Source Audio AfterShock Bass Distortion User manual
- Category
- Audio equalizers
- Type
- User manual
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Aftershock Bass Distortion User’s Guide
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+3>41AG!149!(,)!_XcX_!kJN0!.14!C)!8+)9!(-!.-B=)4+1()!'-*!(,)!A-++!-'!A)D)A!(,1(!*)+8A(+!'*-B!(,3+!
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A-@!)49!@3(,!,3>,!1B-84(+!-'!9*3D)?!
Drive&Knob
Effect&Switch
Clean&K nob
L evel&K nob
Tone&Knob
Engage/Bypass
LED
Engage/Bypass
Footswitch
Control&L ED Control&Input&Button
!
!
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L<<"$1'0,+1$A'
")A).(+!C)(@))4!(,)!(,*))!C1+3.!23+(-*(3-4!)'').(!(<=)+
!
!
"#$%&!#'()*+,-./!01++!23+(-*(3-4!5+)*6+!7839)!:$!
L7+1+9R'2'3*":"1'
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9*3D34>!A-4>!.1CA)+!-*!A-4>!.,134+!-'!)'').(+!'-AA-@34>!(,)!#'()*+,-./6+!1893-!-8(=8(?!
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C1+)9!(*8)!C<=1++!C1+)9!-4!@,1(!3+!4))9)9!34!<-8*!+3>41A!.,134?!I9)1AA<G!(,)!'3*+(!=)91A!34!1!+3>41A!
.,134!3+!1!C8'')*)9!34=8(!'-AA-@)9!C<!(*8)!C<=1++!34!(,)!*)+(!-'!(,)!+3>41A!.,134?!
0-(,!C<=1++!B)(,-9+!,1D)!=*-+!149!.-4+!1++-.31()9!@3(,!(,)B?!08'')*)9!C<=1++!=*-D39)+!.-4+3+()4(!
34=8(!3B=)914.)!+-!(,1(!3'!(,)!+-8*.)!3+!+8+.)=(3CA)!(-!D1*31(3-4+!34!34=8(!3B=)914.)!M+3B3A1*!(-!1!
>83(1*!=3./8=PG!(,)*)!@-46(!C)!1!4-(3.)1CA)!.,14>)!34!(-4)?!;*8)!C<=1++!,1+!(,)!C)4)'3(!-'!=*-D3934>!1!
9)93.1()9!,1*9@3*)9!C<=1++!+3>41A!=1(,?!;,)!#'()*+,-./!')1(8*)+!+B1AAL+3>41A!*)A1<+!'-*!(*8)!C<=1++!
+@3(.,34>!(,1(!-'')*!*)98.)9!=-=+!149!.A3./+!.-B=1*)9!(-!(,)!(*193(3-41A!(*8)!C<=1++!+@3(.,34>!
B)(,-9!8+34>!1!B).,143.1A!+@3(.,?!
012$/+9R'297'32*2##"#'3*%$"::+9R'WD9:+7"'1A"';%SX'
;,)!#'()*+,-./!@-*/+!>*)1(!1+!1!+3B=A)!B-4-!23+(-*(3-4!)'').(G!C8(!3(!,1+!(,)!=-@)*!(-!9-!B8.,!
B-*)?!F3(,34!(,)!#'()*+,-./G!(@-!.-B=A)()A<!349)=)49)4(!-D)*9*3D)G!'8EEG!-*!93+(-*(3-4!.3*.83(+!.14!
C)!+)(!8=!(-!*84!+(1./)9!M34!+)*3)+PG!34!=1*1AA)A!M+39)LC<L+39)!149!B3K)9PG!-*!)D)4!34!(*8)!+()*)-?!
5+81AA<G!(,3+!@-8A9!*)\83*)!(@-!+)=1*1()!93+(-*(3-4!=)91A+G!C8(!(,)!#'()*+,-./!.14!9-!3(!1AA!-4!3(+!-@4?!
012$/+9R'I0"*+":'5'82:$27"7J'
"(1./34>!-D)*9*3D)G!'8EEG!149!93+(-*(3-4!=)91A+!3+!1!.-BB-4!B)(,-9!'-*!.*)1(34>!843\8)!()K(8*)+!(,1(!
@-8A9!4-(!C)!=-++3CA)!@3(,!1!+34>A)!=)91A?!;,3+!4-*B1AA<!34D-AD)+!=8((34>!(@-!=)91A+!34!+)*3)+G!-4)!
1'()*!(,)!-(,)*G!(-!.*)1()!B8A(3=A)!>134!+(1>)+?!;<=3.1AA<G!(,3+!*)\83*)+!(@-!+)=1*1()!93+(-*(3-4!=)91A+G!
!
!
"#$%&!#'()*+,-./!01++!23+(-*(3-4!5+)*6+!7839)!:a!
C8(!(,)!#'()*+,-./!.14!9-!3(!1AA!34()*41AA<?!X1.,!-'!(,)!(@-!9*3D)!+(1>)+G!.1AA)9!#!149!0G!.14!C)!
.-4'3>8*)9!349)=)49)4(A<!8+34>!14<!-D)*9*3D)G!'8EEG!-*!93+(-*(3-4!.3*.83(G!@3(,!3(+!-@4!349)=)49)4(!
+)((34>+!M9*3D)G!A)D)AG!XUG!4-3+)!>1()P?!;,3+!*-8(34>!-=(3-4!3+!9)+3>41()9!1+!HNJN!IJON5;!FI;Q!
W#"W#2IJ7!WQ#JJX_"!34!(,)!J)8*-!#==?!
!
32*2##"#'3*%$"::+9R'
#4-(,)*!.-BB-4!@1<!(-!.*)1()!4)@!149!34()*)+(34>!93+(-*(3-4!+-849+!3+!(-!+=A3(!(,)!>83(1*!+3>41AG!*84!
3(!(-!(@-!349)=)49)4(!=)91A+!34!=1*1AA)AG!149!(,)4!.-BC34)!MB3KP!(,)!*)+8A(+?!N'()4G!-4)!=1(,!@3AA!
,1D)!1!*)A1(3D)A<!A-@!>134!149!(,)!-(,)*!@3AA!,1D)!,3>,!>134?!;,3+!1==*-1.,!.14!.-BC34)!,3>,!>134!
=-@)*!149!+8+(134!@3(,!A-@!>134!.A1*3(<G!9)'343(3-4G!149!1*(3.8A1(3-4?!;,)!*3>,(!C1A14.)!.14!B1/)!
=1*1AA)A!=*-.)++34>!D)*<!)'').(3D)?!5+81AA<!(,3+!1==*-1.,!*)\83*)+!1!A-(!-'!,1*9@1*)m!(@-!93+(-*(3-4!
=)91A+G!1!+=A3(()*G!149!1!B3K)*?!;,)!#'()*+,-./G!,-@)D)*G!.14!9-!3(!1AA!34()*41AA<?!X1.,!.3*.83(!,1+!3(+!
-@4!.A)14!149!9*3D)!A)D)A!.-4(*-A+G!@,3.,!1AA-@!'-*!D)*<!'34)!C1A14.34>!C)(@))4!(,)!(@-!+-849+?!
;,)*)!1*)!(@-!=1*1AA)A!=*-.)++34>!*-8(34>!-=(3-4+!1D13A1CA)!34!(,)!J)8*-!#==m!HNJN!IJ!";XgXN!^gNWX""!
HNJN!N5;!149!HNJN!IJ!";XgXN!^gNWX""!";XgXN!N5;?!
!
0"*+":'5'32*2##"#'ON>*+7'
0<!+)A).(34>!(,)!HNJN!IJON5;!FI;Q!W#"W#2IJ7!WQ#JJX_"!*-8(34>!-=(3-4!149!C*34>34>!8=!(,)!.A)14!B3K!
A)D)A!-4!.,144)A!0G!3(6+!=-++3CA)!(-!.*)1()!1!+)*3)+O=1*1AA)A!,<C*39!+-849G!1+!+,-@4!34!(,)!3B1>)!
C)A-@m!
!
01"*"%'T%.1+9R'
;,)!#'()*+,-./!@-*/+!>*)1(!1+!1!B-4-!23+(-*(3-4!)'').(G!C8(!3(+!+()*)-!34=8(+!149!-8(=8(+!1A+-!B1/)!
3(!1!(*8)!+()*)-!)'').(!1+!@)AA!1+!1!'A)K3CA)!+3>41A!*-8()*?!I(!.14!1.(!1+!1!+()*)-!+=A3(()*G!B)*>)*G!-*!(*8)!
+()*)-!)'').(G!149!3(!.14!1A+-!C)!+)(!8=!34!1!48BC)*!-'!-(,)*!843\8)!+3>41A!*-8(34>!B-9)+?!0<!9)'18A(G!
!"#$%&'()*+#,$#-./
0
1 1
2
34
0
34
25678)9:&"#6
;7)08<
Parallel
11
A
EQ
A
B
EQ
BFrom.Guitar
To.Amp
Series&+&Parallel&Hybrid
A
11
B
EQ
A
EQ
BFrom&Guitar
To&Amp
!
!
"#$%&!#'()*+,-./!01++!23+(-*(3-4!5+)*6+!7839)!:%!
(,)!#'()*+,-./!@-*/+!34!(*8)!+()*)-!B-9)!MIJ^5;!:!>-)+!(-!N5;^5;!:G!149!IJ^5;!$!>-)+!(-!N5;^5;!$P?!
;-!.-4'3>8*)!1!93'')*)4(!+()*)-!*-8(34>!B-9)G!8+)!(,)!J)8*-!#==?!
#!')@!93'')*)4(!*-8(34>!-=(3-4+!1*)!93+=A1<)9!C)A-@?!;,)!*3>,(!+39)!-'!)1.,!931>*1B!+,-@+!34=8(+!:!
149!$G!(,)!A)'(!+39)!+,-@+!-8(=8(+!:!149!$G!149!(,)!93+(-*(3-4!149!XU!.3*.83(+!MA1C)A)9!#!149!0P!1*)!34!
(,)!.)4()*?!
Mono'(Default'–'Auto'Select):!IJ^5;!:!>-)+!(-!93+(-*(3-4!.3*.83(!#!149!-8(!(-!N5;^5;!:?!
!
True'Stereo'(Stereo'In,'Stereo'Out):!IJ^5;!:!>-)+!(-!93+(-*(3-4!.3*.83(!#!149!-8(!(-!N5;^5;!:?!IJ^5;!$!>-)+!
(-!93+(-*(3-4!.3*.83(!0!149!-8(!(-!N5;^5;!$?!
!
Parallel'(Mono'In,'Stereo'Process,'Stereo'Out):!IJ^5;!:!3+!+=A3(!34(-!(@-!39)4(3.1A!+3>41A+?!N4)!+3>41A!>-)+!
(-!93+(-*(3-4!.3*.83(!#!149!-8(!(-!N5;^5;!:?!;,)!-(,)*!+3>41A!>-)+!(-!93+(-*(3-4!.3*.83(!0!149!-8(!(-!N5;^5;!
$?!;,3+!)++)4(31AA<!(8*4+!(,)!#'()*+,-./!34(-!1!+=A3(()*!(,1(!(1/)+!1!+34>A)!34=8(!149!'))9+!(@-!1B=+!M-*!1!
+()*)-!+3>41A!.,134P?!
!
Stereo'In,'Mono'Out:!IJ^5;!:!>-)+!(-!93+(-*(3-4!.3*.83(!#?!IJ^5;!$!>-)+!(-!93+(-*(3-4!.3*.83(!0?!;,)!-8(=8(+!
-'!.3*.83(+!#!149!0!1*)!B3K)9!149!+)4(!(-!N5;^5;!:?!;,3+!3+!8+)'8A!'-*!B3K34>!1!+()*)-!+-8*.)!9-@4!(-!1!
B-4-!-8(=8(?!
A1
EQ
A
1
Mono
From+Guitar
To+Amp
True%Stereo
A
EQ
A
B
EQ
B
1
2
1
2
From%Guitar
To%Amp
Parallel&(Stereo)
1
A
EQ
A
B
EQ
B
1
2From&Guitar
To&Amp&(R)
To&Amp&(L)
!
!
"#$%&!#'()*+,-./!01++!23+(-*(3-4!5+)*6+!7839)!:e!
!
Mono,'Dry'Thru:!IJ^5;!:!>-)+!(-!93+(-*(3-4!.3*.83(!#!149!-8(!(-!N5;^5;!:?!#!.-=<!-'!(,)!34=8(!3+!1A+-!+)4(!
(-!N5;^5;!$?!;,3+!3+!8+)'8A!)+=).31AA<!'-*!C1++!>83(1*+G!@,)*)!,1D34>!1!9*<!-8(=8(!3+!8+)'8A!34!B134(13434>!1!
+-A39!A-@!)49!M(,3+!.14!1A+-!C)!1.,3)D)9!8+34>!(,)!#'()*+,-./6+!B3K!.-4(*-A!-*!_-g)(134!')1(8*)G!@,3.,!
1*)!1..)++3CA)!D31!(,)!J)8*-!1==!149!HI2IP?!
!
External'Loop'Pre<Effect:!;,)!)K()*41A!A--=!-=(3-4+!1AA-@!14!)K()*41A!)'').(!M@,)(,)*!1!"-8*.)!#893-!
=*-98.(!-*!1!(,3*9L=1*(<!=*-98.(P!(-!C)!.-44).()9!(-!(,)!#'()*+,-./6+!IJ^5;!$!149!N5;^5;!$?!F,)4!(,)!
#'()*+,-./!3+!C<=1++)9G!(,)!)K()*41A!)'').(!@3AA!C)!-8(!-'!(,)!.3*.83(?!F,)4!(,)!#'()*+,-./!3+!)41CA)9G!(,)!
)K()*41A!)'').(!@3AA!C)!=8(!34!+)*3)+!@3(,!(,)!#'()*+,-./6+!93+(-*(3-4!.3*.83(?!N5;^5;!$!+,-8A9!.-44).(!(-!
(,)!)K()*41A!)'').(6+!34=8(G!149!(,)!)K()*41A!)'').(6+!-8(=8(!+,-8A9!.-44).(!(-!IJ^5;!$?!
I4!^*)LX'').(!B-9)G!(,)!>83(1*!+3>41A!@3AA!>-!(-!(,)!)K()*41A!)'').(!'3*+(G!149!(,)4!(,)!#'()*+,-./6+!
93+(-*(3-4!.3*.83(!+).-49?!
!
I4!^-+(LX'').(!B-9)G!(,)!>83(1*!+3>41A!@3AA!>-!(-!(,)!#'()*+,-./6+!93+(-*(3-4!.3*.83(!'3*+(G!149!(,)4!(-!(,)!
)K()*41A!)'').(!+).-49?!
Stereo&In,&Mono&Out
1A
EQ
A
B
EQ
B
1
2
To&Amp
Input&(L)
Input&(R)
Mono,%Dry%Thru
2
A1
EQ
A
1
From%Guitar
To%Amp%(R)
To%Amp%(L)
External)Loop)Pre.Effect
X
1
2
1
2
A
EQ
A
!
!
"#$%&!#'()*+,-./!01++!23+(-*(3-4!5+)*6+!7839)!:&!
!
6.1%&21+$'T%.1+9R'V%7"'0"#"$1+%9'
0<!9)'18A(G!(,)!*-8(34>!B-9)!3+!18(-B1(3.1AA<!.,-+)4?!;,)!.1CA)+!.-44).()9!(-!(,)!34=8(+!149!
-8(=8(+!1*)!9)().()9!149!(,)!B-9)!3+!+)(!1..-*934>!(-!(,)!C)A-@!(1CA)m!
Input(s)'
Output(s)'
Routing'Mode'
:!-4A<!
:!-4A<!
H-4-!I4=8(G!H-4-!N8(=8(!
:!149!$!
:!-4A<!
"()*)-!I4=8(G!"()*)-!^1*1AA)A!^*-.)++34>G!"8B!(-!H-4-!N8(=8(!
:!-4A<!
:!149!$!
H-4-!I4=8(G!"()*)-!^1*1AA)A!^*-.)++34>G!"()*)-!N8(=8(!
:!149!$!
:!149!$!
"()*)-!I4=8(G!I49)=)49)4(!"()*)-!^*-.)++34>G!"()*)-!N8(=8(!
W,)./!(,)!J)8*-!#==!'-*!B-*)!9)(13A+!-4!*-8(34>!-=(3-4+?!
32*2&"1*+$'L-'
;,)!#'()*+,-./!')1(8*)+!(@-!C83A(L34!%!C149!=1*1B)(*3.!XU+!(,1(!.14!C)!.-4'3>8*)9!8+34>!(,)!J)8*-!
#==?!23'')*)4(!XU!+)((34>+!.14!C)!+1D)9!'-*!)1.,!-'!(,)!(,*))!)'').(!(<=)+G!1+!@)AA!1+!'-*!(,)!8+)*!
=*)+)(?!;,)!XU+!.-4+3+(!-'!'-8*!349)=)49)4(A<!.-4'3>8*1CA)!C149+m!
• Bass'(Band'1):!_-@!",)A'!
• Mid'A'(Band'2):!^)1/34>!M1?/?1?!0)AA!O!0149P!
• Mid'B'(Band'3):!^)1/34>!M1?/?1?!0)AA!O!0149P!
• Treble'(Band'4):!Q3>,!",)A'!
X1.,!C149!,1+!.-4'3>8*1CA)!'*)\8)4.<G!C--+(O.8(G!149!U!MC149@39(,P?!
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Source Audio AfterShock Bass Distortion User manual
- Category
- Audio equalizers
- Type
- User manual
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