Award Session AceTone is a guitar amplifier that offers a wide range of tones, from clean to distorted, and is particularly well-suited for replicating the sounds of early rock and roll and surf music. With two channels, A and B, the AceTone provides distinct sonic options. Channel A specializes in modern, high-gain distortion tones, while Channel B excels at capturing the classic "British Invasion" sound of the 1960s. The AceTone also features a built-in effects loop, allowing you to connect external effects pedals or processors to further customize your sound. Here are example settings provided by Charlie Hall, a leading authority on the Shadows and other early instrumental sounds, to achieve specific tones on Channel B:
Award Session AceTone is a guitar amplifier that offers a wide range of tones, from clean to distorted, and is particularly well-suited for replicating the sounds of early rock and roll and surf music. With two channels, A and B, the AceTone provides distinct sonic options. Channel A specializes in modern, high-gain distortion tones, while Channel B excels at capturing the classic "British Invasion" sound of the 1960s. The AceTone also features a built-in effects loop, allowing you to connect external effects pedals or processors to further customize your sound. Here are example settings provided by Charlie Hall, a leading authority on the Shadows and other early instrumental sounds, to achieve specific tones on Channel B:
Award Session AceTone is a guitar amplifier that offers a wide range of tones, from clean to distorted, and is particularly well-suited for replicating the sounds of early rock and roll and surf music. With two channels, A and B, the AceTone provides distinct sonic options. Channel A specializes in modern, high-gain distortion tones, while Channel B excels at capturing the classic "British Invasion" sound of the 1960s. The AceTone also features a built-in effects loop, allowing you to connect external effects pedals or processors to further customize your sound. Here are example settings provided by Charlie Hall, a leading authority on the Shadows and other early instrumental sounds, to achieve specific tones on Channel B:
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