Grizzly T10457 Owner's manual

Type
Owner's manual
MODEL T10457
CONCERT UKULELE KIT
INSTRUCTION MANUAL
(For models manufactured since 10/11)
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WARNING: NO PORTION OF THIS MANUAL MAY BE REPRODUCED IN ANY SHAPE
OR FORM WITHOUT THE WRITTEN APPROVAL OF GRIZZLY INDUSTRIAL, INC.
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For Your Own Safety,
Read Instruction Manual
The purpose of safety symbols is to attract your attention to possible hazardous conditions.
This manual uses a series of symbols and signal words intended to convey the level of impor-
tance of the safety messages. The progression of symbols is described below. Remember that
safety messages by themselves do not eliminate danger and are not a substitute for proper
accident prevention measures.
Indicates a potentially hazardous situation which, if not avoided,
MAY result in minor or moderate injury. It may also be used to alert
against unsafe practices.
Indicates a potentially hazardous situation which, if not avoided,
COULD result in death or serious injury.
Indicates an imminently hazardous situation which, if not avoided,
WILL result in death or serious injury.
This symbol is used to alert the user to useful information about
proper operation of the machine.
NOTICE
Some dust created by power sanding, sawing, grinding, drilling, and other construction activi-
ties contains chemicals known to the State of California to cause cancer, birth defects or other
reproductive harm. Some examples of these chemicals are:
Your risk from these exposures varies, depending on how often you do this type of work.
To reduces your exposure to these chemicals: Work in well ventilated area, and work with
approved safety equipment, such as those dust masks that are specifically designed to filter
out microscopic particles.
 Lead from lead-based paints.
 Crystalline silica from bricks, cement, and other masonry products.
 Arsenic and chromium from chemically-treated lumber.
Table of Contents
INTRODUCTION ............................................................................................................................... 2
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PARTS INVENTORY ........................................................................................................................ 3
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SANDING .......................................................................................................................................... 4
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ASSEMBLY ...................................................................................................................................... 6
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AFTERMARKET ACCESSORIES .................................................................................................. 13
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INTRODUCTION
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Contact Info
Manual
NOTICE
WE STRONGLY RECOMMEND that you read
books, review industry trade magazines, or
get formal training before beginning any
projects. Regardless of the content in this
section, Grizzly Industrial will not be held
liable for accidents caused by lack of train-
ing.
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There is potential danger when operating
woodworking machinery. Accidents are fre-
quently caused by lack of familiarity or fail-
ure to pay attention. Use any machines with
respect and caution to decrease the risk of
operator injury. If normal safety precautions
are overlooked or ignored, serious personal
injury may occur.
No list of safety guidelines can be com-
plete. Every shop environment is different.
Always consider safety first, as it applies
to your individual working conditions. Use
tools and any machinery with caution and
respect. Failure to do so could result in seri-
ous personal injury, damage to equipment,
or poor work results.
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Identification
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PARTS INVENTORY
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REF PART # DESCRIPTION REF PART # DESCRIPTION
1 PT10457001 Ukulele Body 6 PT10457006 Sound Hole Decal
2 PT10457002 Ukulele Neck 7 PT10457007 String Set 4PC Set
3 PT10457003 Fingerboard 8 PT10457008 Position Dots 5PC Set
4 PT10457004 Saddle 9 PT10457009 String Nut
5 PT10457005 Bridge 10 PT10457010 Tuning Peg 4PC Set
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Recommended Tools & Supplies:
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To sand the ukulele body:
1. Wear a NIOSH-approved respirator and
safety glasses when sanding wood.
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Note: When hand sanding, always sand in
the same direction as the wood grain.
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Ukulele BodySupplies/Tools
SANDING
Damage to your eyes and lungs could result
from dust created by sanding without proper
protective gear. Always wear safety glass-
es and a NIOSH-approved respirator when
sanding.
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Note: Take your time with this sub-section and
consider testing ideas on scrap wood before per-
forming the work on the actual headstock.
To sand the ukulele neck:
1. Wear a NIOSH-approved respirator and
safety glasses when sanding wood!
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Note:Sanding the fingerboard mounting sur-
face will affect the playability of the ukulele
and could lead to irreparable damage.
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Note: Sanding the fingerboard will affect the play-
ability of the ukulele and could lead to irreparable
damage.
Bridge
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FingerboardNeck
Damage to your eyes and lungs could result
from dust created by sanding without proper
protective gear. Always wear safety glass-
es and a NIOSH-approved respirator when
sanding.
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Attaching Neck to
Body
ASSEMBLY
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To attach the neck to the body:
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ALWAYS follow the manufacturer's instruc-
tions for any glues or adhesive products for
your safety and best results.
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i]Z[VXZd[i]Z[^c\ZgWdVgY#
Installing Position
Dots
To install the position dots:
1. EaVXZ V hbVaa Ygde d[ \ajZ ^c ZVX] edh^i^dc
Ydi]daZ#
2. Jh^c\V]VbbZgVcYVhXgVee^ZXZd[lddY!
a^\]ian iVei]Z edh^i^dc Ydih ^cid ZVX]d[ i]Z
]daZh#
3. Jh^c\ hVcYeVeZg ^c \g^ih [gdb ('% id -%%!
egd\gZhh^kZan hVcY i]Z edh^i^dc Ydih [ajh]
l^i]i]Z[^c\ZgWdVgY#
Attaching
Fingerboard
L^i]hVcY^c\XdbeaZiZY!i]Z[^c\ZgWdVgY^hgZVYn
idWZViiVX]ZYidi]ZcZX`VcYWdYn#
To attach the fingerboard:
1. 6eeanV i]^c aVnZgd[\ajZidi]ZWVX`d[i]Z
[^c\ZgWdVgYVcYedh^i^dc^idci]ZcZX`#
2. HZXjgZ i]Z [^c\ZgWdVgY ^c eaVXZ l^i] gjWWZg
WVcYh!Vhh]dlc^cFigure 6.JhZlZY\Zh^[
cZXZhhVgn id ZchjgZ V i^\]i [^i# AZi i]Z \ajZ
Ygn[dgViaZVhi')]djgh#
Note:Make sure the fingerboard is centered
across the width of the neck and that the 14th
fret is positioned over the neck-to-body joint.
Figure 6.6iiVX]^c\[^c\ZgWdVgYidi]ZcZX`#
3. HVcY dg[^aZ i]Z ZY\Z d[ i]ZcZX` [ajh]l^i]
i]ZZY\Zd[i]Z[^c\ZgWdVgY#9di]^hhadlanid
Vkd^YhVcY^c\i]Z[^c\ZgWdVgY#
I]Z Wg^Y\Z ^h \ajZY Y^gZXian id i]Z WdYn Vi i]Z
adXVi^dc^cY^XViZY^cFigure 7#AZVk^c\VcVgZVd[
i]ZWdYnha^\]ianhbVaaZgi]Vci]Z[ddieg^cid[i]Z
Wg^Y\Z jc[^c^h]ZY ^cXgZVhZh i]Z higZc\i] d[ i]Z
\ajZ_d^cii]ViViiVX]Zhi]ZWg^Y\Zidi]Zj`jaZaZ#
I]ZgZYjXZYh^oZd[i]^hVgZVVaadlhi]Z[^c^h]d[
i]Zj`jaZaZidWZXdch^hiZciVgdjcYi]ZWg^Y\Z#
Determining Bridge
Location
To determine the correct bridge/nut location:
1. >chZgii]ZhVYYaZ^cidi]ZWg^Y\ZVcYedh^i^dc
i]Z[gdciZY\Zd[i]Z hVYYaZ ,
&
¿'VlVn[gdb
i]ZXZciZgd[i]Z&'i][gZihZZFigure 7#
2. Jh^c\VeZcX^a!a^\]ianbVg`i]Z[ddieg^cid[i]Z
Wg^Y\Z#
Figure 7.7g^Y\Zedh^i^dc^c\#
,
&
¿'
&'i];gZi
HVYYaZ
7g^Y\Z
"-"
BdYZaI&%)*,B[\#H^cXZ&%$&&
Painting/Finishing
;^c^h]^c\hjeea^ZhVgZcdihjeea^ZYl^i]i]Zj`j"
aZaZ`^i#
Tip: The ukulele body is made from mahogany
plywood. Clear finishes such as lacquer look
exceptionally stunning and glossy on this wood.
Painting/Finishing Tips:
s !LWAYS WORK IN A WELL VENTILATED AREA
when using finishing materials.
s 7EAR AN APPROVED RESPIRATOR MASK AND
safety glasses when using finishing mate-
rials!
s ;VWg^XViZ]dd`h [gdb bZiVa]Vc\Zghid hjh"
eZcYi]Zj`jaZaZXdbedcZcihYjg^c\i]Z[^c"
^h]^c\egdXZhh#
s HZkZgVai]^ccZgXdVihjhjVaanegdYjXZVc^XZg
[^c^h]i]VcdcZ]ZVknXdVi#
Note: Always follow the finish manufacturer’s
instructions.
s 9jhieVgi^XaZhhjheZcYZY^ci]ZV^gl^aahZiiaZ
dc lZi [^c^h]Zh! gZhjai^c\ ^c aZhh i]Vc hVi^h"
[VXidgngZhjaih#IdVkd^Yi]^hegdWaZb/
1. =VkZ i]Z j`jaZaZ XdbedcZcih edh^i^dcZY
[dgi]Z[^c^h]Veea^XVi^dcjedcZciZg^c\i]Z
gddb#
2. AZVkZ i]Z gddb l]ZgZ i]Z [^c^h]^c\ l^aa
iV`Z eaVXZXdbeaZiZan jcY^hijgWZY [dg ')
]djgheg^dgidVeean^c\i]Z[^c^h]#
3. 6kd^Y bV`^c\ jccZXZhhVgn bdkZbZcih
jedcZciZg^c\i]Z[^c^h]gddb#
4. 6eean i]Z [^c^h] id i]Z j`jaZaZ eVgih VcY
^bbZY^ViZanaZVkZi]Z[^c^h]gddb#
5. 9DCDIgZijgcidi]Zgddbjci^ai]ZheZX"
^[^ZYYgn^c\i^bZ]VhZaVehZY#
Preparing to Finish
>cegZeVgVi^dc[dgi]Z Veean^c\ i]Z[^c^h]!egdiZXi
i]Z[daadl^c\eVgihd[i]Zj`jaZaZ#LZgZXdbbZcY
jh^c\bVh`^c\iVeZ[dgi]^hegdXZhh#
 BVh` i]Z Wg^Y\Z bdjci^c\ adXVi^dc! hZZ
Figure 8#
 BVh`i]Z[^c\ZgWdVgY!hZZFigure 9#
 ;^aa i]Z hdjcY ]daZ l^i] cZlheVeZg! hZZ
Figure 9#
8VgZ[jaanegZhhVaai]ZbVh`^c\iVeZZY\ZhhZXjgZ"
anidi]Zj`jaZaZe^ZXZh#I]Z[^c^h]XdViXVchZZe
jcYZg i]ZhZ ZY\Zh! ZheZX^Vaan cZVg XdgcZgh!
jcZkZcZY\Zh!VcYl]ZgZi]Z[gZihbZZii]Z[^c"
\ZgWdVgY#
Note: Failure to correctly mask these areas could
result in irreparable damage to the ukulele.
Figure 9.:mVbeaZd[VbVh`ZY[^c\ZgWdVgYVcY
hij[[ZYhdjcY]daZ#
Figure 8.BVh`ZYd[[VgZV[dgWg^Y\Z#
BVh`ZY6gZV
7g^Y\Z
;ddieg^ci
3. 8ji V e^ZXZd[iVeZha^\]ianhbVaaZgi]Vci]Z
[ddieg^ci#6iiVX]^iidi]ZhdjcYWdVgY^ch^YZ
i]Z[ddieg^cid[i]ZWg^Y\Z#
4. GZbdkZi]ZeZcX^abVg`h#
BdYZaI&%)*,B[\#H^cXZ&%$&&
"."
Attaching Bridge
GZbdkZi]ZiVeZ[gdbi]ZbVh`ZYVgZVh^cegZe"
VgVi^dc[dgViiVX]^c\i]ZWg^Y\Z#GZ[ZgidPage 7
[dg i]Z cZXZhhVgn bZVhjgZbZcih id adXViZ i]Z
Wg^Y\Z#
To attach the bridge to the ukulele:
1. Jh^c\VeZcX^a!a^\]ianbVg`i]Zj`jaZaZWdYn
l]ZgZ i]Z [gdci ZY\Z d[ i]Z Wg^Y\Z ^h adXVi"
ZY#
2. HZii]Zhig^c\cjiVadc\i]ZZcYd[i]Z[^c\Zg"
WdVgY!cZVgi]Z]ZVYhidX`#
3. 6iiVX]e^ZXZhd[hZl^c\i]gZVYidi]Z&hiVcY
i]Z)i]cjihadih!VcYiVeZi]Zdeedh^iZZcYh
dkZg i]Z XdggZhedcY^c\ adXVi^dch dc i]Z
Wg^Y\Z.
4. Edh^i^dci]ZWg^Y\Zdci]ZWdYnVii]ZadXVi^dc
bVg`ZY^ci]ZDetermining Bridge Location
hZXi^dcdcPage 7#
5. 6Y_jhii]Z Wg^Y\Z h^YZ"id"h^YZ hdi]ZgZ^hVc
ZfjVa Vbdjci d[ heVXZ WZilZZc i]Z [^c\Zg"
WdVgY ZY\Zh VcY i]Z i]gZVYh hZZ Figure
11#
6. Jh^c\VeZcX^a!a^\]ianbVg`i]Zj`jaZaZWdYn
l]ZgZ i]Z h^YZ ZY\Zh d[ i]Z Wg^Y\Z VgZ
adXViZY#
Figure 11.Edh^i^dc^c\i]ZWg^Y\ZVXgdhhi]Z
l^Yi]d[i]Zj`jaZaZ#
:fjVa
9^hiVcXZ
I]ZYZXVabjhiWZVeea^ZYV[iZgi]Zj`jaZaZ^h
[^c^h]ZYidegdeZganVY]ZgZidi]Zj`jaZaZ#=dl"
ZkZg!i]ZYZXVaha^\]iandkZgaVehi]Z[^c\ZgWdVgY#
>i^hZVh^Zhiidig^bi]ZYZXVaV[iZg^i^hVeea^ZYWji
WZ[dgZ^i^hYgn#
Attaching Sound
Hole Decal
To attach the sound hole decal:
1. HjWbZg\Zi]ZYZXVa h]ZZi^c lViZgjci^ai]Z
YZXVaha^YZhdci]ZeVeZgWVX`^c\#I]^hiV`Zh
aZhhi]VcVb^cjiZ#
2. GZbdkZi]ZYZXVah]ZZil^i]YZXVa[gdbi]Z
lViZgVcYaZii]ZZmXZhhlViZggjcd[[#
3. <Zcianha^YZi]ZYZXVad[[i]ZYZXVah]ZZi^cid
edh^i^dcVgdjcYi]ZhdjcY]daZ#
4. A^\]ian egZhh Ydlc dc i]Z YZXVa l^i]
YVbeZcZY[^c\Zgh.
5. L^i] V Ygn Xadi]! a^\]ian egZhh dc i]Z
YZXVa id gZbdkZ i]Z ZmXZhh lViZg igVeeZY
jcYZgcZVi]#
6. Ig^b i]ZYZXVal^i] VgVodg`c^[ZdgbVg`^c\
`c^[Z l]ZgZ ^i dkZgaVeh i]Z [^c\ZgWdVgY! Vh
h]dlc^cFigure 10#
Figure 10.8jii^c\YZXVaid[^i#
7. AZii]ZYZXVaYgn[dgViaZVhi-]djgh#
"&%"
BdYZaI&%)*,B[\#H^cXZ&%$&&
7. GZbdkZ i]Z hVYYaZ [gdb i]Z Wg^Y\Z! VcY
Veean V i]^c XdVi d[ \ajZ id i]Z WVX` d[ i]Z
Wg^Y\ZVcYi]Zjc[^c^h]ZYVgZVd[i]ZhdjcY
WdVgY#
Note: Do not use too much glue or the excess
may require clean up that can adversely
affect the finish of the ukulele.
8. AZii]Z\ajZhZijci^a^i^hhi^aaiVX`nWjiXaZVg#
9. EaVXZVcY[^gban]daYi]ZWg^Y\Z^cedh^i^dc[dg
ildb^cjiZhWn]VcY#I]^hl^aahZXjgZ^iiZb"
edgVg^anWZ[dgZXaVbe^c\^i#
Figure 12.<aj^c\i]ZWg^Y\Zidi]ZWdYn#
Figure 13.7g^Y\ZVcYhVYYaZ^chiVaaZYdci]Z
hdjcYWdVgY#
10. 8aVbe i]Z Wg^Y\Z ^c eaVXZ dkZgc^\]i! Vh
h]dlc^cFigure 12#
11. GZbdkZ i]Z XaVbe hZije# >chiVaa i]Z hVYYaZ
dci]ZWg^Y\Z#I]ZhVYYaZVcYWg^Y\ZVgZcdl
gZVYn[dghig^c\^chiVaaVi^dchZZFigure 13#
:VX] ijc^c\eZ\ Xdch^hih d[ V Wjh]^c\! V ijc^c\
eZ\!VheVXZg!Vijc^c\Wjiidc!VcYVhXgZlhZZ
Figure 14#
Installing Tuning Peg
Figure 14.Ijc^c\eZ\XdbedcZcih#
HeVXZg
7jh]^c\
Ijc^c\
7jiidc
Ijc^c\EZ\
HXgZl
2. Ha^YZ ZVX] eZ\ i]gdj\] dcZ cnadc Wjh]^c\
^cidi]ZhZVidci]Z[gdcid[i]Z]ZVYhidX`#
3. 6iiVX]i]ZgZbV^c^c\XdbedcZcihidi]ZeZ\
^ci]ZdgYZgh]dlc^cFigure 14#
4. HZXjgZi]Zijc^c\eZ\VhhZbWanWni^\]iZc^c\
i]ZE]^aa^ehhXgZl#
Figure 15.>chiVaa^c\eZ\hZVi^cid[gdcid[
]ZVYhidX`#
EZ\HZVi
=ZVYhidX`
To install tuning pegs:
1. Jh^c\ Vcdc"bVgg^c\bVaaZi!iVe ZVX]d[i]Z
[djg eZ\ hZVih ^cid i]Z egZ"Yg^aaZY ]daZh dc
i]Z [gdci d[ i]Z ]ZVYhidX`! Vh h]dlc ^c
Figure 15#
BdYZaI&%)*,B[\#H^cXZ&%$&&
"&&"
Setting String Height
I]Zhig^c\]Z^\]i^hi]ZY^hiVcXZWZilZZci]Zide
d[ i]Z [gZi VcY i]Z Wdiidb d[ i]Z hig^c\ Figure
18#8dggZXihig^c\]Z^\]i^hXgjX^Va[dgbVm^b^o^c\
i]Z eaVnVW^a^ind[ i]Zj`jaZaZ# BZVhjgZbZcih VgZ
iV`ZcVii]Z&hiVcY&'i][gZi#
I]Z hig^c\ cji VcY hVYYaZ XdbZ dkZgh^oZY [gdb
i]Z [VXidgn# H^o^c\ i]Zb gZfj^gZh bZVhjg^c\!
hVcY^c\!VcYgZ"bZVhjg^c\#;^mWdi]i]ZcjiVcY
hVYYaZ jci^a XdggZXi hig^c\ ]Z^\]ih VgZ gZVX]ZY#
=VcY"hVcY^c\ egZkZcih gZbdk^c\ idd bjX]
bViZg^Va#
To check the string heights at the 1st and 12th
frets:
1. BZVhjgZ i]Z hig^c\ ]Z^\]i Vi ZVX] d[ i]Z
hig^c\hVadc\i]Z&hi[gZihZZFigure 19#
Figure 18.Hig^c\]Z^\]ibZVhjgZbZci
h^YZk^Zl#
;^c\ZgWdVgY
;gZi
Hig^c\
Hig^c\=Z^\]i
Figure 19.8dggZXi&hi[gZihig^c\]Z^\]ih#
J`jaZaZ7dYn
Hig^c\Cji
&hi;gZi
Hig^c\=Z^\]i/
&
¿('
Installing Strings
:VX]hig^c\d[i]Zj`jaZaZ^hVY^[[ZgZciY^VbZiZg#
CjbWZgi]Zhig^c\h&!'!(!VcY)·[gdbi]ZhbVaa"
ZhiY^VbZiZgidi]ZaVg\ZhiY^VbZiZg#I]Z^gVggVc\Z"
bZcidci]Zj`jaZaZ^hh]dlc^cFigure 16#
To install the ukulele strings:
1. JhZ V e^ZXZ d[ iVeZ VcY eZc id YZh^\cViZ
ZVX]hig^c\cjbWZgVcYi^ZV`cdiVidcZZcY
d[ZVX]hig^c\#
2. >c i]Z dgYZg h]dlc ^c Figure 16! ejaa i]Z
hig^c\h i]gdj\] i]Z Wg^Y\Z hadih! dkZg i]Z
hVYYaZ!VcYdkZgi]Zhig^c\cjihadih#
3. GdjiZ i]Zhig^c\h idi]Z ^ch^YZ d[i]Z ijc^c\
eZ\hVcYi]gdj\]i]ZeZ\]daZh#
Note: Provide enough string slack to allow
2–3 complete winds around the tuning peg.
4. Ijgc i]Zijc^c\Wjiidchid a^\]iani^\]iZci]Z
hig^c\h# I]Z j`jaZaZ h]djaY add` a^`Z i]Vi
h]dlc^cFigure 17#
Figure 17.8dbeaZiZYj`jaZaZ#
Figure 16.EgdeZghig^c\VggVc\ZbZci#
2
4
3
1
J`jaZaZ7dYn
"&'"
BdYZaI&%)*,B[\#H^cXZ&%$&&
Tuning
Ijc^c\^hi]Zbdhi^bedgiVciXdcXZeid[eaVn^c\V
j`jaZaZ#>[i]Zj`jaZaZ^hcdi^cijcZl^i]^ihZa[!dg
i]Zdi]Zg^chigjbZcih^cVcZchZbWaZ!i]ZgZhjai"
^c\ bjh^X l^aa cdi hdjcY eaZVh^c\ id i]Z ZVg#
=Vk^c\V\ddYjcYZghiVcY^c\d[ijc^c\^hZhhZc"
i^VaidbVm^b^o^c\i]Z[jaaediZci^Vad[Vcnj`jaZaZ#
Important issues to consider when tuning a
ukulele:
 <Zi^cidi]Z]VW^id[ijc^c\i]Zj`jaZaZZkZgn
i^bZ^i^he^X`ZYjeidWZeaVnZY#
 6alVnhijcZi]Zhig^c\h¸je#¹I]Z[^cVaijcZY
iZch^dc d[ ZVX] hig^c\ h]djaY WZ gZVX]ZY
l]^aZi^\]iZc^c\i]Zhig^c\!cdiaddhZc^c\^i#>[
i]Zhig^c\^hiZch^dcZYidd[Vg!addhZci]ZiZc"
h^dcVcYijcZ¸je¹V\V^c#
 I]Z\dVal]Zcijc^c\^hidbV`Zi]Zhig^c\h
^cijcZl^i]dcZVcdi]Zg#HiVcYVgYijc^c\^h
h]dlc^cFigure 21#
 I]ZZVh^ZhilVnidijcZVj`jaZaZ^hjh^c\Vc
ZaZXigdc^X ijcZg hjX] Vh i]Z <g^ooan I'(%..
8]gdbVi^XIjcZgh]dlcdcPage 13#
G
C
E
A
Figure 21.HiVcYVgYijc^c\cdiZh#
J`jaZaZ7dYn
6. 8dc\gVijaVi^dchI]ZXdchigjXi^dcd[i]Zj`j"
aZaZ^hXdbeaZiZ#EgdXZZYidTuningid ijcZ
i]Z^chigjbZci#
6aa[^ghi[gZihig^c\]Z^\]ihh]djaYWZVeegdm^"
bViZan
&
¿('#
·>[i]Zhig^c\]Z^\]ihVgZXdggZXi!i]Zcegd"
XZZYidStep 2#
·>[i]Zhig^c\]Z^\]ihVgZbdgZi]Vc
&
¿('Vi
i]Z &hi [gZi! i]Zc egdXZZY id Step 3 id
gZYjXZi]Z]Z^\]id[i]Zhig^c\cji#
Figure 20.8dggZXi&'i][gZihig^c\]Z^\]ih#
2. BZVhjgZ i]Z hig^c\ ]Z^\]i Vi ZVX] d[ i]Z
hig^c\hVadc\i]Z&'i][gZihZZFigure 20#
6aa&'i][gZihig^c\]Z^\]ihh]djaYWZVeegdm^"
bViZan
&
¿-#
·>[i]Zhig^c\]Z^\]ihVgZXdggZXi!i]ZcXdc"
i^cjZidStep 5#
·>[ i]Z hig^c\ ]Z^\]ih VgZ bdgZ i]Vc
&
¿- Vi
i]Z &'i] [gZi! i]Zc egdXZZY id Step 3 id
gZYjXZi]Z]Z^\]id[i]ZhVYYaZ#
3. =VcY"hVcYi]ZWVhZd[i]Zhig^c\cji$hVYYaZ#
DO NOT gZbdkZiddbjX]bViZg^Va#
4. IZhi i]Z hig^c\ cji$hVYYaZ Wn gZeZVi^c\
Steps 1–2#
5. <ajZi]Zhig^c\cji^cideaVXZ#
Note: The nut and saddle may need to be
removed and re-sized if the neck of the uku-
lele warps due to moisture. Use only enough
glue to keep the string nut in place. The
saddle should not be glued.
Hig^c\=Z^\]ih/
&
¿-
J`jaZaZ7dYn
&'i][gZi
BdYZaI&%)*,B[\#H^cXZ&%$&&
"&("
AFTERMARKET ACCESSORIES
NOTICE
Refer to the newest copy of the Grizzly
Catalog for other available accessories.
Figure 22.I'(%..8]gdbVi^XIjcZg#
Model T23099Chromatic Tuner/Metronome
I]^h bZigdcdbZ$ijcZg ^h hj^iVWaZ [dg Vaa ZaZXig^X
VcYVXdjhi^Xhig^c\ZY^chigjbZcih#>i]VhVcZVhn"
id"gZVYA89Y^heaVnVcY^hVWaZidijcZcdiZh/6!
6!7!8!8!9!9!:!;!;!<!VcY<#HZkZc
WZVi hZii^c\h VcY * g]ni]bh bV`Z i]^h kZghVi^aZ
YZk^XZVbjhi[dgi]Zcdk^XZdgZmeZg^ZcXZYbjh^"
X^Vc#
Model H5902Jumpin' Jim's Camp Ukulele
Model H5903Jumpin' Jim's '60s Uke-In
?jbe^c?^bhWdd`hegdk^YZVXdaaZXi^dcd[hdc\h
[dg i]Z j`jaZaZ l^i] ZVhn id eaVn Vadc\ VggVc\Z"
bZcih#<gZVi[dgVcnj`jaZaZbjh^X^Vc#
Figure 23.?jbe^c?^bh8VbeJ`jaZaZVcY+%h
J`Z">c#
Figure 24.I')%''I]Z9V^anJ`jaZaZ#
Model T24022—The Daily Ukulele
Higjb V Y^[[ZgZci hdc\ ZkZgn YVn l^i] ZVhn
VggVc\ZbZcihd[(+*d[ndjg[Vkdg^iZhdc\hI]Z
9V^anJ`jaZaZ^cXajYZhVggVc\ZbZcihi]Vi[ZVijgZ
bZadYn!ang^XhVcYj`jaZaZX]dgY\g^YhVcYVgZ^c
j`jaZaZ"[g^ZcYan `Znh i]Vi VgZ eVgi^XjaVgan hj^iZY
[dg \gdjeh d[ dcZ id dcZ ]jcYgZY# >cXajYZh [da`
hdc\h!edehdc\h!`^Yhhdc\h!8]g^hibVhXVgdah
VcY7gdVYlVnijcZh!Vaal^i]Vhe^gVaW^cY^c\#
Figure 25.I')%'%Gd\Zgh=VbbZghiZ^c[dg
J`jaZaZ#
Model T24020—Rogers & Hammerstein for
Ukulele
CdlndjXVceaVn'%XaVhh^Xh]dlijcZh[gdbi]^h
WZadkZY hdc\lg^i^c\ Yjd dc ndjg j`Z >cXajYZh/
9d"GZ"B^  :YZalZ^hh  >b <dccV LVh] I]Vi
BVc G^\]i DjiV Bn =V^g  Bn ;Vkdg^iZ I]^c\h
 I]Z HjggZn l^i] i]Z ;g^c\Z dc Ide  Ndjc\Zg
I]VcHeg^c\i^bZVcYbdgZ#)-eV\Zh#
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Grizzly T10457 Owner's manual

Type
Owner's manual

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