Creative Light 100824 User manual

Type
User manual
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LIGHT SHAPING TOOLS
FOR TODAYS PRO
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/ CREATIVE LIGHT /
Creative Light is an international photographic lighting accessory
company combining years of experience with proven Swedish
designs. Every single tool is produced with exceptional quality at
a competitive price.
The brand was created by photographers for photographers.
Ergonomic design helps the working pro to achieve lighting goals
easily and quickly with minimal eort. The equipment can be
successfully used both in studios and on location.
A full and ever-expanding line of soboxes, reflectors, umbrellas,
light stands and accessories, designed with the same stringent
requirements, is now ready to help photographers in their work.
Welcome to Creative Light.
© Baldomero Fernandez
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/ SOFTBOXES /
With two families of Creative Light Soboxes, the only limitation
is your imagination. Both the Recessed Front (RF) Soboxes and
the Flat Front (FF) Soboxes have a unique high-eciency silver
lining that ensures more light reaches the subject than other
brands. It also reflects the light back and forth within the box
itself, homogenizing it. This ensures that when the light reaches
the front of the sobox, it’s completely even from edge to edge,
regardless what size box is used.
All soboxes feature a removable interior, and external diuser.
When both are used, edge-to-edge light is guaranteed. When
removing the a single, or all the baes.
All Creative Light Soboxes are constructed with reinforced
stitching, ensuring no light is lost through the seams. Also unique
to Creative Light Soboxes is the use of all flexible steel rods
rather than aluminum or fiberglass. The rigidity of steel maintains
the shape of the sobox regardless of working conditions. These
steel rods form the heat-resistant fabric and is perfect flash units
of any power or contnuious lighting up to 500 watts.
© Richard Patterson
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/ SOFTBOX RF SQUARE /
60x60 cm 2x2  100807
/ SOFTBOX RF RECTANGLE /
40x60 cm 1.3x2  100803
60x90 cm 2x3  100804
90x120 cm 3x4  100805
/ SOFTBOX RF STRIP /
30x90 cm 1x3  100801
30x120 cm 1x4  100802
/ SOFTBOX RF OCTAGON /
Ø 90 cm (3’) 100806
Ø 150 cm 5  100814
/ SOFTBOX RF /
RF soboxes are designed with a recessed
velcro front to accept our full line of sogrids.
Giving you even edge to edge lighting, and
control over fallo and spill.
The front diuser is recessed from the edge of the sobox. This
slight deviation from the FF soboxes profile permits the 2 inches
at the end of the sobox to aid in reducing the amount of spill.
Of course, if the image requires even more control a complete
set of So Grids are available for the most popular sizes for even
further lighting control.
Available in 8 sizes, the Creative Light RF soboxes are designed
to meet the strict requirements of today’s top professionals.
Photographer: Jensen Walker
Location: Sun Studios NYC, USA
Equipement: 2 1x4’ RF Soboxes w/sogrids (Accent Light)
1 3’Octa RF Sotbox w/sogrid (Key Light)
1 5’Octa RF Sobox (Fill Light)
© Jensen Walker
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/ SOFTBOX FF SQUARE /
40 x 40 cm (1.3 x 1.3’) 100808
/ SOFTBOX FF RECTANGLE /
20 x 30 cm (0.6 x 1’) 100813
40 x 60 cm (1.3 x 2’) 100809
60x90 cm (2 x 3’) 100811
90x120 cm (3 x 4’) 100812
/ SOFTBOX FF STRIP /
30 x 90 cm (3’) 100810
/ SOFTBOX FF /
FF soboxes are designed with a full front
diuser. Great for creating seamless edges
with other soboxes or illuminated surfaces.
Creative Light Flat Front (FF) soboxes are silver-lined and have
an exterior diuser that stretches over the outer edge of the
sobox. This allows for 100% coverage of the front surface. The
even illumination permits multiple boxes to be stacked together
to create larger, near-seamless light sources for bigger subjects.
Available in 6 sizes, the Creative Light FF soboxes are true to the
Creative Light pledge of quality and performance at a price more
aordable than the Recessed Front Line.
Photographer: Jensen Walker
Location: Sun Studios NYC, USA
Equipement: 2 3x4’ FF Soboxes
Note: the full catch lights is the models eyes. This was created by
stacking two soboxes to create a large floor to ceiling window eect.
© Jensen Walker
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/ GRID RF SQUARE /
60 x 60 cm (2 x 2’) 254594
/ GRID RF RECTANGLE /
40x60 cm (1.3 x 2’) 254593
60x90 cm (2 x 3’) 254595
/ GRID RF STRIP /
30x90 cm (1 x 3’) 254591
30x120 cm (1 x 4’) 254592
/ GRIDS /
Sogrids give you the ability to have even
more control over the spill of CL Soboxes.
Creative Light Sogrids are designed for use with the RF series
of Creative Light Soboxes. Attached to the Velcro at the leading
edge of the sobox, they can be attached and removed very
quickly. Reducing the angle of light to 50 degrees, they add
additional control when you need to ensure light is only striking
the subject or background where you want it.
Their so-sided, foldable design makes them very portable.
So they can be with you wherever your shooting schedule
takes you.
Photographer: Jensen Walker
Location: Sun Studios NYC, USA
Equipement: 2 1x4’ RF Soboxes w/sogrids
© Jensen Walker
© Jensen Walker
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/ AVAILABLE FOR /
Bowens 100829
Broncolor Pulso 100823
Broncolor Visatec 100832
Calumet 100829
Canon 100831
Comet 100835
Dynalight 2 100828
Elinchrom 100830
Hasselblad-40 100825
Hensel Expert 100827
Lumedyne 100825
Multiblitz Profilux 100833
Multiblitz Varilux 100834
Nikon 100831
Norman 100825
Novatron 2 100826
Photogenic 100824
Photona 100837
/ SPEEDRINGS /
Designed to hold your shoe mounted flash,
monolight or strobe head. Creative light
speedrings help you put our soboxes where
you need them.
Used to attach the Creative Light Soboxes to the light source,
there are speedrings currently available for the most popular
brands of electronic flash. Each speedring oers the solid
aluminum sobox collar combined the individual mounting flange
for your specific brand of light. When using square or rectangular
soboxes, rotating the box oers additional control. However, not
all brands of flash allow for this rotation form the head. Luckily,
all Creative Light Speedrings oer 360 degree of rotation so
regardless of which sobox you are using, or what brand of flash
you are using, full control is still possible.
Finally, rods on all CL Soboxes are color coded to make assembly
simple. Just match the color with the appropriate color-coded
hole on the CL Speed ring. Whether you are using a square,
octagonal or rectangular sobox, set up is easy.
Photographer: Jensen Walker
Location: Sun Studios NYC, USA
Equipement: 2x3’ RF Soboxe attached to shoemount speedring.
Note the even fallo created by using a small sobox on a simple shoe mounted
flash. The sobox was ecient enough to shoot at IS0 100, f14 at 1/200 of a
second using a shoemounted speedlight.
Profoto 100821
Propet A 100836
Quantum 100825
Speedotron 100822
Sunpak 100825
Sunstar 100838
© Jensen Walker
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/ CREATIVE USE / SOFTBOXES
cre•a•tive [kree-ey-tiv]
–adjective
1.having the quality or power of creating.
Photographer: Kevin Obrien
Location: Sun Studios NYC, USA
Equipement: 1 5’Octa RF Sobox
© Kevin Obrien
One approach to working with a single light is as follows. Position
it, then compose your subject within it. It’s similar to working
with the sun. You examine where the light is most intense, where
it falls o, make adjustments, and take your photo. Stop. Look.
Consider. Make a decision on how to compose your image. The
unique quality of light from a CL sobox gives you the power to
create something dramatic.
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/ REFLECTORS /
Creative Light reflectors oer a simple solution instead of adding
additional lights. Bouncing available light to open shadows,
increase contrast or to change the direction of a light is easy
with one of the two reflectors designs.
The simple, spring-loaded design pops open and instantly
achieves its full size. A step up from the reflectors, the
Deluxe reflector with its triangular shaped versions
allow for a significant increase in the ease of
handling. One corner of the Deluxe reflector has
a so padded handle making positioning and use
of the reflector even simpler.
The simplicity is what-you-see-is-what-you-
get. Whether the modeling light of a flash is guiding
your positioning, or you are using the continuous
light of the sun or hot light, you see the direction and
shape of the light and how it aects the subject. You
also see how the reflector surface can alter color and
contrast.
© Tommy MÜnoz
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/ WHITE SURFACE /
The white fabric reflects light with
a lower contrast, soening the
detail and contours of the subject
while delivering a neutral color
temperature.
/ TRANSLUCENT SURFACE /
The neutral semi-shear fabric
reduces the light intensity by
approximately 1 f/stops while
soening and evening it.
/ SILVER SURFACE /
The exclusive silver fabric reflects
light with a higher contrast,
increasing the detail and contours
of the subject while delivering a
neutral color temperature.
/ GOLD SURFACE /
With overall warming in excess
of 500 degrees Kelvin, the gold
surface can add character and
warmth to any subject.
/ SUNFIRE SURFACE /
While still giving you an increase in
contrast and detail but with a more
subtle warming eect, simulating
dusk (-300Kelvin) on a warm
summer evening.
/ SUNLIGHT SURFACE/
The perfect combination of the
Silver and Gold reflectors oers the
same increase in contrast and detail
but with a more subtle warming
eect.
/ REFLECTORS /
One Assistant holding two reflectors.
Battling against the elements.
Triangular. Designed with the photographer in mind. Easy to hold
and fold. Triangles have been used to support bridges for years,
and this name structure is built into deluxe reflectors in order to
prevent the elements from taking over.
Maximize your surface area on locaiton
and minimize it during travel.
The circular reflector is the standard for many years. They give
you teh maximum surface area, while still being able to fold down
to less than a quarter of its size. Its shape also enables for circular
catch lights, which give a very natural look when used close to
the face.
All Creative Light Reflectors come with a high quality, so-sided
storage case. Reflector accessory, see Reflector holder page 33.
/ REFLECTOR DELUXE
GOLD - SILVER /
60 cm (24”) 100884
80 cm (33”) 100888
120 cm (47”) 100892
/ REFLECTOR DELUXE
TRANSLUCENT /
60 cm (24”) 100881
80 cm (33”) 100885
120 cm (47”) 100889
/ REFLECTOR DELUXE
SILVER - WHITE /
60 cm (24”) 100882
80 cm (33”) 100886
120 cm (47”) 100890
/ REFLECTOR DELUXE
SUNFIRE - WHITE /
60 cm (24”) 100883
80 cm (33”) 100887
120 cm (47”) 100891
/ REFLECTOR
GOLD - SILVER /
60 cm (24”) 100847
80 cm (33”) 100848
120 cm (47”) 100849
/ REFLECTOR
TRANSLUCENT /
60 cm (24”) 100844
80 cm (33”) 100845
120 cm (47”) 100846
/ REFLECTOR
SILVER - WHITE /
60 cm (24”) 100841
80 cm (33”) 100842
120 cm (47”) 100843
/ REFLECTOR
SUNLIGHT - WHITE /
60 cm (24”) 100853
80 cm (33”) 100854
120 cm (47”) 100855
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Photographer: Jensen Walker
Location: Sun Studios NYC, USA
Equipement: 47in’ Translucent Reflector,
47in’ Delux Silver/White Reflector (Silver Side Used)
© Jensen Walker
/ CREATIVE USE / REFLECTORS
cre•a•tive [kree-ey-tiv]
–adjective
2 . resulting from originality of thought, expression,
etc.; imaginative: creative lighting.
The sun is our original light source. It’s free, reliable, and for
our purposes, essentially unending. It’s up to photographers to
apply it as creatively as they wish. How expressively you wish to
make it come to life is up to you. It can be soened, reflected,
or both, among other formative approaches. Tame nature.
Get natural lighting eects without letting nature take control of
your creativity.
AFTER
BEFORE
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/ UMBRELLAS /
The starting point of most photographers lighting toolboxes,
umbrellas oer versatility and convenience in one easily
portable package.
Three surfaces to choose from ensure there is a Creative Light
umbrella for every need. Whether you choose white umbrellas
for the smooth so light, Silver for the higher contrast “punch,”
Translucent for the direct, diuse light or the Sobox Umbrella
for its so directional lighting eect, all Creative Light umbrellas
oer the same high-quality construction putting them light years
ahead of the competition.
Special alloy composites mean the frame, locking mechanism
and joints are flexible enough to handle the use and abuse of
the real world, while being rigid enough to hold its shape when
it really counts -- on set. The universal 8 mm sha guaranties
compatibility with all brands of flash. Creative Light Umbrellas
are also approved for use with continuous hot lights, up to
500 watts.
All four model Creative Light umbrellas come standard with a
heavy duty, so-sided storage case ensuring long life.
© Kevin Obrien
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/ UMBRELLA SILVER /
/ UMBRELLA WHITE /
Creative Light White Umbrellas oer a so even light that can
be adjusted by changing the distance between the light source
and the interior surface (light design permitting). The wide, even
spread of light can easily be used for everything from a single
main light, to multiple white umbrellas evenly illuminating a
background. Larger size CL White umbrellas oer a soer omni
directional light for broader, lower contrast light.
The higher contrast of the CL Silver Umbrella provides a sharper
look and feel, while also giving you a stop more light. This sharper
light shows more detail and subtitle nuances in the subject’s
surface while still maintaining a so overall appearance. Since
soness is determined by the size of the reflector in relation to
the size of the subject, you can maintain the higher contrast of
the silver umbrella and make the light soer by moving it in closer
to the subject or choosing a larger size umb
65 cm (25”) 100867
85 cm (33”) 100868
105 cm (41”) 100869
65 cm (25”) 100864
85 cm (33”) 100865
105 cm (41”) 100866
The Translucent Umbrella is designed to shoot through. While
most umbrellas point the light away from the subject to allow
light to reflect back to the subject, the translucent umbrella works
the opposite way. By positioning the back of the umbrella directly
at the subject, thus light source shines in the same direction. The
light can be soened by choosing a larger size translucent umbrella
and sliding the sha of the umbrella so the flash is further away
from the fabric.
The Sobox Umbrellas is truly a unique lighting tool. Combining
the directional quality of the umbrella, with the soness and
evenness of a sobox, the Creative Light Sobox umbrella was
conceived as a one step set-up solution for some of the trickiest
lighting situations.
The non-removable translucent fabric covers the front of the
umbrella. So as light reflects from the neutral white fabric, it
passes through the translucent layer soening the light.
/ UMBRELLA TRANSLUCENT /
/ UMBRELLA SOFTBOX /
65 cm (25”) 100861
85 cm (33”) 100862
105 cm (41”) 100863
105 cm (41”) 100870
/ TRANSLUCENT & SOFTBOX UMBRELLAS /
/ WHITE & SILVER UMBRELLAS /
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© Kevin Obrien
/ CREATIVE USE / UMBRELLAS
cre•a•tive [kree-ey-tiv]
–adjective
4. Facetious. using or creating exaggerated or skewed data, information,
etc.: creative bookkeeping.
Photographer: Kevin Obrien
Location: Sun Studios NYC, USA
Equipement: 1 5’Octa RF Sobox
By using the sobox in an unconventional position, exaggerated
yet stunning and artistic results can occur. This image was
created by intentionally skewing customary sobox practice.
The modeling light was only used to help focus attention on the
subject, and its strobe was turned o. The flat front was able to
reflect enough light to provide minimal fill to the subject, but this
was only lit with one umbrella. Creativity with a slant
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/ STANDS /
Regardless of the type of photography you do, Creative Light
Stands will support you. Computer-aided design allows for
the reduced weight of these aluminum alloy light stands
without sacrificing durability or structural integrity you
expect in a professional duty light stand. By simulating use
through soware, key stress points are reinforced, while
the center of gravity is precisely positioned, allowing these
light stands to be lightweight yet oer the stability of much
heavier products.
© Jensen Walker
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/ STANDS /
Regardless of the type of photography you
do, Creative Light Stands will support you.
Available in the most popular sizes, the naming of the products
explain the number of sections and the height of the light stand.
As an example, the LS413 stand is a 4 section 13 foot stand, the
LS38 is a standard 3 section, 8 foot stand.
/ BACKGROUND STAND /
LS22 101101
/ BACKLIGHT STAND/
LS22 101101
/ 13’ BOOM /
LS413B 101105
/ 13’ STAND /
LS413 101106
/ 6’ TRAVEL STAND /
LS56 101104
/ COMPACT 8’ STAND /
LS48 101103
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/ REFLECTOR ACCESSORY /
/ STAND ACCESSORY /
When you just don't have enough hands to
hold everything, the Creative Light Reflector
Holder can help.
Attaching directly to any Creative Light Stand (and most other
brands), the Reflector Holder holds the reflector in two positions
to make sure it stays in place. The adjustable arm ensures you can
position the Reflector where needed, quickly and easily.
50 cm 20 in. 100897
/ LIGHT SHED /
Light Sheds by Creative Light are collapsible
photo studios that are perfectly designed for
small product photography.
Available in two sizes, Light Sheds have metal frames covered in
a translucent fabric to provide perfectly even illumination. The six
sided construction means lights can be placed anywhere outside
the box.
Perfect for small product photography with flash or hot lights,
the Creative Light Light Sheds come standard with 2 removable
colored background fabrics that attach with Velcro to ensure
they stay in place. Changing the look is as simple as changing or
removing the fabric. To add additional versatility, use your own
backgrounds to create a custom look.
50 cm 20 in. 100897
80 cm 32 in. 100898
LS22 LS38 LS48 LS56 LS413 LS413B
Load at Max Ext. cm / kg
87 cm / 3 kg 249 cm / 5 kg 244 cm / 4 kg 184 cm / 1.5 kg 385 cm / 9 kg 400 cm / 8 kg
Load at Max Ext.  / lbs
2.8’ / 6.6 lbs 8.2’ / 11 lbs 8’ / 8.8 lbs 6’ / 3.3 lbs 13’ / 20 lbs 13’ / 18 lbs
Load at Min Ext. cm / kg
9 cm / 9 kgs 108 cm / 15 kgs 89 cm / 12 kgs 51 cm / 4.5 kgs 134 cm / 25 kgs 138.5 cm / 22 kgs
Load at Min Ext. in (lbs)
0.3 cm / 20 lbs 3.5 cm / 33 lbs 2.9 cm / 26 lbs 1.7 cm / 9.9 lbs 4.4 cm / 55 lbs 4.5 cm / 45 lbs
Folded cm ()
48 cm (1.6 lbs) 89.5 cm (2.9 lbs) 72.5 cm (2.4 lbs) 51 cm (1.7 lbs) 114 cm (3.7 lbs) 120 cm (3.9 lbs)
Weight kg (lbs)
1.16 kgs (2.55 lbs) 1.53 kgs (3.40 lbs) 1.23 kgs (2.70 lbs) 1.03 kgs (2.30 lbs) 2.5 kgs (5.5 lbs) 3.13 kgs (6.9 lbs)
Aircushion
no yes no no no no
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Photographer: Baldomero Fernandez
Location: Sun Studios NYC, USA
Equipement: 3 1x4’ RF Soboxes w/sogrid (bottom Background Lights)
1 1x4’ RF Sobox w/sogrid
1 3’Octa RF Sotbox w/sogrid (Key Light)
1 5’Octa RF Sobox (Fill Light)
1 Profoto Zoomspot
1 Large Gold Deluxe Reflector
1 Large Translucent Reflector
/ BEHIND THE SCENCE /
BALDOMERO FERNENDEZ /
Celebrity, fashion and portrait photographer
Baldomero Fernandez was the first
photographer in the world to use Creative
Light tools.
Without knowing what his direction would be once approached
to do the shoot, his initial concept would prove to be an excellent
application of new lighting tools. Baldomeros plan was to showcase
the theme of light. Specifically, he wanted to recreate the aurora
borealis or northern lights visible from Scandinavian countries.
Baldomero’s use of lighting was not only a demonstration of how
the new products could be used, but also paid respect to the
lineage of the brand.
During his preproduction research Baldomero came across NASA
images of the aurora borealis. These photos became the reference
material he used to explain the shoot to his production team.
“Light has a big part in my photos. Lighting creates mood,”
says Baldomero. “I don’t necessarily use lights the way they’re
supposed to be used, or designed to be used.” For example, the
aurora borealis was primarily created by removing the inner bae
and outer diuser of the new Creative Light soboxes. He then
added only 50 degree sogrids. The cast shadows from the
sogrids aided in creating the glowing eect on the northern
lights background. He was even able to pick up small details, such
as a golden glint of light on the models leg when wearing the
white dress by having her stand on reflectors.
“ The challenge on this shoot was to create
an ambient scene that’s dark and has some
color at the same time, yet not washing
the scene out. Keeping the model light and
the background dark in a small space is not
always easy.”
A three-foot octa was used overhead to light the models face.
Creative Lights new reflector with a handle also was used
extensively for fill. A five-foot octa was used from behind. The
ionospheric eects were further enhanced in Photoshop by
incorporating some vertical streaking.
The ability to brake down the Creative Light soboxes to just use
a corner of the reflectors made these tools versatile enough to
create the stunning images used in this brochure. By looking at
the before and aer shots, one can see the quality of light was
easily established without the need to completely copy and paste
in new backgrounds digitally.
“Creative Light oers a lot of flexibility. You’re able to take them
apart. You don’t always want to use a sobox the way it’s meant
to be used. That’s what I like about these products on this shoot.
I’m able to use them in dierent ways than they were designed to
be used. Versatility and flexibility -- you need them in tools and
and that’s what you look for in tools -- something you can use in
a lot of dierent ways.”
The aurora borealis phenomenon is an interaction between the
Earths magnetic field and solar wind. The visually-inspiring
collision of charged particles proved to be the spark Baldomero
Fernandez was searching for to put his new Creative Light gear to
the test. By applying new hardware in unconventional ways, this
accomplished photographer achieved stellar results.
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/ THANKYOU /
We appreciate you taking the time to examine the photography
presented in this brochure. We hope the photographers
represented here and the Creative Light tools they’ve employed
will encourage your own desire to create photos completely
original and wholly yours. To see how all the images in this
brochure were designed and executed, visit www.creativelight.
com.
© Baldomero Fernendez
36
www.CreativeLight.com
Creative Light
8 Westchester Plaza, Elmsford, N.Y. 10523, USA
Tel: 914-347-3300. Fax: 914-347-3309.
Distributed by MAC Group
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Creative Light 100824 User manual

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User manual

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