Crown 2X1100 User manual

Brand: Crown

Model: 2X1100

Category: Supplementary music equipment

Type: User manual

This manual is also suitable for

Professional Power Amplifier

User Manual

Contents

Safety Information................................................................................... 3

1.0 Introduction & Unpacking..................................................................... 4

2.0 Mechanical Installation ........................................................................ 5

3.0 AC Power Connection .......................................................................... 6

4.0 Audio Connections.............................................................................. 7

Inputs .............................................................................................................7

Outputs........................................................................................................... 8

Stereo operation........................................................................................................... 8

Bridged mono operation..................................................................................................8

5.0 Control operation............................................................................... 9

a. Power Switch................................................................................................. 9

b. Level controls 1,2,3 and 4 .................................................................................9

c. Bridge switches .............................................................................................. 9

6.0 Indicators........................................................................................10

A. AC Present .................................................................................................. 10

B. Operate ..................................................................................................... 10

C. Fault......................................................................................................... 10

D. Temp 1-2 & 3-4 ............................................................................................ 10

E. Signal........................................................................................................ 11

F. Clip........................................................................................................... 11

G. Bridge ....................................................................................................... 11

7.0 Typical applications ...........................................................................12

a. Four Channel Sound Reinforcement .................................................................... 12

b. Two Channel (Stereo) Operation ........................................................................ 12

c. Three channel operation ................................................................................. 13

d. Four Channels Driving Two Actively Crossed 2 Way Monitors ....................................... 13

e. Calculating Impedance ................................................................................... 14

8.0 Glossary..........................................................................................15

9.0 Specifications...................................................................................18

10.0 Troubleshooting ..............................................................................19

Checklist ....................................................................................................... 19

Status Indication .............................................................................................. 20

11.0 Service & Warranty ..........................................................................21

DO NOT REMOVE COVERS. NO USER

SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE

PERSONNEL.

THIS EQUIPMENT MUST BE GROUNDED. IT

SHOULD NOT BE NECESSARY TO REMOVE ANY

PROTECTIVE GROUND OR SIGNAL CABLE

SHIELD CONNECTIONS TO PREVENT GROUND

LOOPS. ANY SUCH DISCONNECTIONS ARE

OUTSIDE THE RECOMMENDED PRACTICE OF

CROWN AND WILL RENDER ANY EMC OR

SAFETY CERTIFICATION VOID.

For continued compliance with international

EMC legislation ensure that all input cables are

wired with the cable screen connected to Pin 1

of the XLR connectors and/or the jack plug

sleeve.

WARNING!

This equipment can create

high sound levels. Exposure

without adequate protection

could cause permanent

damage to hearing.

Safety Information

Important Safety Instructions

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with a dry cloth.

7) Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8) Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus that produce

heat.

9) Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding-type plug

has two blades and a third grounding prong. The wide

blade or the third prong is provided for your safety. If

the provided plug does not fit into your outlet, consult

an electrician for replacement of the obsolete outlet.

10) Protect the power cord from being walked on or

pinched, particularly at plugs, convenience

receptacles, and the point where they exit from the

apparatus.

11) Only use attachments/accessories specified by the

manufacturer.

12) Use only with a cart, stand, bracket, or table specified

by the manufacturer, or sold with the apparatus. When

a cart is used, use caution when moving the cart/

apparatus combination to avoid injury from tip-over.

13) Unplug this apparatus during lightning storms or when

unused for long periods of time.

14) Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power-supply cord or plug

is damaged, liquid has been spilled or objects have

fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate

normally, or has been dropped.

This equipment has been tested and found to comply with the following European and international

Standards for Electromagnetic Compatibility and Electrical Safety:

Radiated Emissions (EU): EN55013 (1990) Associated Equipment

RF Immunity (EU): EN50082/1 (1992) RF Immunity, Fast Transients & ESD

Mains Disturbance (EU): EN61000/3/2 (1995)

Electrical Safety (EU): EN60065 (1993)

Radiated Emissions (USA): FCC part 15 Class B

1.0 Introduction & Unpacking

Front panel

Rear panel

Introduction

The PULSE series of amplifiers are high performance professional power amplifiers capable of delivering

major power output from a new generation of switched mode power supplies. All Pulse series amplifiers

are housed in the same size 2U cases and feature light, powerful switching power supplies along with

massive heatsinks and two dual-speed cooling fans. Microprocessor supervision of the power supplies,

protection and thermal systems, ensures that the amplifier is always operating correctly thereby

protecting both the amplifier and your speakers from failure.

We set out to design an amplifier that is as equally at home in live touring sound environments as it is for

installation amplification. We especially wanted to produce amplifiers that are capable of maintaining

excellent performance when being driven to their limit with real loudspeaker loads.

Sonic performance is always in the forefront of our minds and to this end the PULSE series represents the

pinnacle of many years work with professional amplifiers. PULSE amplifiers have impeccable technical

specifications, and extensive listening tests by many people with a wide variety of loudspeakers leads us

to believe that they sound pretty good too!

Unpacking

As part of the Crown system of quality control, we check every product carefully before packing to ensure

that it reaches you in flawless condition.

Before you go any further, please check the unit for any physical damage and retain the shipping carton

and all relevant packing materials for use, should the unit need returning.

In the event that damage has occurred, please notify your dealer immediately, so that a written claim to

cover the damages can be initiated. Check out the Service & Warranty section for more information.

2.0 Mechanical Installation

A vertical rack space of 2U

(88mm high) is required,

with an in rack depth of

18.1 inches (460mm).

The amplifier protrudes

1.6 inches (40mm) from

the rack supports.

If the unit is likely to undergo extreme vibration through trucking and touring, front rack ear

reinforcement brackets and rear mounting plates must be fitted. These are available from your dealer.

Damage caused by insufficient support is not covered by the warranty.

To prevent damage to the front panel finish, always use protective plastic cups or washers underneath the

rack mounting bolts.

Ventilation gaps between units are not required, however care must be taken to ensure that an

unobstructed free flow of clean air is possible from the back of the unit to the front. It is important that

neither the rear air intakes or front exhaust grilles are covered. The internal airflow of all PULSE amplifiers

is designed to minimize contamination of the electronics by the cooling air so fan filters will not normally be

required. If however, the amplifier is to be used in an environment where the intake air might be excessively

dirty, optional external fan filters should be purchased from your dealer. Fan filters should NOT be fitted

unless there is likely to be a problem as they require regular cleaning to stop them getting clogged. Clogged

fan filters will result in the amplifier going into premature temperature protect.

PLEASE NOTE: Users must ensure that glycol based smoke and related substances are not allowed to enter

the amplifier (fan filters will not help). Glycol based smoke is HIGHLY corrosive and prolonged exposure

will cause irreparable damage to your amplifier.

Do not expose the amplifier to rain or moisture during either operation or storage. If the unit does come

into contact with moisture, remove the AC power cord immediately and leave it in a suitably dry, warm

place to dry out.

Be aware that when any equipment is taken from a cold location into a hot humid one, condensation may

occur inside. Always allow time for the equipment to attain the same temperature as its environment

before applying the AC power cord.

Mounting & unit dimensions

3.0 AC Power Connection

WARNING! THIS APPLIANCE MUST BE GROUNDED.

The amplifier must always be connected to a 3-wire grounded AC outlet. The rack framework must also be

connected to the same grounding circuit. The unit must NOT be operated unless the power cables' ground

wire is properly terminated - this is important for personal safety as well as for proper control over the

system grounding.

The wires in the power lead are color coded as follows:

Green and Yellow......Ground

Blue......Neutral

Brown......Live/Hot

IMPORTANT: The PULSE 4x300 is designed to use 50/60Hz AC power. Acceptable AC input supply voltage

ranges from 180V to 265V

The application of voltages above those specified may cause permanent damage that is not covered by

your warranty. Lower voltages may cause erratic operation.

Note that although the amplifier will operate correctly down to the voltages indicated, the quoted output

power will only be achieved with the stated nominal voltages.

IMPORTANT : The AC power fuse carrier on the rear of the unit must be fitted with the correct type and

rating of fuse, in this case T10A.

In the unlikely event of the AC fuse failing without good reason, disconnect the unit from the power

supply, and always replace with the appropriately rated fuse (as specified above) for continued protection

against damage and fire.

Inputs

For each channel, there is a 1/4” phone jack socket and female XLR socket provided for signal input on the

rear panel of the amplifier. Each is electronically balanced at an impedance greater than 10k ohms.

The phone jack and XLR connectors are internally wired in parallel, and therefore either socket may be used

for the input signal. The connectors not used in this manner function as loop-through connectors for daisy

chaining a number of channels.

The ‘HOT, + or in phase’ connection is to pin 2 of the XLRs and the TIP of the phone jack.

The ‘COLD, -, or out of phase’ connection is to pin 3 of the XLRs and the phone jack RING.

Pin 1 of the XLR’s and the phone jack SLEEVE are internally connected to the chassis. The screen of the input

cable should always be connected to one of these points to ensure that EMC regulations are met. The cable

shield ground should also be connected to the equipment which is providing the input signal.

Unbalanced operation

When feeding the PULSE 4x300 from unbalanced sources, connect the signal conductor to pin 2 of the XLR or

the phone jack TIP, with the cable screen going to pins 1 and 3 of the XLRs or the SLEEVE and RING (if

avaialable) of the phone jack.

For bridge mode operation, channel 1 provides the signal for the 1+2 pair with channel 3 providing the signal

for the 3+4 pair. Channel 2 and 4 inputs are ignored by the amplifier in bridged mode.

4.0 Audio Connections

Balanced wiring to pulse phone jack

Balanced wiring to pulse XLR

Unbalanced wiring to pulse XLR

Unbalanced wiring to pulse phone jack

Outputs

Your Pulse 4x300 amplifier can be fitted with either

binding post or Speakon

connectors for each channel.

Note that it is possible to lever the caps out of the

ends of the binding posts to insert 4mm banana type

plugs but this will invalidate the product safety

approvals in some territories. The side entry positions

for these connectors should therefore be used if

possible.

Stereo operation

If you are using the binding post option, for non bridged

operation, the loudspeakers should be connected

between the RED and BLACK binding post terminals.

If the amplifier is fitted with the Speakon

connectors

then connect to pins 1+ & 1-.

The amplifier will be non-inverting with respect to the

RED terminal and 1+ Speakon pin.

More than one speaker can be connected to each channel

as long as the total impedance per channel is not less

that 2 ohms. See section 7.0d of this manual for more

information about how to calculate impedance.

Bridge wiring

Stereo wiring

Audio Connections...

Bridge mono operation

To use the amplifier in bridge mode, for binding post

connection, the speakers must be connected between two

RED terminals leaving the BLACK terminals unconnected.

If Speakon

connectors are used, switching the amplifier

in to bridge mode automatically takes care of the

Speakon

wiring for you. Therefore the loudspeaker

connector is WIRED THE SAME WAY AS FOR NON BRIDGE

MODE, i.e. between 1+ and 1-. This significantly simplifies

the speaker wiring enabling the same leads to be used

for bridged and non-bridged modes.

Channel 1 and 3 outputs carry the bridged signal. During

bridge mode operation no connector should be inserted

into the channel 2 or 4 outputs. In bridge mode the

amplifier is non-inverting relative to the 1+ pin of the

Speakon connector or the channel 1 RED binding post.

More than one speaker can be connected to the bridged

pair of channels as long as the total impedance is not

less that 4 ohms. See section 7.0d of this manual for

more information about how to calculate impedance.

Binding posts

Speakons

Binding posts

Speakons

5.0 Control operation

a. Power Switch

Pressing this switch so that the

white dot is closest to the front

panel signals to the

microprocessor that the user

wishes to turn on the power

supply. Note that the

microprocessor will only switch

the power supply on once it has

assured that there are no

internal faults. From the first

application of AC power it takes

approximately 7 seconds to

complete these tests. During the

test time the microprocessor will flash both the TEMP lights and the FAULT light once a second. If the

amplifier has already completed these tests, then when the switch is pressed, power up will occur within 1

second. While the power up sequence is being completed all amplifiers channels are muted.

b. Level controls 1,2,3 and 4

These controls allow the user to change the sensitivity, or the level required to drive each channel of the

amplifier into clip, from approximately +90dBu with the controls fully counter clockwise, to +1dBu with

the controls full clockwise. +1dBu equals approximately 870mV RMS and this level will be just sufficient

with a 4 ohm load and nominal AC voltage to drive the amplifier into clip. If pairs of amplifier channels are

being operated in bridge mode, the channel 1 level controls operate the 1+2 pair volume and the channel 3

level controls the 3+4 pair volume. The controls for channels 2 and 4 do not have any effect in bridge

mode.

Supplied with each PULSE amplifier are special blanking plugs that may be fitted after the control knobs

have been pulled off thus allowing the levels to be set and then made tamper proof.

c. Bridge switches

Located on the rear panel, these switches enable bridge mode

operation. One switch is for channels 1+2, the other for channels 3+4.

Activation of these switches is indicated by the corresponding ‘Bridge’

indicator on the front panel.

When a pair of the amplifier channels is operated in bridge mode, the

power available doubles allowing larger speakers to be driven. Two

things must be kept in mind when bridge mode is used, namely the

minimum impedance that can be driven increases from 2 ohms to 4

ohms and if binding post outputs are used, the speaker wiring must be

changed as described in 4.0 Audio Connections section of this manual.

6.0 Indicators

A. AC Present

This light glows when AC power is applied to the amplifier, whether or not the amplifier is actually running.

This light will still glow even if the rear panel fuse is blown because it is powered from the separate,

internally fused supply that powers the microprocessor.

B. Operate

Illuminated when the main power supply is switched on using the front panel switch.

C. Fault

If, for any reason, the microprocessor detects a problem then this light comes on. If it is not flashing the

problem is with one or more of the amplifier channels. If it flashes, the processor has been unable to start

the main power supply; this may be because the power supply has become too hot, or because the rear

panel fuse has failed. If letting the amplifier cool and/or replacing the fuse does not clear the problem,

the amplifier must be returned to an authorized service center for repair.

Under some circumstances, the Fault light might flash with a period of about 3 seconds along with the

Power light and various clicking noises. This is because the processor is trying to power up the amplifier

but is detecting an error, aborting, and then retrying. This may either continue indefinitely (for example a

shorted output in bridge mode) or stop after a number of attempts.

D. Temp 1-2 & 3-4

These lights come on if the microprocessor detects that the corresponding channel’s heatsink has ex-

ceeded the maximum allowed temperature. If the light is on, that channel will have been muted. Once the

heatsink has cooled, normal operation will resume. This cycling will be allowed to continue indefinitely.

During normal to heavy use, the substantial heatsinks used in PULSE amplifiers should ensure that these

lights never come on, however if the front air intakes, rear air exhausts or any fan filters fitted become

blocked an over temperature condition may occur.

Indicators...

E. Signal

This indicator lights when a signal exceeding approximately -26dBu is applied to a channel. In bridge mode

only the channel 1 and/or channel 3 light operate(s).

F. Clip

This light is in fact rather more sophisticated than a simple clip indicator; it actually measures distortion.

This may occur either due to clipping, trying to drive too low an impedance speaker load or any other

mechanism that causes the output of the amplifier channel to not be as expected by the monitoring

circuit. Note that if the amplifier channel is muted by the microprocessor and a signal is applied, the clip

light will come on.

G. Bridge

If this light is on it indicates that a given channel pair has been configured for bridge mode operation by the

rear panel switch.

7.0 Typical applications

b. Two Channel (Stereo) Operation

For this application the PULSE 4x300 is used with channels 1+2 and 3+4 in bridge mode, achieved by

operating the rear panel switches and confirmed by the front panel bridge lights. When operated in this

way, each bridged pair can deliver over 600W into 4 ohms. Note that in bridge mode, 2 ohm operation is

not permitted, 4 ohms is the minimum permissible load. If less than 4 ohms is detected, the amplifier may

repeatedly mute at 4 second intervals. See section 7e of this manual for more information about how to

calculate impedance.

all speakers - 300W 4 ohm

a. Four Channel Sound Reinforcement

In this example, each channel of the PULSE 4x300 is being used independently to control the sound level in

all four corners of a venue. For this application, ensure that both rear panel BRIDGE switches are in the

NORMAL position. More than one speaker may be used on each channel as long as the total impedance is

not less that 2 ohms. See section 7e of this manual for more information about how to calculate

impedance.

Stereo

1+2 & 3+4 bridged

both speakers - 600W 4 ohm

Not bridged

1423

Typical applications...

c. Three channel operation

This configuration demonstrates the flexibility of the PULSE 4x300. Channels 1+2 are bridged and drive a

600W 4 ohm sub-bass speaker. Channels 3 and 4 are used independently to drive two 300W 4 ohm mid-

high speakers using an external crossover unit between the mixer and the amplifier.

d. Four Channels Driving Two Actively Crossed 2 Way Monitors

Capable of driving a pair of 2 way monitors, the PULSE 4x300 is great for tour sound. As all channels are

used independently in this application, the speakers may be 2 ohm impedance if required. See section 7e

of this manual for more information about how to calculate impedance. A crossover to separate the

respective frequencies for the mid bass and horn drivers will be necessary.

no bridge

3+4 normal

1+2 bridged

e. Calculating Impedance

Measured in ohms, impedance is a measure of AC resistance. Loudspeakers generally come in 16, 8 or 4

ohm varieties. Amplifiers have a lower limit to what impedance they can drive without being overloaded,

there is not usually an upper limit. The PULSE 4x300 can drive any impedance between an open circuit and

2 ohms when in stereo and between an open circuit and 4 ohms when bridged.

When more than 1 speaker is used, it is easy to calculate the total impedance but remember that unless

you are sure you know what you are doing, all the speakers should be the same impedance.

If the speakers are wired in series, just add their impedances together. If they are in parallel there is a

simple rule: two impedances the same will equal half the individual impedance, for example 8 & 8 = 4 or

to take this further, four 8 ohm drivers = 2 ohms (8 & 8 = 4 ..... 8 & 8 = 4 ..... 4 & 4 = 2).

Typical applications...

8.0 Glossary

In this section many of the terms used throughout this manual are explained in more detail.

Active

Active electronic circuits are those which are capable of voltage and power gain by using transistors and

integrated circuits.

Amplitude

Refers to the voltage level or intensity of a signal, and is usually measured in volts or decibels.

Balanced

A three wire connection in which two of the wires carry the signal information, the third acts as a shield

tied to chassis ground. The two signal lines are of opposite polarity (out of phase by 180 degrees) at any

given moment in time, and are of equal potential with respect to ground. Balanced connections are used

to help reject induced hum and noise in system interconnections.

Binding Post

A type of connector that maybe used for either a bare wire or a wire terminated in a 4mm plug.

Bridge Mode

This applies to a method of combining two power amplifier channels to make one channel capable of

providing approximately twice the power into a single load. This load must be connected across the two

positive channel outputs.

Clip or Clipping

The term used to describe an overdrive condition in a piece of equipment. A clipped signal is distorted and

will sound harsh. Applying a heavily clipped signal to a loudspeaker, whilst not unduly affecting the

amplifier, may cause speaker damage.

A unit for expressing the ratio between two signal levels for comparison purposes. On its own it has no

absolute level meaning. Rather, it is a logarithmic ratio used to express the differences between two

amounts or levels. Positive numbers indicate an increase, and negative ones a decrease.

Some useful ratios are:

+3dB = Double Power

+6dB = x 2 Voltage or x 4 Power

+10dB = x 3 Voltage or x 10 Power

+20dB = x 10 Voltage or x 100 Power

dBm

The addition of ‘m’ after dB indicates an absolute scaling for the dB ratio. Instead of a ratio, the dB

becomes a measure of voltage. 0dBm = a power level of 1 milliwatt into a load of 600 ohms. It is also

loosely used to describe signal voltage in 600 ohm circuits.

Glossary...

dBu or dBv

The addition of a lower case ”u” or “v” after dB indicates an absolute scaling for the dB ratio. 0dBu (or 0

dBv) = 778mV or 0.778 Volts, and it has no regard for power or impedance. This term is widely used for

expressing signal voltages in modern audio equipment with high input impedances and low output

impedances. For dBv the same scale is used as for dBu above, except that 0dBV = 1.0 Volts.

Distortion

Any modification of a signal which produces new frequency components not present in the original.

Harmonic distortion refers to added frequencies that are overtones to the fundamental frequency.

Intermodulation distortion refers to added frequencies that are sum and difference values derived from

the beating together of two frequencies.

Frequency

The repetition of a waveform. The unit of frequency is Hz, and 1 cycle per second is equal to 1Hz. The

audio band is generally restricted to frequencies of 20Hz to 20,000Hz (20kHz).

Frequency Response

The equipment’s relative gain compared to frequency. Generally expressed as +/- a certain number of dBs

from 20Hz to 20kHz.

Impedance

The AC equivalent of resistance and measured in ohms. It indicates the amount of drive required for an

input, or the drive capability of an output, at a given signal level.

Level

The amplitude of a signal, measured in Volts or Decibels.

Line Level

Generally indicates a signal whose level is between -10 and +10dBu or -14 to +6 dBV. Mic level refers to

levels around -40dBu.

Noise

The term given to any signals appearing at the output of a piece of equipment when no input signal is

applied. Most commonly, noise takes the form of hum, buzz or hiss.

Octave

A logarithmic unit for expressing frequency ratios. Positive values indicate an increase and negative ones a

decrease. One octave ‘up’ the scale is equivalent to double the frequency. One octave ‘down’ is equivalent

to half the frequency.

Glossary...

Transient

A sudden burst of energy in an audio signal which only lasts for a small period of time relative to the rest

of the signal. The level of these transients can often reach 10 times (+20dB) or so above the normal

operating level of the audio equipment, and may cause distortion if headroom is inadequate.

Speakon

A type of connector, manufactured by Neutrik with either 2, 4 or 8 pole connectors, specifically designed

for connecting speakers to amplifiers. PULSE amplifiers and the majority of loudspeakers use the 4 pole

type.

XLR

A type of connector used by audio professionals for connecting audio line, or microphone level signals to

equipment. Usually three pole. Note that some XLRs may be carrying AES/EBU digital signals and these

should not be plugged into audio channels.

9.0 Specifications

Power Ratings Pulse 4x300

Stereo

Measured per channel, both channels driven at 1kHz to no more than 0.1% THD+N

8 ohms 170W rms

4 ohms 300W rms

2 ohms 330W rms*

* Note: 2 ohm spec is at 1% THD

Bridged Mono

16 ohms 400W rms

8 ohms 600W rms

4 ohms 660W rms*

* Note: 4 ohm bridged spec is at 1% THD

Input Sensitivity +1dBu for full output

Input Impedance 20 kohm

Input Connectors 1/4-inch TRS balanced phone jack and female XLR

Distortion <0.006% THD, 1kHz, 1dB below clip, 22kHz measurement bandwidth

Frequency Response 20Hz to 20kHz, +0/-0.2dB; <2Hz to >120kHz +0/-3dB

Controls Power switch, bridge mode switches, indented level controls (these may be made

tamper-proof)

Indicators AC Present, Operate, Signal, Bridge, Clip, Temp., Fault

Protection Microprocessor supervised: Over-temperature, DC on outputs, output stage

overload, inrush current surge, power fail and brownout

Noise <-100dB ref. full output 20Hz - 20kHz measurement bandwidth

Slew Rate >50 V/microsecond

Damping Factor >200 ref. 8 ohm

Output Connectors Binding post or Speakon

options

AC Power 230 volts AC nominal, 2200VA, all channels driven

Dimensions 3.5" (89mm) x 18.2" (460mm) x 19" (483mm)

Weight 24lbs (11kg)

10.0 Troubleshooting

Checklist

Problem: No output

Check: Are the AC Present and Operate lights on?

Are the Fault & Temp lights off?

Are the Signal lights on?

Are the level controls turned up?

Are the speakers properly connected? (in particular check that older style ‘ring lock’ type

Speakons are rotated in the socket).

Problem: Distorted sound

Check: Are the Clip lights on?

Is any equipment before the amp being over driven?

Are any speaker cables shorted?

Are the loudspeakers too low an impedance?

Are the input cables wired correctly?

Problem: Hum or buzzing

Check: Is the amp properly grounded?

Are the input cables shielded?

Are the input connectors properly wired?

Are you using an unbalanced input?

Does the noise stop if the equipment driving the amp is switched off?

Troubleshooting...

Status Indication

There is a microprocessor inside each PULSE amplifier responsible for monitoring all critical systems. The

status of which are displayed on the front panel lights.

Their indication is as follows:

Fault and both Temp lights flashing

The amplifier has just been plugged in and the microprocessor is carrying out a test sequence. This is

normal and will stop after about 7 seconds.

Power light on, Operate light off, Fault light on & flashing

The microprocessor has been unable to start the main power supply. If the condition persists for more than

1 hour without an input signal, check the rear panel fuse. If the fuse is blown and a replacement also fails

(or the fault persists), return the amplifier to an authorized service center. Information is in the Service &

Warranty section.

Power light on, Operate light off, Fault light on (not flashing)

(The Operate and Fault light may be flashing very slowly accompanied by internal clicking). A fault has

been detected with one or more of the amplifier channels and the processor has shut down the power

supply to protect both the amplifier and your speakers. Depending on the fault it may try to resume

operation again indefinitely, or give up after a number of attempts. If after disconnecting all input and

output leads and switching the amplifier off and on again (to reset it), the condition persists, return the

amplifier to an authorized service center. Information is given in the Service & Warranty section.

Power light on, Operate light on, Fault light on, Temp light on

One or both of the heatsinks have exceeded their maximum temperature. When in this condition, the

channel associated with each Temp light will be muted until the temperature has fallen to a safe level.

Normal operation will then automatically resume. The most likely causes of an over-temperature condition

are blocked rear air intake, obstructed front air exhausts or, if fitted, clogged fan filters.

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Crown 2X1100 User manual

Brand: Crown

Model: 2X1100

Category: Supplementary music equipment

Type: User manual

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