TAG MCLAREN AUDIO 125M sl Owner's manual

Type
Owner's manual
monobloc 125M
power
LED power
button
OUTPUT 1
OUTPUT 2 INPUT OUTPUT
serial
number
220-240V
~ 50-60Hz
Fuse: T3.15A L250V
made in United Kingdom monobloc 125M
fuse
carrier output
socket
loudspeaker
terminals
ac supply
socket
input
socket
125 1234567
contents
02 welcome
08 key features
09 getting started
13 signal input and output
14 grounding
15 connecting loudspeakers
22 running in and warming up
23 care and maintenance
25 technical data
28 international standards
Specification shown may vary for different countries
GRA00046.1-[CA]125M 09/03/01 16:03 Page 1
We are convinced it will give you many hours of
listening pleasure.
The 125M is a very powerful,high-quality,single-channel
power amplifier (often referred to as ‘monobloc’) with an
output of outstanding clarity and purity.It complements our
PA20R and PA10 preamplifiers in performance and
appearance.The 125M is ideal for larger rooms or for high-
performance loudspeakers which require a large reserve of
power from the amplifier to give their best.
shorter cables, superior sound
You can place a single-channel amplifier
near to each loudspeaker to minimise the
length of the loudspeaker cable.Short
cables provide less resistance to the flow of
current into the loudspeaker,allowing the
combination of amplifier and loudspeaker
to reproduce the finest nuances of the
music with the utmost clarity and
precision.Furthermore,if you use two
125Ms for a stereo system interference
between channels is negligible.
low intermodulation distortion
The theoretically-ideal amplifier
reproduces sound perfectly over an infinite
range of frequencies – starting from well
below the audible range and extending far
welcome welcome
0504
Thank you for purchasing the TAG McLaren Audio monobloc 125M.
above the capabilities of human hearing.
Although sound outside the human hearing
range of approximately 20 to 20,000 Hz
cannot be heard,it can significantly distort
the quality of music reproduction through
an effect that audio engineers call
‘intermodulation distortion’.This type of
distortion moves imperfections that
originate outside the hearing range back
into the audible frequencies.To minimise
this effect,TAG McLaren Audio amplifiers
have a frequency response which extends
both above and below the range of normal
human hearing.
straight line technology
To prevent intermodulation distortion,
an amplifier must respond to very low
frequencies but block any Direct Current
(DC).This is traditionally achieved using
monobloc 125M
GRA00046.1-[CA]125M 09/03/01 16:03 Page 5
capacitors, which also block some of the low-
frequency signal. In the 125M, a feedback
circuit eliminates DC offset voltages and
allows the signal path to be direct coupled
without any capacitors.This arrangement,
which we at TAG McLaren Audio call
‘Straight Line Technology’, is easy to describe
but not easy to realise.The design has taken
our expert engineers years to perfect.
supersonic high-frequency response
In order to reproduce high frequencies,the
125M is constructed using highly-rated,high-
precision components.The circuit has been
painstakingly designed to avoid any possibility
of signals picking up interference and to
minimise the effects of intermodulation.
sophisticated muting
The 125M has a sophisticated muting
system,which stops you hearing loud,
annoying switching noises and protects
the amplifier and loudspeakers.
convenient connections
A signal output is provided to connect
another power amplifier in multi-amplifier
systems.It may also be used to tailor the
input characteristics for special purposes.
The loudspeaker output terminals are
duplicated for your convenience in case
you wish to bi-wire your loudspeakers.
welcome welcome
0706
massive power
The 125M’s power rating of 125 watts
is very conservative,as the 125M can
typically provide 145 watts into 8 ,
240 watts into 4 ,and 320 watts into
2 for a short period. Performance of this
calibre is essential to drive even the least
sensitive loudspeakers without distortion,
and has been achieved through the use of a
very large power supply (which accounts
for the high weight of the 125M) and
highly-specified output circuitry.
The 125M gives you huge power with true
hi-performance,hi-fidelity.
GRA00046.1-[CA]125M 09/03/01 16:03 Page 7
‘Straight Line Technology’ with direct coupled signal and
feedback paths
High-quality audio components
Precision metal-film resistors
Cerafine power supply capacitors
Epoxy glass circuit board
Rated 125 W, typically 145 W into 8 continuous (rated
200 W, typ. 240 W into 4 and rated 275 W, typ. 320 W
into 2 for short periods)
Duplicated loudspeaker terminals (for bi-wiring or multi-room)
Signal output to connect to another power amplifier or to modify
input characteristics
Sorbothane®sonic isolation feet, specially designed by
TAG McLaren Audio(1)
We know you are keen to get your 125M working. This section will
have you listening to your favourite music as quickly as possible.
If you fold out the front cover of this manual you will locate
diagrams which will help you find your way around your 125M(1).
Make sure that all the components of your audio system are
disconnected from the AC supply whenever you change any
connections.
On the back of your 125M you will find two pairs of loudspeaker
terminals, each pair consisting of one red and one black.
The terminals on the back of the 125M use BFA(2) sockets.
The BFA plug pushes into the middle of the terminal.
08 09
key features getting started
before
you start
loudspeaker
terminals
1. Throughout this instruction manual (except in titles), bold print indicates the
lettering that you will find on the panels of your 125M
2. In models for countries where the AC supply is 115 V, the terminals accept 4 mm
‘banana’ plugs instead of BFA plugs. 4 mm plugs are not permitted in Europe.
Please see page 15 for more details of the terminals
1. For the very best performance we recommend that our units are placed on
individual shelves and are not stacked one on top of another
GRA00046.1-[CA]125M 09/03/01 16:03 Page 9
Use high-quality loudspeaker cable terminated in BFA plugs(1) to
connect the red terminal of your right loudspeaker to the red
terminal marked OUTPUT 1 on the back of your 125M(2).
Then connect the black terminal of your loudspeaker to the black
terminal marked OUTPUT 1 on the back of your 125M.
loudspeaker
connection
You will need a preamplifier (such as our PA10 or PA20R)
connected to a sound source (such as our CD player CD20R or
tuner T20) to feed into your 125M. Use a good-quality, screened
phono-phono audio cable to connect the left or right output of
your preamplifier to the socket marked INPUT on the back of
your 125M(1).
Check that the power button is out so that power is off when you
plug in(2). Using the cable supplied, connect the socket on the
back of your 125M to an AC supply outlet. For the best sound
quality, we recommend that you do not use multi-plug adaptors.
preamplifier
connection
power
connection
10 11
getting started getting started
1. Your 125M is a single-channel amplifier and can only accept a mono input. If
you want to use the 125M for stereo, you will need two units. See page 15 for
more information on connecting amplifiers and loudspeakers
2. The power button is a latching switch. One press will hold it in, the next will
release it
1. If you prefer to use a cable which does not have BFA plugs, please see page 16.
2. If your loudspeaker terminals are not colour coded – red corresponds to positive
(+) or signal and black corresponds to negative (-). OUTPUT 1 and OUTPUT 2 are
connected together
3. The diagram is for illustrative purposes only. It is not to scale and does not show
all connections. See page 15 for more details on connecting loudspeakers
OUTPUT 1
OUTPUT 2
The diagram shows a
standard loudspeaker
arrangement(3)
speaker
outin
GRA00046.1-[CA]125M 09/03/01 16:03 Page 11
Press the power button in. The blue power LED will come on.
Wait for about 10 seconds for the muting system to switch off(1).
Start playing your sound source.
Turn up the volume, sit back and enjoy the music.
switch on
getting started
12
1. The output is muted when the power is switched on to allow all the voltages to
stabilize. This protects your 125M and your loudspeakers and prevents
unpleasant noises from upsetting your listening experience
signal input and output
13
The INPUT on the back panel of your 125M accepts the output of
a high-quality preamplifier (such as our PA10 or PA20R(1)).
To simplify multiple power amplifier configurations, an additional
OUTPUT socket is provided. This socket is connected in parallel
with the INPUT socket.
In addition the OUTPUT socket provides the facility to modify the
input impedance of the 125M by using a phono plug loading
module. Please consult your retailer for further information.
audio input
audio output
1. The INPUT can accept a line output from a signal source such as a CD player
but, unless the source has a wide-ranging variable output, there will be no
volume control and the sound level may be excessive. This could result in
damage to your loudspeakers
INPUT OUTPUT
GRA00046.1-[CA]125M 09/03/01 16:03 Page 13
loudspeaker
terminals
The AC mains supply normally operates at either 50 or 60 Hz
(depending on which country you are in). Under some
circumstances, this can cause an audible hum in your
loudspeakers.
Should you have any problems with hum in your system,
please contact your retailer.
To minimise the possibility of mains hum in your system:
do not link the ground terminals of separate audio units
together.
use screened cable for your signal connections and keep
the left and right channel cables close together.
All the units in the TAG McLaren Audio F3 Series are double
insulated and do not require safety ground connections.
Your system does not need to be connected to ground (audio
engineers call this ‘floating’). However, if you want to ground
your system, please contact your retailer who will be able to
assist you.
avoiding hum
grounding
your system
14 15
grounding connecting loudspeakers
The connection between your 125M and your loudspeakers is
crucial to the sound quality of your entire audio system.
Please follow these recommendations to achieve the best results.
Your 125M is specified to operate with 8 loudspeakers, but it
can be used with 4 loudspeakers. The 125M may also be
connected to loudspeakers which have a transient impedance of
less than 4 (1).
Always switch off your 125M before changing any connections.
Always use high-quality loudspeaker cable.
On the back of your 125M you will find a pair of black terminals
and a pair of red terminals. This duplication of the terminals
allows you to bi-wire a loudspeaker as explained on page 19.
OUTPUT 1
OUTPUT 2
1. These ratings are for music signals only. If the 125M is amplifying a continuous
sine wave, an 8 load must be used
GRA00046.1-[CA]125M 09/03/01 16:03 Page 15
We recommend that you use loudspeaker cables terminated in
BFA plugs or spade terminals. These plugs are designed to fit the
terminals on the back of the 125M(1). The BFA plug and socket
ensures that you cannot touch the high-voltage output conductors.
Screw the knob of the terminal all the way in and push the plug
into the centre of the knob.
If you do not have BFA plugs, you can use ‘spade’ connectors.
Unscrew the terminal enough to push the spade into the slot in the
side of the terminal, then tighten the terminal by hand. You should
not use tools to tighten the terminal; over-tightening will reduce
the sound quality.
If you choose to use bare wire, there is a hole in the side of the
terminal to accommodate it. Make sure that there are no strands
of wire sticking out of the terminal.
The simplest way to connect your loudspeaker is to run a single
cable (consisting of two wires). Connect the red terminal on the
loudspeaker to the red terminal on the 125M. Repeat for the
black terminal(1).
If your loudspeaker has separate connections for high and low
frequencies, make sure these are linked together.
connection
methods
standard
connection
16 17
connecting loudspeakers connecting loudspeakers
1. The BFA connector complies with current EU safety standards, which do not
allow the use of 4 mm ‘banana’ plugs. 4 mm terminals are permitted (and are
fitted to the 125M) in countries where the AC supply is 115 volts
1. Connecting black to black and red to red ensures that the ‘phasing’ is correct. If
this is wrong it can affect the sound. If your loudspeaker terminals are not colour-
coded, black corresponds to negative (-) and red corresponds to positive (+) or
signal. Please refer to your loudspeaker manual for details
2. This diagram, and those that follow, are for illustrative purposes only; they are
not to scale and do not show all connections
This diagram shows a
125M connected to a
loudspeaker with a
single input(2)
speaker
outin
hf
lf
OUTPUT 1
OUTPUT 2
GRA00046.1-[CA]125M 09/03/01 16:03 Page 17
Your 125M is a single-channel amplifier and can only accept a
mono input. If you want to use the125M for stereo, you will need
one for each channel.
Connect the left output of a preamplifier (such as our PA20R) to
INPUT on one of the 125Ms and the right output on the
preamplifier to INPUT on the other 125M.
In this system, it is best to place each 125M as near as possible to
the loudspeaker it is feeding. You will get better sound quality if
the loudspeaker leads are short.
With many high-quality loudspeakers, you can make separate
connections to the high- and low-frequency drivers(1). In such
cases, you may want to run separate cables for the high and low
frequencies as shown in the diagram. To do this you will need to
remove the links, provided as part of the loudspeaker, which
connect the drivers. Please refer to your loudspeaker instructions
to find out how to do this.
Bi-wiring provides separate paths for high- and low-frequency
signals, improving the sound quality in many cases.
stereo
connection
bi-wiring
18 19
connecting loudspeakers connecting loudspeakers
1. The ‘driver’ is the mechanism inside the case of the loudspeaker which actually
makes the sound. Most high-quality loudspeakers have drivers for high, low and
often middle frequencies and the capability to connect them separately.
However, the lack of this facility is not necessarily a sign of low quality (as some
of the finest loudspeakers in the world have proved)
This diagram shows two
125Ms connected to a
TAG McLaren Audio
PA20R preamplifier to
create a stereo system
This diagram shows a
125M bi-wired to a
loudspeaker
out
outin
hf
lf
left speaker
hf
lf
right speaker
outin
speaker
hf
lf outin
INPUT OUTPUT
GRA00046.1-[CA]125M 09/03/01 16:03 Page 19
To improve the sound further, you can use separate amplifiers for
high and low frequencies. This will allow you to increase the
volume without distorting the sound. As each amplifier is
operating in a smaller bandwidth, intermodulation distortion may
also be reduced.
Connect the output of one channel of a preamplifier (such as our
PA20R) to INPUT on one 125M. Connect OUTPUT of this 125M
to INPUT on another 125M. Connect one 125M to your
loudspeaker’s high-frequency driver and the other to the low-
frequency driver(1).
For stereo, you will need to duplicate this arrangement for the
other channel.
Some high-quality loudspeakers have separate drivers for the
middle frequency range as well as high and low. In such cases
it may be possible (for details refer to your loudspeaker
instructions) to run separate cables for each frequency range
to tri-wire the loudspeakers.
If you wish to do this, you will need to connect two wires to one
terminal. We recommend that you use stackable BFA plugs for
this purpose. These are available from your retailer.
The arrangements described above and on previous pages are
only suggestions and do not cover all the connection possibilities
for amplifiers and loudspeakers.
If you want to expand your audio system, please contact your
retailer who will be happy to discuss your specific requirements.
tri-wiring
other multiple
amplifier
arrangements
bi-amping
20 21
connecting loudspeakers connecting loudspeakers
1. This simple connection method works with any combination of TAG McLaren Audio
F3 Series amplifiers because they have matched gains. If you want to connect a
different manufacturer’s amplifier, you may need to use an active crossover or a
gain-setting facility. Please contact your retailer for advice if you wish to do this
This diagram shows two
125M mono power
amplifiers connected
together for bi-amping
outin
outin
hf
lf
speaker
INPUT OUTPUT
GRA00046.1-[CA]125M 09/03/01 16:03 Page 21
23
care and maintenance
There is a fuse in the power socket on the back of your 125M.
To change the fuse, unplug the power cable and pull out the fuse
carrier drawer(1).
The fuse carrier contains a spare fuse; this is the first one that you
see when you open the carrier.
There are no other user-serviceable parts inside the 125M.
In order to maintain the appearance of your 125M, you can
clean it as follows:
before cleaning, always disconnect your 125M from the AC
supply.
any grease or dirt on the case may be removed with a soft,
lint-free cloth moistened slightly with a mild solution of warm
water and detergent or washing-up liquid. Do not use any
other solutions. Do not use any solvents or abrasives.
take great care not to get any liquid inside the case.
If this happens, you should have your 125M serviced.
fuses
cleaning
TAG McLaren Audio equipment is designed to give optimum
performance for many years.
Just like a high-quality car, the performance of your 125M will
improve during the first few hours of operation. The electronic
components will then have reached and settled down to near-
perfect specification.
Every time you switch on your125M, the performance will
improve until the components reach their optimum operating
temperature.
running in
warming up
22
running in and warming up
1. You cannot open the fuse carrier drawer while the plug is in the socket
GRA00046.1-[CA]125M 09/03/01 16:04 Page 23
25
technical data
This section is for those of you who really want to know the ‘insides’
of your 125M. You will not miss out on any of the functions or
performance of your 125M if you choose not to read any further.
125 W into rated load impedance (8 )
200 W into 4 and 275 W into 2 for short periods
145 W into rated load impedance (8 )
240 W into 4 and 320 W into 2 for short periods
1.13 V rms
47 knominal
29.0 dB at 1kHz
greater than 96 dB (relative to 0 dBW)
rated output
power
typical output
power
input for full
rated power
input impedance
gain
signal to noise
24
care and maintenance
The only service you should do to your 125M is described on the
previous page. All other servicing should only be carried out by
one of our authorised service agents.
If service is required, please contact your authorised TAG
McLaren Audio retailer. If your 125M is still under guarantee,
please refer to the guarantee card which gives you details on
how to claim against the guarantee.
Please keep the original packaging and use it whenever your
125M is transported.
service
GRA00046.1-[CA]125M 09/03/01 16:04 Page 25
27
technical data
technical data
26
power
consumption
dimensions
(including feet,
terminals and controls)
We reserve the right to alter design and specification without notice
Specification may vary for different countries
less than 300 W
445 mm wide
75 mm high
333 mm deep
ac supply
voltage
0.1Hz – 75 kHz
± 0.3 dB
less than 0.05%
non-inverting for all inputs and outputs
10 – 35 ˚C
50 – 60 Hz
110 – 120 V or 220 – 240 V
The voltage is marked on the rear of the unit
total harmonic
distortion + noise
polarity (phase)
operating
temperature range
ac supply
frequency
frequency response
(20 Hz 20 kHz)
frequency response
(-3 dB)
The rated and typical performance applies when the mains supply voltage is either
230 V AC for 220 - 240 V units or 115 V AC for 110 - 120 V units
GRA00046.1-[CA]125M 09/03/01 16:04 Page 27
international standards
28
*115 V units are fitted with 4 mm terminals. They comply with 73/23/EEC, IEC65 and EN60065 in all other aspects
Your125M meets or exceeds all the legal requirements listed below:
directives
safety
emc emissions
emc immunity
89/336/EEC EMC Directive (as amended by 93/23/EEC)
*73/23/EEC Low Voltage Directive (as amended by 93/23/EEC)
* IEC65: 1985
* IEC65 A2: 1989
* IEC65 A3: 1992
* EN60065: 1993
EN50081 -1: 1992
EN55022 Class B: 1994
EN60555 -2: 1987
EN61000 -3-3: 1995
FCC Part 15 Class B: 1997
EN50082 -1: 1992
IEC801 -2: 1991 ± 8 kV air discharge
IEC801 -3: 1984 3 V/m
IEC801 -4: 1988 ± 1 kV AC power, ± 500 V other ports
EN61000 -4-2: 1995 ± 8 kV air, ± 4 kV contact discharge
EN61000 -4-4: 1995 ± 1 kV AC power, ± 500 V other ports
EN61000 -4-5: 1995 ± 2 kV common mode, ± 1 kV differential mode
EN61000 -4-11: 1994
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TAG MCLAREN AUDIO 125M sl Owner's manual

Type
Owner's manual

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