Sennheiser Evolution e 912 User manual

Sennheiser
Brand
Sennheiser
Model
Evolution e 912
Category
Microphones
Type
User manual

This manual is also suitable for

912
Bedienungsanleitung
Instuctions for use
Notice d‘emploi
Istruzoni per l‘uso
Instruccione para el uso
Gebruiksaanwijzing
e 912_511961_1205_Sp6.book Seite 1 Freitag, 24. März 2006 3:05 15
3
912
High-quality pre-polarized condenser microphone with
half-cardioid pick-up pattern, acoustically optimized for
speech, vocal and instrument miking.
The 912 is suitable for use in grand pianos or on theater
and opera stages, conference tables, altars, lecterns, etc.
Incidental rear noise is effectively rejected.
The 912 is available in two color variants:
e 912 WH (white) Cat. No. 500648
e 912 BK (black) Cat. No. 500647
e 912_511961_1205_Sp6.book Seite 3 Freitag, 24. März 2006 3:05 15
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Features
y Frequency response and sensitivity tailored for
speech, vocal and instrument miking
y Very unobtrusive due to flat design
y Extremely rugged sound inlet basket
y Rubber damping plate on base
y Mounting slots for mounting the micorphone to e.g.
table tops
y Gold-plated XLR connector
y Integrated electronics (instead of in-line pre-amp)
Delivery includes
y 912 microphone
y Pouch
y Instructions for use
y Warranty Certificate
e 912_511961_1205_Sp6.book Seite 4 Freitag, 24. März 2006 3:05 15
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Positioning the microphone
Boundary microphones make use of the pressure effects
at a room boundary and need to be mounted on a flat sur-
face:
Position Resulting sound Commentary
Altar or lectern:
on a sound-reflecting
surface
Less room resonance
portions or comb filter
elements;
improved speech
intelligibility and
greater gain reserves
in contrast to free-
standing microphones
Unobtrusive due to
flat design;
no microphones in
the field of vision
Conference rooms:
lying on the table;
directed towards the
conference
participants *)
Less room resonance
in contrast to free-
standing microphones
Microphones must
not be covered by
papers, folders or
similar objects
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*) The cardioid pick-up pattern has an opening angle of
approx. 130°. Try to position the microphone so that the
sound source (conference participant, speaker or
instrument) is located in this angle area (see polar
diagram).
Theater stages:
lying at the edge of
the stage and
directed towards the
stage; as spot
microphone of the PA
system or for
monitoring purposes
in the theater
cloakrooms
Less room resonance
in contrast to free-
standing
microphones;
improved speech
intelligibility
Excellent rejection
of rumble noise; if
necessary, place
the microphone on
a soft pad (e.g.
mousepad).
If necessary,
combine with
overhead micro-
phones (e.g.
Sennheiser ME 36
with MZH 30 B &
MZC 30)
Grand piano / piano:
mounted to the
inside cover (=
sound-reflecting
surface) of the piano
or lying in the
instrument or on the
floor underneath the
piano
Very transparent and
powerful sound;
stereo sound image
can be shaped
individually,
depending on
microphone position
chosen
Instrument is easy
to mike, even
when the cover is
closed;
excellent
protection against
crosstalk into
other microphone
channels and
reduced volume on
stage
e 912_511961_1205_Sp6.book Seite 6 Freitag, 24. März 2006 3:05 15
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Polar diagram
Frequency response curve
0°
5
10
15
20
25
dB
30°
60°
90°
30°
60°
90°
120°
150°
180°
150°
120°
2000 Hz
4000 Hz
8000 Hz
16000 Hz
125 Hz
250 Hz
500 Hz
1000 Hz
0
- 40
- 50
- 60
- 70
20
50
100
200
500
1000
2000
5000
10000
20000
Hz
0°, 1 m
0°, 5 cm
- 30
dBv
- 20
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Specifications
Transducer principle pre-polarized
condenser microphone
Frequency response 20–20,000 Hz
Pick-up pattern half-cardioid
Sensitivity
(free field, no load at 1 kHz) 10 mV/Pa
Nominal impedance (at 1 kHz) < 100 Ω
Min. terminating impedance 1 kΩ
Phantom powering 48 V / 1.1 mA
Max. sound pressure level at 1 kHz 136 dB SPL
Connector XLR-3
Weight 550 g
Dimensions Length: 126.5 mm
Width: 105 mm
Height: 26.5 mm
Pin assignment of XLR-3 connector
12
3
1
2
3
+
+
12
3
XLR
+
XLRXLR
+
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Overview of microphone applications
Variant
Application
e901
e902
e904
e905
e906
e908B
e908B ew
e908D
e908T ew
e912
e914
e935/e945
Vocals x
Choirs
x x
Studio, acoustic
instruments
x x x
Orchestra
x
Trumpet, trombone
x x x
Saxophone x x x
Acoustic guitar x
Acoustic bass
x
Guitar amplifiers
x
Bass amplifiers x
Leslie xxxx
Piano, grand piano x x
Kick drums
xx
Snare drums xxx x
Rack toms xxxx x
Floor toms x xxx x
Congas x xx x
Cymbals x
Percussion
xxxx x x
Overhead
Conference table,
altar
x
Lectern x
Theater stage x
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Manufacturer declarations
Warranty
2 years
Approval
Sennheiser electronic GmbH & Co. KG declare that this device
is in compliance with the applicable CE standards and regula-
tions.
Batteries or rechargeable batteries
Please dispose of batteries or rechargeable batteries as special
waste or return them to your specialist dealer.
WEEE Declaration
Please dispose of this product at the end of its operational li-
fetime by bringing it to your local collection point or recycling
centre for such equipment.
e 912_511961_1205_Sp6.book Seite 10 Freitag, 24. März 2006 3:05 15
Sennheiser electronic GmbH & Co. KG
30900 Wedemark, Germany
Phone +49 (5130) 600 0
Fax +49 (5130) 600 300
www.sennheiser.com
Printed in Germany Publ. 12/05 511961/A01
e 912_511961_1205_Sp6.book Seite 46 Freitag, 24. März 2006 3:05 15
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Sennheiser Evolution e 912 User manual

Sennheiser
Brand
Sennheiser
Model
Evolution e 912
Category
Microphones
Type
User manual
This manual is also suitable for
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