Eagle PA5060E Installation And Operating Instructions Manual
- Category
- Musical Equipment
- Type
- Installation And Operating Instructions Manual
Eagle PA5060E is a 120W RMS mixer amplifier with a wide range of features that make it suitable for a variety of applications, including public address, background music, and paging.
The amplifier has five microphone inputs, three auxiliary inputs, and a music/speech switch that allows you to optimize the sound for different types of content. Each microphone input has its own level control, and there are also master bass and treble controls.
The amplifier also has a booster out function that allows you to connect an external booster amplifier to increase the power output. This can be useful for larger areas or for applications where you need to reach a wider audience.
Eagle PA5060E is a 120W RMS mixer amplifier with a wide range of features that make it suitable for a variety of applications, including public address, background music, and paging.
The amplifier has five microphone inputs, three auxiliary inputs, and a music/speech switch that allows you to optimize the sound for different types of content. Each microphone input has its own level control, and there are also master bass and treble controls.
The amplifier also has a booster out function that allows you to connect an external booster amplifier to increase the power output. This can be useful for larger areas or for applications where you need to reach a wider audience.
1
IMPORTANT
The wires in the mains lead are coloured in accordance
with the following code:
Green and Yellow: Earth (E)
Blue: Neutral (N)
Brown: Live (L)
As the colours of the wires in the mains lead of this apparatus
may not correspond with the coloured markings identifying the
terminals in your plug proceed as follows:
The wire which is coloured green and yellow must be connected
to the terminal which is marked by the letter E or by the safety
earth symbol or coloured green and yellow. The wire which is
coloured blue must be connected to the terminal which is
marked with the letter N or coloured black. The wire which is
coloured brown must be connected to the terminal which is
marked with the letter L or coloured red.
If a 13 Amp (B.S. 1363) plug or any other type of plug is used, a
5 Amp fuse must be fitted either in the plug or at the distribution
board.
WARNING: THIS APPLIANCE MUST
BE EARTHED
GENERAL INSTALLATION
DO NOT use low impedance loudspeakers.
DO NOT run microphone cables near mains, data,
telephone or 100V line cables.
DO NOT run 100V line cables near data, telephone or
other low voltage cables.
DO NOT exceed 90% of the amplifiers output power
when using 100V line (speech only).
DO NOT exceed 70% of the amplifiers output power
when using 100V line
(high level background music).
DO NOT use re-entrant horn loudspeakers for
background music unless the loudspeaker has
been specifically designed for this purpose.
AVOID jointing the microphone cable, when this is
unavoidable make sure a good screened
connector is used, e.g. XLR.
ALWAYS use a balanced or floating low impedance
microphone terminating into a balanced input
on long microphone cable runs.
ALWAYS use a mains grade double insulated cable for
the loudspeaker cable runs.
ENSURE that all loudspeakers are in-phase.
ENSURE that there are no short circuits on the
loudspeaker line before connecting to the
amplifier.
REMOVE the top cabinet when fitting the 19” rack ears
supplied (these are fitted using the existing
screw holes and screws from the top cabinet).
PA5000 SERIES TWO ZONE
PUBLIC ADDRESS AMPLIFIERS
INSTALLATION AND OPERATING INSTRUCTIONS
Covers Models:
● PA5120E Mixer Amplifier ● PA5060E Mixer Amplifier ● PAB5120E Booster Amplifier ● PAB5240E Booster Amplifier
● PA5200C Twin Cassette Deck ● PA5200CT Tuner with blank slot for a Cassette Deck or Tuner
Mixer Amplifiers PA5060E and PA5120E
1. 24V DC Connector 14. Mic 1 Input Socket
2. Mains Connector 15. Mic 1 Priority Socket
3. Loudspeaker Connector 16. Input Overload Indicator
4. Booster Out Phono Socket 17. Mic 1 Level Control
5. Booster Out DIn Socket 18. Mic 2 Level Control
6. Aux 3 Input Socket 19. Mic 3/Aux 1 Level Control
7. Mic 5 Input Socket 20. Mic 4/Aux 2 Level Control
8. Aux 2 Input Socket 21. Mic 5/Aux 3 Level Control
9. Mic 4 Input Socket 22. Bass Control
10. Aux 1 Input Socket 23. Treble Control
11. Mic 3 Input Socket 24. Master Level Control
12. Mic 2 Input Socket 25. Power On/Off Switch
13. Mic 2 Priority Socket 26. Power On Indicator
REAR PANEL
MODEL NO. PA5120E
RATED OUTPUT 120W RMS
MADE IN TAIWAN
MUSIC/SPEECH
OVER-
LOAD
MIC1 MIC2 MIC3/AUX1 MIC4/AUX2 MIC5/AUX3 BASS TREBLE MASTER
16
17 18 19 20 21 22 23 24 25 26
220 - 240V~50/60Hz
24V DC
BOOSTER OUT AUX 3 MIC5 AUX 2 MIC4
AUX 1 MIC3
SPEECH ONLY
250V 2.5A
1 23 4 5 6 7 8 9 10 11 12 13 14 15
FRONT PANEL
GB
Booster Amplifiers PAB5120E and PAB5240E
REAR PANEL
OUT
IN
MODEL NO. PA5120E
RATED OUTPUT 120W RMS
MADE IN TAIWAN
MUSIC/SPEECH
220 - 240V~50/60Hz
24V DC
SPEECH ONLY
250V 2.5A
1 4 5 923 6 87
FRONT PANEL
OVERLOAD
10
11
1. Battery Connector 7. Input Socket (Phono)
2. Mains Connector 8. Input Socket (DIN)
3. Loudspeaker Connector 9. Sensitivity Selector
4. Volume Control 10. Input Overload Indicator
5. Output Socket (DIN) 11. Power On/Off Switch
6. Output Socket (Phono)
Mic 1 & Mic 2 Input Connections
These Microphone inputs use an XLR connector for signal input and if required a 180° DIn plug can also be used to obtain priority operation. Ideally a balanced or
floating microphone with an impedance of 600Ω should be used. If priority is required the microphone must also have a normally open volt free switch.
Non Priority Connection (Mixing)
Balanced Operation Unbalanced Operation
Pin 1 Screen Pin 1 Screen
Pin 2 Signal (Live) Pin 2 Signal
Pin 3 Signal (Return) Pin 3 Short to pin 1
Priority Connection
The Signal connections should be made as shown in Non-Priority above.
The 5 pin 180° DIN socket directly above the microphone input socket is used to obtain priority functions
for the input socket. Other features are also available on this socket.
180° DIN SOCKET
Pin Number Function
1 Mute: Used to override Mic inputs 3 to 5 and/or Auxiliary inputs 1 to 3, to override these inputs short to pin 2. This action will
also activate the “Ding Dong” chime.
2 Ground: Connected to the equipment chassis.
3 Busy: Open collector, going to ground when pin 1 is shorted to ground.
4 Speak Now: Open collector, going to ground when pin 1 is shorted to ground and the “Ding Dong” chime has finished.
5 24Vdc Output: Used for phantom powering of other equipment. E.g. Relays, Microphones, etc. Max. current must not exceed
0.5 Amps total (not per socket).
Mic 3 & Aux 1 Connections Microphone 3 is connected exactly the same way as the signal connections for Mic 1 & Mic 2. Please note that no priority
functions are available for this input.
The amplifier leaves the factory pre-configured for this input set as Mic 3, however if needed this can easily be re-configured as an auxiliary input, this is achieved
by the following process:
1. Remove the top case
2. Locate switch on the rear PCB (three switches are located on the rear PCB, the switch required is the left most one when
viewed from the front panel).
3. Set the switch to the position nearest the rear panel.
4. Replace the top cover.
The input Aux 1 uses two standard RCA Phono plugs. These are shorted together internally and provide a mono input.
Pin: Signal
Sleeve: Screen
SLEEVE
PIN
Mic 4, 5 & Aux 2, 3 Connections These inputs are configured at the factory as Auxiliary inputs. The connection for these is exactly the same as for Aux
1 above. These inputs may be re-configured as balanced microphone inputs, this is achieved by the following process:
1. Remove top cover.
2. Locate switch for Mic 4 and/or for Mic 5 (these are located on the PCB along the rear panel, the centre switch is for Mic 4 and the rightmost switch is for Mic
5).
3. Set the switch to the position furthest from the rear panel.
4. Replace the top cover.
The microphone inputs use standard 1/4” Stereo Jack Sockets, these are wired as follows:
Tip: Signal (Live)
Ring: Signal (Return)
Sleeve: Screen
SLEEVE RING
TIP
2
3
If you wish to use an unbalanced microphone, ensure the microphone is fitted with a standard 1/4” Mono Jack Plug, when this is inserted into the microphone input
socket, the input will automatically become unbalanced.
Phantom Power
A new feature has been added to the PA5000 series amplifiers. This feature will enable phantom powering of Electret Condenser Microphones. The phantom power
can be turned on or off by moving the shorting pliug on the link pins adjacent to each input.
The phantom powering is set to ‘OFF’ by default and can be enabled by following the instructions below:-
1 Remove the power lead from the wall socket.
2 Remove the top cover
3 Locate the link pins for each input socket (these are located behind each microphone input socket and are three vertical pins, two of which are shorted together
using a black coloured shorting plug).
4 Each set of link pins will have one pin marked with the letter ‘C’ (on the PCB), shorting this pin to the centre pin will enable the phantom power. To disconnect
the phantom power, move the shorting plug so that the centre and unmarked pins are shorted, or alternatively the shorting plug can be removed and kept in a
safe place for future use.
Booster Out Connections
For simple connections to a booster two RCA Phono sockets are fitted, these are shorted together internally and provide a fixed
output (output is independent of the master gain and tone controls, but dependant on the Mic/Aux level controls).
Pin: Signal
Sleeve: Screen
Where a variable output (output is dependent on all controls) or the extended features offered on the DIN Socket are required
proceed as follows:
Pin Number Function
1 Variable Output
2 Signal and chassis ground
3 Open Collector, going to ground when a priority signal is present
4 Fixed Output
5 24Vdc output, used to phantom power other equipment, e.g. relays, microphones etc. Max current 0.5A total (not per socket).
SLEEVE PIN
180° DIN SOCKET
Connecting a 5000 Series mixer amplifier
to a 5000 Series booster
These amplifiers can be connected using Phono to Phono leads from the mixer
amplifier booster out to the booster in socket on the booster amplifier, further
booster’s can be connected by connecting from the booster out of the first booster
amplifier to the booster in of the second. Up to three boosters can be connected in
this way.
If the two zone feature is required, the 5 pin DIN socket must be used. First decide if
you require fixed or variable output, from this pin wire to pin 1 of the DIN plug to the
booster, wire Pin 2 to Pin 2 (using the screen) and wire Pin 3 to Pin 3. This
completes the connection from the mixer/amplifier to the first booster. To wire from
one booster to another, wire Pin 1 to Pin 1, Pin 2 to Pin 2 and Pin 3 to Pin 3. This
lead should then be connected from the out socket of the first booster to the in
socket of the second. Up to three boosters can be connected in this way.
Loudspeaker Connection
Note: Use only 100V Line Loudspeakers
Two loudspeaker outputs are provided. The output marked ‘Speech/Music’ gives an
output at all times, reproducing any signal input into the amplifier. The output
marked ‘Speech Only’ will only reproduce a signal during a priority condition,
therefore an output from this connection will be present when Mic 1 or Mic 2 is in a
priority condition, this means that only the ‘Ding Dong’ chime and the signal from
one of these microphone inputs will be presented to this output.
Battery Connections
All of the 5000 series amplifiers can be operated from a 24Vdc power source. When connecting batteries please ensure correct polarity.
MUSIC/SPEECH
COM 100V COM 100V
SPEECH ONLY
Problem Cause Solution
The amplifier has distorted output The 100V line cable has been Move the 100V line cable
and runs very hot run too close to a microphone cable
causing a high frequency oscillation
(inaudible) which is overdriving
the amplfier
The loudspeakers emit a humming The screen of the microphone is Check the screen connections
noise that increases when the disconnected or the microphone and/or move the microphone
microphone level control is increased cable has been run too close to cable
mains, data or telephone cables
A howling noise is heard when the A loudspeaker is too close to the Disconnect/move the the loudspeaker
microphone level is increased microphone or move the microphone
Amplifier runs OK but gets Poor ventilation Make sure that the ventilation
very hot slots are free of obstruction and
there is free circulation of air
around the equipment
Output is very high and distorted when the The microphone input is overloaded Try using the Aux input
microphone level control is moved slightly
COMMON PROBLEMS
4
Specifications Mixer Amplfiers
Model PA5060E PA5120E
Power supply AC 220 - 240V AC220 - 240V
DC 24V DC24V
Rated output power 60W RMS 120W RMS
Frequency response 50Hz - 18KHz ±2dB 50Hz - 18KHz ±2dB
Total harmonic distortion <
1% @ 1KHz <1% @ 1KHz
Sensitivity/impedance Mic 1, 2, 3, 4, ,5: 0.8mV @ 600Ω Mic 1, 2, 3, 4, ,5: 0.8mV @ 600Ω
Aux 1, 2, 3: 100mV @ 100KΩ Aux 1, 2, 3: 100mV @ 100KΩ
Output Loudspeaker: 100V Line Loudspeaker: 100V Line
Booster: 1V @ 600Ω Booster: 1V @ 600Ω
Signal to noise ratio Mic 1 - 5: 60dB Mic 1 - 5: 60dB
Treble: ±10dB @ 10KHz Treble: ±10dB @ 10KHz
Chime Two note (Ding-Dong) Two note (Ding-Dong)
Mute level <
– 40dB < – 40dB
AC power consumption 160W @ rated power 320W @ rated power
DC power consumption 4.2A @ rated power 8A @ rated power
Dimensions 88 x 428 x 290 (HWD) 88 x 428 x 290 (HWD)
Weight 7.9Kg 10.2Kg
Mounting Free standing or 19” rack Free standing or 19” rack
Specifications for Booster Amplifiers
Model PAB5120E PAB5240E
Power supply AC 220 - 240V 50Hz AC 220 - 240V 50Hz
DC 24V DC24V
Power output 120W RMS 240W RMS
Total harmonic distortion <1% @ 1KHz <1% @ 1KHz
Sensitivity 100mV, 500mV, 1V, 100mV, 500mV, 1V,
Switchable @ 600Ω Switchable @ 600Ω
Output 100V Line 100V Line
Signal to noise ratio 80dB 80dB
AC Power consumption 320W @ rated power 640W @ rated power
DC power consumption 8A @ rated power 15A @ rated power
Dimensions 88 x 428 x 290 (HWD) 132 x 428 x 300 (HWD)
Weight 10Kg 17Kg
Mounting Freestanding or 19” rack Freestanding or 19” rack
1. Eject Control 5. Pre-set Adjust Controls
2. Cassette Slot 6. LED Display
3. Fast Wind Controls 7. Pre-set Selector Switches
4. Direction Indicators 8. Band Selector Switch
CASSETTE MODULE
EJECT
AUTO-REVERSE
Background Music Cassette Player
PROGRAM
1 2 3 4
TUNER MODULE
6 STATIONS PRESET
AM/FM TUNER
1 2 3 4 5 6
AM FM
FM
AM
5 6 7 8
Operation of Cassette Module
The cassette mechanism fitted into the Cassette module is an auto-reverse
type which detects when the end of the tape has been reached and will
automatically reverse the direction of the tape and play the opposite side of
the cassette, this function will continue until the cassette is removed from the
module.
Note: Due to the abrasive nature of the Cassette tapes some oxide from
the tape will be deposited on to the cassette mechanism and therefore
the mechanism will need cleaning at regular intervals. Cleaning
cassettes can be purchased from most good hi-fi stores.
DO NOT use C120 cassettes.
Inserting a Cassette
The cassette should be inserted edge first with the exposed tape on the right-
hand side, push the cassette into the mechanism until the cassette drops into
position.
Removing the Cassette
Firmly press the eject button, the cassette will be ejected.
Fast Wind
The cassette can be fast wound in either direction to any position on the tape
by pressing one of the fast wind buttons.
Direction change
The side of the cassette currently playing can be changed to play the other
side of the cassette at any time by pressing both fast wind buttons
simultaneously.
Operation of the Tuner Module
Aerials
Separate Aerials are required for the reception of AM and FM signals, in
strong signal strength areas a short wire will be sufficient to receive AM
signals. If FM signals are required it is recommended that an external Aerial is
fitted. Advice on which aerial will best be suited for your area should be
available from your local aerial supplier.
Upto six stations can be pre-set, each pre-set can be tuned to a station on
either AM or FM (not both). When tuning in to a specific station you should
have available the stations transmission frequency as this will make the
process much easier.
Module removal
In the event of failure any of the modules fitted to the equipment covered in
this manual can be easily removed for servicing or replacement. To remove a
module proceed as follows.
Warning: the following process should only be completed by qualified
personnel.
1. Disconnect the equipment from the mains power supply by removing the
plug from the wall socket.
2. Remove the two allen screws from the front plate of the module using a
2.5mm allen key.
3. Carefully pull out the mechanism taking care not to snag or put strain
onto the interconnecting leads. When removing cassette modules it will
be noticed that the motor sited at the left-hand rear of the module will
make contact with the mounting bracket for the front plate of the module,
at this point the module should be rotated on a horizontal axis allowing
the right-hand rear corner of the module to be released from the mounting
rails. The module can now be removed.
4. Disconnect the interconnecting leads from the module.
5. The module can be refitted by reversing the above procedure.
Tuning into a station
1. Press the station selector button you wish to tune.
2. Select AM or FM band.
3. The LED display will show the frequency that the equipment is currently
set to, (in KHz on AM and MHz on FM).
4. Adjust the adjacent pre-set control to the desired frequency, anti-
clockwise to reduce the frequency, clockwise to increase the frequency.
5. The station is now tuned.
1. DC Power Connector 7. Aerial Connector Module A
2. Mains Power Connector 8. Tuner Module
3. Audio Output Sockets Module B 9. Blanking Plate
4. Aerial Connector Module B 10. Module Selector
5. Output Mode Selector 11. Power Indicator
6. Audio Output Sockets Module A 12. Mains Power On/Off Switch
5
PA5200C REAR PANEL
OUT IN
IN
OUT
LOGIC
PA5200C FRONT PANEL
EJECT
EJECT
PROGRAM
A
SA
POWER
PROGRAM
AUTO-REVERSE
Background Music Cassette Player
AUTO-REVERSE
Background Music Cassette Player
S
1
5
2
7
3
4 6
WIRING OF PA5200C
Single Unit Operation
For single unit operation, set the mode selector switch located on the rear panel to
the ‘SA’ position. The two Phono type sockets marked “OUT’ on the rear panel are
the signal output sockets, although two sockets are supplied the output signal is
mono. It is not necessary to use both of these sockets when wiring to mono
amplifiers.
Three unit operation
For two or three unit operation one unit must be designated the master unit, this can
be done by moving the mode selector switch on the front panel to the ‘M’ position,
all other units must be switched to slave mode, this is done by moving the selector
to the ‘S’ position. The wiring of the units must be as per the diagram opposite. The
two Phono type sockets marked ‘OUT’ on the rear panel of the final slave are the
signal output sockets, although two sockets are supplied the output signal is mono.
It is not necessary to use both of these sockets when wiring to mono amplifiers.
Operation
To operate just insert a cassette in to one of the cassette decks (of the master unit if
more than one unit is being used), the cassette will start playing, if further cassettes
are inserted into the remaining decks the machine will play the first side if the current
deck, auto-reverse and play the second side of the current deck and at the end of
this side switch to the next deck in the chain. If a deck is empty then the machine
will ignore this deck.
OUT
OUT
OUT
IN
IN
IN
MASTER UNIT
SLAVE UNIT
SLAVE UNIT
LOGIC
LOGIC
LOGIC
IN
IN
IN
OUT
OUT
OUT
TO AUX INPUT OF AMPLIFIER
OUT
OUT
IN
IN
TO AUX INPUT OF AMPLIFIER
LOGIC
9 10
8
1. DC Connector 7. Cassette Decks
2. Mains Connector 8. Power on Indicator
3. Audio Out Socket 9. Mode Selector Switch
4. Audio In Socket 10. Mains on/off switch
5. Logic Out Socket
6. Logic In Socket
Operation
For Operation of the Tuner module and for aerial connection please refer to the earlier section.
Output Mode Selector
This switch is provided to enable the user to use either two separate Aux inputs or one single Aux input on an amplifier.
In the ‘separate’ position each module will only have an output signal present on its own output sockets, this allows the modules to be connected either to two Aux
inputs in one amplifier giving a volume control for each module. Alternatively these outputs could be wired to two separate amplifiers giving different music sources
for different areas. In this mode of operation the module selector switch must be set to the “BOTH’ position.
In the ‘mix’ position the output sockets of module A and module B are linked together internally, this allows the user to use both modules into one Aux input on an
amplifier. In this mode of operation the module selector switch must be set to the module currently in use.
Although two audio output sockets are supplied for each module, the output signal is mono. It is not necessary to use both these sockets when wiring to mono
amplifiers.
5 6
98
3
4 7
10 1211
PA5200CT REAR PANEL PA5200CT FRONT PANEL
SEPARATE MIX
OUT
OUT
FM
FM
AM
AM
6STATIONS PRESET
AM/FM TUNER
AM FM
BOTH
A B
POWER
1 2
6
-
1
-
2
-
3
-
4
-
5
-
6
Eagle PA5060E Installation And Operating Instructions Manual
- Category
- Musical Equipment
- Type
- Installation And Operating Instructions Manual
Eagle PA5060E is a 120W RMS mixer amplifier with a wide range of features that make it suitable for a variety of applications, including public address, background music, and paging.
The amplifier has five microphone inputs, three auxiliary inputs, and a music/speech switch that allows you to optimize the sound for different types of content. Each microphone input has its own level control, and there are also master bass and treble controls.
The amplifier also has a booster out function that allows you to connect an external booster amplifier to increase the power output. This can be useful for larger areas or for applications where you need to reach a wider audience.
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