Avid Symphony Nitris 1.0, Symphony Nitris 1.7 User guide

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Avid
®
Avid
®
Symphony
Nitris
®
Advanced Effects Guide
2
Copyright and Disclaimer
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Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose
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3
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Portions of this software are based on the work of the Independent JPEG Group.
This Software may contain components licensed under the following conditions:
Copyright © 1989 The Regents of the University of California. All rights reserved.
Redistribution and use in source and binary forms are permitted provided that the above copyright notice and this paragraph
are duplicated in all such forms and that any documentation, advertising materials, and other materials related to such
distribution and use acknowledge that the software was developed by the University of California, Berkeley. The name of the
University may not be used to endorse or promote products derived from this software without specific prior written
permission. THIS SOFTWARE IS PROVIDED ``AS IS'' AND WITHOUT ANY EXPRESS OR IMPLIED WARRANTIES,
INCLUDING, WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE.
Copyright © 1989, 1991 by Jef Poskanzer.
Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby
granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission
notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.
Copyright 1995, Trinity College Computing Center. Written by David Chappell.
Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby
granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission
notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.
Copyright 1996 Daniel Dardailler.
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suitability of this software for any purpose. It is provided "as is" without express or implied warranty.
Modifications Copyright 1999 Matt Koss, under the same license as above.
Copyright © 1991 by AT&T.
Permission to use, copy, modify, and distribute this software for any purpose without fee is hereby granted, provided that this
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4
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Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte Corporation and are
subject to copyright protection.
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).
© DevelopMentor
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5
Footage
Arri — Courtesy of Arri/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
“The Big Swell” — Courtesy of Swell Pictures, Inc.
Windhorse — Courtesy of Paul Wagner Productions.
Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,
Editor/Producer Bryan Foote.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Tornados + Belle Isle footage — Courtesy of KWTV News 9.
WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.
Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content
creators of every genreJust finished an incredible project and want to share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid Symphony Nitris Advanced Effects Guide • 0130-07612-01 • March 2007
6
7
Contents
Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Chapter 1 Effects Concepts and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Understanding Effect Icon Color Coding. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Effects Settings Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Changing Timeline View Settings for Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Adjusting Trim Settings for Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Setting Effect Grid Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Working with Effects in HD and in Progressive Frame Projects . . . . . . . . . . . . . . . . 42
Chapter 2 Applying and Customizing Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Additional Methods for Applying Dissolve Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Applying a Dissolve Effect Using the Transition Parameters . . . . . . . . . . . . . . . 46
Adding Dissolves with the Head Fade and Tail Fade Buttons . . . . . . . . . . . . . . 47
Additional Information for the Quick Transition Button . . . . . . . . . . . . . . . . . . . . . . . 48
Using the Quick Transition Button to Apply Effects to
Multiple Transitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Understanding the Graphical Display in the
Quick Transition Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Adjusting a Transition Effect by Dragging in the
Quick Transition Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Repositioning the Dissolve Effect with the
Quick Transition Alignment Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Adjusting Transitions in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Replacing an Effect in Effect Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
8
Using the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Understanding the Effect Preview Monitor Toolbar. . . . . . . . . . . . . . . . . . . . . . 57
Using Big Effect Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Mapping User-Selectable Buttons in Effect Mode. . . . . . . . . . . . . . . . . . . . . . . 59
Understanding Effect Preview Monitor Tracking Information . . . . . . . . . . . . . . 59
Displaying Safe Title and Safe Action Guidelines in Monitors. . . . . . . . . . . . . . 59
Working with the Effect Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Displaying the Effect Grid in Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Displaying Position Coordinates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Using Local Grid Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Obtaining Position Information in a Film Project . . . . . . . . . . . . . . . . . . . . . . . . 63
Position Information for the Paint and AniMatte Effects . . . . . . . . . . . . . . . 63
Position Information for the Blowup Effect . . . . . . . . . . . . . . . . . . . . . . . . . 64
Moving an Enlarged Image in the Effect Preview Monitor. . . . . . . . . . . . . . . . . 65
Stepping Through Field-Based Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Using the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Displaying an Effect’s Parameters in the Effect Editor . . . . . . . . . . . . . . . . . . . 66
Understanding Parameters in the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . 68
Effect Editor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Selecting a Parameter from a Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Changing a Parameter with a Slider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Using Parameter Enable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Accessing Additional Parameters for an Effect . . . . . . . . . . . . . . . . . . . . . . . . . 74
Adjusting a Color Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Using the Eyedropper to Select a Color . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Using the Windows Color Dialog Box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Manipulating Effects Directly in the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . 76
Defining a Motion Path . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Moving the Image Directly to Add a Motion Path . . . . . . . . . . . . . . . . . . . . . . . 77
Resizing a Foreground Image by Dragging Handles. . . . . . . . . . . . . . . . . . . . . 79
9
Chapter 3 Working with Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Understanding Advanced Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Promoting Effects to Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Viewing Advanced Keyframe Graphs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Opening Advanced Keyframe Graphs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Understanding Advanced Keyframe Graphs . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Adjusting Advanced Keyframe Graph Display . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Resizing Advanced Keyframe Graphs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Zooming Advanced Keyframe Graphs Horizontally. . . . . . . . . . . . . . . . . . . 87
Zooming Advanced Keyframe Graphs Verticallysb. . . . . . . . . . . . . . . . . . . 88
Using Zoom to Curve Height . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Scrolling Advanced Keyframe Graphs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Resetting Advanced Keyframe Graph Views . . . . . . . . . . . . . . . . . . . . . . . 91
Manipulating Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Understanding Advanced Keyframe Display . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Adding Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Deleting Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Keyframe Mode Menu Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Selecting and Deselecting Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . 102
Moving Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Aligning and Slipping Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Aligning Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Slipping Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Copying and Pasting Advanced Keyframe Parameters . . . . . . . . . . . . . . . . . . 109
Controlling Parameter Changes at Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . 109
Adjusting Parameter Values with the Bézier Interpolation Option . . . . . . . . . . 111
Reversing Advanced Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Controlling Advanced Keyframe Behavior with Trimmed Effects. . . . . . . . . . . 114
Controlling Parameter Changes Outside First and Last Keyframes. . . . . . . . . 115
Controls and Settings for Advanced Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Effect Editor Controls for Advanced Keyframes. . . . . . . . . . . . . . . . . . . . . . . . 118
Shortcut Menus for Keyframe Tracks and the Motion Effect Editor . . . . . . . . . 120
Shortcut Menu and Settings for the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . 121
10
Chapter 4 Rendering Effects and Managing Effect Media Files . . . . . . . . . . . . . . 127
Creating and Using Render Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Partial Render . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
16-Bit Processing Support for Rendered Effects . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Rendering HQ (Highest Quality) Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Rendering Effects for the Media Station XL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Modifying the Render to Media Station Results . . . . . . . . . . . . . . . . . . . . . . . 138
Canceling a Render to Media Station Command During Modification . . . . . . 139
Managing Effect Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Understanding Effect Media Files Management . . . . . . . . . . . . . . . . . . . . . . . 140
Revealing Effect Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Deleting Effect Media Files from a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Chapter 5 Working with Plug-In Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Understanding AVX Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Support for AVX 1.x and AVX 2.0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
AVX 1.x Plug-ins and Memory Usage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Installing AVX Plug-ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Locating the AVX 1.x Plug-Ins Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Upgrading and Promoting AVX Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Assigning Multiple Tracks in Plug-in Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Using AVX Plug-in Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Using AVX 1.x Plug-In Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Using AVX 2.0 Plug-In Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Using the Client Monitor to Preview the Plug-In Effect. . . . . . . . . . . . . . . . . . . . . . 153
Troubleshooting AVX Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Chapter 6 Creating and Customizing Motion Effects . . . . . . . . . . . . . . . . . . . . . . . 157
Understanding Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Creating Traditional Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Creating a Traditional Freeze Frame Effect . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Creating a Rolling Clip That Freezes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Creating a Traditional Variable Speed Effect . . . . . . . . . . . . . . . . . . . . . . . . . 161
Using the Fit to Fill Button to Create a Variable Speed Effect. . . . . . . . . . . . . 164
Creating a Traditional Strobe Motion Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . 165
11
Playing and Rendering Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Playback Capabilities for Traditional Motion Effects . . . . . . . . . . . . . . . . . . . . 167
Understanding When to Render or Rerender Motion Effects. . . . . . . . . . . . . . 168
Controlling Motion Effect Type When Rendering or
Rerendering Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Considerations for Motion Effects in Progressive Projects . . . . . . . . . . . . . . . . . . . 170
Understanding the Timewarp Effect and FluidMotion . . . . . . . . . . . . . . . . . . . . . . . 171
Differences Between the Timewarp Effect and
Traditional Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Understanding Speed and Position Controls for the Timewarp Effect . . . . . . . 172
Understanding Keyframe Interpolation Options for the Timewarp Effect . . . . . 173
Rendering Timewarp Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Creating a Timewarp Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Promoting a Traditional Motion Effect to Timewarp . . . . . . . . . . . . . . . . . . . . . . . . 175
Working with the Motion Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Opening the Motion Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Understanding the Motion Effect Editor Display. . . . . . . . . . . . . . . . . . . . . . . . 177
Setting Input Format and Output Format Options . . . . . . . . . . . . . . . . . . . 180
Selecting a Rendering Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Displaying the Speed Graph and Position Graph . . . . . . . . . . . . . . . . . . . 183
Changing a Graph Display with the Scale Sliders. . . . . . . . . . . . . . . . . . . 184
Motion Effect Editor Fast Menu Commands . . . . . . . . . . . . . . . . . . . . . . . 185
Toolbar Buttons for the Active Control Graph . . . . . . . . . . . . . . . . . . . . . . 185
Using the Timewarp Speed Graph. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Using the Source Anchor Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Using the Timewarp Position Graph. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Setting Up the Motion Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Timewarp Effect Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Speed Graph Example: Creating a Rolling Clip That Freezes. . . . . . . . . . . . . 192
Speed Graph Variations: Moving Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Strobe Motion Using the Timewarp Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Setting Effect Position with the Position Graph . . . . . . . . . . . . . . . . . . . . . . . . 197
Position Graph Example: Reverse Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
12
Working with FluidMotion Timewarp Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Opening FluidMotion Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Making Corrections with FluidMotion Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Displaying Vectors in FluidMotion Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Defining a Region Around an Artifact . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Applying Corrections to a Region . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
FluidMotion Example. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
FluidMotion Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
FluidMotion Effect and the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Fixing Artifacts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Using Timewarp Preset Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
FluidFilm Preset Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Using the FluidFilm Preset Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Default Values for the FluidFilm Preset Effects. . . . . . . . . . . . . . . . . . . . . . . . 214
Setting Input and Output Options for Format Conversion with
Timewarp Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Chapter 7 Creating Layered and Nested Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Creating Key Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Understanding the SpectraMatte Chroma Key Effect . . . . . . . . . . . . . . . . . . . 218
Understanding SpectraMatte Analysis Displays. . . . . . . . . . . . . . . . . . . . 220
How the SpectraMatte Effect Calculates Key Color Values . . . . . . . . . . . 223
Creating a SpectraMatte Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Understanding the Chroma Key Effect and the RGB Keyer Effect . . . . . . . . . 226
Creating a Chroma Key Effect or RGB Keyer Effect . . . . . . . . . . . . . . . . . . . . 228
Using Post-Key Color Correction in the RGB Keyer . . . . . . . . . . . . . . . . . . . . 230
Promoting a Chroma Key Effect to the SpectraMatte Effect . . . . . . . . . . . . . . 230
Creating a Luma Key Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Creating a Matte Key Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Real-Time Moving Mattes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Using the Color Effect to Prepare a High-Contrast Image. . . . . . . . . . . . . . . . 233
Working with Imported Graphics and Animation . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Editing with Imported Matte Key Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Editing with Imported Master Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
13
Nesting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Stepping Into and Out of Nested Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Expanding Nested Effects in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Creating a Simple Nested Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Changing the Order of Nested Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Nesting a Matte Key Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Submaster Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Applying the Submaster Effect to a Multilayered Sequence . . . . . . . . . . . . . . 244
Using the Submaster Effect with a Series of Short Clips . . . . . . . . . . . . . . . . . 246
Using the Collapse Feature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Understanding the Collapse Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Collapsing Layers into One Submaster Effect. . . . . . . . . . . . . . . . . . . . . . 247
Performing a Video Mixdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Chapter 8 Working with Camera Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Using the Reformat Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Working with the Pan and Scan Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Understanding the Pan and Scan Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Outputting the Media with the Pan and Scan Effect. . . . . . . . . . . . . . . . . . . . . 254
Positioning the Pan and Scan Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Applying the Pan and Scan Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Selecting the Source and Target Aspect Ratios. . . . . . . . . . . . . . . . . . . . . . . . 255
Setting Up Your Monitors for the Pan and Scan Effect . . . . . . . . . . . . . . . . . . 257
Viewing Pan and Scan Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
Using the Effect Grid with the Pan and Scan Effect. . . . . . . . . . . . . . . . . . . . . 258
Setting an Origin in the Pan and Scan Effect. . . . . . . . . . . . . . . . . . . . . . . . . . 260
Subdividing the Pan and Scan Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Using the Wire Frame in the Pan and Scan Effect. . . . . . . . . . . . . . . . . . . . . . 262
Scaling the Pan and Scan Wire Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Positioning the Pan and Scan Wire Frame . . . . . . . . . . . . . . . . . . . . . . . . 263
Adjusting the Pan and Scan Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Combining the Pan and Scan Effect with Transition Effects . . . . . . . . . . . . . . 265
Placing Pan and Scan Effects on the Video Track. . . . . . . . . . . . . . . . . . . . . . 266
14
Using Avid Pan & Zoom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Working with Image Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Applying the Avid Pan & Zoom Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Adjusting Avid Pan & Zoom Effect Parameters. . . . . . . . . . . . . . . . . . . . . . . . 269
Viewing the Image While You Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Adjusting the Field of View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Using Velocity In and Velocity Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Creating a Simple Ease In and Ease Out. . . . . . . . . . . . . . . . . . . . . . . . . 272
Creating a Path with Constant Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Setting the Path Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Options for Rendering the Avid Pan & Zoom Effect . . . . . . . . . . . . . . . . . 275
Selecting the Background. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Adjusting for Source Image Pixel Shape and Color Levels . . . . . . . . . . . 277
Memory Management with the Avid Pan & Zoom Effect . . . . . . . . . . . . . 278
Chapter 9 Motion Tracking and Stabilization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Understanding Motion Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Understanding the Tracking Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Uses of Motion Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Motion Tracking and Footage Characteristics. . . . . . . . . . . . . . . . . . . . . . . . . 281
Workflow for Motion Tracking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Effects and Effect Parameters That Use Tracking Data. . . . . . . . . . . . . . . . . . . . . 283
Understanding the Tracking Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Tracking Controls in the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Tracking Controls in the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . . 285
The Tracking Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Setting Up an Effect for Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Understanding Video Layers and Motion Tracking . . . . . . . . . . . . . . . . . . . . . 289
Applying an Effect for Motion Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Making Non-Tracking Parameter Adjustments to an Effect. . . . . . . . . . . . . . . 290
15
Preparing to Generate Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Enabling Tracking in the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Creating and Mapping Trackers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Understanding Tracker Selectors and Tracker Function. . . . . . . . . . . . . . 293
Creating and Mapping Trackers Manually. . . . . . . . . . . . . . . . . . . . . . . . . 294
Enabling, Disabling, and Deleting Trackers . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Setting Up Tracking in the Effect Preview Monitor. . . . . . . . . . . . . . . . . . . . . . 296
Displaying Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Adjusting Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Guidelines for Positioning Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . 298
Guidelines for Resizing Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Setting Up Tracking in the Tracking Window . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Choosing a Tracking Engine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Choosing Background or Foreground Tracking. . . . . . . . . . . . . . . . . . . . . 300
Understanding Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Generating Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Offset Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Understanding Offset Tracking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Adding and Deleting Tracker Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Moving to a Tracking Region . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Performing Offset Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Understanding Generated Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Tracking Data in the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Tracking Data in the Tracker Timelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Customizing Tracking Data Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Setting the Reference Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Using SteadyGlide or Smoothing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Modifying Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Finding a Specific Tracker Data Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Selecting Tracker Data Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Deleting Tracking Data From Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Moving Tracker Data Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
16
Moving Tracker Data Points Outside the Frame Boundary. . . . . . . . . . . . . . . 314
Stretching a Range of Tracker Data Points. . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Limiting the Effect of Position Tracking Data to a Single Axis . . . . . . . . . . . . . . . . 317
Playback of Effects Using Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Understanding Stabilizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Stabilizing an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Guidelines for Using Multiple Trackers When Stabilizing. . . . . . . . . . . . . . . . . . . . 320
Using the Region Stabilize Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Stabilizing an Image with the Region Stabilize Effect . . . . . . . . . . . . . . . . . . . 321
Making Adjustments to the Region Stabilize Region of Interest . . . . . . . . . . . 323
Editing Segments That Use Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Segment Mode Editing with Segments That Use Tracking Data. . . . . . . . . . . 324
Trimming Segments That Use Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . 324
Adding Transition Effects to Tracked Segments . . . . . . . . . . . . . . . . . . . . . . . 325
Reusing Existing Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
When to Reuse Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Copying and Pasting Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Conforming Symphony Meridien Sequences with Tracking Data . . . . . . . . . . . . . 327
Examples of Effects Using Motion Tracking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Example 1: Replacing the License Plate on a Moving Vehicle . . . . . . . . . . . . 328
Example 2: Special Effects Using Targets for Motion Tracking. . . . . . . . . . . . 331
Chapter 10 Working with 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Understanding 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Accessing 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Applying the 3D Warp Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Using Xpress 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Promoting 2D Effects to 3D Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Using Matte Keys with 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Real-Time Playback of 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
17
Understanding the 3D Effects Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Understanding 3D Geometry and Degrees of Rotation . . . . . . . . . . . . . . . . . . 339
3D Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Accessing 3D Effects Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Manipulating 3D Effects Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Resetting Default Values. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Using Effect Templates with 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Zooming In or Out on the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . 343
Manipulating 3D Effects Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Manipulating 3D Effect Handles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Using the Motion Path Editor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Applying 3D Effects: Examples. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Tips for Creating 3D Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Creating a Page Fold Transition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Creating a Cropped Foreground Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350
Using the Spline Parameters with 3D Effects. . . . . . . . . . . . . . . . . . . . . . . . . . 352
Corner Pinning an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Basic Procedure for Corner Pinning an Image . . . . . . . . . . . . . . . . . . . . . 354
Using the Corner Pin Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Using the Quick Pin Feature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Using the Corner Pin Parameter Category . . . . . . . . . . . . . . . . . . . . . . . . 355
Returning a Corner to the Default Position . . . . . . . . . . . . . . . . . . . . . . . . 355
Creating a Stamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Using Axis for a Transition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Applying a Chroma Key Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Chapter 11 Creating and Editing Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
Understanding the Title Tool Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Advanced Title Tool Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Installing Fonts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Using Safe Colors with Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Displaying and Snapping to a Grid in the Title Tool . . . . . . . . . . . . . . . . . . . . . 365
Using the 16:9 Display Format for Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
18
Creating Rolling and Crawling Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Page Count Limits for Rolling and Crawling Titles . . . . . . . . . . . . . . . . . . . . . 367
Using Auto Size Mode for Rolling and Crawling Titles . . . . . . . . . . . . . . . . . . 367
Setting Up Text Formatting for Rolling and Crawling Titles. . . . . . . . . . . . . . . 368
Workflow Options for Creating Crawling Titles . . . . . . . . . . . . . . . . . . . . . . . . 368
Typing the Text in a Rolling Title or a Crawling Title . . . . . . . . . . . . . . . . . . . . 369
Resizing the Width of a Rolling Title or a Crawling Title . . . . . . . . . . . . . . . . . 370
Scrolling Through a Rolling Title or a Crawling Title . . . . . . . . . . . . . . . . . . . . 370
Working with Pages in Rolling or Crawling Titles . . . . . . . . . . . . . . . . . . . . . . 371
Formatting Rolling and Crawling Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Modifying Box Corners, Lines, and Borders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Rounding Corners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Selecting a Line or Border Width. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Adding Arrowheads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Changing Arrowhead Size. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Selecting Colors and Setting Transparency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Adjusting the Color of a Title or Graphic Object . . . . . . . . . . . . . . . . . . . . . . . 377
Blending Two Colors in an Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Adjusting the Transparency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Blending Transparency of Fills and Borders . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Adjusting Shadows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Setting Shadow Softness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Adjusting Shadow Softness On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Viewing Shadow Softness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Creating a Glow Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Manipulating Title Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
Basic Object Manipulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
Layering Text and Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
Grouping and Ungrouping Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Locking and Unlocking Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Aligning Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Distributing Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
19
Saving and Recalling Title Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Saving a Title Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Title Style Sheet Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389
Recalling a Title Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Confirming Function Key Mapping of Title Styles. . . . . . . . . . . . . . . . . . . . . . . 390
Applying Title Styles to Text Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
Managing Title Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
Creating and Using Title Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Working with Multiple Title Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Creating Multiple Format Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Saving Multiple Format Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394
Exporting a Title as a Graphics File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Adjusting Title Effect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Revising a Title in a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Working with Existing Multiple Format Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Replacing Fill Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Rendering Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Playback Restrictions for Rolling Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Re-creating Title Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Re-creating Title Media from the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
Creating Media for Unrendered Titles in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . 401
Re-creating Title Media With Multiple Formats . . . . . . . . . . . . . . . . . . . . . . . . 402
Troubleshooting Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Title Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Wrong Title Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
HD Title Filtering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Chapter 12 Intraframe Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Understanding the Intraframe Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
Rendering Intraframe Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407
Getting Started with the Paint and AniMatte Effects . . . . . . . . . . . . . . . . . . . . . . . . 408
Applying the Paint or AniMatte Effect to a Sequence. . . . . . . . . . . . . . . . . . . . 409
Using the Effect Editor with the Paint Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Using the Effect Editor with the AniMatte Effect. . . . . . . . . . . . . . . . . . . . . . . . 412
20
Intraframe Editing with Single-Field Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Using Effect Templates with the Intraframe Effects. . . . . . . . . . . . . . . . . . . . . 413
Using the Intraframe Drawing Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Understanding Intraframe Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Using an Optional Pen Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Using the Brush Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Selecting a Color for the Brush Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415
Painting with the Brush. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415
Creating a Custom Brush Head from a Template . . . . . . . . . . . . . . . . . . 416
Saving and Applying Brush Templates. . . . . . . . . . . . . . . . . . . . . . . . . . . 417
Using Path to Create a Signature Effect. . . . . . . . . . . . . . . . . . . . . . . . . . 418
Using the Selection Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
Creating Rectangular Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Creating Oval Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420
Drawing Polygons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
Creating Polygons with Straight-Line Segments . . . . . . . . . . . . . . . . . . . 421
Creating Polygons with Curved Segments . . . . . . . . . . . . . . . . . . . . . . . . 422
Creating a Straight Line Following a Curve . . . . . . . . . . . . . . . . . . . . . . . 424
Creating Curved Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Changing the Parameters of a Painted Object . . . . . . . . . . . . . . . . . . . . . . . . 425
Working with Vector-Based Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
The Elements of Vector-Based Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427
Getting Started with Bézier Curves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Reshaping an Object with Straight Edges . . . . . . . . . . . . . . . . . . . . . . . . 428
Transforming a Rectangle into a Circle . . . . . . . . . . . . . . . . . . . . . . . . . . 429
Experimenting with Direction Handles . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Creating a Corner Join . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Modifying Lines and Curves Summarized. . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Bézier Curves and New Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Adding a Control Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Removing a Control Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Moving to Adjacent Control Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
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