Avid Pro Tools LE 5.3 User guide

Brand: Avid

Model: Pro Tools LE 5.3

Category: Synthesizer

Type: User guide

Digidesign

2001 Junipero Serra Boulevard

Daly City, CA 94014-3886 USA

tel: 650·731·6300

fax: 650·731·6399

Technical Support (USA)

650·731·6100

650·856·4275

Product Information (USA)

650·731·6102

800·333·2137

International Ofﬁces

Visit the Digidesign Web site

for contact information

Web Site

www.digidesign.com

Pro Tools

Menus Guide

Version 5.3 for Macintosh and Windows

Avid Technology, Inc. (hereafter “Digidesign”), with all rights

reserved. Under copyright laws, this guide may not be

duplicated in whole or in part without the written consent of

Digidesign.

DIGIDESIGN, AVID and PRO TOOLS are trademarks or

registered trademarks of Digidesign and/or Avid Technology,

Inc. All other trademarks are the property of their respective

owners.

All features and specifications subject to change without

notice.

PN 932909712-00 REV A 1/02

Contents

iii

contents

Chapter 1. File Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

New Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Open Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Close Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Save Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Save Session As . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Save Session Copy In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Revert To Saved . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Bounce to Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

New Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Group Selected Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Duplicate Selected Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Split Selected Tracks Into Mono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Make Selected Tracks Inactive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Delete Selected Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Import Audio to Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Import MIDI to Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Export MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Export Session As Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Import Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Get Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Quit/Exit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Pro Tools Menus Guide

Chapter 2. Edit Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Undo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Redo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Paste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Repeat Paste to Fill Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Merge Paste. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Duplicate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Repeat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Select All . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Trim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Capture Region. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Separate Region . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Heal Separation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Quantize Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Mute/Unmute Region . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Lock/Unlock Region . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Consolidate Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Compress/Expand Edit to Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Identify Sync Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Identify Beat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Insert Silence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Fades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Copy to Send . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Thin Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Write Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Trim Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Contents

Chapter 3. AudioSuite Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

1-Band EQ II and 4-Band EQ II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Compressor, Limiter, Expander-Gate, and Gate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

D-Verb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

DC Offset Removal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

DeEsser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Duplicate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Invert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Normalize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Pitch Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Reverse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Signal Generator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Time Compression/Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Chapter 4. MIDI Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Change Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Change Meter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Renumber Bars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Change Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Change Duration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Transpose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Select Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Split Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Input Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Click . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Click Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

MIDI Beat Clock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Input Filter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Input Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

MIDI Thru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

All Notes Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Pro Tools Menus Guide

Chapter 5. Movie Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Import Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Import Audio From Current Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Import Audio From Other Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Bounce to Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

New Movie Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Normal Priority Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Medium Priority Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Highest Priority Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Set Movie Sync Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Movie Online . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Window Aspect Ratio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Add Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Undo Add Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Clear Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Clear Movie Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Chapter 6. Operations Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Destructive Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Loop Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

QuickPunch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Auto Input Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Input Only Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Online . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Pre/Post-Roll Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Loop Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Scroll Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Link Edit and Timeline Selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Copy Edit Selection to Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Copy Timeline Selection to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Play Timeline Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Play Edit Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Mute Frees Explicit Voice. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Auto-Spot Regions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Active in Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Pre-Fader Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Contents

vii

Calibration Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Chapter 7. Setups Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Hardware Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Playback Engine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Disk Allocation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Peripherals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

I/O Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Feet.Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

OMS MIDI Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

OMS Studio Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

OMS Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Preferences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Chapter 8. Display Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Narrow Mix Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Mix Window Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Edit Window Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Transport Window Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Sends View Shows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Ruler View Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

System Usage Window Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Disk Space Window Shows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Display Time in Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Display Name in Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Display Auto-Created Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Bars:Beats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Minutes:Seconds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Time Code. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Feet.Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Pro Tools Menus Guide

viii

Chapter 9. Windows Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Show Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Show Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Show MIDI Event List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Show Tempo/Meter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Show MIDI Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Show MIDI Track Offsets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Show Transport. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Show Session Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Show Big Counter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Show Automation Enable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Show Memory Locations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Show Machine Track Arm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Show Universe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Show Beat Detective . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Show Movie Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Show Strip Silence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Show System Usage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Show Disk Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Chapter 10. Help Menu

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Index

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Chapter 1: File Menu

chapter 1

File Menu

File menu commands are used to create and

maintain Pro Tools sessions.

New Session

The New Session command creates a new

Pro Tools session. Before the session is created,

you must name the session and choose its Audio

File type, Sample Rate, Bit Depth, and I/O Set-

tings. Selecting the Enforce Mac/PC Compatibil-

ity option on Macintosh or the Enforce PC/Mac

Compatibility option on Windows ensures

proper interchange of sessions and their associ-

ated media between Macintosh and Windows-

based systems. Specific file-naming and audio

format restrictions apply.

File Menu

New Session dialog

Pro Tools Menus Guide

Open Session

The Open Session command opens a session

previously created with Pro Tools. Only one ses-

sion can be open at a time.

Close Session

The Close Session command closes the current

session without quitting Pro Tools. Pro Tools

prompts you to save changes before closing the

session.

Save Session

The Save Session command saves changes made

since the last time the session was saved. You

cannot undo the Save Session command.

Save Session As

The Save Session As command saves a copy of

the current session under a different name, or in

a different location. Because the Save Session As

command closes the current session and allows

you to keep working on the renamed copy, it is

useful for saving successive stages of the session.

Save Session Copy In

The Save Session Copy In command saves a

copy of the currently selected session document

under a different name, in a different location,

or at a different bit-depth or sample rate. Ses-

sions can be saved in a variety of session formats

for compatibility with older systems. This com-

mand is useful for archiving sessions.

Unlike the Save Session As command, Save Ses-

sion Copy In does not close the original session,

so subsequent edits are made to the original ses-

sion. The saved copy becomes a backup copy,

and gives you the option of reverting to the ear-

lier version.

Save Session Copy In dialog

Chapter 1: File Menu

When you Save Session Copy In with a lower bit

rate, Dither (and Noise Shaping) may be ap-

plied. See the following table:

The Items To Copy section of this dialog pro-

vides several options for copying a session along

with its associated files.

All Audio Files

When this option is selected, all

audio files are copied to the new location. Se-

lecting All Non-AIFF Audio Files copies all audio

files

except

audio files of the specified audio file

format. This option’s file format type will always

be the default audio file format of the session; so

if the session’s default audio file format is WAV,

the option will read All Non-WAV Audio Files.

Selecting Don’t Copy Fade Files omits crossfade

files from the copied data.

Session Plug-In Settings Folder

When this op-

tion is selected, the session’s Plug-In Settings

Folder is copied to the new location. The refer-

ences to these plug-in settings in the session are

redirected to the copied files.

Movie/Video Files

When this option is selected,

a session’s video files are copied to the new loca-

tion, and the references in the session are redi-

rected to the copied movie or video file.

Revert To Saved

The Revert to Saved command restores the most

recently saved version of a session, discarding all

changes made since the last time you saved. Re-

verting to the last saved version of a session is

like closing the session without saving changes

and reopening it.

Bounce to Disk

The Bounce to Disk command allows you to mix

together the outputs of all currently audible

tracks routed to a common output path to create

a new audio file. You can use the Bounce to Disk

command to create a submix or to create a final

mix in any of several audio file formats.

Bounce Source

Selects the audio output path to

bounce. Only audio routed to the selected path

will be included in the bounce.

Dither and Noise Shaping are applied as follows:

Bit Rate Conversion Noise Shaping

24-bit to 16-bit Yes (Dither

and

Noise Shaping)

24-bit to 8-bit No (Dither Only)

16-bit to 8-bit No (Dither Only)

Bounce to Disk dialog

Pro Tools Menus Guide

File Type

Selects the audio file format. Choices

are SDII, WAV, AIFF, RealAudio, MPEG-1 Layer

3 (MP3), QuickTime, and Sound Resource (Mac-

intosh) or Windows Media (Windows). Certain

file types are restricted in regards to format, res-

olution, and sample rate.

Format

Selects the channel format. Choices are

mono (summed), multiple mono, or inter-

leaved.

Resolution

Selects the bit depth. Choices are

24-, 16-, or 8-bit.

Sample Rate

Selects the sample rate.

Conversion Quality

Selects the quality from Low

to Tweak Head when bouncing to a new sample

rate.

Use Squeezer

Optimizes the dynamics of the

bounced audio before conversion to 8-bit reso-

lution.

Convert During Bounce

Automatically performs

file type, sample rate, and bit resolution conver-

sion as the file is being bounced.

Convert After Bounce

Automatically performs

file type, sample rate, and bit resolution conver-

sion after the file has been bounced.

Import After Bounce

Automatically imports the

audio after it is bounced and adds it to the Re-

gions List so that it can be used in the session.

New Track

The New Track command adds one or more new

Audio Tracks, Auxiliary Inputs, Master Faders, or

MIDI tracks to a session. Tracks can be mono,

stereo, or any one of a variety of multichannel

formats.

Group Selected Tracks

This command groups the currently selected

tracks together so that their controls are linked

together in the Mix and/or Edit window. Groups

can be nested so that subgroups are contained

within larger groups.

New Track dialog

Group Selected Tracks dialog

Chapter 1: File Menu

Duplicate Selected Tracks

This command duplicates a selected track, in-

cluding its audio or MIDI data, playlists, auto-

mation, and other attributes.

Split Selected Tracks Into Mono

This command splits a selected multichannel

track into individual mono tracks that can be

edited and manipulated independently.

Make Selected Tracks Inactive

This command makes selected tracks inactive,

so that they no longer play back or use any DSP

resources or voices. Inactive tracks can be made

active again by choosing the Make Selected

Tracks Active command.

Delete Selected Tracks

This command removes tracks from a session.

While audio or MIDI region data will remain in

the Regions List, the track and its playlists will

be deleted.

Import Audio to Track

This command loads audio files or regions into

the current session. Each imported audio file

will appear on its own individual track. To im-

port audio files without automatically creating

new tracks for them, use the Import Audio com-

mand in the Audio Regions List pop-up menu.

Import MIDI to Track

The Import MIDI to Track command imports all

tracks from a Standard MIDI file into Pro Tools

and automatically places them in new MIDI

tracks. To import MIDI regions to a session with-

out automatically creating new tracks for them,

use the Import MIDI command in the MIDI Re-

gions List pop-up menu. The Import MIDI to

Track command allows you to import tempo

data in the sequence or apply existing tempo

data in the session to the imported file.

Import Audio to Track dialog

Pro Tools Menus Guide

Export MIDI

This command exports all currently audible

MIDI tracks in a session as a standard MIDI file.

Muted MIDI tracks will not be exported. You

can export the file as a Type 1 (multitrack) or

Type 0 (merged) Standard MIDI file.

Export Session As Text

This command exports the current session as a

tab-delimited text file containing region and file

names, and SMPTE start times. This command

will not print or format session events to any

particular standard; it simply provides the data

in a text format.

Import Tracks

This command imports all tracks from an exist-

ing session into the current session. Options are

provided for time code mapping, sample rate

conversion, and audio and video source file ref-

erencing, copying, and conversion.

Get Info

This command saves information about the ses-

sion itself. Left-column text fields are topic

fields. Text entered there is saved with your

Pro Tools Preferences and will appear in all ses-

sions, allowing you to preset the field to topics

that you commonly use.

Right-column text fields are information fields.

Text entered there is session specific.

Export Session As Text dialog

Import Tracks dialog

Get Info command

Chapter 1: File Menu

Quit/Exit

The Quit (Macintosh) or Exit (Windows) com-

mand ends your Pro Tools session and closes the

Pro Tools application.

Pro Tools Menus Guide

Chapter 2: Edit Menu

chapter 2

Edit Menu

Edit menu commands are used to edit and ma-

nipulate regions.

Undo

The Undo command lets you sequentially undo

up to 16 of your previous actions. Certain com-

mands and actions (such as saving) are not un-

doable.

Redo

After undoing a command or action, you can

redo it by choosing Redo command. This is a

good way to compare before and after states of

edits.

Cut

This command cuts a selection out of its current

location and stores it in memory so that you can

paste it elsewhere.

Copy

This command copies a selection (leaving the

original intact) and stores it in memory so that

you can paste it elsewhere.

Edit Menu

Pro Tools Menus Guide

Paste

This command inserts cut or copied data into a

location specified with an Edit tool (such as the

Selector tool).

Repeat Paste to Fill Selection

(TDM Systems Only)

This command repeatedly pastes copied data

until it completely fills a selection. If you select

an area that is not an exact multiple of the cop-

ied region size, the remaining selection area is

filled with a trimmed version of the original se-

lection. This allows you to easily create drum

loops and other repetitive effects. Before the

data is pasted, Pro Tools prompts you to specify

a crossfade to smooth transitions between re-

gions.

Merge Paste

This command pastes MIDI data into a track

without replacing existing data by merging the

pasted data with the existing data. This can be

useful for consolidating MIDI data from several

tracks into a single MIDI track.

Clear

This command removes a selection in the Edit

window.

Duplicate

This command copies a selection and places it

immediately after the end of that selection in a

track.

Repeat

This command is similar to Duplicate, but al-

lows you to specify the number of times the se-

lected material is duplicated. To use this com-

mand, select the material you want to repeat,

choose Repeat, then enter the number of repeti-

tions.

Shift

This command moves track material earlier or

later in time by a specified amount. To use this

command, select the material you want to

move, choose Shift, then enter the desired direc-

tion and time value.

Select All

This command selects all audio and MIDI data

in one or more tracks.

◆

To select all regions in a single track, select a

portion of the track, or click the Selector any-

where in a track and choose Select All.

◆

To select all regions on multiple tracks, Shift-

click a region on each track with the Selector or

Grabber and choose Select All.

◆

To select all regions on all tracks, Select the

“All” Edit Group in the Groups List, click the Se-

lector anywhere in a track, and choose Select

All.

Trim

This command removes audio before and after a

selection, leaving only the selection. This pro-

vides a convenient means of quickly removing

all data within a region except the current selec-

tion.

Chapter 2: Edit Menu

Capture Region

This command defines a selection as a new re-

gion and adds it to the Regions List. From there

the new region can be dragged into a track. You

cannot capture selections across multiple re-

gions unless the data is contiguous material

from the same file.

Separate Region

This command defines a selection as a new re-

gion (or the current insertion point as a region

split point), and in the process, separates it from

adjacent data in the track where it was created.

By separating a region you will also create by-

product regions from data on either side of the

separation.

Heal Separation

This command repairs separated regions, pro-

vided that the regions are contiguous and their

relative start and end points haven’t changed

since they were originally separated. If you have

trimmed or changed the start and end points of

the two regions, or moved them away from each

other, they cannot be repaired with the Heal

Separation command.

Quantize Regions

This command adjusts the placement of a se-

lected audio or MIDI region in a track so that its

start point (or Sync Point, if it contains one) pre-

cisely aligns to the nearest Grid boundary. Grid

units are chosen from the Grid pop-up menu in

the Edit window.

Mute/Unmute Region

This command mutes playback of a selected re-

gion. Choosing the Unmute command unmutes

the region. This command does not create auto-

mation data.

Lock/Unlock Region

This command locks a selected region in place

so it cannot be moved unless you unlock it. This

command is useful for permanently associating

a region with a particular location in a track

(such as a beat, SMPTE frame, or a time value). A

small lock icon appears in the region indicating

it has been locked.

Consolidate Selection

This command consolidates multiple regions

into a single region for ease of use. When an au-

dio track is consolidated, a new audio file is writ-

ten that encompasses the selection range, in-

cluding any blank space. To use this command,

select the material you want to consolidate,

then choose Consolidate Selection.

Compress/Expand Edit to Play

(TDM Systems Only)

This command uses the Time Compression/Ex-

pansion plug-in to fit an audio selection to a

Timeline selection. This is only possible when

the Edit and Timeline selections are unlinked.

Locked audio region

Pro Tools Menus Guide

Identify Sync Point

This command identifies a specific point within

a region and spots that point to a SMPTE frame

location. A triangle indicates the Sync Point’s

position. When you choose this command, the

current SMPTE time is automatically entered as

the SMPTE location for the Sync Point. To re-

move a Sync point from a region, select the re-

gion with the Grabber and choose

Edit > Remove Sync Point.

Identify Beat

This command lets you establish a tempo/meter

map for audio that was recorded without listen-

ing to a click, or for imported audio with un-

known tempos.

The Identify Beat command analyzes a selection

range (usually with a distinct number of beats or

measures) and calculates its tempo based on the

specified meter. In doing this, Bar|Beat markers

for the calculated tempo are inserted and appear

in the Tempo Ruler at the beginning and end of

the selection. in addition, meter events are in-

serted into the Meter Ruler.

Insert Silence

This command creates regions of silence. Make a

selection on one or more tracks, choose Insert

Silence, and precisely that amount of silence

will be inserted.

Fades

This command creates a crossfade between two

adjacent audio regions or a fade-in or fade-out of

a single region. Crossfade duration, position,

and shape are all selectable. A selection that

crosses multiple regions will create crossfades

for each of the region transitions. If a selection

includes regions that already contain crossfades,

the existing crossfades will be modified.

Create Fades

Produces a crossfade between adja-

cent regions according to parameters you spec-

ify with the Fades editor.

Delete Fades

Removes a crossfade between adja-

cent regions.

Fade to Start

Creates a fade-in from the current

insertion point to a region’s start point.

Identify Beat dialog

Fades dialog

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Avid Pro Tools LE 5.3 User guide

Brand: Avid

Model: Pro Tools LE 5.3

Category: Synthesizer

Type: User guide

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Avid Pro Tools LE 5.3 User guide

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