Grizzly T10457 Owner's manual

Brand: Grizzly

Model: T10457

Type: Owner's manual

MODEL T10457

CONCERT UKULELE KIT

INSTRUCTION MANUAL

(For models manufactured since 10/11)

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WARNING: NO PORTION OF THIS MANUAL MAY BE REPRODUCED IN ANY SHAPE

OR FORM WITHOUT THE WRITTEN APPROVAL OF GRIZZLY INDUSTRIAL, INC.

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For Your Own Safety,

Read Instruction Manual

The purpose of safety symbols is to attract your attention to possible hazardous conditions.

This manual uses a series of symbols and signal words intended to convey the level of impor-

tance of the safety messages. The progression of symbols is described below. Remember that

safety messages by themselves do not eliminate danger and are not a substitute for proper

accident prevention measures.

Indicates a potentially hazardous situation which, if not avoided,

MAY result in minor or moderate injury. It may also be used to alert

against unsafe practices.

Indicates a potentially hazardous situation which, if not avoided,

COULD result in death or serious injury.

Indicates an imminently hazardous situation which, if not avoided,

WILL result in death or serious injury.

This symbol is used to alert the user to useful information about

proper operation of the machine.

NOTICE

Some dust created by power sanding, sawing, grinding, drilling, and other construction activi-

ties contains chemicals known to the State of California to cause cancer, birth defects or other

reproductive harm. Some examples of these chemicals are:

Your risk from these exposures varies, depending on how often you do this type of work.

To reduces your exposure to these chemicals: Work in well ventilated area, and work with

approved safety equipment, such as those dust masks that are specifically designed to filter

out microscopic particles.

 Lead from lead-based paints.

 Crystalline silica from bricks, cement, and other masonry products.

 Arsenic and chromium from chemically-treated lumber.

Table of Contents

INTRODUCTION ............................................................................................................................... 2

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PARTS INVENTORY ........................................................................................................................ 3

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SANDING .......................................................................................................................................... 4

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ASSEMBLY ...................................................................................................................................... 6

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AFTERMARKET ACCESSORIES .................................................................................................. 13

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INTRODUCTION

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Contact Info

Manual

NOTICE

WE STRONGLY RECOMMEND that you read

books, review industry trade magazines, or

get formal training before beginning any

projects. Regardless of the content in this

section, Grizzly Industrial will not be held

liable for accidents caused by lack of train-

ing.

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There is potential danger when operating

woodworking machinery. Accidents are fre-

quently caused by lack of familiarity or fail-

ure to pay attention. Use any machines with

respect and caution to decrease the risk of

operator injury. If normal safety precautions

are overlooked or ignored, serious personal

injury may occur.

No list of safety guidelines can be com-

plete. Every shop environment is different.

Always consider safety first, as it applies

to your individual working conditions. Use

tools and any machinery with caution and

respect. Failure to do so could result in seri-

ous personal injury, damage to equipment,

or poor work results.

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Identification

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PARTS INVENTORY

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REF PART # DESCRIPTION REF PART # DESCRIPTION

1 PT10457001 Ukulele Body 6 PT10457006 Sound Hole Decal

2 PT10457002 Ukulele Neck 7 PT10457007 String Set 4PC Set

3 PT10457003 Fingerboard 8 PT10457008 Position Dots 5PC Set

4 PT10457004 Saddle 9 PT10457009 String Nut

5 PT10457005 Bridge 10 PT10457010 Tuning Peg 4PC Set

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Recommended Tools & Supplies:

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To sand the ukulele body:

1. Wear a NIOSH-approved respirator and

safety glasses when sanding wood.

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Ukulele BodySupplies/Tools

SANDING

Damage to your eyes and lungs could result

from dust created by sanding without proper

protective gear. Always wear safety glass-

es and a NIOSH-approved respirator when

sanding.

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Note: Take your time with this sub-section and

consider testing ideas on scrap wood before per-

forming the work on the actual headstock.

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safety glasses when sanding wood!

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face will affect the playability of the ukulele

and could lead to irreparable damage.

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Note: Sanding the fingerboard will affect the play-

ability of the ukulele and could lead to irreparable

damage.

Bridge

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FingerboardNeck

Damage to your eyes and lungs could result

from dust created by sanding without proper

protective gear. Always wear safety glass-

es and a NIOSH-approved respirator when

sanding.

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Attaching Neck to

Body

ASSEMBLY

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To attach the neck to the body:

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tions for any glues or adhesive products for

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7VX`

CZX`

BdYZaI&%)*,B[\#H^cXZ&%$&&

","

I]Zedh^i^dcYdi]daZh]VkZWZZcegZ"Yg^aaZY^cid

i]Z[VXZd[i]Z[^c\ZgWdVgY#

Installing Position

Dots

To install the position dots:

1. EaVXZ V hbVaa Ygde d[ \ajZ ^c ZVX] edh^i^dc

Ydi]daZ#

2. Jh^c\V]VbbZgVcYVhXgVee^ZXZd[lddY!

a^\]ian iVei]Z edh^i^dc Ydih ^cid ZVX]d[ i]Z

]daZh#

3. Jh^c\ hVcYeVeZg ^c \g^ih [gdb ('% id -%%!

egd\gZhh^kZan hVcY i]Z edh^i^dc Ydih [ajh]

l^i]i]Z[^c\ZgWdVgY#

Attaching

Fingerboard

L^i]hVcY^c\XdbeaZiZY!i]Z[^c\ZgWdVgY^hgZVYn

idWZViiVX]ZYidi]ZcZX`VcYWdYn#

To attach the fingerboard:

1. 6eeanV i]^c aVnZgd[\ajZidi]ZWVX`d[i]Z

[^c\ZgWdVgYVcYedh^i^dc^idci]ZcZX`#

2. HZXjgZ i]Z [^c\ZgWdVgY ^c eaVXZ l^i] gjWWZg

WVcYh!Vhh]dlc^cFigure 6.JhZlZY\Zh^[

cZXZhhVgn id ZchjgZ V i^\]i [^i# AZi i]Z \ajZ

Ygn[dgViaZVhi')]djgh#

Note:Make sure the fingerboard is centered

across the width of the neck and that the 14th

fret is positioned over the neck-to-body joint.

Figure 6.6iiVX]^c\[^c\ZgWdVgYidi]ZcZX`#

3. HVcY dg[^aZ i]Z ZY\Z d[ i]ZcZX` [ajh]l^i]

i]ZZY\Zd[i]Z[^c\ZgWdVgY#9di]^hhadlanid

Vkd^YhVcY^c\i]Z[^c\ZgWdVgY#

I]Z Wg^Y\Z ^h \ajZY Y^gZXian id i]Z WdYn Vi i]Z

adXVi^dc^cY^XViZY^cFigure 7#AZVk^c\VcVgZVd[

i]ZWdYnha^\]ianhbVaaZgi]Vci]Z[ddieg^cid[i]Z

Wg^Y\Z jc[^c^h]ZY ^cXgZVhZh i]Z higZc\i] d[ i]Z

\ajZ_d^cii]ViViiVX]Zhi]ZWg^Y\Zidi]Zj`jaZaZ#

I]ZgZYjXZYh^oZd[i]^hVgZVVaadlhi]Z[^c^h]d[

i]Zj`jaZaZidWZXdch^hiZciVgdjcYi]ZWg^Y\Z#

Determining Bridge

Location

To determine the correct bridge/nut location:

1. >chZgii]ZhVYYaZ^cidi]ZWg^Y\ZVcYedh^i^dc

i]Z[gdciZY\Zd[i]Z hVYYaZ ,

¿'VlVn[gdb

i]ZXZciZgd[i]Z&'i][gZihZZFigure 7#

2. Jh^c\VeZcX^a!a^\]ianbVg`i]Z[ddieg^cid[i]Z

Wg^Y\Z#

Figure 7.7g^Y\Zedh^i^dc^c\#

¿'

&'i];gZi

HVYYaZ

7g^Y\Z

"-"

BdYZaI&%)*,B[\#H^cXZ&%$&&

Painting/Finishing

;^c^h]^c\hjeea^ZhVgZcdihjeea^ZYl^i]i]Zj`j"

aZaZ`^i#

Tip: The ukulele body is made from mahogany

plywood. Clear finishes such as lacquer look

exceptionally stunning and glossy on this wood.

Painting/Finishing Tips:

s !LWAYS WORK IN A WELL VENTILATED AREA

when using finishing materials.

s 7EAR AN APPROVED RESPIRATOR MASK AND

safety glasses when using finishing mate-

rials!

s ;VWg^XViZ]dd`h [gdb bZiVa]Vc\Zghid hjh"

eZcYi]Zj`jaZaZXdbedcZcihYjg^c\i]Z[^c"

^h]^c\egdXZhh#

s HZkZgVai]^ccZgXdVihjhjVaanegdYjXZVc^XZg

[^c^h]i]VcdcZ]ZVknXdVi#

Note: Always follow the finish manufacturer’s

instructions.

s 9jhieVgi^XaZhhjheZcYZY^ci]ZV^gl^aahZiiaZ

dc lZi [^c^h]Zh! gZhjai^c\ ^c aZhh i]Vc hVi^h"

[VXidgngZhjaih#IdVkd^Yi]^hegdWaZb/



1. =VkZ i]Z j`jaZaZ XdbedcZcih edh^i^dcZY

[dgi]Z[^c^h]Veea^XVi^dcjedcZciZg^c\i]Z

gddb#

2. AZVkZ i]Z gddb l]ZgZ i]Z [^c^h]^c\ l^aa

iV`Z eaVXZXdbeaZiZan jcY^hijgWZY [dg ')

]djgheg^dgidVeean^c\i]Z[^c^h]#

3. 6kd^Y bV`^c\ jccZXZhhVgn bdkZbZcih

jedcZciZg^c\i]Z[^c^h]gddb#

4. 6eean i]Z [^c^h] id i]Z j`jaZaZ eVgih VcY

^bbZY^ViZanaZVkZi]Z[^c^h]gddb#

5. 9DCDIgZijgcidi]Zgddbjci^ai]ZheZX"

^[^ZYYgn^c\i^bZ]VhZaVehZY#

Preparing to Finish

>cegZeVgVi^dc[dgi]Z Veean^c\ i]Z[^c^h]!egdiZXi

i]Z[daadl^c\eVgihd[i]Zj`jaZaZ#LZgZXdbbZcY

jh^c\bVh`^c\iVeZ[dgi]^hegdXZhh#

 BVh` i]Z Wg^Y\Z bdjci^c\ adXVi^dc! hZZ

Figure 8#

 BVh`i]Z[^c\ZgWdVgY!hZZFigure 9#

 ;^aa i]Z hdjcY ]daZ l^i] cZlheVeZg! hZZ

Figure 9#

8VgZ[jaanegZhhVaai]ZbVh`^c\iVeZZY\ZhhZXjgZ"

anidi]Zj`jaZaZe^ZXZh#I]Z[^c^h]XdViXVchZZe

jcYZg i]ZhZ ZY\Zh! ZheZX^Vaan cZVg XdgcZgh!

jcZkZcZY\Zh!VcYl]ZgZi]Z[gZihbZZii]Z[^c"

\ZgWdVgY#

Note: Failure to correctly mask these areas could

result in irreparable damage to the ukulele.

Figure 9.:mVbeaZd[VbVh`ZY[^c\ZgWdVgYVcY

hij[[ZYhdjcY]daZ#

Figure 8.BVh`ZYd[[VgZV[dgWg^Y\Z#

BVh`ZY6gZV

7g^Y\Z

;ddieg^ci

3. 8ji V e^ZXZd[iVeZha^\]ianhbVaaZgi]Vci]Z

[ddieg^ci#6iiVX]^iidi]ZhdjcYWdVgY^ch^YZ

i]Z[ddieg^cid[i]ZWg^Y\Z#

4. GZbdkZi]ZeZcX^abVg`h#

BdYZaI&%)*,B[\#H^cXZ&%$&&

"."

Attaching Bridge

GZbdkZi]ZiVeZ[gdbi]ZbVh`ZYVgZVh^cegZe"

VgVi^dc[dgViiVX]^c\i]ZWg^Y\Z#GZ[ZgidPage 7

[dg i]Z cZXZhhVgn bZVhjgZbZcih id adXViZ i]Z

Wg^Y\Z#

To attach the bridge to the ukulele:

1. Jh^c\VeZcX^a!a^\]ianbVg`i]Zj`jaZaZWdYn

l]ZgZ i]Z [gdci ZY\Z d[ i]Z Wg^Y\Z ^h adXVi"

ZY#

2. HZii]Zhig^c\cjiVadc\i]ZZcYd[i]Z[^c\Zg"

WdVgY!cZVgi]Z]ZVYhidX`#

3. 6iiVX]e^ZXZhd[hZl^c\i]gZVYidi]Z&hiVcY

i]Z)i]cjihadih!VcYiVeZi]Zdeedh^iZZcYh

dkZg i]Z XdggZhedcY^c\ adXVi^dch dc i]Z

Wg^Y\Z.

4. Edh^i^dci]ZWg^Y\Zdci]ZWdYnVii]ZadXVi^dc

bVg`ZY^ci]ZDetermining Bridge Location

hZXi^dcdcPage 7#

5. 6Y_jhii]Z Wg^Y\Z h^YZ"id"h^YZ hdi]ZgZ^hVc

ZfjVa Vbdjci d[ heVXZ WZilZZc i]Z [^c\Zg"

WdVgY ZY\Zh VcY i]Z i]gZVYh hZZ Figure

11#

6. Jh^c\VeZcX^a!a^\]ianbVg`i]Zj`jaZaZWdYn

l]ZgZ i]Z h^YZ ZY\Zh d[ i]Z Wg^Y\Z VgZ

adXViZY#

Figure 11.Edh^i^dc^c\i]ZWg^Y\ZVXgdhhi]Z

l^Yi]d[i]Zj`jaZaZ#

:fjVa

9^hiVcXZ

I]ZYZXVabjhiWZVeea^ZYV[iZgi]Zj`jaZaZ^h

[^c^h]ZYidegdeZganVY]ZgZidi]Zj`jaZaZ#=dl"

ZkZg!i]ZYZXVaha^\]iandkZgaVehi]Z[^c\ZgWdVgY#

>i^hZVh^Zhiidig^bi]ZYZXVaV[iZg^i^hVeea^ZYWji

WZ[dgZ^i^hYgn#

Attaching Sound

Hole Decal

To attach the sound hole decal:

1. HjWbZg\Zi]ZYZXVa h]ZZi^c lViZgjci^ai]Z

YZXVaha^YZhdci]ZeVeZgWVX`^c\#I]^hiV`Zh

aZhhi]VcVb^cjiZ#

2. GZbdkZi]ZYZXVah]ZZil^i]YZXVa[gdbi]Z

lViZgVcYaZii]ZZmXZhhlViZggjcd[[#

3. <Zcianha^YZi]ZYZXVad[[i]ZYZXVah]ZZi^cid

edh^i^dcVgdjcYi]ZhdjcY]daZ#

4. A^\]ian egZhh Ydlc dc i]Z YZXVa l^i]

YVbeZcZY[^c\Zgh.

5. L^i] V Ygn Xadi]! a^\]ian egZhh dc i]Z

YZXVa id gZbdkZ i]Z ZmXZhh lViZg igVeeZY

jcYZgcZVi]#

6. Ig^b i]ZYZXVal^i] VgVodg`c^[ZdgbVg`^c\

`c^[Z l]ZgZ ^i dkZgaVeh i]Z [^c\ZgWdVgY! Vh

h]dlc^cFigure 10#

Figure 10.8jii^c\YZXVaid[^i#

7. AZii]ZYZXVaYgn[dgViaZVhi-]djgh#

"&%"

BdYZaI&%)*,B[\#H^cXZ&%$&&

7. GZbdkZ i]Z hVYYaZ [gdb i]Z Wg^Y\Z! VcY

Veean V i]^c XdVi d[ \ajZ id i]Z WVX` d[ i]Z

Wg^Y\ZVcYi]Zjc[^c^h]ZYVgZVd[i]ZhdjcY

WdVgY#

Note: Do not use too much glue or the excess

may require clean up that can adversely

affect the finish of the ukulele.

8. AZii]Z\ajZhZijci^a^i^hhi^aaiVX`nWjiXaZVg#

9. EaVXZVcY[^gban]daYi]ZWg^Y\Z^cedh^i^dc[dg

ildb^cjiZhWn]VcY#I]^hl^aahZXjgZ^iiZb"

edgVg^anWZ[dgZXaVbe^c\^i#

Figure 12.<aj^c\i]ZWg^Y\Zidi]ZWdYn#

Figure 13.7g^Y\ZVcYhVYYaZ^chiVaaZYdci]Z

hdjcYWdVgY#

10. 8aVbe i]Z Wg^Y\Z ^c eaVXZ dkZgc^\]i! Vh

h]dlc^cFigure 12#

11. GZbdkZ i]Z XaVbe hZije# >chiVaa i]Z hVYYaZ

dci]ZWg^Y\Z#I]ZhVYYaZVcYWg^Y\ZVgZcdl

gZVYn[dghig^c\^chiVaaVi^dchZZFigure 13#

:VX] ijc^c\eZ\ Xdch^hih d[ V Wjh]^c\! V ijc^c\

eZ\!VheVXZg!Vijc^c\Wjiidc!VcYVhXgZlhZZ

Figure 14#

Installing Tuning Peg

Figure 14.Ijc^c\eZ\XdbedcZcih#

HeVXZg

7jh]^c\

Ijc^c\

7jiidc

Ijc^c\EZ\

HXgZl

2. Ha^YZ ZVX] eZ\ i]gdj\] dcZ cnadc Wjh]^c\

^cidi]ZhZVidci]Z[gdcid[i]Z]ZVYhidX`#

3. 6iiVX]i]ZgZbV^c^c\XdbedcZcihidi]ZeZ\

^ci]ZdgYZgh]dlc^cFigure 14#

4. HZXjgZi]Zijc^c\eZ\VhhZbWanWni^\]iZc^c\

i]ZE]^aa^ehhXgZl#

Figure 15.>chiVaa^c\eZ\hZVi^cid[gdcid[

]ZVYhidX`#

EZ\HZVi

=ZVYhidX`

To install tuning pegs:

1. Jh^c\ Vcdc"bVgg^c\bVaaZi!iVe ZVX]d[i]Z

[djg eZ\ hZVih ^cid i]Z egZ"Yg^aaZY ]daZh dc

i]Z [gdci d[ i]Z ]ZVYhidX`! Vh h]dlc ^c

Figure 15#

BdYZaI&%)*,B[\#H^cXZ&%$&&

"&&"

Setting String Height

I]Zhig^c\]Z^\]i^hi]ZY^hiVcXZWZilZZci]Zide

d[ i]Z [gZi VcY i]Z Wdiidb d[ i]Z hig^c\ Figure

18#8dggZXihig^c\]Z^\]i^hXgjX^Va[dgbVm^b^o^c\

i]Z eaVnVW^a^ind[ i]Zj`jaZaZ# BZVhjgZbZcih VgZ

iV`ZcVii]Z&hiVcY&'i][gZi#

I]Z hig^c\ cji VcY hVYYaZ XdbZ dkZgh^oZY [gdb

i]Z [VXidgn# H^o^c\ i]Zb gZfj^gZh bZVhjg^c\!

hVcY^c\!VcYgZ"bZVhjg^c\#;^mWdi]i]ZcjiVcY

hVYYaZ jci^a XdggZXi hig^c\ ]Z^\]ih VgZ gZVX]ZY#

=VcY"hVcY^c\ egZkZcih gZbdk^c\ idd bjX]

bViZg^Va#

To check the string heights at the 1st and 12th

frets:

1. BZVhjgZ i]Z hig^c\ ]Z^\]i Vi ZVX] d[ i]Z

hig^c\hVadc\i]Z&hi[gZihZZFigure 19#

Figure 18.Hig^c\]Z^\]ibZVhjgZbZci

h^YZk^Zl#

;^c\ZgWdVgY

;gZi

Hig^c\

Hig^c\=Z^\]i

Figure 19.8dggZXi&hi[gZihig^c\]Z^\]ih#

J`jaZaZ7dYn

Hig^c\Cji

&hi;gZi

Hig^c\=Z^\]i/

¿('

Installing Strings

:VX]hig^c\d[i]Zj`jaZaZ^hVY^[[ZgZciY^VbZiZg#

CjbWZgi]Zhig^c\h&!'!(!VcY)·[gdbi]ZhbVaa"

ZhiY^VbZiZgidi]ZaVg\ZhiY^VbZiZg#I]Z^gVggVc\Z"

bZcidci]Zj`jaZaZ^hh]dlc^cFigure 16#

To install the ukulele strings:

1. JhZ V e^ZXZ d[ iVeZ VcY eZc id YZh^\cViZ

ZVX]hig^c\cjbWZgVcYi^ZV`cdiVidcZZcY

d[ZVX]hig^c\#

2. >c i]Z dgYZg h]dlc ^c Figure 16! ejaa i]Z

hig^c\h i]gdj\] i]Z Wg^Y\Z hadih! dkZg i]Z

hVYYaZ!VcYdkZgi]Zhig^c\cjihadih#

3. GdjiZ i]Zhig^c\h idi]Z ^ch^YZ d[i]Z ijc^c\

eZ\hVcYi]gdj\]i]ZeZ\]daZh#

Note: Provide enough string slack to allow

2–3 complete winds around the tuning peg.

4. Ijgc i]Zijc^c\Wjiidchid a^\]iani^\]iZci]Z

hig^c\h# I]Z j`jaZaZ h]djaY add` a^`Z i]Vi

h]dlc^cFigure 17#

Figure 17.8dbeaZiZYj`jaZaZ#

Figure 16.EgdeZghig^c\VggVc\ZbZci#

J`jaZaZ7dYn

"&'"

BdYZaI&%)*,B[\#H^cXZ&%$&&

Tuning

Ijc^c\^hi]Zbdhi^bedgiVciXdcXZeid[eaVn^c\V

j`jaZaZ#>[i]Zj`jaZaZ^hcdi^cijcZl^i]^ihZa[!dg

i]Zdi]Zg^chigjbZcih^cVcZchZbWaZ!i]ZgZhjai"

^c\ bjh^X l^aa cdi hdjcY eaZVh^c\ id i]Z ZVg#

=Vk^c\V\ddYjcYZghiVcY^c\d[ijc^c\^hZhhZc"

i^VaidbVm^b^o^c\i]Z[jaaediZci^Vad[Vcnj`jaZaZ#

Important issues to consider when tuning a

ukulele:

 <Zi^cidi]Z]VW^id[ijc^c\i]Zj`jaZaZZkZgn

i^bZ^i^he^X`ZYjeidWZeaVnZY#

 6alVnhijcZi]Zhig^c\h¸je#¹I]Z[^cVaijcZY

iZch^dc d[ ZVX] hig^c\ h]djaY WZ gZVX]ZY

l]^aZi^\]iZc^c\i]Zhig^c\!cdiaddhZc^c\^i#>[

i]Zhig^c\^hiZch^dcZYidd[Vg!addhZci]ZiZc"

h^dcVcYijcZ¸je¹V\V^c#

 I]Z\dVal]Zcijc^c\^hidbV`Zi]Zhig^c\h

^cijcZl^i]dcZVcdi]Zg#HiVcYVgYijc^c\^h

h]dlc^cFigure 21#

 I]ZZVh^ZhilVnidijcZVj`jaZaZ^hjh^c\Vc

ZaZXigdc^X ijcZg hjX] Vh i]Z <g^ooan I'(%..

8]gdbVi^XIjcZgh]dlcdcPage 13#

Figure 21.HiVcYVgYijc^c\cdiZh#

J`jaZaZ7dYn

6. 8dc\gVijaVi^dchI]ZXdchigjXi^dcd[i]Zj`j"

aZaZ^hXdbeaZiZ#EgdXZZYidTuningid ijcZ

i]Z^chigjbZci#

 6aa[^ghi[gZihig^c\]Z^\]ihh]djaYWZVeegdm^"

bViZan

¿('#

·>[i]Zhig^c\]Z^\]ihVgZXdggZXi!i]Zcegd"

XZZYidStep 2#

·>[i]Zhig^c\]Z^\]ihVgZbdgZi]Vc

¿('Vi

i]Z &hi [gZi! i]Zc egdXZZY id Step 3 id

gZYjXZi]Z]Z^\]id[i]Zhig^c\cji#

Figure 20.8dggZXi&'i][gZihig^c\]Z^\]ih#

2. BZVhjgZ i]Z hig^c\ ]Z^\]i Vi ZVX] d[ i]Z

hig^c\hVadc\i]Z&'i][gZihZZFigure 20#

 6aa&'i][gZihig^c\]Z^\]ihh]djaYWZVeegdm^"

bViZan

¿-#

·>[i]Zhig^c\]Z^\]ihVgZXdggZXi!i]ZcXdc"

i^cjZidStep 5#

·>[ i]Z hig^c\ ]Z^\]ih VgZ bdgZ i]Vc

¿- Vi

i]Z &'i] [gZi! i]Zc egdXZZY id Step 3 id

gZYjXZi]Z]Z^\]id[i]ZhVYYaZ#

3. =VcY"hVcYi]ZWVhZd[i]Zhig^c\cji$hVYYaZ#

DO NOT gZbdkZiddbjX]bViZg^Va#

4. IZhi i]Z hig^c\ cji$hVYYaZ Wn gZeZVi^c\

Steps 1–2#

5. <ajZi]Zhig^c\cji^cideaVXZ#

Note: The nut and saddle may need to be

removed and re-sized if the neck of the uku-

lele warps due to moisture. Use only enough

glue to keep the string nut in place. The

saddle should not be glued.

Hig^c\=Z^\]ih/

¿-

J`jaZaZ7dYn

&'i][gZi

BdYZaI&%)*,B[\#H^cXZ&%$&&

"&("

AFTERMARKET ACCESSORIES

NOTICE

Refer to the newest copy of the Grizzly

Catalog for other available accessories.

Figure 22.I'(%..8]gdbVi^XIjcZg#

Model T23099—Chromatic Tuner/Metronome

I]^h bZigdcdbZ$ijcZg ^h hj^iVWaZ [dg Vaa ZaZXig^X

VcYVXdjhi^Xhig^c\ZY^chigjbZcih#>i]VhVcZVhn"

id"gZVYA89Y^heaVnVcY^hVWaZidijcZcdiZh/6!

6!7!8!8!9!9!:!;!;!<!VcY<#HZkZc

WZVi hZii^c\h VcY * g]ni]bh bV`Z i]^h kZghVi^aZ

YZk^XZVbjhi[dgi]Zcdk^XZdgZmeZg^ZcXZYbjh^"

X^Vc#

Model H5902—Jumpin' Jim's Camp Ukulele

Model H5903—Jumpin' Jim's '60s Uke-In

?jbe^c?^bhWdd`hegdk^YZVXdaaZXi^dcd[hdc\h

[dg i]Z j`jaZaZ l^i] ZVhn id eaVn Vadc\ VggVc\Z"

bZcih#<gZVi[dgVcnj`jaZaZbjh^X^Vc#

Figure 23.?jbe^c?^bh8VbeJ`jaZaZVcY+%h

J`Z">c#

Figure 24.I')%''I]Z9V^anJ`jaZaZ#

Model T24022—The Daily Ukulele

Higjb V Y^[[ZgZci hdc\ ZkZgn YVn l^i] ZVhn

VggVc\ZbZcihd[(+*d[ndjg[Vkdg^iZhdc\hI]Z

9V^anJ`jaZaZ^cXajYZhVggVc\ZbZcihi]Vi[ZVijgZ

bZadYn!ang^XhVcYj`jaZaZX]dgY\g^YhVcYVgZ^c

j`jaZaZ"[g^ZcYan `Znh i]Vi VgZ eVgi^XjaVgan hj^iZY

[dg \gdjeh d[ dcZ id dcZ ]jcYgZY# >cXajYZh [da`

hdc\h!edehdc\h!`^Yhhdc\h!8]g^hibVhXVgdah

VcY7gdVYlVnijcZh!Vaal^i]Vhe^gVaW^cY^c\#

Figure 25.I')%'%Gd\Zgh=VbbZghiZ^c[dg

J`jaZaZ#

Model T24020—Rogers & Hammerstein for

Ukulele

CdlndjXVceaVn'%XaVhh^Xh]dlijcZh[gdbi]^h

WZadkZY hdc\lg^i^c\ Yjd dc ndjg j`Z >cXajYZh/

9d"GZ"B^  :YZalZ^hh  >b <dccV LVh] I]Vi

BVc G^\]i DjiV Bn =V^g  Bn ;Vkdg^iZ I]^c\h

 I]Z HjggZn l^i] i]Z ;g^c\Z dc Ide  Ndjc\Zg

I]VcHeg^c\i^bZVcYbdgZ#)-eV\Zh#

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