Tascam 122MKIII Owner's manual

Category
Cassette players
Type
Owner's manual

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TASCAM
TEAC
Professional Division
122MK1ll/
112RMKll/112MKII
Stereo Cassette Deck
(
___
O_W_N_E_R_'S_M_A_N_U_A_L
__
)
5700140701
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2
THE APPLIANCE CONFORMS WITH
EEC
DI
REC-
TIVE
87/308/EEC REGARDING INTERFERENCE
SUPPRESSION
CONFORME
AL
D.M. 13 APRI LE 1989
DI
RETTIVA
CEE/87/308
Bescheinigung des Herstellers/lmporteurs
Hiermit wird
besche
i
nigt
, daB
der
/die/
das
Stereo Kassetten-Rekorder 122 MKlll/112R MKll/112 MKII
(GerAt,
Typ
,
Bezeichnung)
in Obereinstimmung mit den Bestimmungen
der
AMTSBLATT
163/1984,
VFG
1045/1984,
VFG
1046/1984
(A
mtsbl
attverfOgung)
funk-entstOrt ist.
Der Deutschen
Bundespost
wurde
das
lnverkehrbringen
dieses
Ger11tes
angezeigt und
die
Berechtigung
zur
Ober-
prOfung
der
Serie auf Einhaltung
der
Bestimmungen eingen'l.umt.
TEAC CORPORATION
Nam~
des
Herstellers
/
lmporteurs
For
CANADA
AC
POWER CORD CONNECTION
CAUTION:
TO
PREVENT ELECTRIC
SHOCK
, MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
Note for U.K. Customers
Due to the variety
of
plugs being used
in
the U.K., this
unit is sold without an AC plug. Please request your dealer
to install the correct plug to match the mains power outlet
where your unit will be used as per these instructions.
IMPORTANT
The wires in this mains lead are coloured
in
accordance with the following code:
BLUE:
BROWN:
NEUTRAL
LIVE
As
the colours of the wires
in
the mains lead
of
this apparatus may not correspond with the
coloured markings identifying the terminal
in
your
plug, proceed
as
follows:
The wire which is coloured blue must
be
connected to the terminal which
is
marked with
the letter N or coloured BLACK. The wire which
is coloured BROWN must be connected to the
terminal which is marked with the letter L or
coloured
RED.
CORDE
DE
CONNEXION CA
ATTENTION:
POUR
EVITER
LES
CHOCS
ELECTRIQUES,
INTRODUIRE LA LAME LA PLUS LARGE
DE
LA
FICHE DANS LA BORNE CORRESPONDANTE
DE
LA PRISE ET POUSSER
JUSQU'.A.U
FOND.
A
CAUTION:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK,
DO
NOT
REMOVE
COVER
(OR
BACK).
NO
USER-SERVICEABLE
PARTS
INSIDE
.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
A
The
lightning
flash
with
arrowhead
symbol,
within
an
equilateral
triangle,
is
intended
to
alert
the
user
to
the
presence
of
uninsulated
"dangerous
voltage"
within
the
product's
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
The
exclamation
point
within
an
equilateral
triangle
is
intended
to
alert
the
user
to
the
presence
of
important
operating
and
maintenance
(servicing)
instructions
in
the
literature
accompanying
the
appliance.
This
appliance
has
a
serial
number
located
on
the
rear
panel.
Please
record
the
model
number
and
serial
number
and
retain
them
for
your
records
.
WARNING:
TO
PREVENT
FIRE
OR
SHOCK
HAZARD,
DO
NOT
EXPOSE
THIS
APPLIANCE
TO
RAIN
OR
MOISTURE.
Model
number
______
_
Serial
number
______
_
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SAFETY
INSTRUCTIONS
CAUTION:
Read all
of
these instructions.
Save
these instructions
for
later
use.
Follow all warnings and instructions marked on the
audio equipment.
1.
Read
Instructions
-All
the safety and operating instructions
should be read before
the
appliance
is
operated.
2.
Retain Instructions -
The
safety and operating instructions
should be retained for future reference.
3.
Heed
Warnings
-
All
warnings
on
the appliance and
in
the
operating instructions should be adhered to.
4. Follow Instructions -
All
operating and use instructions
should be followed.
5. Water
and
Moisture -
The
appliance should
not
be used
near water - for example, near a
bathtub,
washbowl, kitchen
sink, laundry
tub
,
in
a
wet
basement,
or
near a swimming
pool, etc.
6.
Carts
and
Stands
-
The
appliance should be used only with
a
cart
or
stand
that
is
recommended by
the
manufacturer.
6A.
An appliance and
cart
combination should be moved with
care. Quick stops, excessive force, and uneven surfaces may
cause the appliance and
cart
combination
to
overturn.
7.
Wall
or
Ceiling Mounting -
The
appliance should be
mount
·
ed
to
a wall
or
ceiling only
as
recommended by the manu-
facturer.
8. Ventilation -
The appliance should be si
tuated
so
that
its
location
or
position does
not
interfere with its proper venti-
lation. For example,
the
appliance should
not
be situated
on
a bed, sofa, rug,
or
similar surface
that
may block the
ventilation openings; or, placed
in
a built-in installation,
such
as
a bookcase
or
cabinet
that
may impede
the
flow
of
air through
the
ventilation openings.
9. Heat -
The appliance should be situated away from
heat
sources such
as
radiators,
heat
registers, stoves,
or
other
appliances (including amplifiers)
that
produce
heat
.
10. Power
Sources
-
The appliance should be connected
to
a
power supply only
of
the
type
described
in
the operating
in-
structions
or
as
marked
on
the appliance.
11. Grounding or Polarization -
The
precautions
that
should
be taken so
that
the
grounding or polarization means of an
appliance
is
not
defeated.
12. Power-Cord Protection -
Power-supply cords should be
routed so
that
they
are
not
likely
to
be walked on
or
pinch-
ed
by items placed upon
or
against them, paying particular
attention
to
cords
at
plugs, convenience receptacles, and
the
point
where they
exit
from the appliance.
13. Cleaning -
The
appliance should be cleaned only
as
recom-
mended by
the
manufacturer.
14. Power
Lines
-
An
outdoor
antenna should be located away
from power lines.
15. Outdoor Antenna Grounding -
If
an outside antenna
is
connected
to
the
receiver, be sure the antenna system
is
grounded so
as
to
provide some protection against voltage
surges and built
up
static charges. Section
810
of the
National Electrical Code, ANSI/NFPA No.
70
- 1984, pro-
vides information with respect
to
proper grounding of the
mast and supporting structure, grounding
of
the lead-in
wire
to
an antenna discharge unit, size
of
grounding con·
ductors, location
of
antenna-discharge unit, connection
to
grounding electrodes, and requirements for the grounding
electrode. See Figure below.
EXAMPLE
OF
ANTENNA
GROUNDING
AS
PER
NATION
AL
ELECTRICAL
CODE
ELECTRIC
SERVICE
EQUIPMENT
ANTENNA
LEAD
IN
WI
RE
ANTENNA
DISCHARGE UNIT
(N
EC SECTION
810-20)
~
POWER
SERVICE
GRO
UNDI
NG
"'"
ELECTRODE SYSTEM
(NEC
ART
250,
P
ART
H)
NEC -
NAflONAL ELECTRICAL
CODE
16.
Nonuse
Periods
-
The power cord
of
the
appliance should
be unplugged from
the
outlet
when left unused for a long
period
of
time.
17. Object
and
Liquid Entry -
Care should be taken so
that
objects
do
not
fall and liquids are
not
spilled into the en-
closure through openings.
18.
Damage
Requiring
Service
-
The appliance should be ser-
viced by qualified service personnel when:
A.
The
power-supply cord
or
the plug has been damaged; or
B.
Objects have fallen,
or
liquid has been spilled into the
appliance;
or
C. The appliance has been exposed
to
rain; or
D.
The
appliance does
not
appear
to
operate normally or
exhibits a marked change
in
performance; or
E.
The
appliance has been dropped,
or
the enclosure dam-
aged.
19. Servicing -
The
user should not
attempt
to
service the
appliance beyond
that
described
in
the operating instruc-
tions.
All
other servicing should be referred to qualified
service personnel.
-
3
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Introduction
This manual covers the
122
MKIIl,
I l 2R
MKII,
and I
12
MKII.
Your new TASCAM deck
is
a professional rack-mount 4-
track, 2-channel recorder/reproducer designed to offer
outstanding audio perfom1ance and convenient features.
Speed in operation is enhanced
by
CPS (Computomatic
Program Search)
(I
I 2R MKII only), 2-point Autolocator,
and Return-to-zero. Dolby* HX Pro
is
provided
to
improve
high frequency response. The bias
is
automatically set
to
its
optimum value for each tape in use ( except for the 122
MKIII).
With the 122
MKIII,
a built-in oscillator (400 Hz
and
IO
kHz) along with individual Bias and Level trimmers
can be used to maximize performance with any tapes. The
3-head design
of
122 MKIII and l l 2R
MKII
produces real-
time, off-tape monitoring.
We suggest that you read this manual thoroughly
before using the machine. Even though a quick glance
will get you going, careful study will ensure that
misunderstanding won't slow
you
down.
Table of Contents
Note for U.K. Customers
..............
,____
2
Safety
Instructions______
,
_____
......
3
Introduction___
·-----
,
____
4
Optional Accessories
...................
,
___
...............................
4
Controls and Indicators
____
................
,
____
.5-9
Basic Operation
........
,
____
....................
.........10
Recording
........................................................
10
Playback
..........................................................
10
Erasing a tape
...................................................
10
Special Features
...............................
____
...
..
...........
11-14
Autolocator functions .
..
...................................... I I
Repeat play
......................................................
12
Recording a blank space between programs ............. I 3
Using CPS (Computomatic Program Search)
(I
12R MKII only)
...........
..........
............
............
13
Bias and Recording Level Calibration
(122 MKIII only)
.......................
----····
..
•·
........................
1s
Dolby HX PRO.
___
...................
____
,
.................
16
Care and Maintenance
.......
_____
----16
Specifications ............................................................................. 17-18
Block Diagrams .......................................................................... 19-20
* Dolby noise reduction and HX PRO headroom extension
manufactured
under
license from Dolby
Laboratories
Licensing Corporation. HX PRO originated by Bang and
Olufsen. "Dolby", the double-D symbol
"
□□"
and "HX PRO"
are trademarks
of
Dolby Laboratiries Lisensing Corporation.
Optional Accessories
RC-134 Remote Control Unit
(for 122 MKlll/112 MKII)
Cable length·
[jsmt15ft
TASCAM
AC-1M
REMOTE
CONTROi.
UNIT
I
,_
--
[[]]
OlrJlO
I
-
·-
-
□□
142mm
RC-112R Remote Control Unit
(for 112R MKII)
[r]
Cable length·
FT
s m/15ft
~
TASCAM
RC-112R
REMO~
COHTIWl. UNIT
E
I
i•-
1--
I
rJJO
t:JO
I
...,
-
·-
<I
"'-AY
I
□□
t:] t:]
142mm
I
I
LA-112 Balanced Amp/Connector Kit
(for 112 MKll/112 RMKII)
~
. /
~~
LA-112
••
/
<W
I~
~
~"'
:>·1/.
~
~
.
(!J,
~
"l,
"I,
PB-32 Series Patch Bay
Head Demagnetlzer
HC-1
Head Cleaner &
RC-1
Rubber Cleaner
(U.S. Only)
TZ-261 Cleaning Kit
(Except U.S.)
4
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Controls and Indicators
1 2
10
11
14
122MKIII
0
TASCAM
122M
K
ID
0
0
0
3
4
5
6
7
8
91921252726
27
2220
13
15
16 17
18
1
2
10
11
12
14
112RMKII
0
TASCAM
112RMKil
0
-BB
.
tJB.
'§.
~-
·
~o
0
~
0
CTI)
I
@)
0
0
3
4
5
6 7
8
9192123
24
222013
15
16 17
18
1 2
10
11
12
14
112MKII
0
TASCAM
112MKil
0
BB
tJB
'§.
~-
·
~
0 0
~
0
0
0
0
3
4 5 6 7 8 9 19
21
22
20 13 15
16
17
18
5
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1. POWER : Switches power on to the unit.
Each time you turn
on
the deck, the last on/off status
of the ADJUST switch (122
MKIII only) and Auto
Reverse (
c--.:>
/
:::::::::,
) switch (112R MKII only) and
the last play/record direction as set with the
DIRECTION switch (112R MKII only) are retrieved from
a backup memory.
2.
EJECT : Opens the cassette compartment.
3. PITCH CONT : Provides about a plus
or
minus
12
%
variation to the tape speed
in
both Play and Record modes.
Unless you use the function intentionally, make sure that
the knob is at its OFF position for the tape to roll at
nom1al speed (1-7/8 i.p.s. or 4.8 cm/sec.).
4.
REW : Winds the tape at high speed
in
reverse.
If
pressed during Play Pause, enables reverse cueing.
5. F.FWD : Winds the tape at high speed
in
the forward
direction.
If
pressed during Play Pause, enables the forward
cueing.
6. STOP : Stops all tape motion.
7. PLAY : Starts playback.
If
pressed together with
RECORD, starts recording.
If
pressed during Record Pause,
resumes recording.
8. PAUSE : Temporarily stops play
or
recording ; to
resume the function interrupted, press PLAY.
If
pressed
together with RECORD, activates Record Ready mode,
allowing you to start recording
by
pressing PLAY only.
9.
RECORD : Starts recording when pressed together with
PLAY.
10. Tape Counter : Displays the distance from a zero
reference point, selected by pressing RESET (-99
M 59 S
to 99
M 59 S with the 122 MKIII and I I 2R
MK.II
;
or
00
00 to 99 99 with the 112
MKII).
A type of tape
in
use (NORMAL, CrO2
or
MET AL) is
indicated on the right hand side
of
the tape counter, and the
monitor source
too-"INPUT"
lights unless tape signal
is
feeding the front PHONES and rear OUTPUT.
6
NOTE
122 MKIII and 112R MKII : The tape counter is not a
clock. Its reading depends
on
the tape length, relative
tape packs on both reels and other mechanical
factors. Use a watch to measure the correct length of
particular program.
Discrepancy between measurements on the tape
counter and a clock (from beginning
to
end, one-way
run) :
Normal/CrO2
Metal
C-30
+3 min. 00 sec. to
-
4 min. 00 sec.
C-46
+ 1 min.30 sec. to
+2 min.00 sec.to
2 min.45 sec.
3 min.15 sec.
C-60
-45
sec. to +30 sec.
O min.00 sec. to
+1
min.15 sec.
C-90
-1
min.30 sec. to
-1
min.15sec.to
-30
sec.
O min. 00 sec.
C-30/46 measurements made with narrow hub cassettes.
11. INPUTS, L and R : Allow individual control
of
both
channel levels.
122
MKIII
: Both controls are geared together to allow
simultaneous adjustment
of
the record level
of
both
channels. Each channel can be adjusted independently
by
holding one knob and turning the other.
12.
VU
meters : Indicate input
or
tape signal levels
depending on the transport mode and the MONITOR switch
setting.
13. MONITOR : Setting to INPUT routes the input
signal to the PHONES and OUTPUT jacks, whatever the
transport mode.
If
set to AUTO, the input signal can be
monitored in Record Pause (Ready) mode, and the tape
signal while recording (off-tape monitoring)
or
playing.
The VU meters also switch the same way.
The 112
MK.II
does not provide off-tape monitoring ; you'll
hear the input signal instead while recording is taking place.
14. OUTPUT : Adjusts the signal level sent to the
OUTPUT jacks on the rear panel.
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15. MPX FILTER : Por making Dolby recording
of
FM
broadcasts. Without this filter, the pilot tone (
19
Hz) and
subcarrier note (38 kHz) contained in FM programs may
"thwart" the DOLBY NR system.
16. DOLBY NR : Selects the Dolby B
or
C Noise
Reduction system or defeats them.
17. INPUTS, L and R : These 1/4"
jacks
accept
unbalanced line-level signals.
NOTE
Connecting signals to the front input jacks defeats the
rear input jacks. You cannot use both jacks at one
time.
18. PHONES: The knob adjusts the listening level
in
the
headphones plugged into the adjacent jack.
19. REPEAT : Initiates repeat play between Memo l and
Memo 2 (p.12)
20. MEMO
IN
:
If
pressed together with LOC l
or
2,
stores the current tape point into memory.
a MEMO
IN
cannot operate during repeat play
or
when
the tape is fast-winding as a result
of
pressing either
LOC.
21.
RTZ
: Fast-winds the tape at either direction, stopping
when the tape counter reads
00
00. Inertia may carry the
tape slightly past the
00
00 point.
22. LOC, 1 and 2 : Locate the tape to Memo I and
Memo 2 points, respectively.
23. DIRECTION (112R MKII only) : Switches over
the tape side to play
or
record.
a DIRECTION cannot operate during :
o Repeat play
o Search with LOC
or
CPS
o Fast cueing
o 4-second blank recording
a
If
pressed while in F.FWD
or
REW, switches the tape
side to play (or record) only when the tape reaches the
end
or
beginning or whefl stop is pressed.
24. Auto Reverse (112R MKII only) : In one-time,
auto-reverse mode (
~
), both sides
of
the tape play or
record and stop. But, if play or record starts on the reverse
tape side, only that tape side plays or records and stops.
In continuous reverse mode (
c--.:>
),
the entire tape plays
up
to five times and stops, or both sides
of
the tape record
and stop.
25. ADJUST (122 MKIII only) :
If
pressed when
MONITOR is set to AUTO and the transport is in Record
mode, allows you to press the OSC and
IO
kHz switches
and to "fine tune" the BIAS and LEVEL settings. For more
details, see page
15.
26. OSC and 10 kHz (122 MKIII only) : Pressing
OSC after ADJUST allows you
to
get 400 Hz or l O kHz
oscillator signals for BIAS and LEVEL adjustments (you
get a 400 Hz signal unless you press the
IO
kHz switch).
27. BIAS/LEVEL trimmers (122 MKIII only) : For
precise calibration
of
the bias/record levels to the tape being
used.
7
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O The Rear Panel
28
29 30
32
31
33
32
31
28.
INPUT XLR-type jacks :
Accept
+4
dBm balanced
signals. Pin assignment : Pin 1
is
shield (ground), Pin 2
is
Hot(+), and Pin 3
is
Cold(-).
29. INPUT UNBAL/BAL switch :
Selects either the
XLR-type or RCA input jacks.
30. OUTPUT XLR-type jacks :
Transmit +4 dBm
balanced signals to your mixer, monitor amp, etc. Pin
assignment : Pin I
is
shield (ground), Pin 2
is
Hot ( + ), and
Pin 3
is
Cold(-).
31. OUTPUT RCA jacks
Transmit
-10
dBV
unbalanced signals.
32. INPUT
RCA
jacks :
Accept -
10
dBV unbalanced
signals.
33. Blank Panel (except 122 MKIII) :
Space for
mounting an optional balanced amp kit (LA-112).
8
0
0
122MKIII
34
112RMll/112MKII
34
When the LA-112 is installed, you who are using the
112R MKil/112 MKII will have access to the INPUT
XLR-type jacks (#28), the INPUT UNBAL/BAL switch
(#29) and the OUTPUT XLR-type jacks (#30) as with the
122
MKIII.
34. REMOTE CONTROL connector :
This 25-pin D-
sub connector is for controlling the transport from the
optional remote RC-112R (for l 12R
MKII)
or RC-134 (for
122
MKIII and 112
MKII),
or for fader start from a mixer.
A 25-pin connector (Part No. 53363571-00) and its jacket
(Part No. 5336358 I 00) are optionally available.
Fader start (122 MKIII and 112 MKII only) : Pins 22 and
24 are assigned for this function. The transport will toggle
Play and Pause, as depicted.
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REMOTE CONTROL
r;:::;,
0000000000000
'()'
~
000000000000
~
PLAY
!
I PIN NO.22
E
PIN NO
.2
4
FADER
REMOTE CONTROL Pin Assignment
Pin
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
2)
21
REMOTE CONTROL
0000000000000
000000000000
112RMKIII
122MKlll/112MKll1 t
Signal Function
Activates Jhe
PLAY
IN
corresponding transport
y y
mode, active at low level
FFIN
"
y y
REWIN
"
y y
PAUSE
IN
"
y y
STOP
IN
"
y y
RECIN
"
y y
Lets the next deck start
playing during sequential
START COMMAND play
of
two decks, active at N
y
low level (only when
ordered to provide the
function).
Not Used
- -
Indicates the tape travel
UP/DOWN OUT direction (UP : forward,
y y
DOWN : rewind)
Indicates either end of the
ENDTALLYOUT tape is reached, active at
N
y
low level.
Indicates the corresponding
F. PLAY TALLY OUT
mode is activated, active at
y
y
low level.
FFTALLYOUT
"
y y
REWTALLYOUT
"
y y
PAUSE TALLY OUT
"
y y
STOP TALLY OUT
"
y y
RECTALLY OUT
"
y y
Activates reverse side play,
R.
PLAY
IN
active
at
low level.
N
y
R.
PLAY TALLY OUT
Indicates reverse side play
N
y
mode, active at low level.
REEL PULSE
y y
Not Used
- -
R1ZIN
Fast-winds the tape to
y
y
00 00, active at low level.
Pin
22
Z3
24
25
Signal
Function
FADER START
Closed, Play; opened,
y
N
Pause
Not Used
-
-
GND
y y
+SV
Max.S0mA
y y
Y stands for Yes, N for No.
Input :
To
activate a function, the pin must be brought to
ground potential for 24 msec or more.
Tally
STOP
FAST
F.
PLAY
A.
PLAY
PAUSE
REC
END
Timing of Tally Outs
Key
Operation
I
--~------------------------·~' -
,
400m
SEC
(from
Fast
mode)
I
650m
SEC
(from
Play
mode)
'
____
--
___
-
__
-
___
-
___
-
___
L...---1
-
I
200m
SEC
(from
Stop
mode)
,
BOOm
SEC
(from
Play
mode)
I
--i-450-m-SEC
~rom
Stop-mode)
1
1
1000m
SEC
(from
R.
Play
mode)
200m
SEC
(from
Pause
mode)
'
!----1
- - 1-450~
-SEC
(fiom
Stop
mode)-_..._
__
_
1000m
SEC
(from
F.
Play
mode)
I
200m
SEC
(from
Pause
mode)
!---1
-
--1-
300m
SEC-(~om-Stop
mode)_,_
__
_
200m
SEC
(from
Play
mode)
!....____,
!
REC
PLAY
50m
SEC
(from
Play
mode)
I
450m
SEC
(from
Stop
mode)
,
REC
PAUSE
20m
SEC
(from
Pause
mode)
I
300m
SEC
(from
Stop
mode)
7------
600m
SEC
9
www.SteamPoweredRadio.Com
Basic Operation
10
Recording
OOl.BY NR MPX FILTER
MONITOR
~
-?
E5
E51
o-o
Playback
DOLBY
NR
MONITOR
~
mo
Erasing
a
Tape
If
you are using the 122
MKIII,
first adjust
BIAS
and
LEVEL
as per instructions
on page 15.
1.
Plug the record source into the front
or
rear input jacks.
If
you have plugged the record source into the rear jacks, set the
INPUT
switch
(on rear) to the appropriate position.
2. Set the
DOLBY NR
switch to the desired position, and the
MPX FILTER
switch to OFF unless you intend to record FM broadcasts.
3. Set the
MONITOR
select switch to AUTO.
4. Press and hold
RECORD
and press
PAUSE
to activate Record Ready mode.
5. Start your record source and adjust the
INPUT
controls so that the VU meters
peak at about 0, and adjust the
PHONES
control for a comfortable listening
level.
6. When everything
is
ready, press
PLAY
to start recording.
7. To stop recording, press
STOP.
Or
press
PAUSE
to temporarily stop recording;
to resume recording, press
PLAY.
I. Set the
DOLBY
NR
switch depending on the tape
in
use.
2. Set the
MONITOR
switch to AUTO.
3. To initiate playback, press
PLAY.
Adjust the
OUTPUT
and/or
PHONES
level controls as required.
4. To stop playback, press
STOP.
Or
press
PAUSE
to temporarily stop playback;
to resume playback, press
PLAY.
To erase a cassette tape not by cverwriting, set the
INPUT
controls to
O
and press
RECORD
and
PLA-Y
together.
To quickly erase both sides
of
a tape (except metal tapes), use the optional TEAC
E-2A Bulk Eraser.
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Special Features
Autolocator Functions
D Setting Memo 1 and
Memo 2 points
D Checking Memo Points
STOP
D Changing Memo Points
D Erasing Memo points
D Locating the tape
Press
MEMO
IN
and
LOC (
I
or
2) together at the desired moment. The tape
counter reading at that moment
is
stored into memory.
u
You cannot set any memory points during repeat play
or
when the tape is
fast-winding as a result
of
pressing either LOC.
When the tape counter
is
reset
to
00 00, your Memo points are automatically
recalculated, so that they stay the same relatjve
to
their original tape positions.
Press
STOP
and
LOC
1/2
together and hold them. The tape counter will read
the corresponding memory point until you release the buttons.
Each time you press
MEMO
IN
and
LOC
I
or
2, a new memory point
is
established and the previous memory point
is
erased.
All memory points are erased when you
o Tum off the deck,
or
o Eject the tape.
To Memo points :
Press
LOC 1
to locate the tape
to
the Memo I point, and
LOC 2
to the Memo 2 point.
Auto Play :
Press
PLA V
after
LOC.
The tape will automatically start playing
at the end
of
search operation.
Auto Pause :
Press
PAUSE
after
LOC.
The transport will automatically go
into Pause mode at the end
of
search operation.
To 00 00 :
Press
RTZ.
11
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Re~at
Play
12
'1,,,
- o-
1
:..!e~r
I
A repeat function continually plays a segment between two memory points.
l .
Mark the desired start point with
MEMO
IN
and
LOC 1,
and the end
of
the
segment you want to repeat with the
MEMO
IN
and
LOC
2.
2. Press
REPEAT.
The tape will be located
to
the Memo l point and start playing, automatically.
When
it
plays up to the Memo 2 point,
it
will again rewind to the Memo l
point to resume playback.
To exit the repeat mode,
press
REPEAT
again.
u
REPEAT is locked out during Record or Record Pause (Ready).
122
MKIII/112
MKII:
The Memo
l point does NOT have to be higher than the
Memo 2 point. The tape will play to the higher Memo point on the tape,
rewind to the lower Memo point.
l 12R MKII : The tape always plays to the Memo 2 point and rewinds to the
Memo l point : Memo 2 should be higher than Memo
l.
If
you press LOC
1/2
during repeat play, the tape will be located
to
the Memo
l/2 point and start playing
or
rewind to the lower Memo point.
If
you press a transport control, the function pressed
is
activated and the repeat
play mode
is
temporarily disabled; and the repeat sequence will resume when
you
o Press LOC l
or
2, or
o Press
PLAY
when you are somewhere inside the programed loop or at a
point lower than the start point
of
loop.
l 12R MKII :
To create a repeat loop over both tape sides,
use the
continuous reverse mode (
c--.::>)
:
I:::,.
: Start point (Memo 1)
.&.
:
End point (Memo 2)
-:Play
Opposite Tape Side
y
-
-►:
Skip
¢ :
Forward play direction
Tape Side Facing You
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Opposite Tape Side
Oppo,tte Tape
S~e
7
Opposite Tape Side
Leader
Tape
I
I
◄----
Tape Side Facing
You
Leader
Tape
[)
Tape Side Facing You
Only the last example can either be in one-time, auto-
reverse
::::::>
or continuous reversec-.-:>mode.
Recording a Blank Space Between Pro rams
STOP
Pressing
STOP
while holding
RECORD
down during Record records 4 seconds
of
silence, and the tape stops.
a
When a 4-second blank space is recording, all collfrols are locked out
except:
STOP, RESET, MEMO IN,
C-.-:>
,
:::::::>
(112R MKII only),
and
ADJUST
( 122 MKIII only)
a
122 MKIII :
If
the OSC LED is lit when you press STOP and RECORD, the
deck only goes illfo Stop mode.
Using CPS (Computomatlc Program Search) {112R MKII only)
STOP
r,:;e;:io1
~
CPS counts a blank space
of
about 4 seconds between selections (programs) to
locate the beginning
of
a specific one, letting the tape start playing after the search
operation.
I. When the tape is stopped, press
STOP
and
MEMO
IN
simultaneously. The
CPS mode is activated and the tape counter displays "I."
Pressing
STOP
and MEMO IN in other transport modes than stop, too,
activates the CPS mode, the transport going into stop.
13
www.SteamPoweredRadio.Com
14
FFWO
EJ
2. Specify how many selections from the current tape location
is
the desired
selection by pressing
MEMO
IN
as many times as necessary. Each time you
press MEMO IN the number
in
the tape counter window will increment. You
can enter up to
15.
You can hold MEMO IN
to
scroll
up
the numbers.
3. Depending on whether your selection
is
ahead
or
behind the current tape
location, press F.FWD or REW.
4. Each time a blank space
of
about 4 seconds
is
encountered, the tape counter
display will decrement, and at the end
of
search operation, the tape will
automatically start playing.
Before pressing F.FWD or REW
in
step 3 if any
of
the following
is
pressed,
the function pressed
is
activated and the CPS mode
is
disabled :
o Transport controls except F.FWD and REW
o RTZ
o LOC 1/2
o REPEAT
If
you press F.FWD or REW after once search starts, the function pressed
is
activated and the CPS mode
is
disabled.
In continuous reverse mode (
C--.::>
),
you can skip to a selection on either tape
side.
In once-through reverse mode (
:::=>
).
you can skip from the tape side facing
you to a selection on the reverse tape side, but you cannot skip from the reverse
tape side to a selection on the tape side facing you ; the tape will stop when
either end
of
the reverse tape side
is
reached.
High speed cueing functions (#4 and 5, page 6): Depending
on
some conditions such as type of
tape
in
use, environmental temperature and humidity, etc. reverse cueing may not possibly start, or may start
but not smoothly, if the current tape location is close to the beginning of the tape. Similarly, the forward cueing
may not possibly start as expected if attempted near the end of the tape.
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Bias and Recording Level Calibration (122 MKIII only)
L BIAS R
L LEVEL R
0
Tapes differ considerably in the bias required to record on them and
in
their
sensitivity. The
122
MKIII allows fine adjustment
of
bias to exactly match the
tape being used ; also the reference recording level can be precisely adjusted to
compensate for difference
in
sensitivity among tapes.
Before starting adjustment, clean the heads, tape guides, rollers, etc. and
demagnetize the heads and all metal parts
in
the tape path.
In you intend to make adjustment while monitoring through speakers, turn
down their volume to avoid damage
to
them.
Have at hand a crisscross screwdriver which fits in with the BIAS/LEVEL
trimmers.
1 . Load the tape.
2. Make the following settings :
INPUT level controls to O ;
OUTPUT level control to O ;
MONITOR switch to AUTO ;
DOLBY NR switch to OFF ;
MPX FILTER to OFF.
3. Press
PLA V and RECORD to put the deck into Record mode.
4. Press
ADJUST. then press OSC.
5. Tum the BIAS trimmers all the way to the left with the appropriate screwdriver.
6. Slowly tum the
BIAS trimmers (one at time) clockwise for maximum reading
on the VU meters.
Suggestions :
Tum
the trimmers
to
the left and right alternately to "pinpoint"
the exact maximum position.
If
the meter needles deflect all the way to the
right, adjust the LEVEL trimmers until the meters read about
O VU at a
maximum setting
of
BIAS.
7. Adjust the
LEVEL trimmers (one at time) for O VU.
8. While alternating the oscillator signal between
IO
kHz and 400 Hz
by
pressing
the
10 kHz switch on and
off
(still
in
record mode), adjust the BIAS trimmers
so that the
VU
meters show almost the same reading at both frequencies.
9. Set the oscillator to 400 Hz (IO kHz LED off) and readjust the
LEVEL
trimmers for O VU.
Repeat the procedure each time you change the tape, especially when you change
the type
of
tape.
15
www.SteamPoweredRadio.Com
Dolby HX PRO
If
the source you are recording
is
rich
in
high-frequency
signals, they can adversely affect the accuracy
of
the
recording and decrease the high-frequency response. The
Dolby HX Pro system takes care
of
these signals during
recording to prevent the accuracy
of
the recording from
decreasing and improve the high-frequency response (by 6
dB
or more).
The Dolby HX Pro system uses no encoding/decoding
process and a cassette tape recorded with this system can be
played back on any stereo cassette player
s.
Care and Maintenance
D
Cleaning the Heads and Tape Guides
All heads and metal parts
in
the tape path must be cleaned
after every 6 hours
of
operation, or before starting and after
ending a recording session.
I . Open the cassette door.
2. Using a good head cleaning fluid and a cotton swab,
clean the heads and tape guides until the swab comes off
clean. Wipe
off
any excess ceaning fluid with a dry
swab.
D Cleaning the Pinch Roller
Clean the pinch roller at least once each day the deck
is
used. Use a good rubber cleancer.
I. Clean the pinch roller with a cotton swab moistened
with rubber cleaner, until there
is
no
visible residue on
the pinch roller
2. Using a clean cotton swab, wipe
off
all excess rubber
cleaner from the pinch roller. Make certain that there
is
no foreign matter remaining on the pinch roller.
D
Cleaning the Capstan Shaft
After cleaning the pinch roller, clean the capstan shaft with
a cotton swab moistened with head cleaning fluid.
D
Degaussing the Tape Path
Slowly move
in
to the tape path. Move the degausser
slowly back and forth, touching lightly all metal parts in
16
+
10
dB
-
10
-20
-30
-40
I
250nWb
/m
,-..,/
20Hz
50
100
200
500
I k 2
HXP~Oon
I
----
~
I '
HXPROoff
,\
\\
"
10
20k
A typical example
of
effect
of
Dolby HX
Pro
(with Normal Tapes)
the tape path. Slowly move
it
away again to at least I m
(3
feet) from the recorder before turning if off.
122MKIII
Capstan Shaft
112RMKII
Erase Head
112MKII
Erase Head Rec/Repro Head
Pinch Roller
Capstan shaft
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Specifications
Tape.: Compact cassette C-30 to C-
90
(Nonnal/Ct02/Metal)
Track Format : 4-track, 2-channel
Head Configuration
122 MKiiI 4-track, 2-channel
Record (xl)/repro
(xl)
combination ·
head (amorphous)
Half track
Erase
head
(xl)
(ferrite)
l 12R MKII 4-track, 2-channel
Record (xl)/repro
(xl)
combination
rotary head (pennalloy)
Half track
Erase
head
(xl)
(ferrite)
112 MKII 4-track, 2-channel
Motor
Record/repro head
(xl)
(pennalfoy)
Half track
Erase head
(xl)
(ferrite)
122 MKIII FG servo direct-drive capstan motor x 1
DC servo reel motor x 1
DC ancillary motor x 1
l l 2R MKil/112 MKII :DC servo capstan motor x 1
DC reel motor x 1
DC ancillary motor x 1
Tape
Speed:
4.8 cm/sec. (1-7/8")
Pitch Control : +/-12% (approx.)
Line Input
- Rear RCA jack/front 1/4" jack
Nominal Input Level : -10 dBV (0.3 V)
Minimum Input Level : -18 dBV ( 126 m V)
Input Impedance : 20k ohms, unbalanced
- XLR-type jack (standard on 122
MKIII;
optional on
l 12R MKil/112
MKII-LA-112
required)
Nominal Input Level : +4 dBm (1.23 V)
Input Impedance : 1
Ok
ohms, balanced
Line Output
- RCA jack (rear)
Nominal Output Level : -
IO
dBV (0.3 V)
Maximum Output Level : -2 dBV (0.8 V)
Output Impedance : 1
00
ohms
Load Impedance : 25k ohms
or
more
- XLR-tyep jack (standard on 122 MKIII ; optional on
112R
MKWl
12
MKII-LA-112
required)
Nominal Output Level :
+4
dBm (1.23 V)
Minimum Load Impedance : 600 ohms
Headphone Output: 100 mW (8-ohm load)
Bias/Erase Frequency:
122
MKIII:
150 kHz
112R MKll/112
MKII: 100 kHz
Equallzatlon : 3180 µs + 70 µs (Ct02/Metal)
3180
µs
+ 120 µs (Nonnal)
Reference Recording Level :
250 nWb/m = 0 VU (315 Hz) (EIAJ);
With Dolby : 200 n Wb/m
=
-1
VU
Remote Connector : 25-pin D-sub (see also page 9)
Power Requirements :
USNCanada:
120 V AC, 60 Hz
U.K./Australia : 240 V AC, 50
Hz
Europe : 230 V AC, 50 Hz
Consumption :
122
MKlll/l
12R MKII : 23 W
112 MKII : 20 W
Dimensions (WxHxL) : 482 mm x 132 mm (rubber
feet not included)x 356.3
nt~
(19" x 5-3/16" x 14")
Weight:
122 MKIIl/112 MKII : 8.4 kg (18-8/16 lbs.)
112R
MKII:
8.7 kg (19-3/16 lbs.)
Typical Performance
Speed Accuracy:
122 MKIII: +/-0.5%
112R MKll/112
MKII: +/-1.0%
Wow & Fluttert > :
less than 0.04% WRMS
Fast Winding Time :
· 70 sec. (approx.) with C-60
Frequency Reponse,
Overa112>
(EIAJ, without NR)
122 MKIII
25
Hz to 20 kHz, +/-3 dB (Metal)
25 Hz to
19
kHz,
+/
-3 dB
(Ct02)
25 Hz to
17
kHz, +/-3 dB (Nonnal)
l 12R MKII 25 Hz to
19
kHz, +/-3 dB (Metal)
25
Hz
to
18
kHz, +/-3 dB
(Ct02)
25 Hz to
17
kHz, +/-3 dB (Nonnal)
112 MKII 25 Hz to
19
kHz, +/-3 dB (Metal)
25 Hz to
18
kHz, +/-3 dB
(Ct02)
25 Hz to 16 kHz, +/-3 dB (Nonnal)
Dlstorslon2> : less than 1.0%, at 1 kHz,
160 nWb/m (Metal)
SIN
Ratlo2>
(metal tape)
122
MKill/l
12R
MKII:
60 dB (without NR, ref.3%
TIID, WTD)
70 dB (with Dolby-B NR, over 5 kHz)
80 dB (with Dolby-C NR, over 1 kHz)
112MKII 59 dB (without NR, ref.3% THO,
WID)
68
dB (with Dolby-B NR, over 5 kHz)
78 dB (with
Dolby~~)
17
Channel Separatlon2>: 45 dB
or
better
(1
kHz)
Erase
Rat102>:
65 dB
or
better
(1
kHz)
In these specifications, 0 dBV is ~ferenced to 1 Volt, and
0 dBm is referenced to 0.775 Volt. Actual voltage levels are
shown in parenthesis.
t l Measurements made with TEAC test tape MTT-111
2>
Measurements made with TEAC blank test tapes MTT-
5571 (Metal),
MTT-5562
(CrO2)
and
MTT-5512
(Nonnal).
0 Specifications and features subject to change without
notice
or
obligation.
0
.....I.
......
[CJ
1
~
~I
Iii
~£111
~
D
I
0 0 0
C C
C
CJD
<ID
0
0 0
CJD
@)
8800000
• •
!IIll !IIll
ClID000@>
!
L--
------'==='
-
,__
0
0
(Illustration
shows
122
MKIII.
The
measurements
of
the
three
models
are
the
same.)
I
\
18
,
www.SteamPoweredRadio.Com
A
B
C
D
E
TASCAM
TEAC
11rofessional
Division
I
SCHEMATI
DIAGRAM
112RMKU
MAIN SECTION (2/2)
1
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MAIN
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Tascam 122MKIII Owner's manual

Category
Cassette players
Type
Owner's manual
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