Vox Pedal User manual

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Precautions

Location

Using the unit in the following locations

can result in a malfunction.

• In direct sunlight

• Locations of extreme temperature or

humidity

• Excessively dusty or dirty locations

• Locations of excessive vibration

• Close to magnetic ﬁelds

Power supply

Please connect the designated AC

adapter to an AC outlet of the correct

voltage. Do not connect it to an AC out-

let of voltage other than that for which

your unit is intended.

Interference with other electrical devices

Radios and televisions placed nearby

may experience reception interference.

Operate this unit at a suitable distance

from radios and televisions.

Handling

To avoid breakage, do not apply exces-

sive force to the switches or controls.

Care

If the exterior becomes dirty, wipe it with

a clean, dry cloth. Do not use liquid

cleaners such as benzene or thinner, or

cleaning compounds or ﬂammable pol-

ishes.

Keep this manual

After reading this manual, please keep it

for later reference.

Keeping foreign matter out of your equipment

Never set any container with liquid in it

near this equipment. If liquid gets into

the equipment, it could cause a break-

down, ﬁre, or electrical shock.

Be careful not to let metal objects get

into the equipment. If something does

slip into the equipment, unplug the AC

adapter from the wall outlet. Then con-

tact your nearest VOX dealer or the

store where the equipment was pur-

chased.

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*All other product and conpany names are trademarks or registerd trademarks of their respective holders.

THE FCC REGULATION WARNING (for USA)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of

the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guar-

antee that interference will not occur in a particular installation. If this equipment does cause harmful interference to

radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to

try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

Unauthorized changes or modiﬁcation to this system can void the user’s authority to operate this equipment.

Notice regarding disposal (EU only)

When this “crossed-out wheeled bin” symbol is displayed on the product, owner’s manual, bat-

tery, or battery package, it signiﬁes that when you wish to dispose of this product, manual,

package or battery you must do so in an approved manner. Do not discard this product, man-

ual, package or battery along with ordinary household waste. Disposing in the correct manner

will prevent harm to human health and potential damage to the environment. Since the correct

method of disposal will depend on the applicable laws and regulations in your locality, please

contact your local administrative body for details. If the battery contains heavy metals in excess

of the regulated amount, a chemical symbol is displayed below the

“crossed-out wheeled bin” symbol on the battery or battery package.

4

A few words from Joe Satriani…

“I love effects pedals. They help me be creative. They push my guitar playing into new musical

directions. They help me reach new heights in live performance.

Distortion, Overdrive, Echo, Delay, Wah-Wah, Chorus, Flange, Envelope Filters and Octave

generators—the more the merrier! Effects pedals are not only fun to play with; they have

become necessary tools for the active musician at all levels.

For decades I wished that some day I would be able to contribute to the design of my own pedal

line. I would team up with an iconic, legendary company known worldwide for their unique

musical innovations that became industry standards.

Working with their engineers, I could ﬁnally tweak a delay pedal just the way I like it. I could

get the best of modern and vintage delays in one pedal and dial in the right amount of delay,

feedback and EQ to make my guitar sit in the mix exactly where I need it.

The Vox Joe Satriani series of effects pedals is now a reality.”

Joe Satriani

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Controls

Note: Always turn off your guitar ampliﬁer before you connect your guitar cables,

power supply cables, or change the battery in your Time Machine, to avoid dam-

aging your amp.

1. AC adapter jack: This allows for connection to an optional 9V DC power supply

(not included).

2. Level: This knob controls the overall level of the delay effect. Turn this knob

clockwise to increase the mix of the delay effect with the guitar signal. Turn this

knob counter-clockwise to decrease the mix and reduce the amount of delay

effect.

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4

9

8

2

3

5

6

7

11

10

13

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3. Output: This is the 1/4" output. Plug a second guitar cable between this and

your amp, or between this and the next pedal in your chain. Use this output

when running the Time Machine in mono.

4. Delay Range: This four-position knob selects the delay range, from four

ranges—125ms, 250ms, 500ms, and 1000ms. This control enables you to very pre-

cisely set the delay time on this pedal. After you set the desired delay range, use

the Time knob to “ﬁne tune” the delay time within the selected range. Delay

ranges are as follows:

When the time parameter is set by using

the tap tempo switch, this knob indi-

cates the rate of the note as follows:

(The time set by the Tap Tempo switch is

1/4.)

TIME knob Range

125ms: 0ms–125ms

250ms: 125ms–250ms

500ms: 250ms–500ms

1000ms: 500ms–1000ms

250ms: 1/8

125ms: 1/12

500ms: 3/16

1000ms: 1/4

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5. DRY: This 1/4" output is for use

when running the Time Machine in

stereo. After connecting a 1/4"

cable to the OUT output, run a sec-

ond cable from the DRY output to a

second sound source, such as

another guitar ampliﬁer. This will

enable lush, stereo delay effects.

Your guitar’s dry signal will pass

through this output without pass-

ing through any A/D D/A conver-

sion, while your delayed signal will

pass through the effected OUT out-

put.

6. “ON” LED: This LED illuminates

when Time Machine is turned on.

Note: If this LED begins to dim,

light unstably or if your pedal

makes any unusual noise, your bat-

tery is almost empty. If this happens, please replace the battery. When the bat-

tery is completely empty, you will hear no sound from the pedal.

7. ON: This switch turns the Time Machine on and off.

DELAY OUT

+ DRY OUT (no AD/DA convertion)

OUT IN

IN

OUT

DRY

DELAY OUT

DRY OUT (no AD/DA convertion)

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8. Hi-Fi/Lo-Fi Switch: This switch is designed to Joe’s exacting speciﬁcations.

When Hi-Fi is selected, the delay effects are full-range with no EQ. When Lo-Fi is

selected, a high-pass ﬁlter and low-pass ﬁlter EQ is engaged. This rolls off the

high frequencies cuts the low frequencies. These frequency points are selected

based on Joe's years of live and studio performance as the best EQ points to allow

a delayed guitar tone to sit in the mix.

9. Time: This knob controls the amount of delay time within the value previously

selected with the Delay Range knob. Turn this knob clockwise to increase the

delay time within this range. Turn this knob counter-clockwise to decrease the

delay time within this range.

For extreme psychedelic effects, rotate the time knob back and forth while play-

ing!

10. Feedback: This knob selects the Feedback, or the number of times the delay effect

repeats the original signal. The Feedback control on the Time Machine can pro-

duce just one repeat all the way up to inﬁnite repeats—and everything in

between! For extreme sound effects, set the Feedback to inﬁnite (rotate the Feed-

back knob fully clockwise), play a chord or a riff and then rotate the Time knob

slowly back and forth!

11. Input: This is the 1/4" input. Plug your guitar into this. Connecting a guitar cable

to the "INPUT" jack will turn on the power automatically. For extended battery

life, always unplug your guitar cable from the input when not in use.

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12. Tap LED: This LED ﬂashes to indicate the selected delay time. It also indicates

which delay mode is in operation by changing color. Green indicates Modern

mode and Red indicates Vintage mode.

13. Tap & Modern/Vintage: This multi-function switch enables you to tap the delay

time into the pedal and also enables you to switch between two unique delay

sounds—Modern and Vintage.

Tap: The tap tempo switch on the Time Machine allows access to delays as long

as 5800ms! Just tap to the rhythm of the song and the delay will repeat in time

with the music.

Note: The Tap Tempo foot switch overrides the normal operation of the Delay

Range and Time knobs.

Modern/Vintage: To switch from the default Modern delay sound to the Vintage

delay, hold the Tap switch for one second. The LED will change color to indicate

when you have switched delay sounds. Green is Modern. Red is Vintage. The

Modern delay sound is a full-range, crystal clean delay sound suitable for virtu-

ally any style of music. The Vintage delay adds a subtle modulation effect and a

saturation circuit to simulate the characteristics of vintage tape delays. To switch

back to the Modern delay, hold the Tap switch again for one second.

Battery compartment: This is where you can access the 9V battery.

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“Changing the battery”

1. Open the battery case on the bottom of the

pedal and remove the 9V battery (6LF22/

6LR61).

2. Remove the battery snap from the 9V bat-

tery.

3. Install a new battery onto the snap and put

the battery back into the case.

4. Close the battery case.

Note: Remove the 9V battery from the

pedal when not using it for long time peri-

ods.

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The Time Machine Story & Special Features

The Time Machine is a multi-function delay designed to the exact speciﬁcations of

world-renowned guitar icon Joe Satriani. Joe wanted a delay that would offer the best

of modern delays combined with the warmth, musicality and character of the best

vintage delay pedals. He also wanted to incorporate his favorite EQ points that he

uses to sculpt delay effects on stage and in the studio to make the guitar sit perfectly

in the mix. The result is the Time Machine.

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Special features of the Time Machine:

• Dual mode delay.

The Time Machine is like having two delays in one—Modern and Vintage. Both

delays are quickly accessible via footswitch. The Modern delay is a full-range, crystal

clean delay suitable for virtually any style of music. The Vintage delay adds a subtle

modulation effect and a saturation circuit to simulate the characteristics of vintage

tape delays.

• Analog-Style Saturation circuit.

Based on the tone and response of a sought-after vintage delay unit, this asymmetri-

cal saturation circuit gives the Vintage mode its classic warmth.

• Hi-Fi and Lo-Fi switch.

This is another very useful feature designed exactly to Joe’s speciﬁcations. In Hi-Fi

mode, no EQ is applied, and the delay sounds are produced purely as they were orig-

inally voiced. In Lo-Fi mode, high pass and low pass ﬁlter EQ is applied to the delay

signal, in both Modern and Vintage mode. These EQ points are the exact settings Joe

uses in the studio and on stage to create huge guitar tones with delay that sit perfectly

in the mix. Think of this switch as your instant access to a professional mixing engi-

neer!

•Tap Tempo

Tap your desired delay time into the Time Machine with the Tap foot switch. The Tap

switch also doubles as a mode select switch to allow you to change between Modern

and Vintage delays.

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• Nearly six seconds of delay time!

The Time Machine lives up to its name. In addition to offering extremely precise con-

trol over delay times up to 1000ms using the Delay Range and Time knobs, the Tap

switch enables delay times up to 5800ms!

• Stereo Output.

The Time Machine has two 1/4" outputs for full stereo operation. This means you can

run the Time Machine into two different sound sources (such as two different ampliﬁ-

ers) for huge, stadium-ready delay tone. It’s also great in the studio.

• Chicken Head Knobs.

There were a lot of practical reasons Joe chose these knobs over something more mod-

ern looking. For one, they just look cool! Joe and the VOX team also agreed that it was

essential to give you the most precision possible in exploring and documenting your

own favorite sound settings. Joe chose white so you can see them in dark places, like

on stage or in your basement.

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Speciﬁcations

Jacks: 1x INPUT, 1x OUTPUT, 1x DRY OUT, 1x DC9V

Input impedance: 1M-ohms

Output impedance: 1k-ohms

Power supply: 9V alkaline battery (6LF22/6LR61) or AC adapter

(sold separately)

Current consumption: 60 mA

Battery life: approximately 6 hours

Dimensions (W x D x H): 143 x 121 x 58 (mm) / 5.63 x 4.76 x 2.28 (inches)

Weight: 600 g /1.32 lbs. (without battery)

Included items: 9V alkaline battery (6LR61)

Option (sold separately): 9V AC adapter ( )

* Speciﬁcations and appearance are subject to change without notice for improvement.

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72

Sound Settings from Joe

“Standard” (Joe’s Live Setting)

Level: 10 o’clock

DRange: 500 ms

Hi-Fi (up)

Time: 1 o’clock

Feedback: 1 o’clock

Delay Mode: Modern

“Classic Rock”

Level: 10 o’clock

DRange: 250 ms

Hi-Fi (up)

Time: 5 o’clock (max)

Feedback: Between 11-12 o’clock

Delay Mode: Modern

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“Garage”

Level: 3 o’clock

DRange: 125 ms

Hi-Fi (up)

Time: 11 o’clock

Feedback: 1 o’clock

Delay Mode: Modern

“Rockabilly”

Level: 12 o’clock

DRange: 125 ms

Hi-Fi (up)

Time: 5 o’clock (max)

Feedback: 7 o’clock (min)

Delay Mode: Modern

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Note: All sound settings can be varied by different Lo-Fi/Hi-Fi settings or by selec-

ting a different delay mode (Modern/Vintage)

Remarque: Tous les réglages de son peuvent être modiﬁés par différents réglages “Lo-

Fi/Hi-Fi” ou en changeant de type de delay (“Modern”/”Vintage”).

Anmerkung: Alle Sounds können durch Ändern der „Lo-Fi/Hi-Fi“-Einstellungen

oder durch Anwahl eines anderen Delay-Modus’ (Modern/Vintage) variiert werden.

Nota: todos los sonidos pueden ser variados modiﬁcando los ajustes de Lo-FI/Hi-Fi o

seleccionando un tipo diferente de delay (Modern/Vintage).

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Setting Chart Sheet

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Setting Chart Sheet

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Setting Chart Sheet

Name:

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