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CAR AUDIO
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THE DIFF E R E N C E INSIDE T HE DE SIG N
Anyone can star t an audio company, even without a single audio engineer. But no mat ter what
the packaging s ays or how grea t t he equipment look s, the interior of your amp and spea ker s
make s t hem wha t they ar e. P ho eni x G o ld p ro duc t s are de sign ed by o ur o wn in- hou se audi o
engineers — who spend months in product development, working out minute design details that
yo u could never s ee from t he out side, but make a huge dif ference in per formance a nd sound
quali t y. Take a look a t our amps and speaker s pages to find ou t more abou t what t hat means.
1 2 3 4 5 6 7 8
A
B
C
D
8
7654321
D
C
B
A
C528
100nF/M
Q511
A1023
Q512
A1023
2
3
4
6
1
5
8
9
7
TS02
4:26:7...52
D516
MUR1620CT
D515
MUR1620CT
R545
22/1W
R546
22/1W
C545
10nF/M
C546
10nF/M
C509
100uF/16V
C519
1000uF/35V
V6001
power supply
060323
v1.0
R534
1K
R532
1K
C506
100nF
C530
104P
C536
470uF/25V
1
23
G
S
D
Q558
IRF3205
1
2 3
G
S
D
Q561
IRF3205
1
2 3
G
S
D
Q562
IRF3205
R561
47R
R562
47R
R560
47R
R558
47R
1
23
G
S
D
Q560
IRF3205
1
23
G
S
D
Q559
IRF3205
1
2 3
G
S
D
Q564
IRF3205
R564
47R
R559
47R
C533
1000uF/35v
C534
102/M
R528
68R/0.5W
C525
104P
C523
470uF/25V
VCC
1
1
2
2
3
3
ST01
JSZ3A-29
C503
104P
2 1
FUSE1
30A
C508
2200uF/25V
1 2
L501
5UH
BGND
REM
+13.8V
D502
1N5402
C524
1000uF/25V
C507
100nF
C521
1000uF/25V
C520
1000uF/25V
2 1
FUSE2
30A
2 1
FUSE3
30A
D508
FR104
D507
FR104
D506
FR104
D505
FR-104
R525
22R/1W
R526
22R/1W
31
2
GND
IN
U502
L7812
3
1
2
GNDIN
U501
L7912
-12V
+12V
31
2
GND
IN
U503
78L06
R524
10K
+6V
PWM_12
PWM_11
C504
1000uF/25V
REMOT
C513
NC
C512NC
C511
NC
C510
NC
Q408
2SC1815
R503
10K
R414
2.2K
R501
1R_1/4W(FUSEABLE)
C505
NC
1
2
3
4
CON6
4P
R516
2.2K
REMOT
R413
3.3K
Q407
2SA1358
R415
4.7K
B+ power
7
8
9
10
11
12
CON07B
6P
1
2
3
4
5
6
CON07A
6P
RLD1
1K
POWER
green
TH01
150K
ON power
R405
47K
protection
pwm_5
pwm_4
Q405
2SC1815
Q404
2SA1015
C402
10uF/25V
R404
10K
D402
1N4148
D403
1N4148
Q403
2SC945
Q402
2SC1815
Q401
2SC3421
R406
4.7K
R407
10K
RL2
NC
OVER
NC
R403
1M
R402
1K
C401
33uF/16V
1
2
RLY1B
SLA-S-112DM
D401
1N4004
R401
10R/0.5W
B+ power
A4
AUDIO CO., LTD
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PART NO.
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PAGE:
DRAWN BY:
APPROVED BY:
CHECKED BY:
HOSEN
5/5
Date
PWM_6
R435
4.7R
C425
100uF/16V
Q409
C1027
B+ power
Q410
C1027
C515
104p
C514
104p
R408
10mm
R409
47K
SUB_7
Q413
2SC1815
pard No:
V1.01ࡴQ413,R409,ⷁ䏃ֱᡸ㹿䫕 ᅮ V1.03
061126
V1.0 V1.01
Q413 / C1815
R409 / 47K
R528 22R 68R
TS02
4:18:6...48 4.5:23:7...52
R511
22K
Q502
2SA1015
R507
2.7K
D513
4148 C517
NC
D405
1N4148
D404
1N4148
C403
NC
R410
NC
R411
2.2K
mute
1
23
G
S
D
Q513
IRF3205
1
2 3
G
S
D
Q514
IRF3205
R514
47R
R513
47R
V1.03
4:26:6..52
Q513,514 // IRF3205
R514,513 / / 47R
Q502
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mut e
⬉䏃
C401 NC NC
33uF/16V
C510-513 103P 103P NC
RY VAL AMPS OUT-PERFORM COMPETITORS IN AN INDEPENDENT TEST
2 Ohms Stereo 4 Ohms Stereo 2 Ohms Stereo
IN 1954, A 19 -YE AR-OLD MUSICIAN PL AY ED A SHOW IN N ASHVILLE,
TENNESSEE. AF TERWA RDS A MAN WHO’D SEEN THE PERFORMANCE
TOL D HIM, “YO U A IN’T G O ING N OW HE RE , S ON . YO U M AY AS W E LL
STICK T O DRIVING A TRUCK .”
We’re t elli ng yo u t hi s s t o r y f or t wo re a so ns . On e : We’re gla d El vi s d idn’ t l is te n to t ha t gu y.
A nd t wo : I f y ou t a ke e ver y t hi ng ever yo ne s ays t o he ar t , you’ll ne v er fi nd gr ea t ne ss .
W ha t d oe s an y o f t his ha ve t o do w it h ou r so un d s ys t ems ? We ll, th ey ’r e bo t h a b ou t mus ic , o f
cour se. Sound engineering for car audio is all about mak ing music sound great, and we’ve been
do i n g i t f o r ov er 2 0 ye a r s . I f w e h a d t o s ay we h ad o n e, s o l e p u r p o s e f o r d o i ng w h a t w e d o ,
it would be t o make equipmen t t hat plays music t he way i t des er ves t o be playe d. Bu t it ’s also
a war ning of s or ts : w hen you g et a n audio s yst em, you have t he op por tuni t y to make your own
s o un d . A n d t h e r e a r e a l o t o f m e s s a g e s y o u’l l g e t in t h i s i n du s t r y — f r o m a m p s t a t s t h a t a re
mis sing to unbelievable pr omi s es for “power,” r ight along wit h a lot of dis tor tion — that ’ll s t and
in you r w ay of f in ding p er s on al gr ea t ne s s.
O f co ur se, t ha t bein g s aid, we ca n s ave you a lo t o f t ime and pr ove to you tha t we sell t he bes t
pe r f or mi ng lin e o n t h e ma r ke t i n t h i s p r ic e r a n g e. A n i nd e pe n d e n t te s t i ng c o mp a ny p r ove d i t .
( Tak e a l o o k a t t he ch ar t be lo w. ) F or t he m o ne y yo u s p e n d o n R y va l , yo u’ll g e t c le a n e r s o un d,
less distor tion, and bet ter power supply noise rejection than any other comparatively priced brand.
C omp ar e. L ea rn a s muc h a s yo u ca n. Q ue s ti on eve r y t hing . T hen c re at e you r o wn s ou nd.
SOUND BITE PROVEN POWER
160
140
120
100
80
60
40
20
0
RYVAL V754 Comp K1 Comp K2 Comp S
4 Ohms Stereo
300
250
200
150
100
50
0
RYVAL V1502 Comp J Comp K1 Comp R
POW ER + PERFORMA NCE. W E’VE ENGINEERED RY VA L AMP S
TO E XCEL IN BO T H OUT P UT A ND P OW E R SUPPLY. HERE’S H OW :
OU T S TA ND IN G O U T P U T
T he ou t pu t s t age a c t s li ke a c a r’s t r a nsmi s si on , c o nver t ing t he el ec t ri ca l po wer su pp lied by
the amp into a us able force. A be t ter output device supplies more current, producing a cleaner,
mor e ac cur a te si gna l. R y val u se s Da rli ng to n ou t pu t dr ive ci rc u it r y wi th c omp lem en t ar y 10 0
wat t bip ola r high -fideli t y audio tr ans is t or s , re sult ing in impr oved amp per fo rman ce w it h low
impe da nc e l oa ds . T he mo s t ro bu s t po w er amp s in t he wo rl d u s e b ip ola r s — a nd s o d o we.
ST R O NG P OW E R S U PP LY
If t he outpu t st age is the t ransmissio n, then the power supply is t he motor—t aking t he vo ltage
fr om yo ur b at te r y, a lt er na t i ng t he cur r en t , a nd r un ning i t th ro ug h a s t ep - up t ra ns f or me r u nt il
it ’s m or e th an t r i ple d. T he R y va l’s p o wer s upp ly i s we ll pr o te c t ed , rel iab le, a nd wi t h l ow l os s
( 8 mil li o hm , 110 amp, 2 0 0 wa t t F E Ts* ) f or m o r e e f f ici en t c o nve r si o n, d es ig ne d t o en su re t h e
amp re ac he s t r ue p owe r.
( * F ie ld Ef fe c t Tr a ns is to r )
RE D UC E D DI S T O R T I ON
You’ll hear a lot of talk about harmonic distor tion, but odd order harmonic distor tion is what really
compr omis e s yo ur s ound . T he R y val a mp fea tu res dual dif fere nt ial t op olo gy a nd a symme tr i cal
voltage drive stage, designed to improve power supply noise rejection and reduce distortion on all
levels. I t costs us more to build an amp this way, but it makes for bet ter sound qualit y.
TO R T U R E T E S T E D
Our equipment has to per form in any environment. So we’ve devised methods of qualit y assurance
which consist of put ting our amps and speaker s through conditions we couldn’t sur vive ourselves.
When t hey c an run for t wo week s at full power 24 / 7 in an environment al chamber cycled from
14 degrees to 131 degrees Fahrenheit, sur vive shock tes ting, brutal vibr ations and a bat ter y of
endurance testing, only then do they get our stamp of approval.
SOUND BITE TRICKS OF THE TRADE
QUALITY PERFORMANCE? HERE’S WHAT SOUND SPECS ARE (OR AREN’T) TELLING YOU
POWER HANDLING: RMS VS MAX
This testing option will tell you
whether the specs you’re looking
at will really get you the power
they promise. R MS, or R oot Mean
Square, means that the power was
tested at a continuous level — one
that your system could sustain.
MA X is the number obt ained by
running the system to the highest
possible capacity — something that
no system could maintain.
CE A METHOD
CE A —the C onsumer Elect ronics
Association—sets st andards for
per formance tes ting. This tells
you t hat the number s listed CE A
were obtained with rea sonable -use
testing practices.
T H D ( T O TA L H A R M O N I C
DI S T O R T I O N ) P E R C E N TA G E
Audio companies spend a lot of
money to mar ket their pr oduct s
(we’re doing it right now ) . So
if they’re N OT mentioning a
par ticular number in testing, it
probably means they don’t want
you to k now what it is. M ost
people can’t hear T HD at les s
than 1% . But some test s provide
per formance numbers with a
TH D so high you’d never listen to
it—they just don’t lis t the T HD.
AMPLIFIE RS
MONOBLOCK
FE AT URE S :
Lowpass Level (LPL) Control Port
Efficient “Class D” Design
12dB Bass Boost@50Hz
Built-in Variable 12dB Lowpass Crossover
Auxiliary Outputs
Speaker Level Inputs
Remote Monitoring Display ( RMD) Port
MOD EL : V8 0 0 1
MA X POW ER :
4
Ω
: 1200W x 1
2
Ω
: 1600W x 1
CONTI NU OU S ( RMS ) P OWER* :
4
Ω
: 600W x 1
2
Ω
: 800W x 1
FREQU EN CY RE SP ON SE : 10 Hz-3 00H z
SIGNAL TO NOISE RATIO (1% THD+N): >90dBA
4-CHA NNEL
FE AT URE S :
Built-in Variable 12dB Lowpass Crossover
100Hz 12dB per Octave Fixed Highpass Crossover
Auxiliary Outputs
Speaker Level Inputs
Remote Monitoring Display ( RMD) Port
3-Position Switch for Lowpass, Highpass or Bypass
MOD EL : V 75 4
MA X POW ER :
4
Ω
stereo: 150W x 4
2
Ω
stereo: 250W x 4
CONTI NU OU S ( RMS ) P OWER* :
4
Ω
stereo: 75W x 4
2
Ω
stereo: 120W x 4
FREQU EN CY RE SP ON SE : 20 Hz-20 k Hz
SIGNAL TO NOISE RATIO (1% THD+N): >100dBA
2-CHANNEL
FE AT URE S :
Built-in Variable 12dB Lowpass Crossover
100Hz 12dB per Octave Fixed Highpass Crossover
Auxiliary Outputs
Speaker Level Inputs
Remote Monitoring Display ( RMD) Port
3-Position Switch for Lowpass, Highpass or Bypass
COM MO N SPE CS :
FREQUENCY RESPONSE : 20Hz-20kHz
SIGNAL TO NOISE RATIO (1% THD+N): >100dBA
MOD EL : V 75 2
MA X POW ER :
4
Ω
stereo: 150W x 2
2
Ω
stereo: 240W x 2
CONTI NU OU S ( RMS ) P OWER* :
4
Ω
stereo: 75W x 2
2
Ω
stereo: 120W x 2
MOD EL : V150 2
MA X POW ER :
4
Ω
stereo: 300W x 2
2
Ω
stereo: 450W x 2
CONTI NU OU S ( RMS ) P OWER* :
4
Ω
stereo: 150W x 2
2
Ω
stereo: 225W x 2
*(14.4VDC and 1% THD+ N CE A-2006 Method)
BRINGING MOVE TO THE MUSIC. ONCE YOUR A MP POWERS UP THE
SIGN AL , THE SUBWOOFER NEEDS TO TR ANSFORM TH AT SIGNAL
INTO WH AT YOU HE A R. WE’VE DESIGNED OUR SUBS TO PL AY
LOUDER, STRONGER, AND LONGER THAN ANY OTHER COMPAR ABLY
PRICED WOOFER ON THE MARK ET—WITH A MA X POWER HANDLING
OF 4X CONTINUOUS RATING.
TH E C O NE X S P I DE R
T he amp’s el ec t ri ca l pul se m o ves t he s ub s, a n d th e sp ea ker ne ed s inn er te ns io n t o ho ld i t i n
pla ce. We’ve u se d a m at er ial c al l ed C o nex , whi ch ha s a n exc elle nt s ha pe me m or y, re t ur nin g
to i t s o r igi n al f or m be t te r t h a n cl ot h or o t her c omm onl y us ed ma te ri al s.
V EN T I NG
We’ ve bui lt a ven t ing sy s te m i nt o t he sp ea ker s f or b et t er co o ling — w hic h lea ds t o l es s di s to r ti on
and a l ong er li fe.
RE I NF O RC E D SP E A K E R L E A D S
Me t al g et s b ri t tl e a s i t a ge s an d c a n b ec om e we a k w it h he av y u se. We’v e s pe cia ll y w r ap pe d
our s ubw oo fe r lea ds s o th ey wo n’ t be a s pr on e to br ea k ing o v er ti me.
CO N E DA M PI NG
A p o or ly d amp ed s p ea ke r c o ne will d ef o rm an d ri ng. We us e a sp eci al la mina t e-t r ea te d p a p er
co ne t ha t h a s exc ep ti on al d a mpi ng qu ali ti es t o mor e ac cur a te ly re pr o d uc e th e m us ic.
TH E F IN I S HI NG T O U CH
C oa xi al s a nd c omp o nen t s ne ed t o b e ab le to p er fo r m a t t h e s a me leve l as t he a m ps a nd su bs .
Wi t h a l ami na te -t re at ed pa pe r co ne, b ala nc ed dr i ve t we et er s , an d U V pr o te c ti on , o ur c oa xi al s
and c om p o nen t s ar e de sig ne d t o wo r k a s gr ea t as t he y l o o k .
SOUND BITE SMART SETUP
DIVIDE TO CONQUER
The way you install your system goes
a long way towards creating the best
sound. This example uses a two amp
set-up, with a monoblock directing
signals to the subs, and a 4-channel
in charge of left, right, rear, and front
signals. Crossovers separate sound
frequencies and direct them to the
component set. This division
separates the sound efficiently —
making clear, true, powerful music.
SPE AK ERS
SUBWOOFERS
FE AT URE S :
CAE/CAD Optimized for high efficiency and clarity
of sound reproduction
Laminate-treated cone with excellent stiffness to weight
ratio and superior damping qualities
High excursion triple layer UV treated black foam
surround for long-term reliability
Rigid powder-coated steel frame CAD designed for
precise motor alignment
High-temperature lightweight polymide voice coil
structure for increased sensitivity
CAD optimized magnet /motor structure for efficiency
and clarity
*(Available in single or dual voice coil)
MOD EL : V12S, V12D (12 in . Subwoof er * )
POWER HANDLING (RMS/PEAK): 150W/600W
IMP EDA NCE : 4
Ω
FREQUENCY RESPONSE: 25Hz-250Hz
SENSITIVITY 2. 8 3V /1m :
90dB ( V12S )
93dB ( V12D-parallel)
MOD EL : V10S, V10D (10 in. Subwoofer * )
POWER HANDLING (RMS/PEAK): 150W/600W
IMP EDA NCE : 4
Ω
FREQUENCY RESPONSE: 27Hz-300Hz
SENSITIVITY 2. 8 3V /1m :
91dB ( V10S)
94dB ( V10D-parallel)
COMPONENT SETS
FE AT URE S :
Set includes 2 mid-woofers, 2 tweeters, and 2 crossovers
Laminate-treated cone with excellent stiffness to weight
ratio and superior damping qualities
19mm balanced drive tweeter with excellent reproduction
of high frequencies
12dB/octave external CAD/CAE crossovers
High excursion triple layer UV treated black foam surround
for long-term reliability
High-temperature lightweight polymide voice coil structure
for increased sensitivity
Rigid powder-coated steel frame CAD designed for precise
motor alignment
MOD EL : V6 5 C ( 6 .5 in . Comp. Set )
POW ER H A NDL ING ( RMS/ PE A K ) : 50 W / 2 00W
IMP EDA NCE : 4
Ω
FREQUENCY RESPONSE: 6 5Hz-2 0kH z
SENSITIVITY 2. 8 3V /1m : 91dB
MOD EL : V5C ( 5 .2 5 in . Com p. Se t )
POWER HANDLING (RMS/PEAK): 50W/200W
IMP EDA NCE : 4
Ω
FREQUENCY RESPONSE: 80Hz-20kHz
SENSITIVITY 2. 8 3V /1m : 91dB
COA XIALS
FE AT URE S :
Laminate-treated cone with excellent stiffness to weight
ratio and superior damping qualities
19mm balanced drive tweeter for excellent reproduction
of high frequencies
High excursion triple layer UV treated black foam
surround for long-term reliability
High-temperature lightweight polymide voice coil
structure for increased sensitivity
Rigid powder-coated steel frame CAD designed for
precise motor alignment
COM MO N SPE CS :
IMP EDA NCE : 4
Ω
MOD EL : V6 9 0 ( 6 X9 in. C oa x)
V57 0 ( 5X7 in . Coa x )
V46 0 ( 4X6 in . Coax )
POWER HANDLING (RMS/PEAK): 50W/200W
FREQUENCY RESPONSE:
50 Hz-20 k Hz ( V6 9 0 )
70 Hz-20kH z ( V 570 )
120 Hz-20 k Hz ( V460 )
SENSITIVITY 2.83V/1m:
89 dB ( V6 9 0 )
91dB ( V570 and V4 60 )
MOD EL : V6 .5 ( 6. 5 in. C oa x)
V6. 0 ( 6 in . Coa x )
V5. 0 ( 5. 2 5 in. C oa x)
V4.0 ( 4 in. C oax)
POWER HANDLING ( RMS/ PE AK):
50W / 20 0W ( V6.5 -V6.0-V5.0 )
35W /14 0W ( V4.0 )
FREQUENCY RESPONSE:
75Hz-20k Hz ( V6.5 )
90 Hz-2 0k Hz ( V 6.0 )
10 0Hz-2 0kH z ( V 5.0 )
120Hz-20 kHz ( V4.0 )
SENSITIVITY 2.83V/1m:
92d B ( V 6.5-V 5.0 -V4.0 )
90 dB ( V6.0 )
CR AF TING A SYS TEM TH AT’S RIG H T FOR YOU
Inst allation is t he final s tep in creating the per fect s ound sys tem. I t ca n also be the weakes t
link, because a system won’t per form to its full potential without high qualit y connectivit y. Our
acces sories are d es ign ed t o m ee t th e s a me leve l o f exce llen ce a s all P ho en i x G ol d pr od uc t s .
PH O E NI X G OL D E X T E ND E D WA R R A N T Y
H ave y o ur p r o du c t s i ns t al le d by a c e r t i f ie d P h oe ni x G ol d d ea le r a n d ge t a t w o -y ea r ex t en d ed
warranty. This increases to a three-year warranty if they use a Phoenix Gold amplifier installation
kit — a sk yo ur de al er fo r mo re in f or ma ti on .
Ryval © 2007 Phoenix Gold RY VAL07FL
AMPLIFIER INSTALLATION KITS
AK IT8 2 - 8 GA UGE : COMP LE TE KI T
20ft. of RUBY or BLUE 8 gauge power cable
2ft. of 8 gauge ground cable
Glass style fuse holder
17ft. RCA cable
32ft. of 16 gauge speaker wire
15ft. of 18 gauge remote turn-on wire
Ring terminals
Terminal spades
30A glass fuse
Assorted hardware
AK IT42 - 4 G AUGE : COMPL ETE K IT
20ft. of RUBY or BLUE 4 gauge power cable
2ft. of 4 gauge ground cable
Glass style fuse holder
17ft. RCA cable
32ft. of 16 gauge speaker wire
15ft. of 18 gauge remote turn-on wire
Ring terminals
Terminal spades
60A glass fuse
Assorted hardware
FU SE BLO CK S
MBB blocks utilize PGU-style glass fuses
Flexible for multiple amplifier installations
Multi-bussbar fuseblock
Satin finish
Use with PGU series fuses
MBB. 5 01
Three 4 gauge inputs to four fusible
8 gauge outputs
MBB. 5 02
One 4 gauge input to two fusible
8 gauge outputs
DIS TRIBU TI ON BL OCKS
Multiple styles allow for numerous
installations
Rated to 175A
Satin finish
PDB. 501
One 4 gauge input to four 8 gauge outputs
PHO EN IX GOLD
9200 North Decatur St.
Portland, OR 97203
Tel: 503.286.9300
Fax: 503.978.3381
www.pho enixgol d.com
CANA DA - TR ENDS EL ECTRO NICS
Unit 100-980 W. First St.
North Vancouver, BC V7P 3N4
Tel: +1.604.988.2966
Fax: +1.604.988.4122
www.trendsinc.com
EUROPE - PHO ENIX GO LD EURO PE
Ter Heidelaan 50A
3200 Aarschot
Belgium
Tel: +32.16.553.553
Fax: +32.16.553.559
Info @phoenixgoldeurope.be
THERE IS A DIFFERENCE
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