Peavey 2443/3243 User manual

Brand: Peavey

Model: 2443/3243

Category: DJ controllers

Type: User manual

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IIMMPPOORRTTAANNTT SSAAFFEETTYY IINNSSTTRRUUCCTTIIOONNSS

WWAARRNNIINNGG::

When using electrical products, basic cautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers)

that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one

wider than the other. A grounding type plug has two blades and a third grounding plug. The wide blade or third prong is

provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the

obsolete outlet.

10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point

they exit from the apparatus.

11. Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your

plug‚ proceed as follows:

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E‚ the earth

symbol‚ colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black.

c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

12. Only use attachments/accessories provided by the manufacturer.

13. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a

cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

14. Unplug this apparatus during lightning storms or when unused for long periods of time.

15. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any

way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

16. Never break off the ground pin. Write for our free booklet “Shock Hazard and Grounding.” Connect only to a power

supply of the type marked on the unit adjacent to the power supply cord.

17. If this product is to be mounted in an equipment rack, rear support should be provided.

18. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in suscep-

tibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise

for a sufficient time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the

following permissible noise level exposures:

Duration Per Day In Hours Sound Level dBA, Slow Response

890

692

495

397

2100

1 1⁄2 102

1105

1⁄2 110

1⁄4 or less 115

According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plugs or protectors to the

ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure

is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is

recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be

protected by hearing protectors while this unit is in operation.

SSAAVVEE TTHHEESSEE IINNSSTTRRUUCCTTIIOONNSS!!

The AAM

™

2443 & 3243 are high quality, commercial grade analog audio mixers. Designed for

flexibility in application, these mixers represent the latest state-of-the-art technology in analog

circuit design.

Powerful, yet easy to use, these mixers deliver amazing sonic performance. Low noise design and

features applicable to “real-world” situations make these units ideal for audio applications where

multiple inputs and outputs are required.

This manual was written to provide as much information as possible for your new Peavey

Architectural Acoustics product. It is our sincere desire that you enjoy your purchase. For your

convenience, we have included a glossary of terms as a quick reference to mixer and signal flow

terminology.

We feel that the best way to fully enjoy any purchase is to have an in-depth understanding of the

product’s features, functionality, and performance characteristics. We hope that this manual, along

with the manuals of our other products, will provide this. If you require additional information that

this manual does not provide, please let us know. We are continuously looking for better ways to

provide information about our products, and your input is always appreciated.

If you have a comment about this manual, or would like to make a suggestion, please write to:

Peavey Electronics Corp., Architectural Acoustics Division, 711 A St., Meridian, MS 39301. Thank you

for using Peavey!

• 24 (AAM 2443) or 32 (AAM 3243) input channels

• Four Sub groups, each with patchable dynamic compressor

• Low-noise mic preamps on each channel

• XLR input connectors on each channel

• Balanced 1/4" line inputs on channels 1 - 22(AAM 2443) or 1 - 30 (AAM 3243)

• Insert jacks on channels 1 - 20 (AAM 2443) or 1 - 28 (AAM 3243)

• Innovative chassis design with recessed back panel connectors (ideal for desktop placement)

• Smooth 60 mm faders

• Phantom power selectable in two zones

• Two Super Channels with pad (-20 dB) and polarity switches

• Two Stereo Channels with 1/4" and RCA connectors

• Six Aux Sends

• Two Returns with switchable low-cut (150 Hz) filters

• PFL on all input channels

• AFL on Aux Send, Return, Sub, and Mono channels

• Stereo headphone output

• Balanced XLR and unbalanced 1/4" outputs on Mono, Left, and Right

• 1/4" master inserts on Mono, Left, and Right

• Sub and Master clip LEDs that sample at summing amp and post-fader

DDeessccrriippttiioonn::

FFeeaattuurreess

RReeaarr PPaanneell CCoonnnneeccttiioonnss

11.. IINNSSEERRTT

This is a female 1/4" TRS connector for

terminating two, single-ended (unbalanced) line level

circuits. The tip is a line output.

22.. LLIINNEE ((BBAALL))

This is a female 1/4" TRS connector for

terminating balanced lower high impedance line level

circuits. Tip is positive, ring is negative. This circuit is

wired in parallel with the female XLR connector. This

input is connected through a 20 dB pad to the Mic

input. Connecting to this input will not disable the XLR

input connector, so both inputs should NOT be used

simultaneously.

33.. MMIICC

This is a female XLR connector for terminating

balanced, low impedance microphone circuits. Pin 2 is positive and +48 V DC

is applied to pins 2 and 3 via a resistive network when the front panel

Phantom Power switch is ON.

CChhaannnneell SSttrriipp CCoonnttrroollss

44.. GGAAIINN

This control adjusts the first gain stage of the input channel. The

range is +10 to +56 dB for microphone level inputs and -10 to +36 dB for line

level inputs. The output of this gain stage also drives the SIG/PFL LED.

55.. LLOOWW CCUUTT

This control adjusts the setting of the low cut filter and is

variable from no cut in the OFF position, to cut below 300 Hz in the

maximum position.

66.. HHII

This active tone control is a shelving-type that varies high-frequency

response by +/-15 dB in the range above 12 kHz.

77.. MMIIDD

This active tone control is a bandpass (peak/notch) type that varies

mid frequency response by +/-15 dB in a range from 200 Hz to 6 kHz.

88.. MMIIDD FFRREEQQ

This control determines the center frequency of the MID

control. Center frequency for the bandpass filter can be set from 200 Hz to

6 kHz.

99.. LLOOWW

This active tone control is a shelving-type that varies low frequency

response by +/-15 dB. Corner frequency is 75 Hz.

1100.. AAUUXX 11 -- 44

These controls adjust the level of the channel’s pre-fader

signal that is sent to the auxiliary mix. Gain is variable from minus infinity

(– ∞) to +10 dB. Unity gain is at the center detent position.

1111.. AAUUXX 55 -- 66

These controls adjust the level of the channel’s post-fader

signal that is sent to the auxiliary mix. Gain is variable from minus infinity

(-∞) to +10 dB. Unity gain is at the center detent position.

1122.. PPAANN

This control determines the signal’s position with respect to L/R

and Sub 1 - 4 outputs. Rotating the control counterclockwise increases the

amount of signal sent to L and odd-numbered Subs; rotation clockwise

increases the amount sent to R and even-numbered Subs.

1133.. AASSSSIIGGNN SSWWIITTCCHHEESS

These post-fader, post-EQ switches determine where

the channel signal is being sent.

1144.. MMUUTTEE SSWWIITTCCHH aanndd MMUUTTEE//CCLLIIPP LLEEDD

This switch mutes all Aux, Sub, L/R,

and Mono sends from the corresponding channel. The switch is equipped

with a red LED that will illuminate when the channel is muted. When the

Mute switch is disengaged, the LED functions as a clip (PK) indicator that

will illuminate at 2 dB below clipping. Muting the channel does not prevent

the PFL signal from being sent to the PFL mix when the PFL switch is

engaged.

1155.. PPFFLL SSWWIITTCCHH && SSIIGGNNAALL//PPFFLL LLEEDD

This switch connects the channel’s pre-

fader signal to the PFL mix. With this feature engaged, the channel’s signal

can be monitored through the headphones and/or on the AFL/PFL display.

SSttaannddaarrdd CChhaannnneellss

INSERT

MIC

(TRS)

(BAL)

LINE

(BAL)

1 - 20 (AAM

™

2443)

1 - 28 (AAM3243)

1122

1166

1100

1111

1144

1155

1133

The adjacent amber LED will illuminate to indicate that the channel’s signal has been assigned to

the PFL mix, and an amber LED in the Mono Master section will blink to indicate that the signal on

the Mono LED display and at the Headphone Out is PFL. When the PFL switch is not engaged, the

Signal/PFL LED will blink as an indication of signal presence (-20 dBu) on the channel.

1166.. CCHHAANNNNEELL FFAADDEERR

This control determines the level of the channel’s signal that is sent to L/R,

Sub, and/or Mono. The range of the fader is (- ∞) to +10 dB, with unity gain at the 0 dB mark.

Input connections and channel strip controls on Super Channels are the same as Standard Channels

with the exception of Insert jacks. In place of Insert connections, Super Channels are equipped with:

1177.. PPAADD

This switch attenuates (reduces) the input signal by 20 dB. This

allows accommodation of higher input levels without clipping and is

especially useful when close-miking high sound pressure level (SPL) sources.

1188.. PPOOLLAARRIITTYY

This switch reverses the polarity of both the XLR and LINE

input connectors to compensate for an out-of-phase signal that would

otherwise cause frequency (phase) cancellations in the mix.

Stereo Channels offer the same channel strip controls as Standard Channels

with the exception of the Mid Frequency control. Center bandpass frequency

is set at 850 Hz. In place of the Mid Frequency control, Stereo Channels offer

independent gain controls for the Line and Mic (XLR) inputs. Stereo Channels

also include:

1199.. SSTTEERREEOO 11//44"" LLIINNEE IINNPPUUTTSS

These TS jacks are unbalanced line level

inputs for stereo (L/R) signals. They are connected in parallel with the Stereo

RCA Line Inputs. For Mono line sources, use a Y cable or one of the channels

with a MONO line input.

2200.. SSTTEERREEOO RRCCAA LLIINNEE IINNPPUUTTSS

These RCA (phono) inputs are unbalanced line

level inputs for stereo (L/R) signals. They are connected in parallel with the

Stereo 1/4" Line Inputs.

POLARITY

MIC

LINE

(BAL)

MIC

(BAL)

REVERSED

NORMAL

0 dB

-20 dB

PAD

1177

1188

SSuuppeerr CChhaannnneellss

21 - 22 (AAM

™

2443)

29- 30 (AAM 3243)

LEFT

RIGHT

MIC

(BAL)

LEFT

INPUT

RIGHT

INPUT

23s

1199

2200

SStteerreeoo CChhaannnneellss

23 - 24 (AAM 2443)

31- 32 (AAM 3243)

MMaasstteerr SSeeccttiioonn

2211

2222

2233

2244

2255

2266

2277

4466

4411

3377

4422

4444

4433

3355

3344

3388

4400

4455

2288

3333

4488

2299

3300

3311

3322

4477

3399

3366

AAuuxx SSeennddss

2211.. LLEEVVEELL

This control sets the output level of the various Aux mixes and is adjustable from no

output (– ∞) to +10 dB.

2222.. MMUUTTEE SSWWIITTCCHH && MMUUTTEE//CCLLIIPP LLEEDD

This switch mutes the output signal from the respective Aux

Send. Illumination of the corresponding red LED signifies this status. When the Mute switch is

disengaged, the LED functions as a clip (PK) indicator that will illuminate at 2 dB below clipping.

2233.. AAFFLL SSWWIITTCCHH && AAFFLL//SSIIGGNNAALL LLEEDD

This switch directs the post-fader (AFL) signal to the

Headphone Output, and activates the AFL/PFL LED display. An adjacent LED illuminates to signify

this selection. If AFL is not selected, the LED will blink as an indication of signal presence (-20 dBu).

Selecting AFL allows monitoring of Aux Sends with the full AFL/PFL Level Display, as well as allowing

the operator to hear the output.

CCoommpprreessssoorrss

The compressors on the AAM 2443/3243 function similarly to automatic volume controls. In other

words, they put signals into a more controllable dynamic range. For example, suppose a singer sings

too softly and gets buried in the mix on certain parts of a song, yet sings real loudly on other parts.

To control this problem, the operator must “ride gain” (turn the volume up and down to achieve a

constant level), but these dynamic changes may be hard to anticipate. Using a compressor

eliminates this problem. The compressors are factory set at a ratio of 4 to 1, meaning that for every

4dB of change in input signal, the output changes 1 dB. Compression takes place once the level

determined by the Threshold control is reached. A high setting, rotating the control clockwise, will

result in only the louder notes being compressed; a low setting, rotating the control

counterclockwise, will compress a broader range of notes.

2244.. CCOOMMPPRREESSSSOORR II//OO

This switch determines if the compressor will be used on the Sub mix or will

be patched to another channel or external location. The corresponding yellow LED illuminates when

the compressor is being patched externally. This switch can also be used to perform the bypass

function. When the compressor is assigned to the Sub group, the Input/Output jack on the rear

panel is bypassed. Similarly, when the compressor is being patched externally, the Sub group is

bypassed. Engaging the I/O switch allows the operator to hear the difference between the

compressed and noncompressed signal when the compressor is being used on the Sub group.

2255.. GGAAIINN

This control sets the output level of the compressor and allows recovery of gain lost by

compression. The amount of gain being lost will be represented on the Gain Reduction LEDs, and a

similar setting on the Gain control will approximate pre-compression levels.

2266.. LLIINNKK

This switch allows the compressor in Sub group 1 (or 3) to be linked with the compressor

in Sub group 2 (or 4). This is useful if the two Sub groups are being used to create a stereo image.

When they are linked, the RMS detector voltages are summed together for an accurate

representation of the two levels. This locks the compressors together to maintain the stereo image

during compression. While linked, the controls in the first of the two linked groups affect both

channels. The compressor controls in the second group are disabled. The gain reduction meter for

the first group is accurate for both groups and should be used to monitor compressor activity. When

the link is enabled the yellow LED will illuminate.

NNOOTTEE::

While linked, the gain reduction meter in the second group may show gain reduction,

although it is not a true representation of the compressor activity.

2277.. GGAAIINN RREEDDUUCCTTIIOONN LLEEDDss

These LEDs graphically show the amount of gain being reduced through

compression (-1 to -12 dB).

2288.. TTHHRREESSHHOOLLDD

This control sets the level at which compression activates and is variable from

-30 dBu to no compression in the OFF position. The adjacent LED (0 dBu) will illuminate when

enough signal is present for compression to function properly.

SSuubb GGrroouuppss

2299.. LLEEVVEELL LLEEDDss

This display indicates the amount of signal present in the Sub group mix. Signal is

sampled at the summing amp and post-master faders to monitor clipping throughout the Sub group.

The Clip indicator will illuminate when signal approaches clipping (-2 dB). For example, the Sub

fader may be at an acceptable setting, yet the channel signals assigned to the Sub may be

approaching clipping. If this is occurring, the channel fader and gain settings may need to be

assessed and setting corrections made.

NNOOTTEE::

The CLIP LED can illuminate before the rest of the array indicating the summing amp is

clipping.

3300.. LLEEFFTT,, RRIIGGHHTT,, MMOONNOO ((OOUUTTPPUUTT AASSSSIIGGNN))

These switches determine where the Sub mix signal is

being sent. For example, if each individual drum mic is assigned to Sub 1, depressing the Left button

will send the drum Sub mix to the Left Out on the rear panel.

3311.. MMUUTTEE//MMUUTTEE LLEEDD

This switch mutes all output from the corresponding Sub group. Illumination

of the adjacent red LED occurs when the Mute button is depressed.

3322.. AAFFLL//AAFFLL LLEEDD

This switch directs the post-fader signal from the respective Sub group to the

Headphone Output and to the AFL/PFL Level Display.

3333.. SSUUBB FFAADDEERR

This control determines how much signal is present at the selected output. As with

channel faders, optimum setting is at unity gain (0). If the output level is too quiet or too loud at

unity gain, the gain and fader settings on the channels assigned to the Sub mix should be checked.

If two Sub mixes, Sub 1 and Sub 2 for example, are intended to be in stereo, adjust both Faders

equally and simultaneously to preserve balance.

RReettuurrnnss

3344.. PPOOWWEERR LLEEDD

This green LED will illuminate when power is applied to the console, indicating the

unit is on.

3355.. LLOOWW CCUUTT

This switch activates the low-cut (150 Hz -18 dB/per octave) filter. With this feature

engaged, input frequencies below 150 Hz will be rejected. Especially when using reverb, the low-cut

filter is useful in reducing “low-end rumble” and making resultant sounds less “muddy.”

3366.. AAUUXX 11 && AAUUXX 22

These controls determine the level of the signal returned to the respective Aux

bus, allowing musicians/singers to hear external effects.

NNOOTTEE::

Do not use AUX SENDS 1 or 2 as the path to external equipment that is to be sent back to the

corresponding AUX mix (1 or 2) due to the creation of an electronic feedback loop.

3377.. 11//22,, 33//44,, LL//RR,, MMOONNOO ((AASSSSIIGGNN))

Like the channel assign switches, these buttons determine the

bus assignment of the input signal. They determine where the return signal is being sent.

3388 BBAALL//PPAANN

This control determines the placement of the signal in its assigned bus. Rotating the

control counterclockwise (L) sends more signal to the Left output and odd-numbered Subs; rotating

clockwise (R) sends more signal to the Right output and even-numbered Subs. The C position sends

equal amounts to each.

3399.. LLEEVVEELL

This control determines the level of the signal being sent to its assigned bus(es). It

functions similarly to the channel faders.

4400.. MMUUTTEE SSWWIITTCCHH && MMUUTTEE//CCLLIIPP LLEEDD

Like the other mutes on the console, this switch interrupts

the input signal being sent to the bus(es). Red LED illumination indicates activation. When Mute is

not engaged, the LED functions as a clip (PK) indicator that illuminates at 2 dB below clipping.

4411.. AAFFLL SSWWIITTCCHH && AAFFLL//SSIIGGNNAALL LLEEDD

This switch directs the post-fader (AFL) signal to the

Headphone Output, and to the AFL/PFL Level Display. An adjacent LED illuminates to signify this

selection. If AFL is not selected, the LED will blink as an indication of signal presence (-20 dBu).

4422.. PPHHAANNTTOOMM PPOOWWEERR

These switches apply power (+48 V DC) to the Mic (XLR) inputs on channels

1–16 and 17–24 respectively (1–24 and 25–32 on the AAM 3243). This feature provides power to

microphones that need an external power source. These switches are recessed into the console and

require a small “tool” to activate. If Phantom Power is used, do not connect unbalanced dynamic

microphones or other devices that cannot handle this voltage to the XLR inputs. (Some wireless

receivers may be damaged. Consult their manuals.) A regular low-impedance mic will not be

harmed. The Line inputs are not connected to the +48 V supply and are safe for balanced or

unbalanced inputs. An adjacent LED will illuminate when Phantom Power is activated on its

respective channels.

4433.. HHEEAADDPPHHOONNEE OOUUTTPPUUTT

This stereo output jack (TRS) provides the signal to drive headphones.

Signal to this output is L/R unless AFL or PFL is activated.

4444.. HHEEAADDPPHHOONNEE LLEEVVEELL

This control adjusts the volume of the signal being sent to the Headphone

Output.

4455.. LLEEFFTT//RRIIGGHHTT LLEEVVEELL DDIISSPPLLAAYYSS

These indicators graphically display the signal level being sent to

the Left or Right outputs (L, R). Signal is sampled at the summing amp and post-master faders to

monitor clipping throughout the Left/Right and Mono Master section. The Clip indicator will

illuminate when signal approaches clipping (-2 dB).

4466.. MMOONNOO —— AAFFLL//PPFFLL LLEEVVEELL DDIISSPPLLAAYY

This indicator graphically displays the signal level being sent

to the Mono output. When any AFL/PFL switch on the mixer is activated, this display indicates the

signal level being sent to the AFL/PFL bus. The AFL/PFL indicator flashes if either mode (AFL or PFL)

is selected.

NNOOTTEE::

Clip LED can illuminate before the rest of the array indicating the summing amp is clipping.

4477.. MMOONNOO MMAASSTTEERR FFAADDEERR

This control determines the level of the output signal sent to the Mono

output. An adjacent switch allows a post-fader signal to be sent to the Headphone Output and the

AFL/PFL Level Display. A yellow LED above the switch indicates AFL (post-fader) engagement.

4488.. LL && RR MMAASSTTEERR FFAADDEERRSS

These controls determine the level of the signal sent to the Left and

Right outputs respectively. As with all faders, the optimum setting is at unity gain (0).

(BAL)(BAL)(BAL)

(UNBAL) (UNBAL) (UNBAL)

MONO/

LEFT

T=IN

R=OUT

RIGHT

INSERT

(TRS)

INSERT

(TRS)

INSERT

(TRS)

70 WATTS

100V -240V

(BAL)

(UNBAL)

(BAL)

(UNBAL)

(BAL)

(UNBAL)

(BAL)

(UNBAL)(UNBAL)

T=IN

R=OUT

T=IN

R=OUT

T=IN

R=OUT

MONO/

LEFT

RIGHT

(UNBAL)

POWER

50/60 Hz

SUB 1

OUT

SUB 2

OUT

SUB 3

OUT

SUB 4

OUT

RIGHT

OUT

LEFT

OUT

MONO

OUT

RETURN 1

RIGHT

LEFT

MONO

AUX 2

OUT

AUX 1

OUT

AUX 3

OUT

AUX 4

OUT

AUX 5

OUT

AUX 6

OUT

RETURN 2

COMP4

I/O

COMP3

I/O

COMP2

I/O

COMP1

I/O

(UNBAL) (UNBAL) (UNBAL) (UNBAL)

RReeaarr PPaanneell

4499.. LL,, RR,, MMOONNOO IINNSSEERRTT

These 1/4" stereo (TRS) jacks, provided on the Left, Right, and Mono

channels, allow an external device to be inserted into the signal path, pre-master fader. The tip

carries the signal being sent and the ring is the signal return. A switch in the jack connects the send

to the return if no plug is inserted. The signal must be returned to this jack when this feature is

used. Failure to return the signal will result in no output.

5500.. LL,, RR,, MMOONNOO UUNNBBAALL ((UUNNBBAALLAANNCCEEDD OOUUTTPPUUTT))

These 1/4" jacks allow output of an unbalanced

signal and are provided for the Left, Right, and Mono channels.

5511.. LL,, RR,, MMOONNOO BBAALL ((BBAALLAANNCCEEDD OOUUTTPPUUTT))

These XLR connectors allow output of a balanced signal

and are also provided for the Left, Right, and Mono channels. The unbalanced and balanced outputs

can be used simultaneously, but both output levels are controlled by the corresponding Master

fader.

5522.. RREETTUURRNN IINNPPUUTTSS

These 1/4" balanced (TRS) high-impedance inputs can be used as stereo or

individual returns. Designed for effects return, they can also be used as additional stereo inputs. The

Mono/Left input provides signal to both inputs if no connector is attached to the Right jack. The tip

is the positive input for both balanced and unbalanced use.

5533.. CCOOMMPPRREESSSSOORR II//OO ((IINNPPUUTT//OOUUTTPPUUTT))

These 1/4" stereo (TRS) jacks allow the internal

compressors for each Sub group to be patched to an input channel or to an external device. The tip

carries the input (return) signal to the compressor and the ring carries the output (send).

5544.. SSUUBB OOUUTT

These 1/4" (TRS) unbalanced outputs provide signal from the Sub groups.

4499

5500

5511

5577

5588

5566

5555

5533

5522

5544

5555.. AAUUXX 11 -- 66 OOUUTT ((UUNNBBAALLAANNCCEEDD))

These 1/4" (TS) jacks provide signal from the Aux buses.

5566.. AAUUXX 11 -- 44 OOUUTT ((BBAALLAANNCCEEDD))

These XLR connectors are provided on Aux 1–4 and provide output

from those buses. These can be used simultaneously with the unbalanced jacks, but both levels will

be determined by the Aux Send level.

5577.. RREEMMOOVVAABBLLEE PPOOWWEERR CCOORRDD

This receptacle is for the IEC line cord (included) that provides AC

power to the unit. Connect the line cord to this connector and to a properly grounded AC supply.

Damage to the equipment may occur if an improper line voltage is used (see voltage marking on

unit). Never remove or cut the ground pin of the line cord plug. The console is supplied with a

properly rated line cord. If lost or damaged, replace this cord with one of the proper rating.

NNOOTTEE:: FFOORR UUKK OONNLLYY

If the colors of the wires in the mains lead of this unit do not correspond with the colored markings

identifying terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow

must be connected to the terminal marked by the letter E, or by the earth symbol, or colored green

or green and yellow. (2) The wire that is colored blue must be connected to the terminal that is

marked with the letter N, or colored black. (3) The wire that is colored brown must be connected to

the terminal that is marked with the letter L or colored red.

58. POWER SWITCH Place this switch in the “|” position to apply power to the console. Return it to

the “O” position to turn the unit off. It is recommended that the unit be turned off while patching

and/or applying power to external equipment to be used in conjunction with the mixer. The Power

LED will illuminate when power has been applied and the unit is on.

If you require assistance with your new mixer, you can get help from several sources. There are many

technical documents, white papers, and application notes on our website. There are also brochures,

data sheets, and our bi-monthly newsletter, Audio Interactive. Also on our website are message

board forums that include questions and answers on all audio topics. This forum is a great way to

learn more about audio, Peavey products and system design from other audio professionals around

the world. You can also get help by sending us an e-mail or posting a request on the message board.

Finally, if you still cannot get the information you need, don’t hesitate to call us. Peavey has an

extensive service department that provides tech support, parts, repair and extensive phone support

services. They will be happy to assist you. The contact information for the Architectural Acoustics

division is shown below:

Peavey Electronics Corp.

Architectural Acoustics Division

711 A St. • Meridian, MS 39301 • USA

Phone: 601-483-5376 • Fax: 601-486-1678

Website: http://aa.peavey.com

Please take a few minutes and fill out the warranty registration card for your mixer. Although your

warranty is valid without the registration, the information you provide with the form is crucial to our

support group. It enables us to provide better service and customer support, and to keep you

informed of new product updates. Refer to the warranty statement in the rear of this manual for

details about what your warranty includes and what the limitations are.

TTeecchhnniiccaall SSuuppppoorrtt

WWaarrrraannttyy

BBUUSSEESS --

The signal paths through the mixer from the channels to the various outputs. The AAM

™

2443/3243 mixer contains 13 different buses: L, R, MONO, SUBS 1-4, AUX 1-6.

SSUUBB ggrroouuppss --

The buses used to group channels together. This allows one fader to control a submix

of many channels.

AAUUXX sseennddss --

The buses used to route signals to effects and monitors from each channel. PRE means

AUX level is not affected by fader setting; POST means AUX level is affected by fader setting.

PPFFLL --

PRE-FADER LISTEN. PFLs send signals to the headphone output before master fader setting

and are not affected by the fader setting.

AAFFLL --

AFTER-FADER LISTEN. AFLs send signals to the headphone output after master fader setting

and are affected by the fader setting.

LLOOWW CCUUTT --

(channel low cut). These adjust the frequency in the channel where the low frequencies

begin to roll off, and are variable by frequency from OFF (inaudible) to 300 Hz.

11//22,, 33//44,, LL//RR,, MMOONNOO --

These buttons route the channels to their respective output buses. BAL/PAN

determines 1/2, 3/4 or L/R.

IINNSSEERRTTSS --

These jacks allow the signal to be taken from and returned to the channel, allowing

outboard equipment to be inserted into the signal chain.

MMIIDD FFRREEQQ --

This control selects the frequency adjusted by the MID control in the EQ section.

CCOOMMPPRREESSSSOORRSS --

These reduce levels at a ratio of 4 to 1 when the THRESHOLD is reached.

TTHHRREESSHHOOLLDD --

This control sets the level at which compression activates.

GGAAIINN --

This control sets the output level from the compressor. This is really a makeup gain, allowing

the user to recover gain lost by compression.

LLIINNKK --

When these buttons are depressed, the input to compressor 1 activates compressors 1 and 2,

and the input to compressor 3 activates compressors 3 and 4.

SSUUBBGGRROOUUPP//EEXXTTEERRNNAALL --

This button routes the compressor signal to the compressor output jack

(LED indicates external jack). This jack is wired reverse of an insert jack, allowing the compressor to

be patched with a 1/4" TRS cable.

PPHHAANNTTOOMM PPOOWWEERR --

Provides +48 Volt power to microphones that need it.

GGlloossssaarryy

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SSppeecciiffiiccaattiioonnss

AAM

™

2443/3243

IInnppuutt SSppeecciiffiiccaattiioonnss

FFuunnccttiioonn MMiinn.. IInnppuutt ZZ IInnppuutt GGaaiinn SSeettttiinnggss IInnppuutt LLeevveellss BBaall..//UUnnbbaall.. CCoonnnneeccttoorr

MMiinn..** NNoommiinnaall**** MMaaxx..

Microphone 2 k Ohms Max. 58 dB -74 dBu -54 dBu -38 dBu Bal. XLR: Pin 1 Gnd.

(150 Ohms) Min. 10 dB -24 dBu -6 dBu +12 dBu Pin 2 (+) Pin 3 (-)

Line Input 10 k Ohms Max. 38 dB -54 dBu -34 dBu -18 dBu Bal. 1/4" TRS: Tip (+)

(10 k Ohms) Min. -10 dB -6 dBu +14 dBu +32 dBu Ring (-) Sleeve Gnd.

Insert Return 22 k Ohms N/A 0 dB -16 dBu +4 dBu +22 dBu Unbal. 1/4" TRS: Tip Send

Ring Return

Sleeve Gnd.

Stereo Line Input 20 k Ohms Max. 20 dB -29 dBu -9 dBu +4 dBu Unbal. 1/4" Phone: Sleeve Gnd.

(RCAs) Min. 0 dB (detent) - 16 dBu +4 dBu +18 dBu

Aux. Return 22 k Ohms N/A 0 dB 24 dBu +4 dBu +22 dBu Bal. 1/4" TRS: Tip (+)

Ring (-) Sleeve Gnd.

* Minimum input level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with sub and master

controls set for maximum gain.

**Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot,

which is as specified.

OOuuttppuutt SSppeecciiffiiccaattiioonnss

FFuunnccttiioonn MMiinn.. LLooaadd OOuuttppuutt LLeevveell BBaall..//UUnnbbaall.. CCoonnnneeccttoorr((ss))

MMiinn.. MMaaxx..

Main L/R 600 Ohms +4 dBu +22 dBu Bal./Unbal. 1/4" Phone (Unbal.)

XLR: Pin 1 Gnd., Pin 2 (+), Pin 3 (-)

Mono 600 Ohms +4 dBu +22 dBu Bal./Unbal. 1/4" Phone (Unbal.)

XLR: Pin 1 Gnd., Pin 2 (+), Pin 3 (-)

Sub Master 600 Ohms +4 dBu +22 dBu Unbal 1/4" Phone

Aux Send 600 Ohms +4 dBu +22 dBu Bal./Unbal. 1/4" Phone (Unbal.)

XLR: Pin 1 Gnd., Pin 2 (+), Pin 3 (-)

Ch. Insert Send 600 Ohms +4 dBu +22 dBu Unbal. 1/4" TRS: Tip Send, Ring Return, Sleeve Gnd.

Headphone 8 Ohms +4 dBu +22 dBu Unbal. 1/4" TRS: Tip Left, Ring Right, Sleeve Gnd.

(No Load)

00 ddBBuu == 00..777755 VV RRMMSS

HHuumm && NNooiissee

OOuuttppuutt RReessiidduuaall NNooiissee((RReeff.. 00 ddBBuu)) SS//NN RRaattiioo((RReeff.. ++44 ddBBuu)) TTeesstt CCoonnddiittiioonnss

Master L/R -105 dBu 109 dB All faders down

Mono 90 dBu 94 dB Master fader nominal, Channel faders down

All channels assigned

Submaster -98 dBu 102 dB All faders down

-88 dBu 92 dB Submaster fader nominal, Channel faders

down, All channels assigned

(Hum & Noise measurements: 22 Hz to 22 kHz BW)

GGaaiinn

Mic input gain adjustment range: 10 dB to 58 dB

Mic input to sub output: 78 dB (max. gain)

Mic input longest path: 88 dB (max. gain)

Line input gain adjustment range: -10 dB to 38 dB

Line input to sub output: 58 dB (max. gain)

Line input to longest path: 68 dB (max. gain)

Stereo line input gain adjustment range: -60 dB to 10 dB

Stereo line input to sub output: 30 dB (max. gain)

Stereo line input longest path: 40 dB (max. gain)

Aux. return to sub output: 28 dB (max. gain)

Aux return longest path: 38 dB (max. gain)

FFrreeqquueennccyy RReessppoonnssee

Mic input to L/R output: 20 Hz to 50 kHz (+0 dB / -1 dB)

Stereo input to L/R output: 20 Hz to 30 kHz (+0 dB / -1 dB)

TToottaall HHaarrmmoonniicc DDiissttoorrttiioonn ((TTHHDD))

Mic to L/R output at nominal level Less than 0.007%, 20 Hz to 20 kHz (20 Hz to 80 kHz BW)

EEqquuiivvaalleenntt IInnppuutt NNooiissee ((EEIINN))

-128 dBu (input terminated with 150 Ohms)

CCrroossssttaallkk

Less than 90 dB adjacent input channels (20 Hz to 20 kHz)

Less than 70 dB left to right outputs (20 Hz to 20 kHz)

CCoommmmoonn MMooddee RReejjeeccttiioonn RRaattiioo ((mmiicc iinnppuutt))

50 dB min. (20 Hz to 20 kHz)

70 dB typ. @ 1 kHz

MMeetteerrss

12-segment peak reading (0 dB = +4 dBu)

SSiiggnnaall//OOvveerrllooaadd IInnddiiccaattoorrss

Red LED illuminates 2 dB below clipping

LLaammpp PPoowweerr

12 VDC @ 350 mA per connector (12 VDC @ 700 mA total max. load)

PPoowweerr RReeqquuiirreemmeennttss

100 VAC - 240 VAC 50/60 Hz 70 W nominal, 24 chan.

80 W nominal, 32 chan.

DDiimmeennssiioonnss (( HH xx WW xx DD))

AAM 2443: 8.9” x 36.6” x 19.5” (22.6 cm x 92.9 cm x 49.5 cm)

AAM 3243: 8.9” x 44.6” x 19.5” (22.6 cm x 113.3 cm x 49.5 cm)

WWeeiigghhtt

AAM 2443: 36 lbs. (16.4 kg)

AAM 3243: 48 lbs. (21.8 kg)

Architectural Acoustics

PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY

Effective Date: July 1, 1998

WWhhaatt TThhiiss WWaarrrraannttyy CCoovveerrss

Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and

Canada.

WWhhaatt TThhiiss WWaarrrraannttyy DDooeess NNoott CCoovveerr

The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product

modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons

not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not pur-

chased from an Authorized Peavey Dealer.

WWhhoo TThhiiss WWaarrrraannttyy PPrrootteeccttss

This Warranty protects only the original retail purchaser of the product.

HHooww LLoonngg TThhiiss WWaarrrraannttyy LLaassttss

The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows:

Product Category Duration

MediaMatrix

DPU (Excluding Frames), Cinema Processors,

Power Amplifiers, Pre-Amplifiers, Mixers,

Electronic Crossovers and Equalizers 5 years

Loudspeakers 5 years

Microphones 2 years

Frames 1 year

Speaker Components (incl. speakers, baskets, drivers,

diaphragm replacement kits and passive crossovers)

and all Accessories 1 year

WWhhaatt PPeeaavveeyy WWiillll DDoo

We will repair or replace (at Peavey's discretion) products covered by warranty at no charge for labor or materials. If the prod-

uct or component must be shipped to Peavey for warranty service, the consumer must pay initial shipping charges. If the

repairs are covered by warranty, Peavey will pay the return shipping charges.

HHooww TToo GGeett WWaarrrraannttyy SSeerrvviiccee

((11))

Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or

Authorized Peavey Service Center.

((22))

Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East,

Meridian, MS 39301 or Peavey Canada Ltd., 95 Shields Court, Markham, Ontario, Canada L3R 9T5. Include a detailed descrip-

tion of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of warranty cover-

age. Also provide a complete return address.

((33))

All MediaMatrix

Frames needing repair, should be shipped prepaid to Peavey Electronics Corporation, International Service

Center, 412 Highway 11 & 80 East, Meridian, MS 39301

LLiimmiittaattiioonn ooff IImmpplliieedd WWaarrrraannttiieess

ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE

LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY.

Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may not apply to you.

EExxcclluussiioonnss ooff DDaammaaggeess

PEAVEY'S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT

PEAVEY'S OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY

SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO

ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUEN-

TIAL OR OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation or exclu-

sion may not apply to you.

This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.

If you have any questions about this warranty or service received or if you need assistance in locating an Authorized Service

Center, please contact the Peavey International Service Center at (601) 483-5365 / Peavey Canada Ltd. at (905) 475-2578.

Features and specifications subject to change without notice.

WWAARRRRAANNTTYY

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Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301

601-483-5376 • Fax 601-486-1678 • http://aa.peavey.com

80304868

Peavey 2443/3243 User manual

Brand: Peavey

Model: 2443/3243

Category: DJ controllers

Type: User manual

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Peavey 2443/3243 User manual

Peavey 2443/3243 User manual

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