Qu-Bit Electronix RT60 User manual

Type
User manual

Qu-Bit Electronix RT60 is a stereo multi-effects processor in the Eurorack synthesizer format featuring 7 high-quality DSP effects from the FV-1 chip designed by Keith Barr. Each parameter can be voltage-controlled or changed manually. The RT60 works as both a traditional multi-effects unit and an esoteric sound processor. It offers a global wet/dry mix control, adjustable reverb time, high pass and low pass filter cutoff frequencies, chorus rate and amount, flange rate and amount, tremolo rate and amount, delay time, and pitch shift.

Qu-Bit Electronix RT60 is a stereo multi-effects processor in the Eurorack synthesizer format featuring 7 high-quality DSP effects from the FV-1 chip designed by Keith Barr. Each parameter can be voltage-controlled or changed manually. The RT60 works as both a traditional multi-effects unit and an esoteric sound processor. It offers a global wet/dry mix control, adjustable reverb time, high pass and low pass filter cutoff frequencies, chorus rate and amount, flange rate and amount, tremolo rate and amount, delay time, and pitch shift.

RT60

1
Description

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&'()% %$0+%%$
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2
Table of Contents
-4 5
  6
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/% (6
3
Installation
29<%4#
(8#% #(8#%)%$ 
)%$$%2 %
%$%% #(8# #(8#
$)$%$%)
%$% $%
Specications
Format: 9<%
Depth: 5=&%>
Max Current: ?(8'@A
(8'@:A
4
5
( 8
; 5
($ 8$
5$
;$
A
/
+
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General Functions Overview
A. Channel 1 InputA%(
B. Channel 1 Output – A%(
C. Channel 2 InputA%8
D. Channel 2 Output – A%8
E. Effect Selection Gate Input – 7% B% 
%%% 6%%  
%%# 86'
F. Effect Selection – +% B% %
%% (8%%  %
6
Verb 1
1a. Global Wet/Dry Mix – 7$,-"B#$
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In – C## 7$
"-,B/# %%% 'D6'
2a. Reverb Time –/#$
#$$2)$$#$
$ 2)$ $
2b. Reverb Time CV In – C## #$
/# %%% 'D6'
3a. High Pass Filter Cutoff Frequency – /&!< 
&
/&!$ 2)$)$!
3b. High Pass Filter Cutoff Frequency CV In – C## 
< &/&!/# %%%
 'D6'
4a. Low Pass Filter Cutoff Frequency – /&!E)
&
/&!$ 2)$ $!
4b. Low Pass Filter Cutoff Frequency CV In – C## 
E)&/&!/# %%%
 'D6'
7
Verb 2
1a. Global Wet/Dry Mix – 7$,-"B#$
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In – C## 7$
"-,B/# %%% 'D6'
2a. Reverb Time –/#$
#$$2)$$#$
$ 2)$ $
2b. Reverb Time CV In – C## #$
/# %%% 'D6'
3a. High Pass Filter Cutoff Frequency – /&!< 
&
/&!$2)$)$!
3b. High Pass Filter Cutoff Frequency CV In – C## 
< &/&!/# %%%
 'D6'
4a. Low Pass Filter Cutoff Frequency – /&!E)
&
/&!$ 2)$ $!
4b. Low Pass Filter Cutoff Frequency CV In – C## 
E)&/&!/# %%%
 'D6'
8
Chorus
1a. Global Wet/Dry Mix – 7$,-"B/?#$
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In – C## 7$
"-,B/# %%% 'D6'
2a. Reverb Amount – /#$A
#$A$2 )$%#$
#$A$ 2 )$))
#$
2b. Reverb Amount CV In –C## #$
A/# %%% 'D6'
3a. Chorus Rate – //
/$2)$)$/
$ 2)$$
3b. Chorus Rate CV In –C## /
/# %%% 'D6'
4a. Chorus Amount (Depth) – //A
/A$2 )$)$
/A$ 2 )$)%$
4b. Chorus Amount (Depth) CV In –C## 
/A/# %%% 'D6'
9
Flange
1a. Global Wet/Dry Mix – 7$,-"B& ?#$
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In –C## 7$
"-,B/# %%% 'D6'
2a. Reverb Amount – /#$A
#$A$2 )$%#$
#$A$ 2 )$))
#$
2b. Reverb Amount CV In –C## #$
A/# %%% 'D6'
3a. Flange Rate/& 
& $2)$)$& 
$ 2)$$
3b. Flange Rate CV In – C## & 
/# %%% 'D6'
4a. Flange Amount (Depth) – /& A
& A$2F  )$)$
& A$ 2F  )$)%$
4b. Flange Amount (Depth) CV In – C## & 
A/# %%% 'D6'
10
Tremolo
1a. Global Wet/Dry Mix – 7$,-"B?#$
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In – C## 7$
"-,B/# %%% 'D6'
2a. Reverb Amount – /#$A
#$A$2 )$%#$
#$A$ 2 )$))
#$
2b. Reverb Amount CV In –C## #$
A/# %%% 'D6'
3a. Tremolo Rate – /
$2)$)$
$ 2)$$
3b. Tremolo Rate CV In DC## 
/# %%% 'D6'
4a. Tremolo Amount (Depth) – /A
A$2)$)$
A$ 2)$)%$
4b. Tremolo Amount (Depth) CV In – C## 
A/# %%% 'D
6'
11
Delay/Pitch
1a. Global Wet/Dry Mix – 7$,-"B"-
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In – C## 7$
"-,B/# %%% 'D6'
2a. Pitch Shift (Bottom Input) – /
$2 )$5)
 $ 2 )$5
  $%%2 )
$) 
2b. Pitch Shift CV In – C## /
# %%% 'D6'
3a. Delay Time (Top Input) – /"
"$2)$$"
0$ 2)$)$
3b. Delay Time CV In –C## "/
# %%% 'D6'
4a. Feedback Amount (Top Input) – /&%$A
&%$A2)$)$&%$
A 2)$ $
4b. Feedback Amount CV In – C## &%$
A/# %%% 'D6'
12
Pitch
1a. Global Wet/Dry Mix – 7$,-"B
B$2%)$%B$ 2
%)$)
1b. Global Wet/Dry Mix CV In – C## 7$
"-,B/# %%% 'D6'
2a. Pitch Shift (Top and Bottom Inputs) – /
$2 )$5)
 $ 2 )$5
  $%%2 )
$) 
2b. Pitch Shift CV In – C## /
# %%% 'D6'
3a. No Parameter.
3b. No CV In.
4a. No Parameter.
4b. No CV In.
13
Effect Selection Modes
 %2%%$
E"$C$ %%%
  %E")$F ) %3#
%%%%2%%$ 
E"$
Mode 1.+
Mode 2.+
Mode 3. $)'$(%'$8
Mode 4. $)/%& 
Mode 5. $)"-%
Mode 6.%
Mode 7. $)%#%%#
7$
%)%%(
14
< "%+ 2G&%%"#
% %#
)$/
)))!$B
15
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Qu-Bit Electronix RT60 User manual

Type
User manual

Qu-Bit Electronix RT60 is a stereo multi-effects processor in the Eurorack synthesizer format featuring 7 high-quality DSP effects from the FV-1 chip designed by Keith Barr. Each parameter can be voltage-controlled or changed manually. The RT60 works as both a traditional multi-effects unit and an esoteric sound processor. It offers a global wet/dry mix control, adjustable reverb time, high pass and low pass filter cutoff frequencies, chorus rate and amount, flange rate and amount, tremolo rate and amount, delay time, and pitch shift.

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