Avid Symphony Nitris 1.7 User guide

make manage move | media

™

Avid

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Avid

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Symphony

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Nitris

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Conform and Finishing Guide

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Copyright and Disclaimer

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Footage

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Windhorse — Courtesy of Paul Wagner Productions.

GOT FOOTAGE?

Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content

creators of every genre — Just finished an incredible project and want to share it with the world?

Send us your reels and we may use your footage in our show reel or demo!*

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*Note: Avid cannot guarantee the use of materials submitted.

Avid Symphony Nitris Conform and Finishing Guide • 0130-07603-01 • March 2007

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Contents

Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Related Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Section 1 Conforming and Mastering

Chapter 1 Conforming and Transferring Projects . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Compatibility Between Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Conforming Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Preparing for the Online Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Delivery Requirements for Final Masters . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Offline Formats for HD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

File Transfer for the Online Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

System Compatibility for the Online Session. . . . . . . . . . . . . . . . . . . . . . . . 29

Preparing Graphics for the Online Session . . . . . . . . . . . . . . . . . . . . . . . . . 30

Preparing Effects for the Online Session. . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Preparing Titles for the Online Session. . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Preparing Audio for the Online Session . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Step 1: Transfer Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Transferring Project Information Only . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Transferring Project Files and Media Files . . . . . . . . . . . . . . . . . . . . . . . . . 33

Step 2: Open the Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Step 3: Measure the Video Signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Step 4: Recapture Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Step 5: Import and Lay in the Final Audio Mix . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Step 6: Batch Import Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

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Step 7: Re-create Title Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Redefining a Font Replacement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Step 8: Refine Effects and Perform Color Correction . . . . . . . . . . . . . . . . . . . . 40

Step 9: Render Effects as Needed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Step 10: Create the Final Masters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Conforming an HDV Sequence on Symphony Nitris . . . . . . . . . . . . . . . . . . . . . . . . 42

Conforming Sequences with Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Conforming Color Correction Sequences with

Symphony Meridien Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Conforming Color Correction Sequences with Media Composer or

Avid Xpress Pro Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Transferring Color Corrections with Color Correction Templates . . . . . . . . . . . 45

Transferring Project and Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Transferring Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Transferring Sound Designer II Audio Files from

Macintosh Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Working with Sound Designer II Audio Files on

Macintosh Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Transferring a Project Using Shared Storage . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Transferring Project Files and Media Files Using Nonshared Storage . . . . . . . 49

Devices and Methods for Transferring Files . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Transferring Files Between Windows Systems . . . . . . . . . . . . . . . . . . . . . 52

Transferring Files Between Macintosh and Windows Systems . . . . . . . . . 53

Nonshared Storage Issues for Cross-Platform Collaboration . . . . . . . . . . . . . . 54

Transferring Media Files from Media Composer Version 7.2 or

Avid Xpress Version 2.1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Chapter 2 Working with HD Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

High-Definition Television. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

HDTV Workflows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Film-Based Television Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Video-Based Television Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Broadcast Graphics Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

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Editing in HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Changing the Project Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Modifying the Format of a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Converting a 24p NTSC Sequence to 1080p/23.976. . . . . . . . . . . . . . . . . . . . . 70

Converting a 23.976p NTSC Sequence to 720p/23.976 . . . . . . . . . . . . . . . . . . 71

Mixing SD and HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Displaying Formats in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Editing at 60 fps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Working with True 24 FPS Timecode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Transcoding HD Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Using HD Universal Mastering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Converting Audio for HD Universal Mastering. . . . . . . . . . . . . . . . . . . . . . . 74

Performing a Digital Cut with HD Universal Mastering . . . . . . . . . . . . . . . . 76

Video Color Space for HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Section 2 Finishing Tools

Chapter 3 Motion Tracking and Stabilization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Understanding Motion Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Understanding the Tracking Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Uses of Motion Tracking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Motion Tracking and Footage Characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Workflow for Motion Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Effects and Effect Parameters That Use Tracking Data . . . . . . . . . . . . . . . . . . . . . . 85

Understanding the Tracking Interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Tracking Controls in the Effect Editor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Tracking Controls in the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . . . 87

The Tracking Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Setting Up an Effect for Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Understanding Video Layers and Motion Tracking . . . . . . . . . . . . . . . . . . . . . . 91

Applying an Effect for Motion Tracking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Making Non-Tracking Parameter Adjustments to an Effect . . . . . . . . . . . . . . . . 92

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Preparing to Generate Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Enabling Tracking in the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Creating and Mapping Trackers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Understanding Tracker Selectors and Tracker Function . . . . . . . . . . . . . . 95

Creating and Mapping Trackers Manually . . . . . . . . . . . . . . . . . . . . . . . . . 96

Enabling, Disabling, and Deleting Trackers. . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Setting Up Tracking in the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . 98

Displaying Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Adjusting Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Guidelines for Positioning Tracking Boxes . . . . . . . . . . . . . . . . . . . . . . . . 100

Guidelines for Resizing Tracking Boxes. . . . . . . . . . . . . . . . . . . . . . . . . . 100

Setting Up Tracking in the Tracking Window. . . . . . . . . . . . . . . . . . . . . . . . . . 101

Choosing a Tracking Engine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Choosing Background or Foreground Tracking . . . . . . . . . . . . . . . . . . . . 102

Understanding Tracking Data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Generating Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Offset Tracking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Understanding Offset Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Adding and Deleting Tracker Regions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Moving to a Tracking Region. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Performing Offset Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Understanding Generated Tracking Data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Tracking Data in the Effect Preview Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Tracking Data in the Tracker Timelines. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Customizing Tracking Data Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Setting the Reference Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Using SteadyGlide or Smoothing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Modifying Tracking Data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Finding a Specific Tracker Data Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Selecting Tracker Data Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Deleting Tracking Data From Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Moving Tracker Data Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

11

Moving Tracker Data Points Outside the Frame Boundary . . . . . . . . . . . . . . . 116

Stretching a Range of Tracker Data Points . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Limiting the Effect of Position Tracking Data to a Single Axis. . . . . . . . . . . . . . . . . 119

Playback of Effects Using Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Understanding Stabilizing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Stabilizing an Image. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Guidelines for Using Multiple Trackers When Stabilizing . . . . . . . . . . . . . . . . . . . . 122

Using the Region Stabilize Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Stabilizing an Image with the Region Stabilize Effect . . . . . . . . . . . . . . . . . . . 123

Making Adjustments to the Region Stabilize Region of Interest. . . . . . . . . . . . 125

Editing Segments That Use Tracking Data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Segment Mode Editing with Segments That Use Tracking Data . . . . . . . . . . . 126

Trimming Segments That Use Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . 126

Adding Transition Effects to Tracked Segments . . . . . . . . . . . . . . . . . . . . . . . 127

Reusing Existing Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

When to Reuse Tracking Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Copying and Pasting Tracking Data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Conforming Symphony Meridien Sequences with Tracking Data. . . . . . . . . . . . . . 129

Examples of Effects Using Motion Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Example 1: Replacing the License Plate on a Moving Vehicle . . . . . . . . . . . . 130

Example 2: Special Effects Using Targets for Motion Tracking . . . . . . . . . . . . 133

Chapter 4 Understanding Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . 135

The Composer Window in Color Correction Mode . . . . . . . . . . . . . . . . . . . . . . . . . 135

Activating Monitors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Displaying Tracking Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Displaying Images in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Understanding Default Monitor Display. . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Configuring Image Display in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Working with Reference Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Splitting the Image Display in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Hiding the Video in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Displaying 16:9 Video in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Using the Play Loop Button in Color Correction Mode. . . . . . . . . . . . . . . . . . . 142

12

Reviewing Color-Corrected Clips with the Edit Review Button . . . . . . . . . . . . 143

Controlling Frame Display in the Composer Window . . . . . . . . . . . . . . . . . . . 143

The Color Correction Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Working with Correction Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Understanding Relationship Color Corrections . . . . . . . . . . . . . . . . . . . . 145

Using the Source Clip Name Relationship . . . . . . . . . . . . . . . . . . . . . . . . 147

Converting Relationship Color Corrections . . . . . . . . . . . . . . . . . . . . . . . 147

Working with the Group and Subdividing Tabs . . . . . . . . . . . . . . . . . . . . . . . . 148

Displaying a Group Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Displaying a Subdividing Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Associating Group and Subdividing Tabs with Tab Buttons. . . . . . . . . . . 151

Understanding Interaction Between Color Correction Groups . . . . . . . . . . . . 152

Working with the Enable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Turning Controls On or Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Resetting Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Understanding Interaction Between Enable Buttons . . . . . . . . . . . . . . . . 154

Using the Color Correction Tool Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Customizing Color Correction Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

How Color Correction Handles Color Space and Bit Depth . . . . . . . . . . . . . . 160

Adding Comments to Color Correction Effects . . . . . . . . . . . . . . . . . . . . . . . . 160

Working with Color Correction Effect Templates . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Understanding How Color Correction Effect Templates Save Settings. . . . . . 163

Using Automatic Effect Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Saving a Color Correction Effect Template to a Bin . . . . . . . . . . . . . . . . . . . . 165

Saving a Color Correction Effect Template to a Bucket . . . . . . . . . . . . . . . . . 166

Clearing Color Correction Effect Templates from Buckets . . . . . . . . . . . . . . . 166

Applying Color Correction Effect Templates . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Color Correction Effect Templates and Relationship Type Selections . . . . . . 168

Working with Color Correction Effect Templates in the Effect Palette. . . . . . . 169

Displaying Color Correction Information in the Timeline . . . . . . . . . . . . . . . . . . . . 170

13

Chapter 5 Performing Color Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

General Workflow for Making Color Corrections. . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Using Automatic Color Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Understanding Automatic Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Setting AutoCorrect Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Adjusting Contrast and Balance Automatically. . . . . . . . . . . . . . . . . . . . . . . . . 176

Using the Remove Color Cast Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Considerations When Using Automatic Color Correction. . . . . . . . . . . . . . . . . 180

Using the Color Match Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Making a Correction with the Color Match Control. . . . . . . . . . . . . . . . . . . . . . 182

Selecting Match Type Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Understanding NaturalMatch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Color Match Example Using NaturalMatch . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Saving Custom Colors to a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Getting RGB Information Using the Color Match Control. . . . . . . . . . . . . . . . . 189

The HSL (Hue, Saturation, Luminance) Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Working with the Controls Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Making Corrections Using the Controls Tab . . . . . . . . . . . . . . . . . . . . . . . 191

Using the HSL Sliders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Controls Tab Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Working with the Hue Offsets Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Understanding ChromaWheel Color Wheels. . . . . . . . . . . . . . . . . . . . . . . 195

Making Corrections Using the Hue Offsets Tab . . . . . . . . . . . . . . . . . . . . 197

Examples of Hue Offsets Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Working with the Luma Ranges Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Understanding the Luma Ranges Graph. . . . . . . . . . . . . . . . . . . . . . . . . . 202

Adjusting Luminance Ranges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Manipulating Luminance Range Curves . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Examples of Three-Tone Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

The Channels Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Making Corrections Using the Channels Tab. . . . . . . . . . . . . . . . . . . . . . . . . . 208

Using the Channel Blending Pane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

14

Considerations When Working with Color Components . . . . . . . . . . . . . . . . . 210

Examples of Channel Blending Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

The Levels Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Understanding Input and Output Levels Adjustments . . . . . . . . . . . . . . . . . . . 214

Examples of Black Point Input and Output Adjustments . . . . . . . . . . . . . 214

Examples of Gray Point Input and Output Adjustments . . . . . . . . . . . . . . 216

Making Corrections Using the Levels Tab. . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Working with the Levels Tab Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Understanding Histograms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Using the Histogram Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Using the Text Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Understanding ChromaCurve Graphs . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Using the ChromaCurve Graph in the Levels Tab . . . . . . . . . . . . . . . . . . 224

Working with the Composite and Luma Tabs. . . . . . . . . . . . . . . . . . . . . . 224

Examples of Levels Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

The Curves Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

Making Corrections Using the Curves Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Adjusting Curves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Curves and the Color Match Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Examples of Curve Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

The Secondary Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Understanding Secondary Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Secondary Color Correction Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Understanding Secondary Color Correction Vectors. . . . . . . . . . . . . . . . . . . . 243

Standard and Custom Vectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Vector Display in Color Wheels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Customizing a Vector Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Understanding the Selected Vectors Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . 248

Selecting Vectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Enabling and Disabling Vectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Resetting Vectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

15

Adjusting Input Vector Values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Repositioning Vectors in the Color Wheel. . . . . . . . . . . . . . . . . . . . . . . . . 251

Using the Input Vector Sliders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Locking Vectors While Adjusting an Input Vector . . . . . . . . . . . . . . . . . . . 253

Examples of Softness Adjustments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Using the Color Selection Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

Defining a Vector with the Syringe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Refining a Vector Definition with the Add to Selection and

Subtract from Selection Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Isolating the Selected Vector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Adjusting Output Vector Values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Using the Color Match Control for Secondary Corrections . . . . . . . . . . . . . . . 260

Making a Secondary Correction with the

Color Match Control and the Syringe. . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Making a Secondary Color Correction with the

Color Match Control Only. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Inverting a Vector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262

Examples of Inverted and Isolated Images . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Understanding How Multiple Vectors Interact . . . . . . . . . . . . . . . . . . . . . . . . . 264

Working with the Waveform Monitors and the Vectorscope Monitor . . . . . . . . . . . 264

Using the Waveform and Vectorscope Information . . . . . . . . . . . . . . . . . . . . . 272

Using the Color Correction Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

When to Use the Color Correction Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Applying a Color Correction Effect from the Color Correction Tool . . . . . . . . . 276

Chapter 6 Managing Color-Corrected Sequences . . . . . . . . . . . . . . . . . . . . . . . . . 277

Updating Color-Corrected Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Merging Color-Corrected Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Using the Merge Correction Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Color Correction Merging Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Flattening Color-Corrected Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Removing Color Corrections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285

16

Chapter 7 Color Correction Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Guiding Principles for Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Goals of Color Correction: Restoration and Adaptation . . . . . . . . . . . . . . . . . 287

Restoring the Original Look . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Adapting the Original Look . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Stages of Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Correcting Tonal Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Neutralizing Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Achieving Shot-to-Shot Consistency . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Achieving a Final Look . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Examples of Color Correction Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Example 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294

Example 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Example 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Chapter 8 Spot Color Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Using the Spot Color Correction Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Making Corrections Using the Spot Color Correction Effect . . . . . . . . . . . . . . 307

Using Paint Effect Modes for Color Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Chapter 9 Safe Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Overview of Safe Color Limits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Understanding Safe Color Settings Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Understanding the Graphical View of Safe Color Settings. . . . . . . . . . . . . . . . . . . 311

Understanding Safe Color Warnings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Safe Color Warnings in the Color Match Control. . . . . . . . . . . . . . . . . . . . . . . 314

Making Adjustments to Achieve Safe Color Values . . . . . . . . . . . . . . . . . . . . 314

Safe Color Limits with Waveform and Vectorscope Information . . . . . . . . . . . . . . 316

Working with the Safe Color Limiter Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317

Understanding the Safe Color Limiter Effect . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Applying the Safe Color Limiter Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Adjusting the Safe Color Limiter Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Using the Safe Color Limiter Analysis Display . . . . . . . . . . . . . . . . . . . . . . . . 320

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

17

Tables

Offline Formats for HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Graphics Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Default Folder and File Locations (Windows) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Default Folder and File Locations (Macintosh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Options for Transferring Files Between Windows Systems . . . . . . . . . . . . . . . . . . . 52

Options for Transferring Files Between Macintosh and Windows Systems . . . . . . . 53

Offline Formats for HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Choices for Modifying Sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

HD Universal Mastering Frame Rates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Effects and Effect Parameters for Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Tracking Window Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Options for Enabling Tracking in the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Multiple Tracker Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Tracker Timeline Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Tracking Data Point Range Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Source Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Relationship Color Correction Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Correction Mode Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

AutoCorrect Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Automatic Color Correction Buttons in the Curves Tab . . . . . . . . . . . . . . . . . . . . . 178

HSL Group (Controls Tab) Match Type Options. . . . . . . . . . . . . . . . . . . . . . . . . . . 184

HSL Group (Hue Offsets Tab) Match Type Options . . . . . . . . . . . . . . . . . . . . . . . . 184

Channels Tab Match Type Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Levels Tab Match Type Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Curves Tab Match Type Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Secondary Tab Match Type Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Brightness Subdividing Tabs for the HSL Group . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Controls Tab Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

ChromaWheel Crosshair Pointers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Component Type Options in the Channels Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Secondary Color Correction Vector Display Options . . . . . . . . . . . . . . . . . . . . . . . 247

Input Vector Sliders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

18

Waveform and Vectorscope Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Safe Color Settings Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Safe Color Limits in Waveform Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317

Using This Guide

Congratulations on your purchase of an Avid

®

editing application. You can use your

application to create broadcast-quality output incorporating every possible production

element from full-speed, high-resolution footage, to multimedia artwork and animation, to

computer-generated effects and titling.

This guide contains the task-oriented instructions, conceptual information, and reference

material you need to use the conform and finishing features of your Avid Symphony

™

Nitris

®

system. These features include project transfer, HD support, tracking and

stabilization parameters, and Symphony Nitris color correction.

This guide is intended for all users who need information for the conform and finishing

processes.

n

The documentation describes the features and hardware of all models. Therefore, your

system might not contain certain features and hardware that are covered in

the documentation.

Symbols and Conventions

Avid documentation uses the following symbols and conventions:

Symbol or Convention Meaning or Action

n

A note provides important related information, reminders,

recommendations, and strong suggestions.

c

A caution means that a specific action you take could cause harm to

your computer or cause you to lose data.

w

A warning describes an action that could cause you physical harm.

Follow the guidelines in this document or on the unit itself when

handling electrical equipment.

> This symbol indicates menu commands (and subcommands) in the

order you select them. For example, File > Import means to open the

File menu and then select the Import command.

Using This Guide

20

If You Need Help

If you are having trouble using Symphony Nitris:

1. Retry the action, carefully following the instructions given for that task in this guide. It

is especially important to check each step of your workflow.

2. Check for the latest information that might have become available after the

documentation was published:

- If the latest information for your Avid product is provided as printed release notes,

they ship with your application and are also available online.

- If the latest information for your Avid product is provided as a ReadMe file, it is

supplied on your Avid application CD or DVD as a PDF document

(README_AvidSymphony.pdf) and is also available online.

You should always check online for the most up-to-date release notes or ReadMe

because the online version is updated whenever new information becomes

available. To view these online versions, select ReadMe from the Help menu. or visit

the Knowledge Base at www.avid.com/readme.

3. Check the documentation that came with your Avid application or your hardware for

maintenance or hardware-related issues.

4. Visit the online Knowledge Base at www.avid.com/onlinesupport. Online services are

available 24 hours per day, 7 days per week. Search this online Knowledge Base to find

answers, to view error messages, to access troubleshooting tips, to download updates,

and to read or join online message-board discussions.

t

This symbol indicates a single-step procedure. Multiple arrows in a

list indicate that you perform one of the actions listed.

Italic font Italic font is used to emphasize certain words and to indicate variables.

Courier Bold font

Courier Bold font identifies text that you type.

Ctrl+key or mouse action Press and hold the first key while you press the last key or perform the

mouse action. For example, Ctrl+drag.

Symbol or Convention Meaning or Action

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Avid Symphony Nitris 1.7 User guide

Avid Symphony Nitris 1.7 User guide

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