AG 10 Features and Controls
INPUT –
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a properly screened “guitar” cable for interconnection.
There are many different makes of guitar cable available,
ranging from fairly inexpensive to very expensive.
Each have different characteristics, and depending on
your particular guitar will give different results, all very
confusing for the inexperienced! For instance, a “cheap”
cable with high capacitance (which would normally be
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benefit for an overly bright single coil guitar by taming
the very high end frequencies. Alternatively, a very low
capacitance cable can help brighten up a muddy sounding
hum-bucker type guitar. If possible experiment to try and
find what suits you and your guitar best. Hopefully your
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pedal system then the best advice is to use high quality,
low noise, low capacitance cable from pedals to amp
connection.
GAIN –
this control determines the amount of signal that
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the next DRIVE control, it is pretty straightforward in use
– low settings are clean – mid settings are in the start
of distortion range – and high settings are the overdrive
range.
TREBLE, MIDDLE, BASS EQ –
The AG10 EQ
system is of the time-honoured passive guitar amp
system, as used by virtually all guitar amps even the very
greatest pro amps. This type of tone shaping is very wide
ranging and very versatile, although please remember it
is also very interactive so that each control also has an
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– please start with these controls set to mid position.
VOLUME –
this quite simply controls the output of the
sound generated by the preamp, giving you the required
sound level and balance that you require.
AUX IN –
This socket accepts the stereo output of a
MP3/CD player, or any other auxiliary input device such
as a rhythm drum machine, for practise and learning
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interconnect cable.
HP OUT –
This 3.5mm socket is the output to feed into
headphones for silent practise. Any standard 16 ohm
stereo headphones can be used, although as with all
things, the better the headphone the better the sound.
LOUDSPEAKER OUTPUT –
the output jack socket
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to be connected into an external loudspeaker unit. When
doing this the internal 8 inch loudspeaker is disconnected.
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16 ohms only.
DO NOT USE ANY OTHER LOAD IMPEDANCE!
Great sounds can be achieved using other guitar speaker
cabinets, especially running into a 4x12” cabinet. Using
a good speaker system brings out the very impressive
sound capabilities of the AG10, making it into a great
recording amp.
MAINS INPUT –
the mains input receptacle allows for
the connection of the mains power cord, and also houses
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is supplied to work with the mains supply in your country.
Please check the white rating label fitted to the back
panel. If in any doubt, please check with your supplier. It is
of utmost importance to use the correct earthed and rated
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W A R N I N G ! D O N O T U S E W I T H O U T
CONNECTING THE EARTH (GROUND) WIRE.
W A R N I N G ! D O N O T U S E W I T H O U T
CONNECTING THE EARTH (GROUND) WIRE.
DO NOT USE ANY OTHER LOAD IMPEDANCE!
SERIES EFFECTS LOOP
LEVELRETURN SEND
BYPASSLOOP
ROUTE
LOW
HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS - INTERNAL LOUDSPEAKER = 16ohms
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER AND MATCHING
OUTPUT IMPEDANCE TO SPEAKER IMPEDANCE.
16ohm OUT = 1 x 16ohm LS, 8ohm OUT = 1 x 8ohm OR 2 x 16ohm LS
OUTPUT = 35 Watts RMS into 8 or 16 ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
35 WATT TWIN CHANNEL VALVE GUITAR AMPLIFIER
FOOTSWITCH
CONNECTOR
8ohm
16ohm
HT FUSE
MAINS INPUT
T315mAL 250VT1.6AL 250V
WARNING! USE CORRECT FUSE ONLY
POWER
MUTE
100% PHASE +
ACTIVE
33% PHASE
-
MAINS
ON
POWER OUTPUT
MASTER REVERB
OUTPUT MIX F'BK
POWER AMP RESPONSE
DEEP EDGE
MIX LOWER
1
2
3
4
6
7
8
9
MIX HIGHER
0
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3
4
6
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8
9
10
0
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10
VOLUME TREBLE MIDDLE BASS DRIVE GAIN
TIGHT
SMOOTH
SHIFT
TIGHT
LOOSE
INPUT
CHANNEL A - PRE EQ
CHANNEL B - POST EQ
A-B MIX
PRESS BOTH
FOR REMOTE
OPERATION
0
1
2
3
4
5
6
7
8
9
10
5
5
A-B/MIX
BALANCE
SERIES EFFECTS LOOP
LEVELRETURNSEND
BYPASS LOOP
ROUTE
LOW HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER AND MATCHING
OUTPUT IMPEDANCE TO SPEAKER IMPEDANCE.
16ohm OUT = 1 x 16ohm LS, 8ohm OUT = 1 x 8ohm OR 2 x 16ohm LS
OUTPUT = 100 Watts RMS into 8 or 16 ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
100 WATT TWIN CHANNEL VALVE GUITAR AMPLIFIER
FOOTSWITCH
CONNECTOR
OUTPUT BIAS ADJUST SYSTEM
WARNING! DO NOT REMOVE COVER
8ohm
16ohm
HT FUSE MAINS INPUT
T1AL 250V
T2.5AL 250V
WARNING! USE CORRECT FUSE ONLY
CAUTION! NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED TECHNICIAN
SERIES EFFECTS LOOP
LEVELRETURN SEND
BYPASSLOOP
ROUTE
LOW HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER
OUTPUT = 200 Watts RMS into 8ohms - 300 Watts RMS into 4ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
MAINS INPUT T3.15AL 250V
WARNING! USE CORRECT FUSE ONLY
TUNER
FOOTSWITCH
MUTE
OUT
LINE OUT
GROUND
CONNECT
ISOLATE
300Watt TUBE PRE/BIPOLAR POWER BASS AMPLFIER
WARNING! DO NOT USE LOAD OF LESS THAN 4ohm IMPEDANCE
OPERATING MANUAL AND USER GUIDE
Rear Panel