and
B6-exposure
magazines.
SETTING
THE
SHUTTER AND
N-EN5
Shutter
speecls are
used to
valy the length of tin-re that
the
shutter
stays open u'hen the
shutter release lever is
?ressed.
Ihe
slorvest shutter
speed is 5
(1/5
seconcl)-the
fastest
is
SHUTTER
s
p
E E D s
100
(I/400
seconcl). Atthe
"B"
setting, the
shutter rvill stay
opcn ts tong irs
1ne snUtteT IetciLse Iever
rs
lrcl(t
clown.
Shutter
speecls and lens
openings
iue
set to
produce
colrect
exD0sule.
The lens
opening controls
the amount of light
that
passes
through the lens,
The iens opening is
smallest
and
lets in the
L
E
N s
least amount
of light wherr
set
at22
(.f
/22).
The lens opening
(t
P E N I N G s
islargestanclletsinthegreatestamountof
lightu,hensetat
3.5
(f13.5).
The
r-nNs opENrNG
porNrER
can
be set bet$'een
openings.Thepointerhas..clickstops''ateachmarked
openirrg and at the red dot.
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To set
the shutler,
lurn
the
knurled
speed
control
ring
uniil lhe
SHUTTER
SPEED
pOtNTER
is
or the
desired
setling.
Do
nol sel
pointer
befween.two
shutler
speeds. Ifre
shuiler must
be cocked
for o/l
speeds
ond
"8."
To
do this,
push
down the
SHUT-
TER
COCKING
LEVER
until it
cotches.
Use c
triood
for ihe
"B"
sefting.
Never
oil the
shutter.
To
sel lhe
lens
opening,
move the
|ENS
OpENING
POINTER
ulong the
scole
until
it
click stops
st
the
desired
sefting,
The
opening
l6
lefs
in twice
qs
much light
os 22i
1 I twice
os much
os
16, ond
so
on.
The
exposure guide
on
the
rewind
knob gives
the
correrl lens
openings
at 1/50
second
lor lhree
Kodqk films.
See
poge
I6
for
informotion
obout
flosh
piclures.
Shutter
Cocking
LEYCT
Shufter
Speed
Pointer
T**
P'r
5
ti
ts
* 6
4
1..s
Lens
Opening Pointer
You
odiust
focus
by moving lhe
focusing
lever
with
your finger'
The rongefinder
imoges ore
linl-
ed in confrosfing
colors
for
eosy,
occurule
focusing.
Sight through
the eyepiece
in
the back of the
camera.
In
here
you see
the combined
rangefinder
and
viewfinder.
Con-
centrate on
the triangle.
When
the camera
is n.of
focused,
trvo images of
your
subject
appear in
the triangle. When
the
camera
is
focused, these
images are superimposed
to
form
a
single
image.
Select
a
vertical
line or edge
in
your
subject
and
locate
it directly under
the
peak
of the
triangle,
10
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RANGE
OF
SHARPNESS
The
subiect focused
on will be
shorpesi
in the
pic-
ture.
Ofher
obiects
in lhe piclure
oreo, however,
both in
front
of ond
beyond the
subject
focused
upon,
will olso
oppeor
lo
be in
focus. This
is known
os lhe
ronge
of
shorpness.
The
ronge
of shorpness
scole
is
directly
obove
the
focusing
disfqnce
scole
(see
illustrotion
to
fhe
right).
On lhis
scole you
will find
two
sets
of lens
opening
numbers,
one
set on
eoch
side
of fhe
dis-
tqnce
scale pointer.
The
scole
is
used
like this:
ln
ihe
illusfrotion.
the
comero
is
focused
ot
lO feet.
ond
the lens
opening
set
ot l/1
l.
Opposite
the
red
I
I on eqch
side
of fhe
pointer,
find
the
distqnce
cn the focusing
scole. These
dislonces
ore the
neor
ond
fqr limits
of
shorp
focus.
When
you
focus
ol
l0 feel
ond
set lhe
lens
ooen_
ing
al
l/11,
then
oll
obiects
from
obout
6 to
50
':ei
will
be
shorp.
Neorest
Focusing
Forthest
Dislonce
Dislonce
Dislonce
About
l0Feet
Aboul
6
Feet
|
50
Feet
/t\
4
Ronge
of
Shorpness
Disfonces
ore meosured
from
lhe
film
plone
to the
subiect,
The
film
plone
indicolor
*
on
fhe
top of
lhe
comero,
locoies the film
plone.
11
Load the
camera-but never
in bright
light. Heie are the steps to
follow
for making pictures
in bright sunlight.
I Set the shutter
speed
pointer
to the
red 50.
Move
the lens opening
pointer
to the red dot between
5.6 and
8
for Kodachrome
Film Daylight
Typ"
-
to 11 if
you're
using
Kodak Ektachrome
Film Daylight Type.
2 Cock the shutter
by
pressing
the cocking
lever down.
3
Focus on the subject;
then compose
the
picture.
a
Hold
the camera steady;
then
press
the shutter
release leoer
all the
aay doun with
a slow squeezing
action.
(The
release will not operate
if
the shutter
is not cocked, or
if
the
fflm
has
not
been advanced
to an
unexposed
frame.)
5 Advance the
fflm to get ready
for the next
picture.
o
For intentional
double
exposures,
trip the release on
the bottom
front
of
the camera. You can
then cock the shutter
and make
your
second
exposure over the
first
picture.
12
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KODAK
SIGNET
40 CAMERA
/t4ORE ,NFORMAI|ON .
.
. on advancing
film
o
About 3 strokes of the
fflm advance lever are needed
to advance
a full
frame
of
fflm and
to
lock the film advance
mechanism. This supplements
the instructions on
page
3
-
step 6.
PAGE 12, STEP 5
should
read:
Advance the fflm to
the
next
frame by
moving the fflm advance
lever about three strokes
until it locks.
NoTlcE: The S-inch Lurnaclad
reflector
of the Kodak Super-N4
40 Flasholder
concentrates
the Iight in such a
manner that
it
may
act as a burning
glass
in
sunlight.
Do not leaoe i,t in
sunlight
lDith its
open
sid'e
up.
T.M,
Res,
U.S.
Pat. Off.
EASTMAN
KODAK COMPANY
.
.
. Rochesler
4, N. Y.
I l
-56-CH-EX Prinfed
in
the
United Slotes of
Americo
The
illusfrolions
show
two woys
of holding
lhe
cqmero.
Use ony
method you prefer,
os long
os
fhe comero
is held
sleodv.
When loking pictures,
broce
lhe
comero solidly
ogoinst your
foce. Keep
your
eye
close to the
finder
so thof
the reor
opening
lines
up with
oll
four
corners
of lhe fronl
finder
frqme
(see
below).
By keeping your
eye in this position,
you'll
be
oble
to
oim the
comero
correcfly
lhroughoul
lhe
enlire
focusing
ronge.
When
shiffing your
viewpoinl
in
composing
the
picfure,
move
lhe
comero ond your
heod
together.
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THE
SIMPLES'T
SETTINGS
1-
If
ynu
u'ant box-camera simplicity,
set
the shutter
at the
rectr
50, the foctts
at
the
red
10, and the
lens opening
as descr:ibed
belor'v
for Kodachrorne
Filrn and
Kodak Ektachrome
Film
Eaylight
Type.
For
complete
information,
see
the
instruc-
tion
sheets
packed
with
the fflm.
Kodochrome Film
Doylight
Type-ln
brighf,
direct
sunlight.
Set
the lens
opening
at
the red
dot bet',veen
5.6 and
8,
shutter
speed at
the red
50, and
focus at
the
red 10.
Subjects
florn about
7
Io 20 feet
will
be in
sharo focus.
Kodqk Ektochrome
Film Doylighr
Type-ln
bright,
direcf sunlight.
..1
the lens
opening at
the red
11,
shutter
speed at the
red
I .r,:l
focus
irt the
red
10. Subjects from
about
O to 50 feet
"
.,-
:
. in
shtrrp
focus.
15
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You'll
want
to make
some flash
pictures
to really appreciate
your
Signet 40
Camera.
They're as
easy
to make as
outdoor shots-some folks think even
easier. This is'because flash
is always ready
when you
need it.
The Signet 40
was designed
to use the Kodalite Super-M Flasholder
digeptly, and does not require
the use of a
bracket. Two reflectors are
avail-
able for
this flasholder:
The 4:inch reflector
is for
use
with
No.
5
qnd
No. 25 lomps only,
The
3-inch reflector
is designed
primarily
for
the
small
M-2 lomps.
How-
ever, No. 5 and 251amps
can also
be used with this reflector.
Synchronization
The
Kodak Synchro
400 Shutter
synchronizes No. 5,
No. 25,
and
M-2
lamps
at
speed 25
(1/25
second). Electronic fash
units
(zero-time
delay)
aLe
synchrbnizedby
this
shutter
at
all speeds.
16"
I
I
Power
for
the
Flasholder
Batteries
are
not
included
with the
flasholder.
Get
two
116-volt
Denlite bat-
teries
(each
bailery
should
test
B16 am-
peres).
For
more
dependable
lamp
firing,
a
Kodalite
Midget
B-C
Flashpack
and
I5-volt
photoflash
battery
or"
,eco.-
mended.
With
B-C
(battery-condenser)
power in
your fasholder,
fash
failures
due
to
rveak
batteries
are
eliminated
-
batteries
last
Jonger,
too.
Note:
Here
ore
some typicol
l5-voll
photo-
flosh
bofteries:
Burgess
Y 10,
Evereody
No.
504,
Olin
No. 0814.
77
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Kodak Signet 40 User manual

Type
User manual

Kodak Signet 40 is a high-quality camera that will produce great results if you take the time to learn how to use it. This manual will provide you with all the information you need to get started. Some of the features of the Kodak Signet 40 include:

  • Easy loading: Never load or unload in bright, direct light.
  • Shutter speeds: Shutter speeds are used to vary the length of time that the shutter stays open when the shutter release lever is pressed. The slowest shutter speed is 5 (1/5 second) - the fastest is 100 (1/400 second).

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