Roland M-480 is a digital mixing console that offers a wide range of features for both live sound and recording applications. With 48 channels, 25 buses, and a comprehensive array of effects, the M-480 provides the power and flexibility to handle even the most demanding productions. Whether you're a musician, engineer, or producer, the M-480 has the tools you need to create professional-quality mixes.
Roland M-480 is a digital mixing console that offers a wide range of features for both live sound and recording applications. With 48 channels, 25 buses, and a comprehensive array of effects, the M-480 provides the power and flexibility to handle even the most demanding productions. Whether you're a musician, engineer, or producer, the M-480 has the tools you need to create professional-quality mixes.
Version 1.5 Owner’s Manual Addendum
This document describes the features that have been added in this update.
In order to fully understand the M-480’s new features, please read this document together with the Owner’s
Manual for the M-480.
Copyright © 2012 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of
ROLAND CORPORATION.
2PS
2
Functionality added in version 1.5
✔ New functionality has been added to scene memory.
• Fade function (p. 3)
• Detailed settings for the Recall Filter function (p. 5)
✔ The following effects have been add to the effect types.
• CE-1 (p. 7)
• DD-3 x2 (p. 8)
• DM-3 x2 (p. 9)
• DIST x2 (p. 10)
• MASTERING (p. 11)
✔ The delay time of each delay for the respective channels and monitors can be set at a maximum
of 1.2 seconds.
✔ New functionality has been added to DCA groups (p. 17).
• DCA groups 9 to 24 added
• CHANNEL DISPLAY screen added for DCA groups
✔ New functionality has been added for monitoring (p. 21).
• Dimmer function
• Prohibition of operation from the LEVEL knobs in the top panel's MONITOR section
✔ Other new functionality
• LO SHELF 2 (LSV2) and HI SHELF 2 (HSV2) have been added to the 4-band EQ types for each channel (p. 23).
• Delay time can be set in sample units (p. 24).
• A function has been added to exclusively switch off sends to MAIN L/R or to MAIN C when sends to MAIN L/R and
MAIN C are on (p. 25).
• Functions that can be assigned to user buttons have been added (p. 25).
• A function has been added that automatically applies the channel names on the M-480 to the track names on the
R-1000 when an R-1000 48-track recorder/player is connected and the M-480 is used as a recording source (p. 26).
• The following RS-232C commands have been added.
For more information, refer to "V-Mixer RS-232C Reference."
◆ Control commands
• Display blackout/cancel blackout
• Display brightness setting
• Panel brightness setting
• Lamp brightness setting
◆ Request command
• REAC connection status request
• Display blackout status request
• Display brightness request
• Panel brightness request
• Lamp brightness request
◆ Reply-use commands
• Error status
• Connection-destination REAC device error status
3
New functionality for scene memory
• A fade function has been added.
• Detailed settings have been added for the Recall Filter function, enabling the individual range to be set
independently for channels, DCA/MUTE groups, and effects.
The fade function makes parameters change gradually over a specific interval when a scene memory is recalled.
The fade function can be set individually for each scene.
The parameters for which the fade function is enabled are shown below.
• Faders for the respective channels
• Pan (or balance) for the respective channels
1. At the SCENE MEMORY section, press [DISP].
The SCENE screen is displayed.
When the fade function is enabled for a scene memory, FADE is displayed in the STATUS field for the scene memory
on the scene list at the SCENE screen.
Fade function
Using the fade function
4
New functionality for scene memory
2. From the scene list, select the target scene, then press [F4 (PARAM EDIT)].
This accesses the RECALL PARAMETER EDIT popup.
❖FADE
USE FADE button
Selecting the check box enables the fade function.
Fade time
This sets the duration of the fade.
You can set it up to a maximum of 100 seconds.
PAN
Selecting this check box enables the fade function for panning (or balance) as well.
3. Select the check box for the USE FADE button.
4. Set the fade time.
5. Press [F8 (OK)] to apply the changes and close the popup.
Recalling a scene memory for which the fade function is enabled and then again recalling the same scene memory
causes the values registered to the scene memory to be updated instantly.
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5
New functionality for scene memory
Using the detailed settings for the Recall Filter function lets you recall the following individually.
• CH1 – 48
• RTN1 – 6
• MAIN L, R, C
• AUX1 – 16
• MTX1 – 8
• DCA Group 1 – 24
• MUTE Group 1 – 8
• FX1 – 8
• GEQ1 – 12
• EXT FX1 – 8
1. At the SCENE MEMORY section, press [DISP].
The SCENE screen is displayed.
The RECALL PARAMETERS box in the scene list is displayed as shown below, depending on the state of the detailed
settings for the Recall Filter function.
Detailed settings for the Recall Filter feature
Excluding a specific channel from scene recall
Display Meaning
Recall none.
Recall all.
Recall only some.
6
New functionality for scene memory
2. From the scene list, select the target scene, then press [F4 (PARAM EDIT)].
This accesses the RECALL PARAMETER EDIT popup.
The RECALL PARAMETERS selection buttons are displayed as shown below, depending on the state of the detailed
settings for the Recall Filter function.
In the case of , pressing [ENTER] displays the RECALL PARAMETER DETAIL popup.
3. Press [F4 (DETAIL)].
The RECALL PARAMETER DETAIL popup appears.
❖Channel recall range setting button
Specify the channels to include in the recall range. Clearing a check mark excludes the item from scene recall.
4. Press [F8 (CLOSE)] to close the RECALL PARAMETER DETAIL popup.
5. Press [F1 (RECALL FILTER)] to activate.
6. Press [F8 (OK)] to apply the changes and close the popup.
Display Meaning
Recall none.
Recall all.
Recall only some.
7
Added effect types
This is a chorus modeled on the Boss CE-1 Chorus Ensemble.
The original has mono in and mono out (or wet/dry out) specifications, but the modeling adds a mode selection
switch that also enables use as an effect with stereo in or stereo out specifications. The modeling also provides a
level knob for adjusting the output level.
The CE-1 was launched in 1976 as the first Boss-brand product.
◆Functioning of function buttons
CE-1(Chorus Ensemble)
Parameter (name) Setting value Remarks
mode (mode selection switch)
mono
Signals input to IN L and IN R for use as mono in or mono out
effects are mixed.
The same signal is output from OUT L and OUT R.
mono-st
Used as effects for mono in or wet/dry out
(OUT L: wet out, OUT R: dry out)
stereo Used as effects for stereo in or stereo out
level (level) 0 – 100 Adjustment of output level
chorus intensity (chorus intensity) 0 – 100 Adjustment of chorus effect
vibrato depth (vibrato depth) 0 – 100 Depth of vibrato effect
vibrato rate (vibrato rate) 0 – 100 Cycle of vibrato effect
normal/effect Sw
(switch between normal and effect)
normal No effects applied
effect Effects applied
vibrato/chorus Sw
(switch between vibrato and chorus)
vibrato Vibrato effect
chorus Chorus effect
Button Function
[ F1 (ON) ] Switch between normal and effect
[ F2 (DIRECT) ]
Output/no output of direct sound
(effective only when mode switch is set to stereo)
[ F4 (ST MOD INVERT)]
Inversion/no inversion of modulation effect during stereo
(effective only when mode switch is set to stereo)
[ F5 (CHORUS) ] Switch to chorus
[ F6 (VIBRATO) ] Switch to vibrato
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Added effect types
This is a delay modeled on the Boss DD-3 Digital Delay.
The original has mono in and mono out (or delay/direct out) specifications, but the modeling has dual mono
specifications that simulate two units in parallel.
◆Functioning of function buttons
DD-3 x2
Parameter (name) Setting value Remarks
E.LEVEL (effect level) 0 – 100 Level of delay sound
F.BACK (feedback level) 0 – 100 Repetition of delay sound
D.TIME (delay time) 0 – 100
Fine-tuning of delay time
Continuously variable from x0.25 to x1 of range setting
mode (mode selection switch)
S.50ms Delay time of 12.5 ms to 50 ms
M.200ms Delay time of 50 ms to 200 ms
L.800ms Delay time of 200 ms to 800 ms
HOLD
Delay time of 200 ms to 800 ms
[F1 (ON A)] or [F4 ON B)] performs unlatching (applying the
effect only while pressed)
Button Function
[ F1 (ON A) ] DD-3 A on/off
[ F2 (DIRECT A) ] Output/no output of DD-3 A direct sound
[ F4 (ON B) ] DD-3 B on/off
[ F5 (DIRECT B) ] Output/no output of DD-3 B direct sound
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Added effect types
This is a delay modeled on the Boss DM-3 Delay.
The original has mono in and mono out (or delay/direct out) specifications, but the modeling has dual mono
specifications that simulate two units in parallel.
◆Functioning of function buttons
DM-3 x2
Parameter (name) Setting value Remarks
REPEAT RATE (repeat rate) 0 – 100 Adjusts the delay time
ECHO (echo volume) 0 – 100 Level of delay sound
INTENSITY (intensity) 0 – 100 Repetition of delay sound
Button Function
[ F1 (ON A) ] DM-3 A on/off
[ F2 (DIRECT A) ] Output/no output of DM-3 A direct sound
[ F4 (ON B) ] DM-3 B on/off
[ F5 (DIRECT B) ] Output/no output of DM-3 B direct sound
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Added effect types
This is distortion/overdrive that has dual mono specifications with noise suppressor.
The DISTORTION/OVERDRIVE selection button enables use as either distortion or overdrive.
◆Functioning of function buttons
DIST x2
Parameter (name) Setting value Remarks
Type selection button
DISTORTION Used as distortion
OVERDRIVE Used as overdrive
LEVEL (effect level) 0 – 100 Level of effect sound
TONE (tone) -50 – 50 Adjusts tone
GAIN (gain) 0 –100 Adjusts amount of distortion
THRESHOLD (threshold level) 0 – 100 Adjust the threshold level of the noise suppressor
DECAY (decay) 0 –100
Adjusts the decay time when the input level for the noise
suppressor falls below the threshold level
Button Function
[ F1 (ON A) ] DISTORTION A on/off
[ F4 (ON B) ] DISTORTION B on/off
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Added effect types
This regularizes the volume level for separate bands (low, midrange, and high).
When the EQ/Enhancer tab is displayed, the controls in the EQUALIZER area of the CHANNEL EDIT section can be
used for EQ operations.
◆EQ
MASTERING
EQ/Enhancer
Parameter (name) Setting value Remarks
EQ (EQ switch) OFF, ON Equalizer on/off
EQ ATT (EQ attenuator) -42.0 – 6.0dB Adjusts the input level for EQ
TYPE (filter type)
PEAK Peaking
LSV Low shelving
HSV High shelving
LPF1 -6 dB/oct low-pass filter
HPF1 -6 dB/oct high-pass filter
LPF2 -12 dB/oct low-pass filter
HPF2 -12 dB/oct high-pass filter
BPF Bandpass filter
NOTCH Notch filter
LSV2 Low shelving
HSV2 High shelving
Input L
Input R
Output L
Output R
4Band EQ
4Band EQ
Bass Cut
Bass Cut
Enhancer
Enhancer
Input
Expander
Expander
Expander
Compressor
Compressor
Compressor
Limiter
Limiter
Output
Output
H
M
L
Mixer
Input
Expander
Expander
Expander
Compressor
Compressor
Compressor
H
M
L
Mixer
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Added effect types
◆HPF : Cuts unneeded low-band popping, noise, etc.
◆ENHANCER : Adds modulation to the sound, making the sound more prominent
Parameter (name) Setting value Remarks
Q (Q) 0.36 – 16.00
Sharpness of the frequency-characteristic curve at the
central frequency
(Not displayed when LSV, HPF1, HSV, or LPF1 is selected as
filter type)
FREQ (frequency) 20Hz – 20.00kHz Central frequency
GAIN (gain) -15.0 – 15.0dB
Amount of boost/cut
(Not displayed when HPF1, HPF2, LPF1, LPF2, BPF, or NOTCH
is selected)
Parameter (name) Setting value Remarks
HPF (HPF ) OFF, ON HPF on/off
FREQ (HPF frequency) 20Hz – 20.00kHz
Cutoff frequency for unneeded low-band popping, noise,
etc.
SLOPE 6 dB SLOPE -6 dB/oct slope
12dB SLOPE -12db/oct slope
18dB SLOPE -18db/oct slope
Parameter (name) Setting value Remarks
ON (enhancer switch) OFF, ON Enhancer on/off
FREQ (enhancer frequency) 20Hz – 20.00kHz Frequency at which application of the enhancer effect starts
SENS (enhancer sense) 0 – 100 Amount of enhancer effect
MIX (enhancer mix level) 0.0 – 12.0dB Volume level of enhancer sound
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Added effect types
◆SPLIT : Splits the original sound into three frequency bands (low, middle, and high)
• Splitting into bands
When splitting sound into high, midrange, and low bands, the frequencies are specified by the low-split point
(SPLIT LO) and high-split point (SPLIT HI).
◆INPUT
• Input "look-ahead time" effect
With an ordinary compressor, a momentary delay occurs before compression starts after an exceeded level is
detected.
This algorithm is intended to avoid this problem by using only detection of the input-sound level to use sound
delayed by a specified amount for actual processing and output.
The delay-time setting for this is input look-ahead time (LOOK-AHEAD).
Applying look-ahead time creates a time lag between input and output audio signals, and so care is required when
using it with channel insertion or the like.
◆MIX (mixer) : Adjusts the volume level of the individual frequency bands
INPUT
Parameter (name) Setting value Remarks
SPLIT LO (low split point) 20 – 800Hz
Frequency for splitting the original sound into 3 bands (low
end)
SPLIT HI (high split point) 1.60 – 16.00kHz
Frequency for splitting the original sound into 3 bands (high
end)
Parameter (name) Setting value Remarks
LEVEL (input level) -24.0 – 12dB Overall volume level before entering expander/compressor
LOOK-AHEAD (look-ahead time) 0.0 – 50ms Time by which the original sound input is delayed
Parameter (name) Setting value Remarks
LO MIX (low mix level) -Inf – 6.0dB
Volume level of the low band after passing through the LO
MIX (low-mix level) expander and compressor
MID MIX (middle mix level) -Inf – 6.0dB
Volume level of the middle band after passing through the
MID MIX (middle-mix level) expander and compressor
HI MIX (high mix level) -Inf – 6.0dB
Volume level of the high band after passing through the HI
MIX (high-mix level) expander and compressor
Freq
L-SplitP H-SplitPLevel
Low Mid High
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Added effect types
◆SPLIT : Splits the original sound into three frequency bands (low, middle, and high)
◆3-BAND EXPANDER : Expands the dynamic range by a uniform ratio
◆MIX (mixer) : Adjusts the volume level of the individual frequency bands
3-BAND EXP
Parameter (name) Setting value Remarks
SPLIT LO (low split point) 20 – 80Hz
Frequency for splitting the original sound into 3 bands (low
end)
SPLIT HI (high split point) 1.60 – 16.00kHz
Frequency for splitting the original sound into 3 bands (high
end)
Parameter (name) Setting value Remarks
ON (expander switch) OFF, ON Expander on/off
THRE (threshold level) -80.0 – 0.0dB
Volume level at which application of the expander effect
starts
RATIO (ratio) 1.00:1 – 16.0:1, INF:1
Ratio of output compression when the input level falls below
the threshold level
ATK (attack time) 0.0 – 800ms
Interval until application of the expander effect starts after
the input level falls below the threshold level
REL (release time) 50.0 – 8000ms
Interval until application of the expander effect ends after
the input level surpass the threshold level
Parameter (name) Setting value Remarks
LO MIX (low mix level) -Inf – 6.0dB
Volume level of the low band after passing through the
expander and compressor
MID MIX (middle mix level) -Inf – 6.0dB
Volume level of the middle band after passing through the
expander and compressor
HI MIX (high mix level) -Inf – 6.0dB
Volume level of the high band after passing through the
expander and compressor
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Added effect types
◆SPLIT : Splits the original sound into three frequency bands (low, middle, and high)
◆3-BAND COMPRESSOR : Globally compresses the output signal when the input volume level exceeds a specific value
The compressor automatically corrects the level to optimal based on the settings for the threshold level (THRE) and
ratio (RATIO). Also, because longer attack times (ATK) can cause distortion, a margin of -6 dB is applied. Adjust the
mixer (MIX) level as required.
◆MIX (mixer) : Adjusts the volume level of the individual frequency bands
3-BAND COMP
Parameter (name) Setting value Remarks
SPLIT LO (low split point) 20 – 80Hz
Frequency for splitting the original sound into 3 bands (low
end)
SPLIT HI (high split point) 1.60 – 16.00kHz
Frequency for splitting the original sound into 3 bands (high
end)
Parameter (name) Setting value Remarks
ON (compressor switch) OFF, ON Compressor on/off
THRE (threshold level) -80.0 – 0.0dB
Volume level at which application of the compressor effect
starts
RATIO (ratio) 1.00:1 – 16.0:1, INF:1 Ratio of output compression when the level is exceeded
ATK (attack time) 0.0 – 800ms
Interval until application of the compressor effect starts after
the input level exceeds the threshold level
REL (release time) 50.0 – 8000ms
Interval until application of the compressor effect ends after
the input level falls below the threshold level
Parameter (name) Setting value Remarks
LO MIX (low mix level) -Inf – 6.0dB
Volume level of the low band after passing through the
expander and compressor
MID MIX (middle mix level) -Inf – 6.0dB
Volume level of the middle band after passing through the
expander and compressor
HI MIX (high)mix level -Inf – 6.0dB
Volume level of the high band after passing through the
expander and compressor
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Added effect types
◆LIMITER : Prevents distortion by compressing high-level signals
◆OUTPUT : Makes global settings for output
LIMITER/OUTPUT
Parameter (name) Setting value Remarks
ON (limiter switch) OFF, ON Limiter on/off
THRE (threshold level) -80.0 – 0.0dB Volume level at which application of the limiter effect starts
ATK (attack time) 0.0 – 800ms
Interval until application of the limiter effect starts after the
input level exceeds the threshold level
REL (release time) 50.0 – 8000ms
Interval until application of the limiter effect ends after the
input level falls below the threshold level
Parameter (name) Setting value Remarks
SOFT CLIP (soft clip) OFF, ON
Suppresses prominent distortion when extreme
compressor/limiter effect is applied
LEVEL (output level) -Inf – 6.0dB Overall volume level after passing through the limiter
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New functionality for DCA groups
• DCA groups 9 to 24 have been added.
• A CHANNEL DISPLAY screen for DCA groups has been added.
DCA group assign
This displays a view of all DCA group assignments.
Pressing [ENTER] displays the DCA GROUP ASSIGN popup.
S button
This switches SOLO for a DCA group on or off.
M button
This switches MUTE for a DCA group on or off.
Fader
This adjusts the level of a DCA group within a range of -Inf dB to +10 dB.
◆Functioning of function buttons
Displaying the DCA GROUP ASSIGN popup terminates the [F6 (DCA ON FADER)] function.
DCA GROUP screen
Button Function
[ F1 (CH DISP) ] Displays the CHANNEL DISPLAY screen.
[ F6 (DCA ON FADER)]
When this is on, DCA groups can be manipulated using fader
modules 1 to 24 on the top panel.
[ F7 NAME EDIT] Displays the NAME EDIT popup.
[ F8 (ASSIGN) ] Displays the DCA GROUP ASSIGN popup.
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New functionality for DCA groups
When DCA groups have been assigned to user fader layers, the DCA group assignments can be checked at the
METER screen (LAYER VIEW tab).
DCA group assign
This displays a view of all DCA group assignments.
Pressing [ENTER] displays the DCA GROUP ASSIGN popup.
S button
This switches SOLO for a DCA group on or off.
M button
This switches MUTE for a DCA group on or off.
Fader
This adjusts the level of a DCA group within a range of -Inf dB to +10 dB.
METER screen (LAYER VIEW tab)
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4
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4
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New functionality for DCA groups
DCA group assign
This displays the assignments for the selected DCA groups.
Pressing [ENTER] lets you switch an assignment to a DCA group on or off.
SOLO button
This switches SOLO for a DCA group on or off.
MUTE button
This switches MUTE for a DCA group on or off.
Fader
This adjusts the level of a DCA group within a range of -Inf dB to +10 dB.
◆Functioning of function buttons
CHANNEL DISPLAY screen
Button Function
[ F2 (NAME EDIT) ] Displays the NAME EDIT popup.
[ F7 (CLEAR ALL) ] Switches off all assignments to DCA groups.
[ F8 (DCA GROUP) ] Displays the DCA GROUP screen.
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4
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New functionality for DCA groups
1. At the GROUP section, press [DCA].
The DCA GROUP screen appears.
2. Move the cursor to the target DCA group, then press [F1 (CH DISP)].
The CHANNEL DISPLAY screen appears.
When DCA groups have been assigned to user fader layers, pressing [SEL] for a fader module where a DCA group has
been assigned lets you access the CHANNEL DISPLAY screen.
Accessing the CHANNEL DISPLAY screen for DCA groups
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Roland M-480 is a digital mixing console that offers a wide range of features for both live sound and recording applications. With 48 channels, 25 buses, and a comprehensive array of effects, the M-480 provides the power and flexibility to handle even the most demanding productions. Whether you're a musician, engineer, or producer, the M-480 has the tools you need to create professional-quality mixes.
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