Avid Media Composer 8.2 User guide

Avid

®

Media Composer

®

| Software

Editing Guide

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003, 192 Digital I/O, 192 I/O, 96 I/O, 96i I/O, Adrenaline, AirSpeed, ALEX, Alienbrain, AME, AniMatte, Archive, Archive II, Assistant

Station, AudioPages, AudioStation, AutoLoop, AutoSync, Avid, Avid Active, Avid Advanced Response, Avid DNA, Avid DNxcel, Avid

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Recorder, MEDIArray, MediaServer, MediaShare, MetaFuze, MetaSync, MIDI I/O, Mix Rack, Moviestar, MultiShell, NaturalMatch,

NewsCutter, NewsView, NewsVision, Nitris, NL3D, NLP, NSDOS, NSWIN, OMF, OMF Interchange, OMM, OnDVD, Open Media

Framework, Open Media Management, Painterly Effects, Palladium, Personal Q, PET, Podcast Factory, PowerSwap, PRE,

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SecureProductionEnvironment, Serv|GT, Serv|LT, Shape-to-Shape, ShuttleCase, Sibelius, SimulPlay, SimulRecord, Slightly Rude

Compressor, Smack!, Soft SampleCell, Soft-Clip Limiter, SoundReplacer, SPACE, SPACEShift, SpectraGraph, SpectraMatte,

SteadyGlide, Streamfactory, Streamgenie, StreamRAID, SubCap, Sundance, Sundance Digital, SurroundScope, Symphony, SYNC

HD, SYNC I/O, Synchronic, SynchroScope, Syntax, TDM FlexCable, TechFlix, Tel-Ray, Thunder, TimeLiner, Titansync, Titan, TL

Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities,

tools for storytellers, Transit, TransJammer, Trillium Lane Labs, TruTouch, UnityRAID, Vari-Fi, Video the Web Way, VideoRAID,

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Footage

Arri — Courtesy of Arri/Fauer — John Fauer, Inc.

Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.

It’s Shuttletime — Courtesy of BCP & Canadian Airlines.

Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.

Saturn “Calvin Egg” — Courtesy of Cossette Communications.

“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com

, Carol Amore, Executive Producer.

"The Big Swell" — Courtesy of Swell Pictures, Inc.

Windhorse — Courtesy of Paul Wagner Productions.

Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,

Editor/Producer Bryan Foote.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Ice Island — Courtesy of Kurtis Productions, Ltd.

Tornados + Belle Isle footage — Courtesy of KWTV News 9.

WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.

Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.

Avid Media Composer Editing Guide • 0130-07971-01-F • October 2014

Contents

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Chapter 1 Editing Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Editing Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Starting a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Preparing to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Editing a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Outputting a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Chapter 2 Starting a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Turning on Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Working with the Desktop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the Windows Taskbar (Windows Only) . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the Macintosh Dock (Macintosh Only) . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Using Shortcut Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Using the Keyboard for Navigating in Dialog Boxes and Menus . . . . . . . . . . . . 61

Using the Mouse Scroll Wheel for Navigating . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Customizing Mouse Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Optimum Performance (Windows 7) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Optimum Performance (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Antivirus Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Starting Your Avid Editing Application (Windows). . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Starting Your Avid Editing Application (Macintosh). . . . . . . . . . . . . . . . . . . . . . . . . . 67

Application Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Licensing the Editing Application through Application Manager. . . . . . . . . . . . . 69

Working with Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Avid Projects and Avid Users Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

7

Select Project Dialog Box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Project Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Creating a New Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Setting the Project Format to Accommodate Variable Resolutions . . . . . . . . . . 79

Working with Color Spaces in HD Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Setting the Project Color Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Setting Project-Naming Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Opening and Closing Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Deleting a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Quitting and Turning Off Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Changing Project and User Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Backing Up Your Project Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Avid Attic Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Retrieving Files from the Avid Attic Folder (Windows) . . . . . . . . . . . . . . . . . . . . 90

Retrieving Files from the Avid Attic Folder (Macintosh) . . . . . . . . . . . . . . . . . . . 93

Chapter 3 Working with the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Overview of the Project Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Using the Bins Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Viewing a List of Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Creating a New Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Renaming a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Opening and Closing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Displaying Folders of Bins in the Bins List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Creating a Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Deleting a Bin or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Viewing and Emptying the Trash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Saving Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Saving Bins Manually. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Filtering Bins in the Project Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Using the Settings Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Using the Format Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Using the Usage Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Statistics File Structure and Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

8

Importing the Statistics File into a Spreadsheet. . . . . . . . . . . . . . . . . . . . . . . . 108

Displaying Disk Space Statistics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Using the Info Tab. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Managing Bins and Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Understanding User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Managing User Profiles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Customizing the Avid User Interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Changing Font and Point Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Image Cache Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Using Workspaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Linking User Settings and Workspaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Assigning a Workspace or Bin Layout Button . . . . . . . . . . . . . . . . . . . . . . . . . 123

Using Bin Layouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Working with Bins and Projects in an Avid Shared Storage Environment . . . . . . . 126

Sharing Bins and Projects in Avid Shared Storage . . . . . . . . . . . . . . . . . . . . . 126

Opening a Shared Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Working with Locks and Shared Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Considerations for Working with Shared Bins and Projects. . . . . . . . . . . . . . . 129

Drive Filtering in Networked Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Chapter 4 Using Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using the Tools Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using a Deck Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Deck Controller Window Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

The Command Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Understanding Button Mapping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Mapping User-Selectable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Mapping Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Activating Commands from the Command Palette . . . . . . . . . . . . . . . . . . . . . 140

Using the Avid Calculator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Using The Console Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

9

External Controllers as Editing Control Surfaces . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Chapter 5 Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Avid Log Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Global Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Column Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Data Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Creating an Avid Log. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Double-Checking Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Logging Directly into a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Logging with Avid-Controlled Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Pausing the Deck While Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Using a Memory Mark When Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Logging with Non-Avid-Controlled Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Understanding the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Film-Related Log Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Displaying Film Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Entering Pulldown Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Determining the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Modifying the Pulldown Phase Before Capturing . . . . . . . . . . . . . . . . . . . . . . . 170

Entering Frames-per-Second Rates for PAL Transfers . . . . . . . . . . . . . . . . . . 171

Entering Key Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Entering Additional Timecodes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Entering Ink Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Chapter 6 Preparing for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Logging and Shot Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Importing Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Preparing the Hardware for Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179

Getting Information About Striped Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Selecting the Sync Source for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Establishing Sync for Audio-Only Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

10

Selecting Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Selecting Video Resolutions and Media Drives . . . . . . . . . . . . . . . . . . . . . . . . 183

Disabling Video Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Setting Drive Filtering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Selecting Settings for Preroll Method and for Capturing Across Timecode Breaks 189

Capturing to Multiple Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

General Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Capture-Related Settings for Film and 24p Projects . . . . . . . . . . . . . . . . . . . . 192

Configuring Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Configuring a Deck or Multiple Decks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Deleting Deck Configuration Elements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Understanding Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Connecting a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Setting Up the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Opening the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Selecting a Deck in the Capture Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Activating Playback from an Available Deck . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Selecting a Source Tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Selecting Source Tracks and Audio Channels . . . . . . . . . . . . . . . . . . . . . . . . . 205

Setting the Video and Audio Input in the Capture Tool . . . . . . . . . . . . . . . . . . 207

Detecting a Valid or Locked Sync Signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Setting the Pulldown Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Film Project Pulldown and Transfer Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Capturing Digital Audio in Film Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Selecting a Resolution in the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Selecting a Target Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Selecting the Target Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Selecting a Custom Preroll. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Preparing to Capture Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Audio Project Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Selecting the Audio Sample Rate and Controlling Audio Sample Rate Conversion 215

Selecting the Audio File Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Selecting the Audio Input Source. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

11

Configuring the Sound Card (Software-Only Systems) . . . . . . . . . . . . . . . . . . 217

Understanding the Audio Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Opening the Audio Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Adjusting Audio Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Creating Tone Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Using the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Calibrating Audio Hardware for Avid Nitris DX and Avid Mojo DX . . . . . . . . . . 224

Using the Console Window to Check Audio Levels . . . . . . . . . . . . . . . . . . . . . 228

Preparing to Capture Video. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Opening the Video Input Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Using the Factory Preset Buttons in the Video Input Tool . . . . . . . . . . . . . . . . 230

Calibrating Video Input. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Luminance Settings for Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Limitations When Using Consumer Decks or Decks Without

Time-Base Correctors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Saving Video Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Adjusting Video Levels for Tapes Without Color Bars . . . . . . . . . . . . . . . . . . . 237

Capture Preparations Check List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Chapter 7 Capturing Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Capturing and Logging at the Same Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Naming Clips and Adding Comments in the Capture Tool. . . . . . . . . . . . . . . . 241

Capturing by Setting Both Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Capturing by Setting Only One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Capturing On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Preparing to Autocapture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Autocapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Capturing from a Non-Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . . . . . 248

Capturing with Time-of-Day Timecode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Capturing Directly from a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Capturing DV 25 Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Capturing DV 50, DVCPRO HD, or HDV Media. . . . . . . . . . . . . . . . . . . . . . . . 250

Selecting a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Understanding DV Capture Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

12

Capturing DV Material with Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Capturing Audio from a Music CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Frame Chase Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Understanding Frame Chase Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Enabling Frame Chase Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

Requirements and Guidelines for Frame Chase Capture . . . . . . . . . . . . . . . . 256

Batch Capturing from Logged Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Preparing to Batch Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Batch Capturing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Recapturing and Decomposing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Understanding Recapturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Understanding Decompose and Expert Decompose . . . . . . . . . . . . . . . . . . . . 263

Decomposing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Using Expert Decompose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Recapturing a Sequence Without Using Decompose . . . . . . . . . . . . . . . . . . . 269

Alternate Source Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Using Capture Function Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Handling Errors During the Capture Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Creating Subclips While Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Adding Markers On-the-Fly While Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Naming a New Tape from the Keyboard While Capturing . . . . . . . . . . . . . . . . . . . 277

Controlling Decks from the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Adding Extra Text Fields in the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Ejecting Tapes with a Button or Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Using Dolby E Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Selecting Dolby E Safe Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Capturing Media with Dolby E Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Delaying Audio During Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Working in Quick Record Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Capturing in Satellite Mode or No Device Control. . . . . . . . . . . . . . . . . . . . . . . . . . 285

Scheduling a Capture Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Capturing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Capturing Video Without Pulldown into a 24p NTSC Project . . . . . . . . . . . . . . . . . 291

13

Remote Play, Capture, and Punch-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Selecting Remote Play and Capture Settings . . . . . . . . . . . . . . . . . . . . . . . . . 293

Enabling Remote Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Enabling Remote Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294

Setting up Your System for Remote Punch-In . . . . . . . . . . . . . . . . . . . . . . . . . 295

Relinking Clips by Key Number. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Modifying the Pulldown Phase After Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 299

DV and HDV Scene Extraction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Using the Panasonic VariCam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303

Chapter 8 Importing Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304

Preparing to Import Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Creating and Modifying Import Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Importing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Importing with Multichannel Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Importing Audio Files from a Music CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Adjusting Gain Before Importing Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315

Sample Rate Conversion and Audio Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Setting Sample Rate Conversion Options Before Importing Audio Files . . . . . . . . 317

Photoshop Graphics Import . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Support for Multilayered Photoshop Graphics Import . . . . . . . . . . . . . . . . . . . 320

Importing Photoshop Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Digital Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Importing Color Bars and Other Test Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Importing Editcam Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Setting XDCAM Import Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326

Importing XDCAM Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

Importing XDCAM EX Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

Automatically Importing Proxy Media from an XDCAM Device. . . . . . . . . . . . . . . . 330

Importing Proxy Media from an XDCAM Disk. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Copying XDCAM Proxy Media to a Local Drive or a Server . . . . . . . . . . . . . . . . . . 333

Manually Importing XDCAM Media from the XDCAM Disk. . . . . . . . . . . . . . . . . . . 333

Importing Essence Marks as Markers in XDCAM Media . . . . . . . . . . . . . . . . . . . . 334

Editing XDCAM Proxy Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

14

Batch Importing High-Resolution XDCAM Media from the XDCAM Disk . . . . . . . . 336

Editing and Finishing High-Resolution XDCAM Media . . . . . . . . . . . . . . . . . . . . . . 339

Importing P2 Clips and Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Importing Sequences from Pro Tools through Interplay . . . . . . . . . . . . . . . . . . . . . 340

Using the Drag-and-Drop Method to Import Files . . . . . . . . . . . . . . . . . . . . . . . . . . 340

Reimporting Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Batch Import Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Chapter 9 Working with Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346

Object Icons in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346

Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

Using Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

Sorting in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349

Sorting Clips and Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350

Understanding Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351

Saving a Custom Bin View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352

Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Using Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355

Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Using Bin Tabs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Using the Bin Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358

Selecting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358

Duplicating, Copying, and Moving Clips and Sequences. . . . . . . . . . . . . . . . . 359

Copying Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360

Deleting Items from a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363

Assigning Colors to Objects in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

Locking and Unlocking Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365

Selecting Offline Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366

Selecting Media Relatives for an Object in a Bin . . . . . . . . . . . . . . . . . . . . . . . 367

Selecting Sources Used by an Object in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . 368

Selecting Unreferenced Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Working with Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Moving, Aligning, and Deleting Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . 369

15

Duplicating Bin Columns with Timecode Information. . . . . . . . . . . . . . . . . . . . 370

Adding Customized Columns to a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

Changing a Custom Bin Column Heading . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Adding a Metadata Bin Column Heading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Moving Within Column Cells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

Copying Information Between Columns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . . . . . . . . . . . 373

Adding Timecode Columns to a Bin or the Media Tool . . . . . . . . . . . . . . . . . . 374

Frame Counting for Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

Adding Timecode Values to the Timecode Columns . . . . . . . . . . . . . . . . . . . . 374

Modifying Clip Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375

Bin Column Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375

Modifying Data in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Modify Command Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Copying Information from Another Cell in a Custom Bin Column . . . . . . . . . . 385

Working with Film Information in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Film Scene Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Tracking Frames Based on File Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386

Selecting a Film Gauge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387

Tracking 3-Perf Counts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387

Selecting an Edgecode Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Creating a Storyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389

Sifting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389

Understanding Sifting Timecodes or Keycode Ranges . . . . . . . . . . . . . . . . . . 391

Sifting Timecodes or Keycode Ranges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

Working with Restricted Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396

Favorite Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396

Chapter 10 Acquisition of File-Based Media (AMA) . . . . . . . . . . . . . . . . . . . . . . . . 399

The Avid Media Access (AMA) Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399

Considerations and Limitations for AMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402

Viewing Installed AMA Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403

16

Selecting the AMA Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403

Manually Copying File-Based Media to a FireWire or Network Drive . . . . . . . . . . . 405

Dragging and Dropping File-based Media Directly to a Bin . . . . . . . . . . . . . . . . . . 405

Creating Dynamic Media Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406

Starting and Stopping Avid Background Services. . . . . . . . . . . . . . . . . . . . . . . . . . 414

Linking Media with AMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416

Relinking to AMA-Linked QuickTime Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419

AMA Linking to DPX Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

Linking to DPX Media with AMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

Spanned Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

AMA Linking with Ancillary Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

AMA Linking with Multichannel Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

The AMA Plug-in Log File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427

Using Virtual Volumes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Virtual Volumes and AMA Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Deleting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

Understanding the Source Settings Histogram. . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

Adjusting the Source Settings Histogram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431

Working with Export Volumes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432

Creating an Export Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433

Moving Assets to an Export Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

Committing Assets to an Export Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436

Archiving the AS-02 Bundle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437

Linking to an existing AS-02 Bundle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437

AS-11 Support. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437

Chapter 11 AMA Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440

Using XDCAM and XDCAM EX and XDCAM SR AMA Plug-Ins . . . . . . . . . . . . . . 440

Using XDCAM Multiple Resolution Clips with AMA . . . . . . . . . . . . . . . . . . . . . . . . 442

Switching Between Multiple Resolution Media. . . . . . . . . . . . . . . . . . . . . . . . . 444

Consolidating Multiple Resolution Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 445

Using the P2 AMA Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446

Using the AVCHD AMA Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 449

Using the Canon XF AMA Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450

17

Using the GFCAM AMA Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451

Using the RED AMA Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453

Preparing your RED Clip for Transcode, Mixdown, or Render. . . . . . . . . . . . . 455

Adjusting RED Source Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 456

Using RED Source Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460

Applying a RED Source Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461

Using the QuickTime AMA Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462

Adjusting QuickTime Source Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464

Applying a QuickTime Source Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466

Understanding the QuickTime Source Settings Histogram . . . . . . . . . . . . . . . 467

Using the MXF AMA Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468

Workflow for Editing Clips with Ancillary Data and AMA. . . . . . . . . . . . . . . . . . . . . 469

Chapter 12 Managing Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 471

Working with Media Files in an Avid Interplay Environment . . . . . . . . . . . . . . . . . . 472

Using Avid Editing Systems in an Avid LANshare Workgroup . . . . . . . . . . . . . . . . 473

Viewing Media with a 100Base-T Connection to Avid ISIS. . . . . . . . . . . . . . . . . . . 474

Understanding Drive Mounting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474

Mounting and Unmounting Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475

Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475

Basic Media Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476

Using the Media Tool in an Avid Interplay Environment. . . . . . . . . . . . . . . . . . 477

Opening the Media Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477

Deleting Media Files with the Media Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479

Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 481

Using the Consolidate Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 483

Using the Transcode Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487

Consolidate or Transcode AMA Clips Only. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 490

Background Consolidate and Transcode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 490

The Background Queue Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491

Using Background Consolidate and Transcode. . . . . . . . . . . . . . . . . . . . . . . . 493

Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 494

Refreshing Media Directories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495

Deleting Unreferenced Clips and Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 496

18

Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497

Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497

Relinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 498

Relinking by Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503

Relinking to Selected Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504

Relinking Tape and File Based Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504

Relinking Consolidated Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505

Relinking Moved Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 506

Unlinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 506

Archiving and Restoring Media Files to Videotape . . . . . . . . . . . . . . . . . . . . . . . . . 507

Archiving Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508

Restoring an Archive from Videotape. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 511

Sequence and Clip Information Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512

Creating a Summary of Effects and Source Information . . . . . . . . . . . . . . . . . 513

Summary Information Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 515

Chapter 13 Viewing and Marking Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517

Viewing Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 518

Customizing the Composer Window and Monitors . . . . . . . . . . . . . . . . . . . . . . . . . 519

Resizing the Composer Window and Monitors . . . . . . . . . . . . . . . . . . . . . . . . 520

Displaying a Second Row of Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522

Displaying Tracking Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522

Tracking Format Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523

Using the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 526

Using the Timecode Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 527

Playing Video to the Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 528

Activating and Deactivating the Client Monitor Display. . . . . . . . . . . . . . . . . . . . . . 529

Selecting the Video Display Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 530

Playing Video to a Full-Screen Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 532

Adjusting the Play Delay Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 532

Using the Tool Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 533

Playing Selected Clips in a Loop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 534

Loading and Clearing Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 534

Loading Clips or Sequences into Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . 534

19

Switching Between Loaded Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 535

Clearing Clips from Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 536

Controlling Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 537

Using Position Bars and Position Indicators. . . . . . . . . . . . . . . . . . . . . . . . . . . 537

Playback Control Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 539

Stepping Forward and Backward by Field . . . . . . . . . . . . . . . . . . . . . . . . . . . . 541

Playback Control Using the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 542

Playing Footage with the J-K-L Keys (Three-Button Play) . . . . . . . . . . . . . . . . 543

Using the Mouse for Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 544

Playing Back to a DV Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 545

Video Quality Options for Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 547

Setting the Video Quality for Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 548

Marking and Subcataloging Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 549

Marking IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 549

Marking an Entire Clip or Segment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 551

Creating Subclips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 551

Creating Subsequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 553

Subclips and Audio Sync for 24p and 25p Projects . . . . . . . . . . . . . . . . . . . . . 553

Marking Audio Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 553

Using Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 554

Suggested Uses for Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 554

Adding Markers While Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 556

Adding Spanned Markers While Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 557

Adding Markers On-the-Fly while Playing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559

Finding Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 560

Finding Marker Comment Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 561

Editing Marker Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 562

Copying Markers from Source Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 562

Marking an Area Using Markers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 562

Moving to the Previous or Next Marker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563

Deleting Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563

Using the Markers Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563

Viewing Markers in the Markers Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 564

20

Working in the Markers Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 565

Exporting and Importing Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 566

Creating a Marker Text (.txt) File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 567

Copying and Pasting Markers Using the Markers Window . . . . . . . . . . . . . . . 567

Printing the Contents of the Markers Window . . . . . . . . . . . . . . . . . . . . . . . . . 569

Disabling the Marker Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 570

Finding Frames, Clips, and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 570

Using Timecode to Find a Frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 571

Searching for a Clip or Sequence with Text Find. . . . . . . . . . . . . . . . . . . . . . . 573

Setting the Location of the SearchData folder . . . . . . . . . . . . . . . . . . . . . . . . . 576

Using Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 577

Performing a Reverse Match Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 579

Selecting Tracks for Matching Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 579

Finding a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 579

Locating a Master Clip from a Subclip in a Sequence . . . . . . . . . . . . . . . . . . . 580

Finding a Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 581

Sequence and Clip Information Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 581

Creating a Summary of Effects and Source Information . . . . . . . . . . . . . . . . . 582

Summary Information Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 584

Chapter 14 Creating and Editing Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 586

Entering Source/Record Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 587

Creating a New Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 587

Changing the Name and Timecode for a Sequence . . . . . . . . . . . . . . . . . . . . 588

Track Display for New Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 590

User Preferences for Creating Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 590

Adding Filler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 591

Making a First Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 592

Creating an Instant Rough Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 593

Undoing or Redoing Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 594

Editing Additional Clips into the Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 595

Performing an Insert or Splice-in Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 595

Performing an Overwrite Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 596

Performing a Replace Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 597

Avid Media Composer 8.2 User guide

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