Corel Painter IX Operating instructions

Category
Software
Type
Operating instructions
PIXUserGuide.book Page 2 Thursday, August 26, 2004 10:43 AM
Copyright 1991 - 2004 Corel Corporation. All rights reserved.
Corel® Painter™ IX User Guide
The contents of this user guide and the associated Corel Painter software are the
property of Corel Corporation and its respective licensors, and are protected by
copyright. For more complete copyright information about Corel Painter, please refer
to the About Corel Painter section in the Help menu of the software.
Corel, the Corel logo, Corel Painter, CorelDRAW, KPT , Gel, Goo, LensFlare,
Lightning, Pyramid Paint, Reaction, ShapeShifter, and Natural-Media are trademarks
or registered trademarks of Corel Corporation and/or its subsidiaries in Canada, the
U.S. and/or other countries.
Adobe, Illustrator, Photoshop, PostScript, and Premiere are registered trademarks of
Adobe Systems Incorporated in the United States and/or other countries. Mac, Mac
OS, and Quick Draw are registered trademarks of Apple Computer, Inc., registered in
the United States and other countries. Canon is a registered trademark of Canon Inc.
Kodak is a registered trademark of Eastman Kodak Company. Hewlett-Packard and
DeskJet are registered trademarks of Hewlett Packard. Microsoft and Windows are
registered trademarks of Microsoft Corporation in the United States and/or other
countries. Minolta QMS is a trademark of Minolta Co., Ltd. Pantone, Hexachrome,
and PANTONE MATCHING SYSTEM are trademarks or registered trademarks of
Pantone, Inc. in the United States and/or other countries. TARGA is a registered
trademark of Pinnacle Systems, Inc., registered in the U.S. and other countries.
Cinepak is a registered trademark of Radius, Inc. EPSON Stylus is a registered
trademark of Seiko Epson Corporation. Tektronix is a registered trademark of
Tektronix, Inc. Wacom and Intuos are registered trademarks of Wacom Company, Ltd.
Other product, font, and company names and logos may be trademarks or registered
trademarks of their respective companies.
Corel's licensor(s) makes no warranties, express or implied, including without
limitation the implied warranties of merchantability and fitness for a particular
purpose, regarding the software, Corel's licensor(s) does not warrant, guaranty,
or make any representations regarding the use of the results of the use of the
software in terms of its correctness, accuracy, reliability, currentness, or
otherwise. The entire risk as to the results and performance of the software is
assumed by you. The exclusion of the implied warranties is not permitted by
some states. The above exclusion may not apply to you.
In no event will Corel's licensor(s), and their directors, officers, employees, or
agents (collectively "Corel's licensor") be liable to you for any consequential,
incidental, or indirect damages (including damages for loss of business profits,
business interruption, loss of business information, and the like) arising out of
the use of, or inability to use, the software even if Corel's licensor has been
advised of the possibility of such damages. Because some states do not allow the
exclusion or limitation of liability for consequential or incidental damages, the
above limitations may not apply to you.
007094
Featured artists
Ryan Church . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Chet Phillips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Christopher Welch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Jeremy Sutton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Cher Threinen-Pendarvis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Don Seegmiller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
John Taylor Dismukes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
John Ryan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Andrew Jones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
Table of contents i
Table of contents
Art by Ryan Church: Concept painting for a movie scene
Welcome to Corel Painter IX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
What’s in This User Guide? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
What’s New in Corel Painter IX?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
How to Use the Documentation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
How to Sign Up for Free Training from lynda.com. . . . . . . . . . . . . . . . . . . . 12
How to Access Corel Support Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Art by Chet Phillips: Newspaper illustration
The Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Working with Documents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Getting Started with Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Managing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Editing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Art by Christopher Welch: Concept vehicle design
Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Getting Started with Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Working with the Mixer Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Working with Color Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Setting Color Variability. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Viewing Color Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Setting Color Expression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Working with Gradients . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Textures, Patterns, and Weaves. . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Using Paper Texture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
ii Table of contents
Using Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Using Weaves. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Art by Jeremy Sutton: Digital portrait painting
Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Exploring Brushes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Marking the Canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Exploring Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Working with Fill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Watercolor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Getting Started with Watercolor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Working with Digital Watercolor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Liquid Ink. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Working with the Liquid Ink Layer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Using Liquid Ink Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Impasto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Getting Started with Impasto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Adjusting Surface Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Image Hose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
How the Image Hose Works. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Getting Started with the Image Hose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Art by Cher Threinen-Pendarvis: Digital landscape painting
Customizing Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Getting Started with the Brush Creator. . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Managing Settings and Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Managing Custom Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Art by Don Seegmiller: Concept character painting
Table of contents iii
Cloning and Tracing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Cloning Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Using Cloner Brushes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Turning Other Brushes into Cloners. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Image Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Working with Surface Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Mosaics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Getting Started with Mosaics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Placing and Customizing Tiles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Art by John Taylor Dismukes: 3D Halloween concept design
Using Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Getting Started with Shapes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Creating Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Editing Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Transforming Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Combining Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
Art by John Ryan: Animation storyboard for a radio commercial
Animation and Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Creating Animations and Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Getting Started with Movies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Modifying a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Rotoscoping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Saving and Exporting Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Art by Andrew Jones: Character design for a video game
Printing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Understanding Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Getting Started with Printing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Ryan Church is one of the leading concept artists working today. He has worked with clients such as
Walt Disney Imagineering, Universal Studios, Industrial Light and Magic, and Lucasfilm. Ryan
is currently a Concept Design Supervisor for Star Wars: Episode III, and a Senior Art Director at
Industrial Light and Magic.
Art by Ryan Church: Concept painting for a movie scene
Welcome to Corel Painter IX 3
Welcome to Corel Painter IX
Corel® Painter™ IX is the leading Natural-Media® painting application.
Corel Painter lets you simulate a wide range of art tools — from felt pens, charcoal,
and colored pencils to watercolor and oils.
What’s in This User Guide?
The Corel Painter IX User Guide is divided into nine sections. Each section describes a
collection of tools you can use to create digital artwork and provides step-by-step
instructions. In addition, artwork by a renowned digital artist is featured at the
beginning of each of the nine sections to demonstrate what can be achieved using
Corel Painter IX.
The content provided in this user guide describes the most common tasks performed in
Corel Painter IX. Please note that it is not an exhaustive reference for every tool. If you
require detailed information about topics that are not discussed in this user guide,
please refer to the application’s Help system.
What’s New in Corel Painter IX?
Corel Painter IX adds a range of tools and features that increase performance, fuel
creativity, and further extend compatibility with other industry-standard tools and
applications. With improved Help, tutorials by world-class digital artists, and free
lynda.com videos, getting started with Corel Painter is easier than ever.
4 Corel Painter User Guide
Performance and Productivity
Increasing the overall speed, performance, and stability was a top priority for
Corel Painter IX. Working closely with Apple, Intel, and AMD, Corel engineers
created improvements and efficiencies wherever possible. Corel Painter has never been
a more efficient and powerful application.
Improved Speed
This is the fastest version of Corel Painter yet, with some brushes up to 10 times faster!
Brushes now perform, on average, twice as fast. In addition, users can now change the
default scratch disk location in the Preference settings.
New Welcome Screen
Getting down to the job at hand has never been easier, thanks to the Corel Painter IX
Welcome screen, which launches on startup. Divided into four sections, the Welcome
screen gives quick access to recently used files, tutorials, brush and color-management
settings, and even artwork from renowned Corel Painter masters.
Brush Control Palettes
New Brush Control palettes provide easy access to all brush settings and controls.
Making on-the-fly changes to brush settings and variables is as simple as dragging a
slider — without any disruption to workflow.
For example, the new Boost slider, found in the General palette of the Brush Controls,
instantly enhances brush speed. Just drag the slider and see brush performance
accelerate.
Frames-per-Second Control
Animators can now test frame rates directly in Corel Painter. With the new Frames-
per-Second Control, frame rates can be set and previewed in a range of 1 to 40 frames
per second.
Rotate/Flip Canvas
Entire images can now be easily rotated or flipped directly in Corel Painter. Image
composition is easily verified at the touch of a button.
Welcome to Corel Painter IX 5
Customizable Shortcut Keys
Corel Painter now offers creative professionals an unprecedented level of control over
their workflow by enabling complete customization of shortcut keys. A handy
printable template for keeping a quick reference is included.
Multiuser Support
Corel Painter now supports multiple users on both the Mac® and Windows®
platforms. User files are stored in the user file directory, ensuring that users in a
networked environment can retain individual settings and preferences. In addition, all
settings are easily reverted to the default without having to reinstall the application.
Tracker Palette Enhancements
The Tracker palette stores historical information about every brush stroke that is
applied to the canvas. Acting as a "virtual brush diary," the Tracker palette tells the
story of an image created with Corel Painter IX brushes. Brushes used in the last
session can be recalled in the next, and favorite brush variants can be locked so that
they are always readily accessible.
Iterative Save
Iterative Save enables users to quickly save sequentially numbered versions of an image
with a simple menu command. The first time Iterative Save is used, "_001" is
appended to the filename. Each subsequent time the number increments by 1, and a
new sequentially numbered file is created.
Creativity
Corel Painter IX delivers an impressive array of new features that provide
unprecedented power to replicate natural media, and dazzling new effects offer more
options than ever.
Artists' Oils Painting System
The Artists' Oils Painting System is a milestone in the evolution of digital art. This
new painting system enables users to apply paint blends created in the Mixer palette
directly onto images in the document window. Each brush dab loads the brush variant
6 Corel Painter User Guide
with a finite amount of oil. As the oil runs out, the brush stroke becomes fainter. Brush
strokes interact with any paint already on the canvas just as they would with natural
media.
The Artists' Oils Painting System has four components:
Artists' Oils Brush Category and Variants
Artists' Colors are based on the color measurements of real-world oil paints.
Integration of Artists' Oils with the Mixer palette, including a new multicolor
eyedropper
Artists' Oil Brush Controls provide the ability to control the amount of oil,
viscosity, blend, bristling, clumpiness, brush trails, and dirtiness.
Snap-to-Path Painting
When users need to create a perfect curve or shape, Snap-to-Path Painting is a great
time-saver. Snap-to-Path Painting makes it possible to constrain a brush stroke along a
path or a shape by clicking a button or using a keyboard shortcut. With a simple click,
users can now create a perfect, precise brush stroke that reflects the attributes typically
found in a Corel Painter stroke, such as pressure, tilt, and bearing.
Welcome to Corel Painter IX 7
Digital Watercolor
Digital Watercolor has been significantly enhanced in Corel Painter IX. Paint stays wet
between sessions, enabling users to start one session where the last one ended. The wet
fringe of digital watercolor brush strokes can now be changed dynamically, enabling
experimentation after the brush stroke has been applied.
Quick Clone
Quick Clone is ideal for photographers, enabling them to transform their photos into
paintings. This new feature speeds up the image-cloning workflow and reduces five
steps to one. Quick Clone settings can be defined on the General page of the
Preferences dialog box.
KPT Filters
KPT® filters are renowned, powerful plug-ins that creative professionals rely on to
produce stunning effects quickly and easily. Seven powerful KPT filters have been
included in Corel Painter IX: KPT® Gel™, KPT® Goo™, KPT® LensFlare™,
KPT® Lightning™, KPT® Pyramid Paint™, KPT® Reaction™, and KPT®
ShapeShifter™. These plug-ins are valuable additions to the impressive array of effects
available in Corel Painter.
Compatibility
The ability to use Corel Painter in conjunction with other industry-standard software
and hardware is greater than ever. New color-management enhancements enable
printer colors to be reproduced more accurately on-screen and in print. Extended
support for Adobe® Photoshop® and Wacom® pen tablets streamlines a professional
workflow.
Enhanced Adobe Photoshop Support
Moving between Adobe Photoshop and Corel Painter is simple. Files saved to the
Adobe Photoshop (PSD) file format open in Corel Painter IX, with layer masks, alpha
channels and layer sets (layer groups) maintained.
Layer behavior in Corel Painter is now very similar to Adobe Photoshop. New layers
are now added above the selected layer, layers with different merge modes are
collapsible, and it is now possible to hide or display multiple layers by simply clicking
and dragging.
8 Corel Painter User Guide
In addition, Corel Painter now supports Photoshop plug-ins for Mac OS® X.
Enhanced Wacom Support
Corel Painter IX features support for Wacom's newest pen tablet model — the
Wacom® Intuos®3 — and the entire Wacom tablet product line. The Wacom
Intuos3 has touch strips that can be configured to control brush size, zooming, and
many other functions, eliminating the need for a keyboard while painting. In addition,
tablet keys can be used as modifier keys, such as Command, Option, Shift, or Spacebar
on a Mac; or Ctrl, Alt, Shift, or Spacebar on a PC.
Enhanced Color Management
Corel Painter IX includes an enhanced Color Management System that ensures
accurate color reproduction when images are printed. Supporting industry-standard
ICC4.0 profiles, Corel Painter IX Color Management enables color matching between
on-screen and printed colors. A color-management tutorial helps users configure their
system for optimal color reproduction.
Learning
With improved Help, a revitalized User Guide, tutorials from leading graphics
professionals, training videos from lynda.com, and courseware specifically designed for
educators, getting started with Corel Painter IX has never been easier!
Improved Help
A revised User Guide and Help system provide information and fast solutions. The
Corel Painter IX Handbook, which is included with Corel Painter IX Full and
Upgrade versions, offers a collection of step-by-step tutorials created by well-known
creative professionals.
Free lynda.com Training Videos
Corel Painter IX includes training videos created by lynda.com, one of the world's
most renowned graphics training companies, to guide users through the Corel Painter
workspace, tools, features, and techniques.
Welcome to Corel Painter IX 9
Free Academic Courseware
Corel Painter academic courseware consists of complete lesson plans and exercises for
10 classes on a variety of subjects.
How to Use the Documentation
You can find answers to many of your questions in the Corel Painter User Guide and
the Help available from within the Corel Painter workspace.
The Corel Painter User Guide contains commonly used procedures and information. A
Portable Document Format (PDF) version of the Corel Painter User Guide is available
on the Corel Painter IX CD. Full-color versions of the Corel Painter User Guide can be
purchased from www.corel.com/painterix.
The Help gives you access to a full range of topics in a searchable format.
If you have any comments or suggestions about The Handbook, user guide, Help, or
tutorials, please contact us at www.corel.com/painterix/feedback.
Documentation Conventions
The following table describes important conventions used in the
Corel Painter User Guide and in the Help.
Convention Description Example
Multiple platforms The Corel Painter User Guide is
for both the Mac OS and
Windows platforms. As a
convention, Mac OS commands
precede Windows commands in
the text.
Hold down Command (Mac OS)
or Ctrl (Windows).
Modifier keys When a modifier key differs
between Mac OS and Windows,
the Mac OS modifier is listed
first, followed by the Windows
modifier.
“Command + I (Mac OS) or Ctrl
+ I (Windows)” means that
Mac OS users would press
Command + I and Windows
users would press Ctrl + I.
10 Corel Painter User Guide
Choose X menu >
menu item
On the menu bar, click the menu
name, and choose the menu item
from the list.
“Choose File menu >
Quick Clone” means the
following:
Title bar A title bar is located at the top or
side of some UI elements, such as
the toolbox, property bar, and
palettes. It may not display title
text.
Examples of the toolbox title bar
on the Mac OS (left) and in
Windows (right):
Palette title bar The palette title bar appears at
the top of a palette. When
expanded, the palette’s title bar
changes to dark gray. When a
palette is collapsed, you can still
see the palette’s title bar, which is
now light gray.
Palette title bars for the Colors,
Mixer, and Color Sets palettes are
collapsed, and the Color Info
palette is expanded.
Palette arrow The palette arrow is used to
expand or collapse a palette.
The Color Sets palette arrow is
collapsed, and the Color Info
palette arrow is expanded.
Convention Description Example
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417

Corel Painter IX Operating instructions

Category
Software
Type
Operating instructions

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI